Између декаденције и револуције: формативни распон српске лирике у првој половини 20. века

Author(s): Tihomir Brajović / Language(s): Serbian Issue: 155/2015

This paper, intended as a critically intoned history of Serbian poetry of the first half of the 20th century, consists of three segments. The first («Borders, inspirations, influences») deals with problems of periodization and aetiology, and centres particularly on external (French poetry) and internal (V. Ilić, L. Kostić) formative influences. The second part («Parnassianism-Symbolism, Impressionism, Decadence») is devoted to the poetry of Serbian Modernism (J.Dučić, M. Rakić, D. Marković, S. Pandurović, V. P. Dis etc.) with an accent on the shifts in the lyrical subject’s status and poetic sensibility in general. The focus is on the neglected importance of decadence as a phenomenon interpreted mainly ideologically and not aesthetically. The poetry and reflections of Stanislav Vinaver hold a liminal position - he started out as a Symbolist and later inaugurated and consequently defended avant-garde aesthetics. Apart from certain poets that created outside groups and schools (M. Nastasijević, D. Maksimović), in the final part («From Sumatraism and Zenithism to Dadaism and Surrealism») the author deals with avant-garde generation poetics and their influence on a formative evolution of modern Serbian poetry, focusing on the poetic radicalism of Dadaism and outstanding authors (M. Crnjanski, R.Petrović, R. Drainac, M. Dedinac, O. Davičo).

L’ultimo sogno di volo: Lamento sopra Belgrado (I)

Author(s): Rosanna Morabito / Language(s): Italian Issue: 155/2015

Питања идентитета: Растко Петровић и студије културе

Author(s): Kristina Stevanović / Language(s): Serbian Issue: 155/2015

This paper is based on the assumption that Rastko Petrović’s work anticipates the contemporary understanding of identity as a construct, as a complex and dynamic mesh comprised of identity constituents that constantly overlap, creating ambivalent subject positions. This research focuses on cultural, gender, and narrative identity, that is, on the modes of their construction analysed from the methodological perspective of interdisciplinary field of cultural studies. Using multiple theoretical approaches which reveal the relational and strategic nature of identity axes, it is shown how Petrović’s life and his poetics represent the paradigm of cultural, gender and narrative liminality. In this sense, the non-space of the threshold (limen) which always ensures that there is a kind of a new beginning, casts the light on Rastko Petrović’s effort to bring life into the art through the processes of constant selfexamination and renewal.

Српсковизантијско наслеђе у песништву послератног модернизма

Author(s): Marko M. Radulović / Language(s): Serbian Issue: 155/2015

This paper exhibits a systematization of the forms that Serbian-Byzantine heritage took in the poetry of Vasko Popa, Miodrag Pavlović, Ljubomir Simović and Ivan V. Lalić. We designated the creative transformations of that heritage in modern poetry by new poetic categories: lyrical religiosity, internal transcendence of poetry, scribe’s (dijak’s) poetics, lyrical theodicy. Thus we encompassed the complexity of medieval themes, determined by the individual poetics of different poets, and built them into poetic categories common to old Serbian literature and Modernist classics. We attempted to show the constancy of form and the similarity of spiritual experiences that caused the appearance of Serbian-Byzantine heritage in the poetry of post-war modernism, i.e. to point towards a mutual deep kinship among the selected poets on one side and their spiritual kinship with the (often anonymous) medieval Serbian writers. The described poetic forms and constituted new poetic categories we derived from modern lyrical poetics represent an attempt to base a problem approach to Serbian-Byzantine heritage and hint a possibility of its immanent exploration in the opuses of other poets in the context of Serbian literature after World War II.

Вилијам Шекспир и идеја модернитета: homo novus и елизабетинска епистема

Author(s): F. Francesco Marroni / Language(s): Serbian Issue: 155/2015

The dramatic plays of William Shakespeare represent not only the artistic expression of a genius who explored human nature in all its complex and multiple forms, but also an important interpretative key to understand the great epistemic transformations that occurred between the end of the sixteenth and the beginning of the seventeenth century. While envisaging modern man’s psychic torments and dilemmas, Shakespeare adopted a language that was already grafted on the modern world, since it also contemplated the idea of nothingness as the unavoidable trait of human experience. The fact that there was something absurd about the human condition – which became even more evident with the gradual albeit inexorable ending of the Medieval order centred on the Great Chain of Being – in no way eluded him

Дигитална библиографија периодике у књижевноисторијским и културолошким истраживањима

Author(s): Vesna Matović / Language(s): Serbian Issue: 155/2015

A bibliography of periodicals is, without a doubt, not merely the first phase of research, it is often the necessary precondition for any substantial research of literary periodicals and new insights into poetic and literary historical research of national literature. The digitalisation of existing and future bibliographies opens entirely new possibilities for researchers. By using the journals and magazines of the Serbian Modernist epoch as an example, and comparing them with similar experience of the researchers who dealt with Austrian expressionist periodicals, we wish to demonstrate the intended functions of a digital bibliography and the insights it could offer to contemporary scholars of the Serbian literary and cultural past.

Sala declamationum

Author(s): Leo Rafolt / Language(s): Serbian Issue: 155/2015

Књижевнокритичарски посао историје књижевности

Author(s): Marjana Đukić / Language(s): Serbian Issue: 155/2015

У одсуству мајстора

Author(s): Aleksandra M. Ugrenović / Language(s): Serbian Issue: 155/2015

Momo Kapor’s Rhapsody in Red: Building a National(ist) Can(n)on

Author(s): Nataša Kovačević / Language(s): English Issue: 155/2015

Култура маргине

Author(s): Jelenka Pandurevic / Language(s): Serbian Issue: 155/2015

O стигмaтизaциjи ’jужњaчких диjaлeкaтa’ и српскoj нaциoнaлнoj имaгинaциjи

Author(s): Marija Mandić / Language(s): Serbian Issue: 155/2015

Богдан Поповић: ред-по-ред

Author(s): Bojan Čolak / Language(s): Serbian Issue: 155/2015

Канонизовање жанра?

Author(s): Uroš Tomić / Language(s): Serbian Issue: 155/2015

Нова студија о савременом историјском роману

Author(s): Tijana Tropin / Language(s): Serbian Issue: 155/2015

Размишљена књига

Author(s): Nina Z. Govedar / Language(s): Serbian Issue: 155/2015

Приручна наука

Author(s): Igor Perišić / Language(s): Serbian Issue: 155/2015

Tрaнскултурнe студиje књижeвнoсти

Author(s): Author Not Specified / Language(s): Serbian Issue: 155/2015

Ивaнићeв “Кoвчeжић”

Author(s): Author Not Specified / Language(s): Serbian Issue: 155/2015

Особен књижевнокритички рукопис

Author(s): Author Not Specified / Language(s): Serbian Issue: 155/2015