Panorama inna niż wszystkie
Book review of: Panorama współczesnej filozofii, Jacek Hołówka, Bogdan Dziobkowski (ed.), Wydawnictwo Naukowe PWN, Warszawa 2016, pp. 559.
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Book review of: Panorama współczesnej filozofii, Jacek Hołówka, Bogdan Dziobkowski (ed.), Wydawnictwo Naukowe PWN, Warszawa 2016, pp. 559.
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Criticism and critical approach combines ideas coming from humanism, enlightenment, philosophy of life. In our contemporary critical thinking is what distinguishes a sane person of ordinary user of information. Quality of life is determined by the quality of thinking, and it is the basis of the quality of questions that we ask. Critical thinking is an important communicative and power factor in many areas of the society, in order reads. The more conscious personality is, the more likely it is to take the right decisions for yourself.
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Philosophy has always been a model and paragon of discursive knowledge.In its essence it is a dialogue of humans with nature, society, the others and with themselves and is characterised by reflexiveness, orderliness,universality and democratism. At present discourse is a dominant procedure not only in linguistics, ethics, social studies, etc., but it is also turning into a prevalent form of social self-control in political and human relations which is a fulfilment of the meaning and purpose of philosophy.
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We argue the ontological character of information, along with energy and substance, as well as the structural-phenomenological unity at all scales and levels of reality. We use an interdisciplinary, inductive-deductive methodology, within the broad framework of the naturalistic conception. We start from the current reality, which is the impact of information technology, information networks, virtual reality and artificial intelligence, insisting on the role of information in the gnosiological approach. The preponderance of the logical reductionist positivism in the scientific research and the exaggerated focus on the particle and high energy-physics, made possible that the problem of information be almost completely eluded. Even Shannon and Weaver’s information theory considers information only from a quantitative viewpoint, and only through its relation to entropy and the second law of Thermodynamics. The development in the nonlinear dynamics field of chaos theory, fractal geometry and topology, and especially the spectacular development of information technology in the last two decades, needs a systematic analysis, including the defining of information and its importance in the structuring of reality along with energy and substance. From this perspective, all our concepts, starting from physical reality to psychological imaginary reality, can be coherently understood through the same paradigms, irrespective of whether we are talking about the conservation law, the Euclidean dimension, fractal or topological dimension or the multidimensional processing mechanism through syntactic, semantic, pragmatic and hermeneutic processing of the human and artificial language and knowledge in general. This informational paradigm assumes the existence of a functional, phenomenological, potential background represented by information and which can be mathematically modeled through topology. The semantic emergent logic (semantic emergent topology when applied to the reality structuring) can help to elucidate the old mind-brain dualism, with solving other paradoxes, particularly the theory of emergence.
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The understanding of human consciousness as a kind of computer is insufficient and even irrelevant, taking into account the modern advances in the development of cognitive science. The author argues that a certain paradigm shift in the understanding of human consciousness and its creative abilities takes place. Consciousness is rather dynamic and autopoietic entity that is embedded into environment and intimately related with the human body. Consciousness is embodied, situated and enactive. A great contribution to this conception of human consciousness (mind) is made by Francisco Varela and his followers. Autopoiesis of consciousness means that it is able to maintain its integrity in the processes of self-organization in the permanently changing environment. An autopoietic activity of consciousness it directed to the search of elements that are missed, it longs for completing integral structures. For these reasons, it is possible to create a new, fresh view on the creative activities of consciousness, if we base our notions on the modern theories of complexity, dynamic chaos and self-organization. In the theoretical frames, chaos acquires a creative image; it is not simply a destroying force. Complex structures emerge in chaos and out of chaos. Chaos is organized and it organizes. When destroying, it builds. Chaos has many facets. Chaos is a way of renovation of complex organizations. A periodical immersion of human consciousness into chaos is a way of stimulation of its cognitive and creative activities.
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Contemporary cognition theory claims to be a separate branch, separate from philosophy. Would that mean that the other major pillar ontology would also become independent? What will be left of the philosophical body in that case? This, however, will not be a topic to be dealt with here, but only with this side of epistemology that is relevant to anthropology and the social sciences. The context of anthropology will give another status of knowledge theory to the human world, which is socially constructed. The problem of reality and truth will be related to what people believe and adhere to.
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The central idea of the present text is to show that in the formation of the students of tomorrow's world, a fundamental role belongs to the idea of curiosity. Scientific knowledge has recently become, thanks to technological development and the increasingly computerized era, a way of life in which the skills to understand and handle the applications and software increasingly present in everyday life have become inherent requirements of a life quality. Therefore, there is a need for education based on scientific knowledge to be much more present in the school curriculum of the students who will form tomorrow's society. Perhaps one of the most effective means by which students benefit from a science education is the systematic stimulation of native curiosity. We show some ethological and neurological foundations of curiosity that we consider sufficient for a reformulation of standard pedagogy.
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In the 1990s, posthumanism gained popularity in interdisciplinary research, and its concept of the personification of technology and the “cyborg” offered a wide scope for science fiction. But as early as the 1970s, Polish science fiction novelist Stanisław Lem had already made a manifesto of posthumanism in his work, in which he created Golem XIV, a typical cyborg, and expressed his own views on the relationship between human and technology, human and non-human, etc. through the narration of this artificial intelligence. In his book, he created Golem XIV, the archetypal cyborg. The philosophical ideas of Lem in Golem XIV not only coincide with the present theories of posthumanism in many ways, but also have some insightful thoughts that go far beyond the framework of posthumanist thought and are more forward-looking. This paper includes the history of the development of the discipline of posthumanism, discussion on the content of Lem’s Golem XIV, an in-depth analysis of posthumanist thinking, and Lem’s own unique philosophical views in the hope of providing new ideas for interpreting Lem’s work.
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The paper focuses on studying public attitudes toward science in Bulgaria and the role of political discourse in shaping public expectations and perceptions. The study's methodology includes an analysis of theoretical concepts and their empirical verification with data from a quantitative Eurobarometer survey (Special Eurobarometer 516) and a discourse analysis of the representation of the scientific sphere in the public debate. The Bulgarian social reality clearly shows a blurring of the role, nature, and participation of science in societal development, the imposition of populist societal expectations towards it, as well as political statements that abuse the reputation of the scientific sphere and its representatives.
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The article aims to analyze the relationship between food and identity from an aesthetic and ethical perspective. New media and technology are seen as a tool for constructing and demonstrating identity. Eating practices and the understanding of food in the modern world are explored from the perspective of symbolic meanings. The analysis focuses on the concept of identity in social networks and popular culture. The methodology is textual and visual content analysis in new media. The text distinguishes between the traditional approach to food with a central concept of 'taste' and the new media context where the approach focuses on 'image'. From an ethical point of view, the relationship between the (non)consumption of meat and animal products and the identity that is widely advocated in the modern lifestyle culture is analyzed.
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Kordian Bakuła’s article deals with chosen problems of ecological humanities. Adolf Dygasiński’s short story has been regarded as a precursor of contemporary trends in the humanities due to the way in which it addresses issues which are alive and topical nowadays: natural cultivation of truth, sensual and direct cognition, coexistence and compassion with nature. According to Bakuła, they constitute the project of the natural secular humanities.
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Reverend Józef Tischner was undoubtedly one of the most outstanding Polish philosophers of the second half of the twentieth century. What we owe to this student of Roman Ingarden is the flourishing of phenomenology and the philosophy of dialog not only in our domestic philosophical, but also sociological, psychological, and anthropological thought. His philosophy of drama is an original and very important current, which is enriched not only by the “Queen of the Sciences” but also offers great support to the related sciences, particularly sociological sciences. Within them, subjectivity is an extremely important subject of contemplation. This article is a sketch of the analysis of the benefits that a sociologist, researcher of subjectivity, can derive from reading Józef Tischner’s works.
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Jorge Carrión’s novel Membrana represents itself as a leaflet for the “21st Century Museum”. This intriguing premise produces in the contemporary reader a state of cognitive estrangement, as she needs to contemplate his present as the past. However, Carrión’s repertory of disconcerting strategies does not end here. His narrator is a female artificial intelligence that uses plural pronouns to identify herself (or themselves). Coming to terms with this machine will be the main purpose of the exhibition’s visitor, forced to make sense of an entangled history created by someone with a different sense of time, different ideas about cause-effect relations, and a different understanding of what truth is. This article’s aims is to describe the mechanisms used by Carrión to build the algorithm’s voice while exploring its political and epistemological possibilities.
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In the article, Anna Musioł, by referring to the assumptions of Marian Massonius’s doctoral dissertation and taking into account the assumptions of his several smaller works, considers Massonius’s approach to the Kantian system of critical philosophy. Analyzing, inter alia, the problem of analytical and synthetic judgments, and a priori synthetic judgments, Musioł addresses the issue of the possibility of pure mathematics. She considers the problem of time and space and analyzes the ways of presenting Kantian antinomies and the theory of cognition developed in the context of idealism and realism as well as the realism of time and space. Additionally, Musioł focuses on the problem of Massonius’s moderate agnosticism and his scientific approach to philosophy. Finally, she proposes an answer to the fundamental question, Why did Massonius, like the early neo-Kantist Liebmann in 1865, challenge a return to Kant (Zurück zu Kant!) and advocate as necessary the development of a critical formula of the a priori forms of the mind?
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In his article, Kacper Tochowicz analyses and interprets the ending of Margaret Atwood’s MaddAddam Trilogy. He focuses on the idea of utopia in postapocalyptic literature as a method of negating the systemic assumptions of late capitalism. Taking this context into account, Tochowicz reads the trilogy in the perspective of posthumanist discourse’s search for human and non-human subjectivity. In terms of methodology, Tochowicz’s analysis is based, on the one hand, on the critique of capitalism and, on the other, on the philosophy of posthumanism. Hence, the most important sources of this approach are Fredric Jameson’s reflections of on the place of utopia in the contemporary world and the philosophical theories of Rosi Braidotti and Bruno Latour. Tochowicz’s main goals are, first, to show how Atwood’s novels can be considered as posthumanist utopias, and, to inquire about the role non-human beings in MaddAddam in relation to Homo sapiens. The interpretation’s aim is to describe the mechanisms governing a world in which man no longer occupies a central position.
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The purpose of this article is to trace the behaviour of a traumatic affect based on the reading of Yusef Komunyakaa’s “Facing It,” a poetic ekphrasis of the Vietnam Veterans Memorial. Tracing the manners in which war trauma is worked through and acted out by the speaker, this paper discusses how trauma eludes both compensating processes. At the same time, the nonhuman or inhuman features of trauma are analysed alongside the nonhuman agency of the memorial. The intersection of both nonhuman modes of being makes it possible to align the trauma discourses with materialist criticism. In addition, the traumatic experience is discussed through its tactile connotations following Komunyakaa’s poem and Maya Lin’s commentaries to her monument. Touch turns out to be a potent category capable of capturing the dynamics of a traumatic affect and a promising trope on which new ethical modes of being together in trauma might be founded. Hence, the aim of this article is fourfold; it attempts to: (1) analyse how Komunyakaa’s poem, informed by the selected developments in materialist criticism and trauma studies, might illustrate and expand the affect of trauma; (2) deepen our understanding of the intersections of the material and the traumatic; (3) investigate how the speculative reorganisation of human and nonhuman boundaries, inspired by “Facing It,” might help in assessing trauma, which necessarily resides at the edges of subjectivity; and (4) propose how the figure of trauma based on vulnerable and transformative limits might revise our understanding of community and formulate an ethical obligation for the traumatic times we live in.
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In the philosophical article I would like to formulate a statement that the humanities are Geisteswissenschaften, although I am far from naively repeating the 19th century slogans. I respect what happened in the humanities in the 20th century, but it seems to me that it is possible to refer to old concepts anew, giving them new life. One such concept is the concept of spirit (der Geist). I am trying to give it new meanings by bringing relationships with space to the foreground (moving relationships with time to the background). The space, however, is thought differently than traditionally. The spirit turns out to be the space of the humanities.
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The aim of the article is to analyze Gaston Bachelard’s psychoanalysis of the scientific mind in its practical dimension. Inspired by Sigmund Freud’s psychoanalysis, Bachelard deployed his own method to analyze the scientific unconscious, populated by epistemological obstacles inhibiting scientific cognition. As this article seeks to demonstrate, Bachelard’s psychoanalysis aims to purify, and thereby streamline the cognitive mind on two levels: individual and historical. Bachelard’s methodological experiment, transferring psychoanalysis into the spheres of the theory of knowledge and philosophy of science, turns out to be, at the same time, an instance of the architecture of a scientific mind, a polemic with cognitive realism and empiricism, and a postulate of analytical therapy in the field of cognition.
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The complexity of cultures in the modern world is beyond human comprehension. Cognitive sciences cast doubts on the traditional explanations based on mental models. The core subjects in the humanities may lose their importance. The humanities have to adapt to the digital age. New, interdisciplinary branches of the humanities emerge. Instant access to information will be replaced by instant access to knowledge. Understanding the cognitive limitations of humans and the opportunities opened by the development of artificial intelligence and interdisciplinary research necessary to address global challenges is the key to the revitalization of the humanities. Artificial intelligence will radically change the humanities, from art to political sciences and philosophy, making these disciplines attractive to students and enabling them to surpass current limitations. The main goal of this article is to alert people working on different branches of humanities that a new wave of very advanced technology is quickly coming, enhancing human intellect in an unprecedented way.
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The text reflects on the issues of wokeness and culture wars in regard to mainstream cinema and its reception. Building on the author’s own ethnographical fieldwork within film industry, it addresses the question of desired anthropological approach to the discourse about representation in popular culture. The case of backlash against certain elements of popular fantasy live action series The Lord of the Rings: Rings of Power and The Witcher is used by the author to argue for intersectional analysis rooted in economic perspective that exceeds identity-oriented, binary discursive setup, in search of more nuanced social knowledge, which is something that should constitute anthropological presence in public debate.
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