Hipnoza i kritika: filmska muzika za Balkan

Author(s): Stathis Gourgouris,Dušan Đorđević-Mileusnić / Language(s): Serbian Publication Year: 0

Potreba za mišljenjem o Balkanu danas nas upućuje s one strane radikalne neposrednosti događaja. Ovo kažem, iako se može učiniti da je to protivno rezonu, zato što se, čak i u ovim neuobičajenim prilikama brzog razumevanja veličine događaja, ne{to uvek oseća kao nedokučivo, tajanstveno, neomeđeno. Možda zato što duboko promišljanje, na kraju, ne može da izdrži paljbu stalne neposrednosti – ili, da kažem to drugačije, zato što misao o istoriji-koja-je-u-dubini ne može da izdrži paljbu istorije-koja-se-događa – očigledan neuspeh konceptualizovanja Balkana s one strane njegovih elementarnih istorijskih/kulturnih/političkih granica postaje sve više akutan.

Hana Arent i Aristotel: jedna apologija pripovedanja

Author(s): Julia Kristeva / Language(s): Serbian Publication Year: 0

Čini se da je karika koja nedostaje, a koja povezuje mladalačke tekstove Hane Arent sa njenim kasnijim, slavnim delima o totalitarizmu, upravo shvatanje ljudskog života kao političkog delovanja koja se otkriva u jeziku neke pripovesti ∞une histoire≤ (story i history). Pre nego što pročitamo njene zrele tekstove, potrebno je, dakle, da se pozabavimo onim što nam izgleda kao apologija pripovedanja kod Hane Arent, a što dijagonalno preseca čitavo njeno istraživanje.

Karl Kraus

Author(s): Walter Benjamin / Language(s): Serbian Publication Year: 0

Stari bakrorezi imaju glasnika, što pritrčava vičući, razbarušene kose, mašući u rukama listom, koji pun rata i kuge, ubilačkog pokliča i bola, požara i poplava širi na sve strane »najnovije vesti«. Novine u tom smislu i značenju koje ta reč ima kod Šekspira, jesu Baklja. Pune izdaje, zemljotresa, otrova i požara iz mundusa intelligibilisa. Mržnja kojom progone nepregledno gamižući novinarski soj, pre je vitalna nego moralna, slična onoj sa kakvom se praotac okomio na naraštaj izopačenih kepeca-obešenjaka proizašao iz njegovog semena.

Samoubistvo prevodom. Uz Deridinu istinu u slici

Author(s): Aleksandra Mančić Milić / Language(s): Serbian Publication Year: 0

Mančić takes the translation of a fragment of La vérité en peinture by Jacques Derrida, as translated by Julio Cortázar in his short story “A Diary on A Short Story”, and examines its effects. In this sense, she tests the possibility or impossibility of drawing a general distinction between “original” and “translation” when the translated text becomes a part of a new original. May a fact that the original asks to be annuled as original and to find itself on the place of a translation be called suicide? Or a translating process is the one commiting suicide by obtaining such a result? Could it, even, be called a suicide, or what we are dealing with here is an other survival?

DaDa Gramofon (o upadima realnog ili o The galaxy of events – galaksiji događaja)

Author(s): Jovan Čekić / Language(s): Serbian Publication Year: 0

What Relations are possible to the galaxy of events and coincidence of meeting? There are a different approach from the artist, like Duchamp, novelist Joyce, to the philosopher Derrida. Each of them had a different solutions, but not as a final or universal, but rather as a game in a different context.

Gilberta Duranda czytanie Bachelarda. Antropologiczne struktury wyobraźni

Author(s): Ilona Błocian / Language(s): Polish Publication Year: 0

Bachelard i melancholia. Cień Schopenhauera w filozofii Gastona Bachelarda

Author(s): Jean Libis / Language(s): Polish Publication Year: 0

FORMAREA GUSTULUI ESTETIC AL ELEVILOR DIN CICLUL PRIMAR, UN OBIECTIV AL DIDACTICII MODERNE

Author(s): Iulia Postolachi / Language(s): Romanian Publication Year: 0

The article addresses the need to form the aesthetic taste of primary school students, as the presence of arts in education is based on the need to create a cultural capital, with all the associated positive effects, but also to pursue the collateral benefits that arts insertion can have on learning, teaching and assessment of certain school subjects. The formation of cultural consumer behaviors and of a cultural capital market are objectives of modern didactics, as it is found in all normative regulations based on the concept of aesthetic taste. Being an objective of aesthetic education, aesthetic taste is required to be achieved through all types of teaching and extracurricular activities in order to form intellectual feelings, moral beliefs and other aspects of the structure of human personality. The cultivation of sensitivity through aesthetic taste ensures favorable premises for the realization of the educational ideal.

Hudební vzdělávání od konce 19. století do 90. let 20. století se zaměřením na poslech hudby

Author(s): Pavel Šuranský / Language(s): Czech Publication Year: 0

Teaching of Music education was right from the beginning of music development characterized by the different functions in the perception of the music, which has, of course, changed significantly during the evolution of music. Music education is not just singing, the significant part of a comprehensive music education includes also the ability to listen to the music. At the time listening to the music works of art emotionally affected human emotional relationships between people, towards society and nation. The basic set of recommended songs of composers – home and international – has not changed much during almost whole century, as has not the main goal of music education: teaching students to establish diverse contacts with the music, so they would be able to accept and understand music as a special means of understanding the world. Lack of teaching children to “classical music” and our failure to awaken a direct interest in music, must lead to the fact that the current general music education almost does not contribute to the education of future listeners of artificial music.

ENTERTAINMENT AS A STANCE OF PUBLIC COMMUNICATION

Author(s): Mirela Ioniță,Veronica PĂSTAE / Language(s): English Publication Year: 0

Entertainment is a particular area of public communication, due to the aesthetic component of the messages. Artistic expression is primarily about emotionality, not rationality, and the originality of creation gives artistic value. Entertainment nowadays tends to contaminate the other functions of communication, namely information and persuasion. In contemporary society, the production of entertainment is industrialized. Contemporary culture is dominated by entertainment industry, especially in the fields of publishing, music, film and games. In this article, we shall summarize the content and specifics of entertainment as premises of the creative industries’ social impact.