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Performatív múltfeldolgozás – néhány elméleti alapvetés
In sociological terms, processing the past can be seen as a social function that can be carried out through a variety of public means: public speeches, parliamentary sessions, the setting up of statues and memorials, etc. In this sense, artistic processing is a so-called semi-intrinsic function: it can be carried out in other contexts, but if it takes place in the context of an artwork, it adds some essential aesthetic experience to the realization of the task.
More...Secondhand – Örkény Színház
Review on "Secondhand", directed by László Bagossy and Dániel Kovács D., Bálint Antal, Claudia Benkő, Bona Dyssou, Máté Dániel Sándor, Noémi Vilmos, Lili Walters; produced by Örkény Theatre, Budapest.
More...Carly Wijs: Mi és ők – Jurányi Ház
Review on Us/Them by Carly Wijs, directed by Benő Balázs Fehér, produced by Jurányi House.
More...Beszélgetés Carly Wijs drámaíróval
An interview with Belgian playwright, Carly Wijs.
More...A Táncarchívum volt és jelenlegi vezetői egy asztalnál: mire jó a táncemlékezet?
The Dance Archive has existed as an independent collection since 1987 as part of the National Museum and Institute of Theatre History (OSZMI), since 2013 under the direction of Tamás Halász. Petra Péter talked to him and the two former directors of the collection, dance historians Lívia Fuchs and Eszter Szúdy about the meaning, the way, the impact and the problems of processing the past.
More...A Woyzeck Hegymegi Máté rendezésében – Szkéné Színház
Multi-voice review on Woyzeck, directed by Máté Hegymegi at Szkéné Theatre, Budapest with comments by Klaudia Antal and Fruzsina Dézsi.
More...A vihar a Budapest Bábszínházban
Review on The Tempest by Shakespeare, directed by Rémusz Szikszai at the Budapest Puppet Theater.
More...A. P. Csehov: Három nővér – Figura Stúdió Színház
Review on Three Sisters by A. P. Chekhov, directed by István Albu at the Figura Studio Theatre, Gheorgheni.
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Comments on the Ghent Manifesto by Milo Rau, Stefan Bläske, Steven Heene, Nathalie De Boelpaep and the NTGent team.
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What is the mistake in the contemporary performing arts? Which conventions define what is a mistake: what is the traditional understanding of a mistake and how does its meaning change? What happens, for example, when contemporary theatre introduces awkwardness as a new aesthetic category: when and according to what code does what was previously a mistake become an aesthetic quality? Why is it a mistake in a tabloid, what it is not in another genre? In short, what makes something a mistake in one performance and not in another? Gabirella SCHULLER, theatre historian, Tamás GAJDÓ, theatre historian and Ármin SZABÓ-SZÉKELY, dramaturg, discussed these and similar questions.
More...A bukás és az esetlenség táncszínpadi lehetőségeiről: Keith Hennessy, Mary Pearson, Vágner Orsolya
Essay on possibilities of failure and awkwardness in dance theatre.
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István Albu, Szilárd Kányádi and Zalán Zakariás in conversation with Kinga Boros
More...Thomas Irmer interjúja Christoph Marthaler rendezővel
Interview with director Christoph Marthaler by Thomas Irmer.
More...Beszélgetés Berekméri Katalinnal
An interview with actress Katalin Berekméri.
More...Julius Caesar – Kolozsvári Állami Magyar Színház
A review on Julius Caesar by William Shakespeare, directed by Silviu Purcărete at Hungarian State Theatre of Cluj.
More...Hamlet – Örkény Színház
A review on Hamlet by Shakespeare, directed by László Bagossy at Örkény Theatre, Budapest.
More...A kortárs táncfilm nagy európai műhelyei, fókuszban Thierry De Mey filmrendezői munkásságával
Essay on European workshops of contemporary dance film, with a focus on the work of Thierry De Mey.
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