KOMPOZICIJA I TAČKE GLEDIŠTA U ROMANU LJUBAVNIK DUKLJE JEVREMA BRKOVIĆA
COMPOSITION AND POINTS OF VIEW IN THE NOVEL LJUBAVNIK DUKLJE BY JEVREM BRKOVIĆ

Summary/Abstract: Contemporary narratology does not view composition only as a principle of merging the elements of a literary work into a harmonious configuration. Much more than the technique of combining static and dynamic motifs, the poetics of composition becomes a series of convergently converging narrative perspectives of a literary work of art. From the semiological aspect, the story becomes an iconic sign for which the way of organizing plays a crucial role in aesthetic modification. One hundred years ago, Russian formalists dealt with the problem of organizing narration, emphasizing in their theories the separability of fabled and plot construction. They defined forms as the material or material from which the story is made, and summarizes it as the artistic organization of motifs, ie fable elements. In this paper, we will, therefore, try to include the way of spreading and the function of all points of view relevant to the constitution of a literary work in general, and then we will apply this theoretical concept to Brković's novel Ljubavnik Duklje.

• Details
• Contents