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New Testimonies Regarding the Erection of Mihai Eminescu’s Monument in Galaţi

Noi mărturii privitoare la ridicarea monumentului lui Mihai Eminescu la Galaţi

Author(s): Valentin Ţurlan / Language(s): Romanian / Issue: 1/1970

En utilisant une corréspondence inédite et les informations de la presse contemporaine, les auteurs se proposent d'apporter, dans cet arti¬cle, des nouvelles contributions concernant l'initiative d'ériger à Galaţi, en 1909—1911, un monument à la mémoire du grand poète roumain Mihail Eminescu. On conclut que cette action représente une page intéressante de l'histoire culturelle locale.

Boosting Contemporary Art in Romania: Interview with Mihai Suta and Dan Vuletici

Boosting Contemporary Art in Romania: Interview with Mihai Suta and Dan Vuletici

Author(s): Chris Deliso,Dan Vuletici,Mihai Suta / Language(s): English / Issue: 11/2012

In this extraordinary new interview, Balkanalysis.com Director Chris Deliso documents the experience and ideas of two visionary young Romanians working hard to develop and promote contemporary art in their country. Chris spoke recently with the pair, Mihai Suta and Dan Vuletici at the arty Scârţ loc lejer bar in their city of Timisoara to learn more about their project for proliferating contemporary art more widely. The project, taking place in one of Romania’s traditional cultural capitals, is meant to help the artists. Yet it also seeks to challenge the accepted understanding of art in Romania, the perception of its audience make-up, and the power structures that control its distribution and exhibition- all with a little help from the social Web and a spirit of volunteerism. Mihai Suta studied economics and political science at Timisoara University. He then worked for several years as a business developer for private investors in Romania, Hungary and Austria, and did the same for several multinationals in the last two years- while also devoting plenty of time in 2012 to the new art project. Dan Vuletici finished high school and university of fine arts, worked at various local agencies as a web/print designer then moved to London to build social websites for major corporations such as BBC Channel 4, Sony, Orange and more. Between these jobs, he also developed his painting skills, which he has turned into a profession as an artist.

Interview with Luminita Iacob realised by Mihai Dinu Gheorghiu (2014)

Interviu cu Luminiţa Iacob realizat de Mihai Dinu Gheorghiu (2014)

Author(s): Mihai-Dinu Gheorghiu / Language(s): Romanian / Issue: 33/2014

JOACHIM-PETER STORFA, The Political Writings of Mihai Eminescu

JOACHIM-PETER STORFA, Die politischen Schriften des Mihai Eminescu

Author(s): Heinrich Stiehler / Language(s): German / Issue: 02/1996

review of: ----------------------- JOACHIM-PETER STORFA, Die politischen Schriften des Mihai Eminescu. WUV-Universitätsverlag (Dissertationen der Universität Wien; Bd. 21), Wien 1995, 222 Seiten

"Mihai Eminescu"- National Romanian Poet. History and Anathomy of a Cultural Myth

"Mihai Eminescu- Poète National Roumain". Histoire et Anatomie d'un Mythe Culturel

Author(s): Ioana Both / Language(s): French / Issue: 01/1997

Redefining (the) Romanian (people) – Mihai Eminescu’ America vs Today’s Multiculturalism –

Redefining (the) Romanian (people) – Mihai Eminescu’ America vs Today’s Multiculturalism –

Author(s): Sorina Georgescu / Language(s): English / Issue: 19/2008

Keywords: multiculturalism; herderianism; ethno-culturalism; self-awareness; ethnic tolerance

The paper is a comparison between what I called ‘Mihai Eminescu’s age’, due to its relation to herderianism, and a rather negative vision of America as a cosmopolitan country, during the formation of Romania, on the one hand, and today’s redescovering of Romanian’history, during Multiculturalism, on the other hand. My thesis is that herderianism, understood as ethno-culturalism, fitted the 19th century Romanian dream very well, promoting the idea of self-awareness and self-confidence in the national values. My second purpose is to show that the play Take, Ianke si Cadîr may be seen today in the light of Multiculturalism as a pledge for ethnic tolerance.

Mihai Eminescu and Guy de Maupassant: a Simple Coincidence ?

Mihai Eminescu et Guy de Maupassant : une simple coïncidence ?

Author(s): Alexandra Viorica Dulău / Language(s): French / Issue: 2/2012

Keywords: coincidence; Eminescu; folklore; Maupassant; Pamfile

The paper presents the possibility of coincidence existing in their lives and in some of the works written by Mihai Eminescu and Guy de Maupassant. This coincidence may be thus found in their poetry and also in their interest for legends and fairy tales. But, folklore places Maupassant next to another Romanian, Tudor Pamfile, too.

MIHAI EMINESCU, MIRCEA ELIADE AND VASILE VOICULESCU᾽S WATER SYMBOLISM

MIHAI EMINESCU, MIRCEA ELIADE AND VASILE VOICULESCU᾽S WATER SYMBOLISM

Author(s): Mihaela-Gabriela Păun / Language(s): English / Issue: 07/2015

Keywords: water; symbol; aquatic symbolism comparative study; aquatic symbolic visions

The study ŗMihai Eminescu, Mircea Eliade and Vasile Voiculescu᾽s water symbolism. Preliminaries of a comparative study (I)ŗ is an application on the literary domain. It takes into consideration the symbol and the aquatic symbolism reflected intheoretical views and visible in the work of Mihai Eminescu, Mircea Eliade and Vasile Voiculescu. This primary impression is examined with the help of the symbolic concept as a conscience product as seen by J. Chevalier and A. Gheerbrant; semantic vector by Gilbert Durand; special type as open imagination in poetics by G. Bachelard and symbolic thinking by Mircea Eliade. In all mythologies the water is the symbol of all virtualities as an important source of the shapes that rises and reinstates cyclic in aquatic. Concerning Mircea Eliade „he thinks that the waters rule the beginning and the end of every cosmic and historic cyclic, supposing too, that the waters purify and regenerate because they annual the historyŗ (M. Eliade, 1992, p.188).

The second person prose: from Michel Butor to Mihai Zamfir

The second person prose: from Michel Butor to Mihai Zamfir

Author(s): Lucian Băiceanu / Language(s): Romanian / Issue: 31/2014

Keywords: Second person prose; Intersubjectivity; Point of view; Novel;

This paper proposes a comparative analysis of two novels written at second person: La modification by Michel Butor and Late education by Mihai Zamfir. The Romanian second person prose being a modern phenomenon that encompasses numerous examples in the Romanian literature also, has become increasingly appreciated. The analysis that we perform we will focus on how the intersubjectivity process is accomplished in both texts through narrative YOU, that becomes a form of alter-ego. Following the storyline and the construction of the characters in the two novels we will notice how the action is designed from the second person point of view. We will also try to determine the differences and similarities between the two texts proposed. Ultimately, we will identify the manner in which the phenomenon of second person prose has evolved from experiment to an innovative process in the literature.

Gheorghe – Mihai Popilian (28 octombrie 1926 – 10 februarie 2016)

Gheorghe – Mihai Popilian (28 octombrie 1926 – 10 februarie 2016)

Author(s): Virgil Mihailescu-Bîrliba / Language(s): Romanian / Issue: 1/2016

Keywords: Gheorghe – Mihai Popilian (28 octombrie 1926 – 10 februarie 2016)

Gheorghe – Mihai Popilian(28 octombrie 1926 – 10 februarie 2016)

MIHAI EMINESCU - HOUSES, FACES AND IMAGININGS BEYOND HIS OWN MYTH

MIHAI EMINESCU - HOUSES, FACES AND IMAGININGS BEYOND HIS OWN MYTH

Author(s): Diana Câmpan / Language(s): Romanian / Issue: 13/2018

Keywords: Mihai Eminescu, myth; poet;

This essay analyses several perspectives on the re-evaluation of Mihai Eminescu's personality during his own destiny inside the literary history he was part of. Our intention is to focus on several elements of the romantic destiny and to bring back to the attention of the researchers some characteristics of his personality, temperament and places the poet has sought as some protective places in which he can particularly live in his romantic manner. We will discover, once more, the so-called „myth of solitude" as a sign of Mihai Eminescu`s cultural nobility. We have many instruments approved in this sense, given by the numerous consecrated literary histories (from G. Călinescu or Edgar Papu to Zoe Dumitrescu-Buşulenga, Petru Creţia or Eugen Simion). Still, Eminescu as a "Concept" is due to be redefined and refreshed with new instruments, including memories, letters, diaries of his contemporary friends.

CONSERVATION OF THE MOSAIC PANEL „ARTA (ATTRIBUTES OF ARTS)” IMPLEMENTED BY MIHAI BUREA

CONSERVAREA PANOULUI DIN MOZAIC „ARTA (ATRIBUTELE ARTEI)” REALIZAT DE MIHAI BUREA

Author(s): Ion Jabinschi,Valeriu Jabinschi / Language(s): Romanian / Issue: 2(33)/2018

Keywords: mosaic panel; disassembly; technical; conservation; monumental artwork;

In this paper we propose discussing the issue of preserving the monumental artwork, namely the Arta mosaic panel (Art attributes), made by Mihai Burea (1972), on the facade of building No.7, from Kiev Street, Chisinau (the former Trade Union Palace, Râşcani district). The purpose of the research is the study of dismantling, preserving / conserving the mosaic panel in the national patrimony. This description of the process of dismantling and preserving / conserving the mosaic panel will serve as a practical example and methodical guide for studying mosaic techniques and technology.

Mihai Dragnea, The Wendish Crusade, 1147: The Development of Crusading Ideology in the Twelfth Century

Mihai Dragnea, The Wendish Crusade, 1147: The Development of Crusading Ideology in the Twelfth Century

Author(s): Marian Dygo / Language(s): Polish / Issue: 2/2021

Mihai Eminescu: The theory of the demagogic state and Oriental semi-barbarism

Mihai Eminescu: teoria statului demagogic și a semibarbariei orientale

Author(s): Ilie Bădescu / Language(s): Romanian / Issue: 2/2019

Keywords: demagogic state; peripherialization; semi-barbarity; despotic state;

The synchronization with the modern West did not directly induce an advance in the economic civilization of the West, but a new historical edition of Oriental Peripherialization. For such a phenomenon, Western theories of modernization had not proposed appropriate explanatory models. Unlike the movement of economies, culture can get away from the peripheral tendency if, in its environment, creative personalities are born and asserted, capable of responding to this new challenge specific to oriental history. Thus, the true teaching area, in which the lessons on reactions to the world's crises must be searched, is the Oriental area through its geniuses and the eponymous works of the peoples. Eminescu's manuscripts, his social, economic, political and ethnological journalism acquire an exceptional significance and value for the national policies of the Oriental peoples. This journalistic proves it, as we will show in the present study, referring only to one of the dimensions of its theoretical system, namely the theory of demagogic and despotic states with their effect: The Fall in Oriental Semi-barbarity.

Mihai Dragnea: Christian Identity Formation Across the Elbe in the Tenth and Eleventh Centuries

Mihai Dragnea: Christian Identity Formation Across the Elbe in the Tenth and Eleventh Centuries

Author(s): Jaroslav Vokoun / Language(s): Czech / Issue: 4/2021

Harmony and Musicality in Mihai Eminescu’s Poetry

Armonie şi muzicalitate în poezia lui Mihai Eminescu

Author(s): Melinda Samson / Language(s): Romanian / Issue: 2/2021

Keywords: Eminescu; poetry; music; musical structure; rhythm; melody; harmony;

Mihai Eminescu's poetry stands out through balance and symmetry, through acoustic effects, through structure and unravelling of the ideas through rhythmical options and poetic images. It is difficult to separate all these threads when he puts to use all these means of expression in a refined and finely woven work. Where does the repetition end and where does the variations of these start? What is the limit between the prosodic rhythm and the rhythm of the poetic narrative? In Eminescu’s work all the elements of the form and content combine in perfect harmony and they are dosed with measure and mastery. Although the harmony of poetry isn’t to be found in rhythm and effects, the feeling of infinity, of the ineffable and of the greatness of music is achieved through these “prosaic” means: rhythm, melody, harmony, structure.

Richard III, Mihai Măniuțiu and Marcel Iureș, Thirty Years Later

Richard III, Mihai Măniuțiu și Marcel Iureș, după treizeci de ani

Author(s): Dan C. Mihăilescu / Language(s): Romanian / Issue: 4/2023

Keywords: Richard III; Mihai Măniuțiu; Marcel Iureș;

Abia pe 28 februarie 1993, la premiera lui Richard III de la teatrul Odeon, în regia lui Mihai Măniuțiu, cu Marcel Iureș în rolul principal, m‑am simțit eliberat de sub dictatură. Abia atunci mi s-au dizolvat, ca sub un exorcism urmat de extaz și levitare mentală, ultimii șobolani diabolici din suflet, sânge și oase. Literalmente copleșitor, sfâșietor, devastator și de-a dreptul înfricoșător prin frumusețe, am resimțit spectacolul ca pe un act de magie, ori ca pe un ritual de sepuku/harakiri, într-atât de halucinant viscerală era acea atmosferă de iad feeric, splendoare ucigătoare, flamboaianță barocă, amestec de tragedie, fantasmagorie amețitoare, carnavalesc ludic, demonie parodică și coregrafie alegorică.

SYMBOLIC ARCHES AND METAMORPHOSES IN THE AVATARS OF TLA PHARAOH BY MIHAI EMINESCU

SYMBOLIC ARCHES AND METAMORPHOSES IN THE AVATARS OF TLA PHARAOH BY MIHAI EMINESCU

Author(s): Mircea Breaz,Diana Breaz / Language(s): Romanian / Issue: 18/2019

Keywords: symbolic arches; thanatic metamorphosis process; archetype; antiphrasis of death; transitory awakening;

Symbolic arches and metamorphoses in The Avatars of Tlà Pharaoh by Mihai Eminescu. Our analytical sketch aims at the thanatic metamorphosis process from the perspective of the arche’s symbol in The Avatars of Tlà Pharaoh by Mihai Eminescu, a posthumous romantic short story in which the narrator’s perspective partially identifies itself with the mythic-symbolic reality and totally identifies itself with the textual reality. Tlà represents a new beginning in his existential cycle, but at the same time, he is the first dead from the metamorphosis circuit, that aims at remembering and identifying the ego with the archetype. For the Tlà pharaoh’s avatars, the living of metamorphosis is also equivalent with an antiphrasis of death, that magnifies in an unbearable way the illusion of human eternity. This way, death transforms itself in a transitory awakening in life’s nightmare, by the means of visionary sleep, of intuitive madness or revelatory catalepsy.

DYNAMICS OF THE CHROMATIC TERM BLUE IN THE LYRICAL POETRY OF MIHAI EMINESCU

DYNAMICS OF THE CHROMATIC TERM BLUE IN THE LYRICAL POETRY OF MIHAI EMINESCU

Author(s): Roxana Maria Crețu / Language(s): Romanian / Issue: 21/2020

Keywords: blue; chromatic; Eminescu; poetry; significance;

With this paper we intend to bring forward the dynamics of the chromatic term blue in the lyrical poetry of Mihai Eminescu. The corpus that we will utilize has been created through the excerpt of significant contexts from The dictionary of poetic language of Eminescu, supervised by Dumitru Irimia. In order to establish a relevant representation of the linguistic and semantic units of the colour blue, utilized in the whole lyrical poetry of Eminescu, in our analysis we will consider both the poems published during the life of the author and the ones published after the death of the author. We will notice that in some contexts the colour blue maintains itself in the denotative meaning, situated at a descriptive level. In other contexts it refers to the multiple dimensions of the connotative meaning. Therefore, with this study, we aim to pursue and analyse the defining structures utilized in the lyrical poetry of Eminescu, in which the chromatic term blue is used. After we identify its own contextual significance of this colour and illustrate it through a few selected sequences, we will classify the structures in which the chromatic term blue is used and we will also interpret them from a semantic and stylistic point of view.

DYNAMICS OF THE CHROMATIC TERM RED IN THE LYRICAL POETRY OF MIHAI EMINESCU

DYNAMICS OF THE CHROMATIC TERM RED IN THE LYRICAL POETRY OF MIHAI EMINESCU

Author(s): Roxana Maria Crețu / Language(s): Romanian / Issue: 22/2020

Keywords: chromatic; Eminescu; poetry; red; significance;

With this paper we intend to bring forward the dynamics of the chromatic term red in the lyrical poetry of Mihai Eminescu. The corpus that we will utilize has been created through the excerpt of significant contexts from The dictionary of poetic language of Eminescu, supervised by Dumitru Irimia. In order to establish a relevant representation of the linguistic and semantic units of the colour red, utilized in the whole lyrical poetry of Eminescu, in our analysis we will consider both the poems published during the life of the author and the ones published after the death of the author. We will notice that in some contexts the colour red maintains itself in the denotative meaning, situated at a descriptive level. In other contexts it refers to the multiple dimensions of the connotative meaning. Therefore, with this study, we aim to pursue and analyse the defining structures utilized in the lyrical poetry of Eminescu, in which the chromatic term red is used. After we identify its own contextual significance of this colour and illustrate it through a few selected sequences, we will classify the structures in which the chromatic term red is used and we will also interpret them from a semantic and stylistic point of view.