ИМЕНА-СИМВОЛИ, ПРЯКОРИ И ПРОЗВИЩА ПРЕЗ ПРИЗМАТА НА ЛИНГВИСТИКАТА (ПРЕГЛЕД НА „НЕМИЛИ-НЕДРАГИ“ ОТ ИВАН ВАЗОВ)

Author(s): Yana Manova-Georgieva / Language(s): Bulgarian Publication Year: 0

The knowledge of a nation is closely related to the knowledge of its culture. It is the language that is the instrument which enables the creation of a detailed picture of the values, tradi-tions, and beliefs of a certain people. Literature is additionally intertwined with the process of cul-ture acquisition. Names and nicknames in Bulgarian literature are an example of symbolism and therefore, this paper is an attempt to overview the anthroponyms and nicknames in “Nemili-Nedragi” by Ivan Vazov. Symbolic names are to be semantically analyzed and the nicknames will be categorized in accordance with their symbolic meaning.

Стиловите регистри в романа „Монт-Ориол“ от Ги дьо Мопасан

Author(s): Maria Ivanova / Language(s): Bulgarian Publication Year: 0

The task of this article is to examine the style registers in the novel „Mont– Oriol” by Mopassan in order to reveal their role in the overall construction of the work. The subject of the study is the types of style registers, the way of their structuring and their role in the communication situation. On the basis of concrete analyses, it is concluded that style registers outline the character and the relationship between the novel characters. The style registers build a more authentic picture of the described realities; they also have a certain aesthetic and social focus

Лексиката в Ахтаровия царственик от 1844 година (имена на действия и резултати от действия и имена на качества, свойства)

Author(s): Mariana Kerandzhieva / Language(s): Bulgarian Publication Year: 0

The object of research of this article are the deverbal nouns expressing actions and results of actions and the names of qualities in the Ahtar's Tsarstvenik written in 1844. The aim of the work is to make a lexical and word-formation analysis of these names. The dialectal and traditional Slavic nouns are classifed by word-forming models. The borrowings with abstract meaning are presented according to their origin. Conclusions are made on the ratio between dialectal and literary (traditional) lexis in the manuscript.

Човешкият и политическият срам в „Четецът“ на Бернхард Шлинк

Author(s): Simona-Aleks Mihaleva / Language(s): Bulgarian Publication Year: 0

The difference between human embarrassment that everyone of us experience on a daily basis and the political shame that most of us don’t understand becomes the frame of the Bernhard Schlink’s “The Reader” novel. Which shame is stronger, which one is more human? Shame as the engine of Hanna Schmidt’s life; shame as a consequence of inaction; shame as a motive for crime and shame as a driving force of the narrative. The shame in this book creates and destroys characters, guides destiny and changes the lives of two people forever.

Тематични групи лексика в банския говор

Author(s): Aleksandra Klechorova / Language(s): Bulgarian Publication Year: 0

The study presents some topic- related vocabulary based on a research of its traditional lexis. Here we will present this type of words only in the field of traditional way of life, traditional farming and traditional livestock farming. The report presents a vocabulary that has grown up with the traditional livelihood of the Bansko people. The "complex relations in which the lexical units which has been influenced on the basis of their nominative function, on the one hand, and the content of their semantic volume on the other" are analyzed (see Stoilov 2013: 9). The vocabulary that is presented on the one hand is collected personally by the author, on the other - it taken from previously published research (see Velyanova 1997)

Постмодерен прочит на града в романа „Обърканият човек“ на португалския писател Жоао де Мело

Author(s): Desislava Timcheva / Language(s): Bulgarian Publication Year: 0

This paper aims to introduce you to the world of Joao de Melo, famous Portuguese writer, unknown for the Bulgarian public. His prose is filled with profound images of the cities that he knows well and loved. In the current romance, we will follow the meaning and the transformation that occurs in the description of the city of Lisbon. We will look deeper into the history of Portuguese post-modern tradition and what is the meaning of the city images in Portuguese narratives from the end of the XXth century. You will see how the complex description of the city landscape in de Melo’s romance corresponds to the fictional character and what changes it suffers through the course of the narrative.

Мигени – един от най-ярките представители на албанската литература от 30-те години

Author(s): Gentian Dochi / Language(s): Bulgarian Publication Year: 0

Migene - one of the most prominent representatives of the Albanian literature of the 1930s. He is one of those writers who aspire to a clear-cut vision. And this reflects on his work, in which over years there has been an obvious increase in critical elements. Migene's humanism is a major feature of his work, almost always combined with elements of criticality. In him, criticism is imposed as a style of writing. The writer uses it as a springboard for generalizations of satiric-philosophical character that usually appear at the end of the work

Малкият човек в творчеството на Сергей Довлатов

Author(s): Milena Dimova / Language(s): Bulgarian Publication Year: 0

Sergey Donatovich Dovlatov creates his own unique genre in which the autobiographical and artistic fiction intertwines. The author uses his own destiny as a literary material. His works are defined by the mass reader as "funny", but in depth they draw a dramatic picture of the everyday absurdities that the intellectual in Soviet Russia faces. The main pathos in them is the self-irony, which helps the lyrical hero not to fall into the ideological traps, to preserve his human dignity and not to relinquish his principles. All but invisible in his home country, Sergey Dovlatov became something of a mythical figure among the Russian diaspora of New York. Those who knew him personally realized they didn’t know him very well. The facts of his biography are all blurred, ambiguous, vague. This should be kept in mind when reading his books. Almost confessionary in form, their content is largely invented. As a great mystifier, he was able to unsettle his surroundings. In the field of gravitation surrounding Dovlatov, reality is distorted and loses its plausibility. The pathos typical of world literature can be seen as a defence of the human being. Every one of us has a scale according to which we weigh the social significance of a person. This scale runs between two generalizing definitions, namely “the great man” and “the small man”. The great small man is an oxymoron, a contradiction in terms, and indeed Dovlatov was something of an oxymoron himself, a huge walking contradiction

Поетични опити от началото на деветнадесети век в ръкопис

Author(s): Yulia Manasieva / Language(s): Bulgarian Publication Year: 0

In the report, the features of a Bulgarian manuscript from the 19th century are analyzed. The manuscript is part of Kopitar’s collection gathered by the Viennese Slavic scholar Bartholomew Kopitar and kept in the People’s and the University Library in Ljubljana, Slovenia. The manuscript has a press-mark “Cod. Kop. 28”. The letters design is in the spirit of the classical Bulgarian tradition. The text contains poetic attempts by an unknown author. In the report, graphical, phonetic and morphological features and characteristics are observed to assume the author’s affiliation to a specific Bulgarian dialect area.

Начини за образуване на ученическите прякорни имена в Кюстендил

Author(s): Yuliana Karpuzova / Language(s): Bulgarian Publication Year: 0

The object of analysis in the study are the nicknames of students in Kyustendil. As the students nicknames used in Kyustendil have not been studied in detail so far, this piece of research aims to thoroughly present the transpositionaly and the transformational word-building peculiarities this nicknames

Българският прочит на Гоголевата „Каляска”

Author(s): Stoyan Mitov / Language(s): Bulgarian Publication Year: 0

The “The Carriage” was written in 1935. “The Carriage” internal structure is divided into two parts. The first of these two parts describes the town of B where things are terribly boring and there is not a single person on the street.The second part tells a story about the landowner Chertokutsky and the "experience" that happened to him. The plot depicts a small country town recreating the atmosphere and the way of life of the characters in the story. The town is reviving and changes its appearance. This anecdote, as well as other published comic short stories of the writer, reflect the unique humorous culture and image of absurd reality.

Албанският език и първите писмени документи на албански

Author(s): Yoana Balani / Language(s): Bulgarian Publication Year: 0

Albanian language is an Indo-European language, and the only representative of that group. Some people claim that the origin of Albanians comes from the Illyrian language, some others from Thracian language, and others from Daco-Mysian language. The Albanian alphabet consists of 36 letters. There are two basic, universally accepted dialect forms of modern Albanian: northern Albanian or Gheg, that is spoken north of the Shkumbin river flowing through Elbasan in central Albania, and southern Albanian or Tosk, that is spoken south of the Shkumbin river. The earliest linguistic influences attested in Albanian come from Doric Greek, whereas the strongest influence came from Latin, also from Slavic languages and substrates of the Balkans. The earliest evidence of the existence of Albanian-language literature is a written statement by the French Dominican Father Brocardus, then Archbishop of Tivar. Then it was a circular letter written in 1462 by Pal Engjëll (1416-1470), the Catholic Archbishop of Durrës, who wrote the baptizing formula. And the first known printed book in Albanian was the Catholic missal translated by Gjon Buzuku, AlbanianCatholic priest.

„Легенди при Царевец“ по страниците на списание „Българска сбирка“ (1906)

Author(s): Teodora Dimitrova / Language(s): Bulgarian Publication Year: 0

The article presents an analysis of the ten issues published during 1906 (volume XIII) of magazine “Bulgarska sbirka” and also Ivan Vazov’s essential contributions to its advancement. The “patriarch of Bulgarian literature” has laid the foundations of Bulgarian realism and thus has prefigured the development of Bulgarian literature (XIX – XX century). Every issue of magazine “Bulgarska sbirka” (edited by Stefan Bobchev) begin with the “Legends at Tsarevets” in this way creating a mindset for understanding the magazine.

Трагизъм или пророчество в смъртта на руските поети

Author(s): Nadezhda Aleksandrova / Language(s): Bulgarian Publication Year: 0

In this discourse we are going to trace back some of the misterious and suspicious death of some of the russian poets lived and composing in the 19th and 20th centuries. The purpose of this study is to show under what circumstances did the authors died, and how they died. Is someone else involved in their death. To what extent or if they predicted their own death with some part of their poetry.

Култът към великата четворка от списание „Мисъл“ през първата годишнина на „Златорог“

Author(s): Mariyana Karpacheva / Language(s): Bulgarian Publication Year: 0

The text analyzes the ten books of the first year of the journal Zlatorog (1920), the continuity between the journals Zlatorog and Misal (Thought) and the transfer of the cult for the fabulous Foursome onto the pages of Zlatorog. The presence of Pencho Slaveikov and Yavorov in the journal does not have only a jubilee character, they are valuable reference points in many critical texts that are not dedicated to them.

Изследване фреквентността на някои звукови промени при различен речеви темп (въз основа на медийна реч)

Author(s): Sonya Bozhanina / Language(s): Bulgarian Publication Year: 0

The subject of this study are some sound changes in the media speech and their connection with the speech speed. In a previous pilot experiment that was based on the most frequently studied phonetic changes in the media speech, showed the frequency of occurrence of sound changes such as elision, articulation of the alveodental consonant [l] as [ŭ], epenthesis, depalatalization. The purpose of this article is to deepen the observations on the aforementioned phonetic phenomena by examining their attitude to the principle of economy in speech, and hence time factor. The observations made and the results obtained lead us to conclude that a faster speech rate does not lead to an increase in the incidence of sound changes.

Rezumate

Author(s): / Language(s): English Publication Year: 0

Abstracts

Author(s): / Language(s): English Publication Year: 0

Каква категория е таксисът в съвременния български език

Author(s): Vera Marovska / Language(s): Bulgarian Publication Year: 0

The article comments on the interrelations between the morphological verbal categories of perfects, moods, the inferential and taxis. In Bulgarian, their grammemes are related, albeit in different ways, to modality, to the speaker’s attitude (expressed through the forms) towards various circumstances regarding the realisation and reference of the action. In some cases, this attitude is subjective (e.g. in the case of moods), in others it is objective, but with reference to the perception and veridicality of the verbal action. Taxis in Bulgarian is a modalised category.

Нарастване на употребата на думи от чужд произход в съвременната българска реч - причини и последици

Author(s): Ludmila Kirova / Language(s): Bulgarian Publication Year: 0

A number of articles address the topic of the use of words of foreign origin, speaking of them exclusively as unnecessary loans and advocating a position "against" their use and "for" replacing them with native words. This work analyzes the reasons: semantic, social, sociolinguistic, semiotic, psycholinguistic and pragmatic, which condition this process. Its consequences are also brought out – both for the external form of speech, and at a deeper level for the composition and structure of the vocabulary and for changes at the grammatical level.