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Short story by László Edgár Varga: "Dolly Kaszparov töltött káposztája".
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A series of short stories by Imre Wirth.
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The subject of the analysis in the article is V. Nabokov’s short story Catastrophe which in the proces of authorial translation into English received a new title — Details of a Sunset. Starting from the poetics of the title the following matters were considered: 1. creation of a hero in love — „half-god” Mark endowed with luminous attributes, connecting him with the mythical sphere (Eros, Amor), with the pre-beginning (Eden, the motif of childhood) 2. the category of the „sensitive narrator” — an involved observer of the events; 3. the oneiric sphere present in the short story refering to the myth, connected with the human drive towards higher values, with the eternal desire for happiness; 4. imagery and symbolics of the setting sun. It has been demonstrated that the mode of the sunset description and the alteration of the short story title allowed the author to accentuate axiological dimension of the literary work and thus set the relationship with the reader postulating a particular„elevation”to another level of understanding. Methodological inspirations for the present- ed considerations were taken from Roland Barthes’reflections, who by evaluating the word in the discourse points towards its sense-generating function.
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Short story by Petar Kočić ("The Battle of Simeun the Deacon")
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Text by the Italian writer, Dino Buzatti.
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Interview witj Mell Brites, by Weronika Kostecka.
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Although located beyond the mountains, Banat was in permanent connection with the rest of the country, Caransebes, a center of culture, education and faith, being similar to the Junimist spirit. The permanent connection between the intelligentsia here and that of the Country was maintained thanks to Bishop Ioan Popasu, through whose care a printing house and a bookstore were established in Caransebeș, among others, where books by authors from all the Romanian provinces were printed and sold. Let's also mention the role of the teaching staff from the Pedagogical-Theological Seminary in promoting the works of Romanian writers in literature classes, through the manuals they prepared. We propose to present the ways in which the work of Ion Creangă, a reference personality in Romanian literature, became known in Banat at the end of the 19th century and the beginning of the 20th.
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By integrating agony and death as obsessive themes within the pages of his prose, Pavel Dan, a writer connected through the threat of illness and the struggle with the pain of Max Blecher's destiny, acquaints himself with his own mortality, taming his fear of the unknown through writing, and through the experiences of characters who confront death, either as actors or witnesses. In Pavel Dan's prose, agony and death are not solely about those who have departed but primarily about those who remain, serving as a pretext for revisiting life's memories or revealing the characters of the individuals through the exploration of their psychology.
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