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Funkcija mirisa u poeziji Alekse Šantića

Author(s): Dijana Hadžizukić / Language(s): Bosnian Publication Year: 0

This work tries to examine the significance and function of scents in poetry of Aleksa Šantić. Scents are poetic elements in Šantić`s poetry, and their varieties and frequencies have great importance in concepts of memory, spaces, and emotions. Their presence or absence in a poem develops poetic image, and, including that fact, their meaning is highly symbolical. Scents as poetic elements are expression of Šantić`s artistic virtuosity as well.

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Слика породице у поетском опусу Алексе Шантића

Author(s): Bojana Anđelić / Language(s): Serbian Publication Year: 0

Човек из народа, „крв јуначка, душа девојачка“, мостарски песнички ауторитет – Алекса Шантић – творац је бројних песама породично-интимног карактера, у којима је изразио сету за изгубљеном породицом. На гробу миле ми сестре, На очеву гробу, На сестрином гробу, На одру брата Јевтана, Мајци, На гробљу, Под нашим кровом, Путник, Харфо моја, Бадња вече, Страшна је ово ноћ..., Наш стари доме, Претпразничко вече само су неке од песама које казују песникове тамне тренутке, немир, те лично дубоко осећање усамљености, узалудности, суморности, празнине и резигнације. Ипак, љубав ка речима, које су најмоћније опојно средство које користи људски род, учинила је да песникова душа оздрави засадивши у њу клице воље за животом и учинивши и тадашње часове милим.

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Паралелно читање Шантићеве драме Хасанагиница и истоимене Симовићеве драме

Author(s): Aleksandra Tomić / Language(s): Serbian Publication Year: 0

In this paper we deal with the following parallel reading of two different dramas that have the same literary matrix in the form of folk ballads Hasanaginica. Specifically, we analyze the parallel Santićeva Hasanaginica drama and drama of the same name Simovic. We discuss the similarities and differences from the point of the title, structure, form, time, place, plot, character, spirituality and language in the aforementioned two. We will bring the conclusions that will concern both parts separately, and their interconnections.

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Šantićeva dramska slika “Hasanaginice“

Author(s): Almedina Čengić / Language(s): Bosnian Publication Year: 0

„Hasanaginica“ , one of the most representative texts of Bosnian – Herzegovinian literary tradition, functions as a poetic challenge for many poets. Aleksa Šantić was inspired by ballade`s emotional qualities and he used its poetical potentials to made drama Hasanaginica. Šantić tries to present dramatical picture of a legend that functions as a synonym of our oral tradition. Following the traditional stereotypical fable of the ballade, with a few real episodic characters of the time, Šantic remains consistent in sketching the main actors and their expected actions. On the other hand, the poetic melodrama that is projected onto the aggregated monological forms, and the drama’s main character’s pathetic sentiments, in its exaggerated nature, poetically predetermines Šantić’s attitude towards the writing of the dramatic text.

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Metodički pristup(i) piscu i književnom djelu

Author(s): Edina Murtić / Language(s): Bosnian Publication Year: 0

This text examines various methodical approaches to the writer and his literary work. It indicates a possibility of linking different aspects of Aleksa Šantić’s life and poetry, and in addition to traditional approaches, among which the literary history has an unavoidable part, it also introduces a rich intertextual and intermedial context in the methodical interpretation, which appears as an exceptional possibility in student motivation for reading and experiencing the poetry of Aleksa Šantić.

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Tematski i stilistički aspekti u odabranim Šantićevim pjesmama

Author(s): Ivana Tomić / Language(s): Bosnian Publication Year: 0

The focus of this scientific work is about reviewing thematic motives that is present in a Santić poetry. This work also includes linguistic analysis of verse expression, respecting imposing stylistic aspects feature and virtue of the voice repeating, literally and deeper figuratively meanings, performance of rhythm specificity based on syllables verification of tone, and intonation-syntactical arrangement of the text. Emphasized is on an impressive and expressive characteristic elements and effects of the poetry.

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Rima kao strukturni i semantički dio pjesničkog diskursa A. B. Šimića

Author(s): Emilija Kovač / Language(s): Croatian Publication Year: 0

The paper deals with the theory and praxis of rhyme from a poetic aspect of A. B. Šimić. The expressiveness as a basic principle of his poetics is being subversive to all prior and etablished poetic elements. The effects produced with rhyme are interpreted and standardized on the basis of declarative statements. Having in mind the fact that rhyme has mostly been mentioned obiter through the analysis of Šimić’s work/poetics, we think this analytical consideration of the problem would fulfill the void and offer some relevant conclusions. It is evident that the rhyme represents an infrequent, but vigorous phonic element of Šimić’s verse. This is not only a phenomenon on a phonic level, whereas it includes the question of its syntactic and semantic relations. In consonance with other song elements, the rhyme participates in expressing the author’s worldview/opinion.

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Poetska preobraženja Antuna Branka Šimića (Sastanak sa sobom, Bolesnik, Moja preobraženja, Izgubljen)

Author(s): Irma Marić / Language(s): Bosnian Publication Year: 0

Antun Branko Simic’s work ‘Poetic Metamorphosis of a.b.Simic’ is going to be the basis for my attempt of pointing out the essence of the basic creative premises in poetry (selected poems) of the above mentioned poet. In this summary, I want to draw attention to a phenomenon of human’s spirit which absorbs conscious and subconscious, endeavoring to unify the two sides of a single soul and to explore its own path, the mutual path. According to Marcel Schneider, who talks about the spheres of conscious and subconscious, we can make a conclusion that there isn’t an aspect of absolute inaction. Antun Branko Simic’s poetry is also a path of restlesness. Using it as a way of reflecting, we find the mysteries, backlog of unsolved things which lead us to more questionings. Furthermore, in reading Simic’s poetry, I can rely on Schneider’s idea about dark layers which influence the course and the the shape of conscious experience, which are picturesquely interpreted as ‘subconscious’ in Psychology. Thoughts and feelings are, sometimes being playful and joyful, and sometimes the jailers and tramps, thrown and redundant, the deceitful rebels that enjoy the mental order. This explanation of ‘deceitful rebels’ I find in Simic’s ‘ poetics of metamorphosis fathoming in the redundant tragic fate and personification of the absurd on the one hand, and the ruthless struggle of internal conflict, which he uses to flee from a spider’s web, on the other hand.

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Drugi u poeziji Antuna Branka Šimića i Alekse Šantića

Author(s): Lejla Žujo-Marić / Language(s): Bosnian Publication Year: 0

This work tries to examine the poststructuralist concept of otherness in poetry with social themes whose authors are poets Antun Branko Šimić and Aleksa Šantić. Following the idea that Balkan is settled at the margines of Europe and that it symbolizes place of war, social insecurity and political tensions, from the first side, and following the fact that Antun Branko Šimić and Aleksa Šantić are poets whose work is part of Balkan`s literature, from the other side, this work focuses on the poetic figures of workers, cripples, lost women and their attempt to express their social position.

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Konceptualizacija boja u lirskom diskursu A. B. Šimića

Author(s): Mirjana Popović / Language(s): Bosnian,English,Croatian,Serbian Publication Year: 0

The paper focuses on the coloristic code in the poetry of A. B. Šimić in relation to the metaphysical and ontological space of colors. This corresponds to a modern linguo-stylistic understanding of rhetoric code. Conceptualization of colors in Complete poems (Sabrane pjesme) and Metamorphoses (Preobraženja) by A. B. Šimić is being observed though the prysm of expressionism in visual arts. In this regard, the paper analyzes frequency of colors and their role in transforming perception into a subconscious sphere. Colors are observed as a structural element that in the poetry of Šimić establishes links between external and internal sensations, while the combination of these two creates a coherent poetic image within a specific rhetoric code.

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Šimićeva poezija u prijevodu na njemački jezik

Author(s): Belma Prndelj-Šator / Language(s): Bosnian Publication Year: 0

In diesem Text analysiert die Autorin die Nachdichtung des Gedichtes „Ljubav“ („Liebesnacht“) von Antun Branko Šimić in die deutsche Sprache. Im ersten Teil der Arbeit werden die Postulate der Übersetzungstheorien von K. Reiß / H. J. Vermeer, W. Koller und Ch. Nord erläutert und dienen als Grundlage für diese Untersuchung. Im zweiten Teil des Beitrags wird ein kurzer Überblick über die Sammlung Kroatiens Seele im Lied gegeben, worin die Nachdichtung des Gedichtes „Ljubav“ veröffentlicht wurde, als auch die wichtigsten Informationen über Alfred Freiherrn von Buttlar-Moscon, den Übersetzer. Im nächsten Teil der Arbeit wird etwas über den Dichter Antun Branko Šimić gesagt, als auch über sein Wirken. Im letzten Teil dieses Beitrags wird die Übersetzung von Šimićs Gedicht „Ljubav“ in die deutsche Sprache durchgeführt.

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Slika Španije u putopisima i ilustracijama Zuke Džumhura

Author(s): Nadija Rebronja / Language(s): Bosnian Publication Year: 0

The paper offers a view of Spain in the travel literature of Zuko Džumhur, as well as the Spanish landscape given in the illustrations, connecting the intermedia of these travel journeys with imagological reading. Travel writers often recognise what they expect to see on their journeys, bringing along various predefined photos of the places and cultures they are visiting. In the travel journeys Hodoljublje, one of the most famous south Slavic travel writers, Zuko Džumhur, paints a picture of Spain in a specific manner through the text of the travel journey, illustrations and accompanying verses. By dealing with the Mediterranean areas of this country, he often recognises and defines them through the comparison of the landscapes found in his birthplace and country of origin.

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Predaje u putopisu Zuke Džumhura

Author(s): Amira Dervišević / Language(s): Bosnian Publication Year: 0

The oral-prose forms as parts of narrattive structure in Zuko Džumhur’s Itenerary have been analysed. The emphasis of this analisis is to separate the oral tradition and revealing its function in additional thematisation of itenerary narration.

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Specifičnost jezičkog izraza Zuke Džumhura

Author(s): Aida Kršo / Language(s): Bosnian Publication Year: 0

The linguistic analysis separates different stylistic methods: the use of verb forms which evoke a categorical trait, the humor as a pragmatic-semantic dominant of Zuko’s micro-discourse, and the description stylemes which stick out with their expressiveness, making the language of Zuko Džumhur so convincing. On the linguistic plan, the experienced speech is best recognised in the use of verb forms, where the experience represents a categorical attribute: present, aorist, and less comonly imperfect. Cenral parts of the story are best painted in the manner of present-woven storytelling. Using the narrative present tense, instead of present perfect tense, enables the author to make the story more convincing. The use of modifiers „here, there, well,“ occupies the focus of the listener and is associated with the actual storytelling time. Additionally, there is the inevitable humor as a textual dominant of Zuko’s micro-discourse. The author almost does not even use the dialogic form, because he is the observer and the notary, but not the direct participant of the events.

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Dijalogičnost u putopisnim tekstovima Zuke Džumhura

Author(s): Bernisa Puriš / Language(s): Bosnian Publication Year: 0

This paper deals with speech acts, linguistic strategies and structures that provide explicit dialogicality as one of the specific stylistic features of Zuko Džumhur’s travelogue texts.

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Boje i teorija prototipa u djelima Zulfkara Džumhura

Author(s): Indira Šabić / Language(s): Bosnian Publication Year: 0

According to the theory of prototypes and cognitive approach to categories, in this paper will be to study the names of colors in Bosnian culture of literary creativity of Zulfikar Džumhur, with the task of discovering what color prominently on perceptual and cognitive level. In this paper will be tested a possible developmental basis for the universality of focal colors, those areas of the color space previously found to be the most exemplary of basic color names in Bosnian language. The material of this study consists of all adjectival words for colors and their shades of literary works Zulfikar Džumhur, and will observe the distribution and occurrence of colors, variety of colors and their effects, and will define the degree focali certain color.

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Leksičko-semantičke posebnosti Džumhurovog putopisa

Author(s): Nermin Šušić / Language(s): Bosnian Publication Year: 0

The work which we have titled Lexico-semanic distinctiveness of Dzumhur’s travelogue has several objectives: • Actualization of lexicological and general semantic study of the Bosniak travelogue; • Spotting, separating and defining the broad lexico-semantic structure of the Bosnian language, which Zuko used in his own way; • The specific combination of lexical units is monitored by different criteria: by belonging to certain aspects of the use, origin, status, frequency of occurrence...the emphasis is on onomastics and phrases; • Reinterpretation of theoretical principles of lexical semantics in the Bosnian language using examples from the corpus; • Without figurative lexicon, language wouldn’t be able to express all shades of meaning, i.e. fuller and more comprehensive meaning. Therefore, some attention will be devoted to stylistic procedures.

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Karakteristična leksika u djelu Zuke Džumhura

Author(s): Sanja Merzić / Language(s): Bosnian Publication Year: 0

Our paper focused on presence of specific lexic in the work of Zuko Džumhur, primarily in Letters from Asia, chapter Ariana and Hodoljublja. Subject of our analysis was presence and use of synonyms, antonyms, words of foreign origin, antroponyms and toponyms in these books.

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Povijesni minimalizam u putopisima Zulfikara Zuke Džumhura

Author(s): Salih Jalimam / Language(s): Bosnian Publication Year: 0

In this article, the author analyzes the development of historiography in the past thirty years. She stresses her opposition to the predominant influence of ideology, and at the same time she questions the new directions and viewpoints in historical research and professional historiography. She draws attention to the appearance of a lack of certainty among historians as a consequence of polemics and the effect of postmodern points of view. Her conclusion is that despite these developments, new approaches can produce valuable scholarly results and justifies historical research. Ambiguous in the intermediate communication intertextual creativity Zuke Džumhur defined in specific trend travelogue minimalism where he created an attractive and very distinctive style of travel writing . His travelogue a crystal are close to his daily habits in communications with the man , the work place and in which resides. Džumhur skillfully , with certain historical constants writes about what he saw then what is heard , and only after that what is felt and eventually what he meant. Džumhur travelogue records are scientific / geographic- historical- ethnographic/, often šehren - giz / travelogue/, but the pilgrimage, chronicles, sometimes memoirs. Presentation: Historical minimalism in travel Zulfikara-Zuke Džumhura, a basic guideline that, in addition it is a great itineraries true literary creations, indicate that there is, in fact, preserves the incentive and the historic core of minimalism, interesting connective tissue that connects the past, literary observation but it upgraded and surpassing long duration of history. This combination of minimalism and historical travelogue Džumhur “hodoljublja“ through unforced communication and distinctive gift to the limit extends the possibility that the Džumhur travelogue videos covering travel, walk and recognize the past tense.

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Divkovićev Život svete Katarine

Author(s): Dunja Fališevac,Dolores Grmača / Language(s): Croatian Publication Year: 0

Legenda o sv. Katarini Aleksandrijskoj jedna je od najpoznatijih i najpitoresknijih krš ćanskih legendi koja je stoljećima živjela u raznim verzijama u hrvatskoj književnoj kulturi.1 Legenda pripovijeda da je Katarina, čiji se život smješta u treće/četvrto stoljeće, u doba vladavine Maksimina II (ime mu se pojavljuje i u obliku Maksentije, a u Divkovića Makžencio/Mašencio), bila visoka roda, jedinica uglednog princa iz Aleksandrije, te da je bila poganka, a unatoč majčinim nagovaranjima nikako se nije htjela udati. Nakon sna-vizije Djevice Marije i Isusa, koji je nije htio uzeti za svoju službenicu jer da ona nije dosta lijepa, pokrstila se.

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