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Review of: Ivan SIVRIĆ - Mato Nedić: Antičke priče, Centar za kulturu Orašje, 2020
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Ivan Frano Jukić was surrendered with totality of his dying life to serve to common good and humaneness. Inspired with Gospel to change the things improving better, forgiving to his enemies, extremely sincere and self-sacrificing, he became an ideal demonstrating how to love Bosnia (special good) and simultaneously to love humanitas (common good). Steadfast in positive activity Jukić in his short life carried out inestimable achievements getting all who wish to follow principles of humanity. Jukić discerned how many in his homeland Bosnia were persecuted or killed because of expressing their wishes for justice, truth and freedom. It is clearly evident from his basic prayer that Jukić was aware how Kingdom of God in this this world is being realized only through cross: that it is being realized by those who are persecuted, committed to prison and gibbeted on crosses because of justice, truth and freedom. God blesses them with eternal life.
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Theatrical play by Nada Đurđevska (writer) and was directed by Anela Križanac.
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Poetry by Milena Rudež ("Pred rastanak"; "Trg u malog gradu"; "Rog izobilja"; "To bi se moglo reći drugačije"; "Nebesko plavetnilo")
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MIKIĆ, Aleksa (Bukvik, Bosna, 24. VI 1912). Pseudonim: Ilija Katić. Otac Cvijetin, putar; majka Savka, rođena Jokanović. Imali su desetoro dece. Osnovnu školu pohađao u Bukviku (1920–1925). Kao dečak nekoliko godina služio kod seoskih gazda u Posavini, Semberiji i Sremu; četiri godine bio školski poslužitelj u Bukviku.
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Nisam ja slučajno složio ovu fotografiju. Nisu slučajno ” Berači molti” prislonjeni uz “ Bosanske Odive”. A šta tu ima Ernest Hemingway da traži? Ima, ima... itekako da ima! Moj prijatelj Buki mi je poslao knjigu Berači Molti tokom svog ovoljetnog primicanja Norveškoj, svome trećem zavičaju, svojoj trećoj domovini i svom mirnom domu. Druga dva zavičaja je sa zebnjom ostavio uz sami rub dzehenemske vatre i njenih plamenih jezika... sa strepnjom da bi sve moglo ponovo otići u helać „u kome su već bili“… Dakle knjiga“ još vruća”, me zatekla u ponovnom čitanju Hemingwayevog “ Pokretnog praznika“ (A Movable Feast) ovoga puta na švedskom jeziku - “Fest för livet”.
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The main topic of this paper is the oral work of Klokotnica. The collected data correspond to the time from the 20th century, more precisely from the 1940s. Oral literature in this area was strongly nurtured in almost all areas of life: from morning conversations and prayers, through stories while grazing cattle in meadows or stories and songs while working in the fields, during flirting to night lullabies. Oral traditions and songs that speak of past times and customs have been preserved in Klokotnica by passing it from generation to generation and thus form part of the tradition and culture of this place. By studying the traditional customs, we learn a lot about the way of life and everyday life that influenced oral creation. The narrations that I will deal with in this paper were recorded by the residents of Klokotnica who listened to oral stories and songs in childhood and youth from their older family members or created them themselves and passed them on orally to the younger and older generation.
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Tradition, as a category that always resisted being fixated, and as a space of blending of the past and present, has always been a fertile soil on which new literary texts emerged, new forms and poetics sprouted. Creative representation of Oriental Islamic literary heritage in newer Bosniak literature is a result of spiritual and identity congeniality, but also of reading and studying creativity of Bosniaks in oriental languages, above all Diwan poetry. This paper is an attempt at examining modalities of filiation of a traditional poetic form in 20th century Bosniak poetry, from the perspective of intracultural comparatistics - although written in different languages (traditional Ghazel in Ottoman Turkish and newer Bosniak Ghazels in Bosnian) both belong to the same culture and literature. Research has shown that authors of ghazels in Bosnian language: Safvet-beg Bašagić, Musa Ćazim Ćatić, Zilhad Ključanin, and Salih Trbonja reach for the original Ghazel in order to create a pseudo-form which, in line with Aristotelian poetics, places the entirety above particularities and functions on a model of a hermeneutic circle.
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This paper analyzes intertextual and intermediate connections between Lukic’s novel and other literary and art works. Through the novel, we can find permeation of Dante’s Inferno, Kafka’s Process, direct citation and allusions of the Bible, Carroll's Alice in wonderland, Ravel’s Bolero and Glamocko kolo. The research of this topic is considered fundamentally important for understanding and interpreting the novel, since Lukic has used intertextual and intermediate connections in this novel to create the number of new meanings, by the principle of illuminativity and insubordination to proto textual templates. The presence of fantasy is also the topic of discussion. The share of fantasy, together with the intertextuality, moves this novel from high modernism to postmodern discourse.
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Review of: Stefan Elezović - Edi Bokun, Čovjek i umjetnost (Srebrenik: Printas, 2019)
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Water, whether in a concrete or abstract sense, has an irreplaceable role in every culture and literary tradition in Bosnia and Herzegovina – from the elementary essential-biological to the ambient and psychological in the representations of space and people. This paper will, through concrete examples, examine the role of water topos in works of Bosnian literature precisely through these segments. The theoretical part indicates what the water topos represents, and the interpretive part sees water as a motif and symbol in the structure of the literary text and emphasizes the inscription of factional geographical toponyms/hydronyms, as well as fictitious abstract (a) topos in the poetic identities of the text (and opus in its entirety). In all this, we try to prove the hypothesis that water is an identifying determinant of a certain space and time, and in the cognitive-identity sense an important marker of cultures, social communities and individuals.
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The paper analyzes some of the cryopoetic elements in Ivo Andrić ‘s novel The Damn Yard from a stylistic aspect. Special attention is paid to the strong positions of the text, ie. analysis of titles, incoative and finite sentences, names of characters, as well as other interesting elements.
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The Daničić Gospel is a Bosnian manuscript written in the late fourteenth or early fifteenth centuries. Variants of the Daničić Gospel are available based on the edition of the Nikolje Gospel by Đuro Daničić, so this manuscript is also known in literature as the Nikolje b Gospel. The textological research of the Daničić Gospel in recent studies have offered conflicting views on its relationship to the Nikolje Gospel. On the other hand, recent research of the Bosnian group of manuscripts has shown that the Daničić Gospel often agrees with the Čajniče Gospel in Bosnia. This paper explores filial relations between the Daničić Gospel and the Nikolje Gospel on the one hand, and Daničić Gospel and the Čajniče Gospel on the other hand.
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Review of: Melida TRAVANČIĆ - Lidija Pavlović-Grgić: Gdje živi bajka?, Tešanj, Planjax, 2019
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