Intertekstualnost Dizdareve poezije i srednjovjekovne epigrafke

Author(s): Alija Pirić / Language(s): Bosnian Publication Year: 0

Poznato je kako je u samoj osnovi pjesničke poetike Maka Dizdara figurirao postupak referiranja prema skupini starih bosanskih i apokrifnih tekstova, kako na formalnom (jezik, sintaksa, metaforika) tako i na sadržajnom planu ulaze- ći u citatnu polemiku ili naprosto odnoseći se spram toga korpusa tekstova u formi aluzije, komentara, parodiranja ili konačno sadržajnih posudbi kakvih imaju svi tekstovi i tekstopisci. Mihail Bahtin tvrdi kako je naš govor uvijek dijalog, replika na nečiji tuđi govor, uvijek s nekim razgovaramo pa svaki naš iskaz nužno ima dijalošku potku.

Kameni spavač M. Dizdara: „Mjesto pamćenja”, „knjiga Bosne“ i „prostor snova“ (Mogućnosti kulturalnomemorijskog čitanja)

Author(s): Sanjin Kodrić / Language(s): Bosnian Publication Year: 0

Pjesnička zbirka Kameni spavač Maka Dizdara, a potom, preko nje, i ostatak pjesništva ovog autora, odavno je znatno više od puke književne umjetnine, više od umjetnosti riječi u n`jezinu uobičajenom uobličenju. Kako se to jasno vidi iz najvećeg dijela njezine književnohistorijske recepcije te pozicije koju zauzima u samom vrhu domaćeg, odnosno i šireg – bosanskohercegovačkog i užeg – bošnjačkog književnog kanona, ova jedinstvena pjesnička knjiga tokom vremena postala je, naime, i izrazito složena kulturalna tvorba, pojava sa značajnim učincima izvan čisto estetskog okvira književnosti, a zapravo mjesto koje se razumijeva ne samo kao mjesto vrhunskog pjesničkog odgonetanja „čovjekove situacije“ i „ljudske sudbine“ (što ova pjesnička zbirka nesumnjivo jeste), već i kao mjesto osobene autorski vođene potrage za identitetom čitave jedne literature, ali i cijele jedne kulture te zajednice kojoj ova pripada, baš kao što danas, u našem savremenom trenutku, zasigurno jeste i jedno od posebno važnih mjesta na kojima se na način literarne, kulturalne te kolektivne autorefleksije zasnivaju i neki od naročito značajnih, čak i temeljnih konstituenata i literarnih, i kulturalnih, i kolektivnih identiteta unutar šireg tekućeg bosanskohercegovačkog društvenog stanja.

Poezija Maka Dizdara u kontekstu perenijalne flozofje

Author(s): Rosana Ratkovčić / Language(s): Croatian Publication Year: 0

This paper focuses on the launch of Mak Dizdar›s poetry in the context of the Perennial Philosophy (philosophia perennis) as interpreted by Rusmir Mahmutćehajić. The central idea of the Perennial Philosophy is that the Divine Truth is one, timeless and universal, while different religions are nothing more than different languages used to express the Unique Truth. In this context are interpreted some motives on stećci (medieval Bosnian tombstones) that are represented in the poetry of Mak Dizdar, such as universal symbols of the sun and moon, cross, grapevine and dance. Recent information on interconfesionallity of stećci, according to research by Dubravko Lovrenović, can be linked with the idea of Perennial Philosophy represented by Rusmir Mahmutćehajić, about the search for the Unity and Truth revealed both in the symbols on stećci and in the Mak Dizdar’s poetry

Grad kao prostor pamćenja u Kamenom spavaču Maka Dizdara

Author(s): Lejla Žujo-Marić / Language(s): Bosnian Publication Year: 0

This work tries to analyze a town as a symbolic place in Mak Dizdar`s Stone Sleeper and to answer what is its function and meaning. Town has symbolical meaning that is a product of culture, so it is perceived as a cultural metaphor. Metaphorical meaning of the town in Dizdar`s Stone Sleeper has its roots in medieval Bosnian tradition, in oral poetry, Bosniak`s poetry on Oriental languages and modern poetry.

Dizdar i Kazantzakis o Penelopi

Author(s): Panajiotis Asimopulos / Language(s): Bosnian Publication Year: 0

The female presence has a special place in the poetic firmament of the homeric Iliad and Odyssey where the poet in parallel with the men’s moral idols forms and notes heroines’ character.He celebrates the beauty,the charm and the virtues that should adorn every mortal creating timeless ideals, incomparable standards.Among his heroines emerges Penelope,the extremely loyal and exemplary sensible partner of shrewd and resourceful Odysseus.Reflecting modest grace,spontaneity she is the perfect hostess at the court,dignified,with an original magnificence.From different point of view the poetic inspirations of Greek Nikos Kazantzakis and dominant Herzegovinian poet Mak Dizdar approach to her.This paper focuses on the way in which Homeric Penelope is presented at the verses and words of these important creators.

Smisao razumijevanja i/ili razumijevanje smisla Dizdareve „Poruke“

Author(s): Vildana Pečenković / Language(s): Bosnian Publication Year: 0

To understand is to be able to go back to something. Comprehensive texts remain available to any new understanding, and continuously appear in different perspectives. It’s the case with the poems Roads and Message from Mak Dizdar’ collection Stone Sleeper the first of which opens and the other closes a unique poetic circle. Essential familiarity of their understanding is in reference on the history and tradition, because tradition and history have their primary meaning in it. They represent materialized memory – they carry the spirit of the past and their connotative meaning erases the boundaries of time and existence. The poetic text here is shown in the world in which it was constructed, and in certain limits allows us to live it through experience. In the Bosnian literature, the poetry of Mak Dizdar is a unique example of connection between art and reality, poetry and country, tradition and modernity, language and people. Dizdar’s dedication is aesthetically mature, ready on warning and truth about the country and its people and those Others. This paper analyzes the poetic paths and messages, and the ways in which these are internalized.

Pjesničko uobličenje sižejnih obrazaca bajke u pjesmi Labud djevojka Maka Dizdara

Author(s): Amira Dervišević / Language(s): Bosnian Publication Year: 0

Oral literature for Mak Dizdar represented, among other things, inexhaustible source of motifs and expressions. In distinction from the oral love lyric poetry, which is more present in Dizdar’s poetic opus, the oral prose - first of all tradition and a fairy tale – is recognized in fewer examples. The objective of this paper is to show the ways of a poetic shaping of topic patterns of a fairy tale in the poem Labud djevojka by Mak Dizdar.

Interpretacija lirske pjesme - Mak Dizdar: Uspavanka

Author(s): Edina Murtić / Language(s): Bosnian Publication Year: 0

The first section of this Paper deals with the concept of interpretation as well as with the sense of explaining a text, in this case, a lyric poem. Not disregarding post-structural understandings that it is almost impossible to get through the final meanings, in the second part of this Paper we place the text of the poem Uspavanka of Mak Dizdar in the center of our interpretation.

Kazališni potencijal „Kamenog spavača“

Author(s): Tina Laco / Language(s): Bosnian Publication Year: 0

Saglasje jedne slike-zapisa Maka Dizdara sa filozofijom kompozicije Edgara Alana Poa

Author(s): Mirjana Popović / Language(s): Bosnian Publication Year: 0

This paper explores a “text-image” of Mak Dizdar from linguistic, thematic and philosophical point of view. The polysemy of this image in Dizdar’s style is analyzed at the lexico-semantic level and compared with the principles of composition elaborated by E. A. Poe in his essay The Philosophy of Composition. The similarity and main parallel between the two texts is marked by the aesthetic principle of compatibility. Dizdar’s figurative language provides visual motifs that follow segments of poeticconstructs, corresponding to the understanding of this term within the aesthetic principles of E. A. Poe. In the poetry of Dizdar, the polysemic aspect of his literary images include the historical background, together with elements of a coherent compositional structure in which the lexemes acquire special cultural and moral values. Through comparative lexical and semantic analysis of Dizdar’s writings, the paper investigates communicative and symbolic functions of various lexemes and their effects in the domain of poetic style. The paper gives examples of the creation of a polysemic image in Dizdar’s “text-image” by using a set of specific lexemes. The author of the article observes this as Dizdar’s intention to join visual and linguistic elements together, forging both an idiosyncratic poetic style and a universal message.

Pozicija glagola i njihovih dopuna i/ili dodataka u poetskoj sintaksi Kamenog spavača Maka Dizdara

Author(s): Jasmin Hodžić / Language(s): Bosnian Publication Year: 0

This paper analyzes sentential word order as a poetic characteristic of Mak Dizdar’s Stone Sleeper. The focus is on the examination of certain peculiarities in verb positions and their complements and/or adjuncts. The goal is to display the syntax of Stone Sleeper and to what extent it resembles the syntax of Old Bosnian, Old Slavic and Old Church Slavonic texts as they are an intertextual and metatextual frame of Mak’s poetry. The assumption is that the position of syntactic elements can be determined by both the specific demands of poetic syntax and the syntactic patterns adopted from the corpus of Old Slavic (Bosnian) texts.

Arhaizmi i neologizmi u Kamenom spavaču – leksikografski pristup

Author(s): Alen Kalajdžija / Language(s): Bosnian Publication Year: 0

The paper pays special attention to analyzing lexis that belongs to a group of neologisms and archaisms. Based on the conducted analysis we can conclude that it is a case of a particular sort of which is archaic by its origin, but thanks to Dizdar’s innovative linguistic procedures also neologic, so we can perceive them as neologic archaisms, that is „neoarchaisms“. According to the paper, there is a classification of the analyzed lexis by various criteria that can relate to inner linguistic levels, but also some extralinguistic conditions.

Artizam smrti kroz simbiozu estetike i svetosti u Kamenom spavaču Maka Dizdara

Author(s): Rašid Durić / Language(s): Bosnian Publication Year: 0

In dieser Studie interpretiere ich der heilige Kraft und ästhetisch sprachkünstlerischen Wirkungen des poetischen Lietmotivs des Todes auf dem Basis der metaphysischer Transformation des biotisch-materialistischen Lebens in seine kosmische und geistliche Ewigkeit. Es handelt sich dabie um eine Metamorphose des Materiellen durch ihre ständige Transmutation in einer ewigen Bestehens des mikro-makrokosmischen Daseins. Damit wird sich Der steinerne Schläfer als transcendentale Psychoterapie erweist in deren sich das poetische Wort in die heilige Kraft umwandelt. Solche Umwandlung wird in der Erforschung der mittelalterlicher Epigraphic der bosnisch-humischer Heretiker als sgn. “bosnische Schule des Todes” genannt. In meiner Studie ist solche Todeskunstschule anhand der Interpretation von (un)trenbaren Symbiose zwischen des Heiligtums (und der heiligen Wirkung) und des Ästhetischen bewiesen worden. Mit dem Hauptthese, dass das biologische Tod in Dizdar Poesie eine Umwandlung in andere Art des Daseins bedeutet. Unten den Verwendung der Philosophie perennis kann man Des steinerne Schläfers als eine Art der künstlerischer Psychoterepheutik sehr ernst annehmen, um durch deren Anwendung eine gewisse Todesüberwindung zu erlangen.

Šantićevi poetski identiteti

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

The paper is based on the fact that, within the literary criticism, Aleksa Šantić has been recognized as a poet/bard of patriotic-social engagement, motifs from Muslim life and Mostar, as well as elegiac tones of personal misfortunes. In those social circumstanses (the Austro-Hungarian occupation, the annexation) Šantić’s Herzegovinian identities in patriot-social poetry are being represented as political identities, supported by essentialist valuables: the nation, the space, the epic tradition, myths and religion, which, on the basis of distinction WE/THEY, homogenizes „the identity of resistance“. Herzegovina is an imaginary space of cultural memory, whilst Mostar represents an authentic space of Šantić’s life and a place in which cultural context his constructive identities are being formed. It is a place of encounters with people, recognizable climate and topographic marks, Mediterranean vegetation, urban bazaar and streets, as well as family-patriarchal milieu. Inside that space Šantić has sang/lauded amorous, landscape and elegiac songs, his experiences of Mostar, specific culture of life and sensation of connection and being affiliated. Identifying himself with the people’s mentality, Šantić has transmitted poetic impulses of the city’s soul and spirit

Bard za sva vremena? (Pjesničko djelo Alekse Šantića i njegova poetika i politika kulture)

Author(s): Sanjin Kodrić / Language(s): Bosnian Publication Year: 0

The paper deals with the role and position of Aleksa Šantić’s poetic oeuvre in the literary canon of both Bosnian-Herzegovinian and Serbian literatures in Bosnia-Herzegovina, as well as Serbian literature as a whole and Yugoslav literature. Special attention was paid to the early reception of Šantić’s poetic work, while emphasizing the discrepancy between local and broader understanding of the character and value of the author’s poetic oeuvre. In this way, the paper points to the complex process of canonization of the poetic work of A. Šantić, but also the possibility of its understanding today, particularly in terms of respecting poetics and politics of culture of the author’s time.

Šantićev sonetarij

Author(s): Vildana Pečenković / Language(s): Bosnian Publication Year: 0

Šantić is one of the first Bosnian poet who promoted the sonnet form at the earliest 20th century in this region. From 1890 when was published his first sonnet, to the latest verses, Santić did spoke thru the form of sonnet about all topics that occupied his attention as a poet and as a man, but not always with the same dynamics. In the initial stage of his creation sonnets are just side form in which he tried his hands. In the period from 1905 to 1914 they become the center of his work, and at the final stage the interest for this form was decreasing. The paper examines how much did solid sonnet form had impact on the poetry of the poet, and vice versa, how did poet change form trying to adapt it to his own expression.

Smrt u pjesništvu Antuna Branka Šimića kao metafizička obnova za vječnost

Author(s): Sanja Knežević / Language(s): Croatian Publication Year: 0

In this paper we write about Antun Branko Simic’s poetry and it’s reflects on the spiritual and reflexive level.The first part of the paper is contextualization of Simic’s work in relation to the style of expressionism with the key directions for spiritual and symbolic reading his lyrics . In the second part is interpretated poetry collection Transfiguration in the context of the New Testament and the Paul’s First and Second Letter to the Corinthians.

Zbornik radova sa znanstvenog skupa. Matija Divković i kultura pisane riječi II

Author(s): / Language(s): Croatian

U povijestima hrvatske književnosti posebno mjesto pripada fra Matiji Divkoviću (1563–1631), utemeljitelju franjevačke i bosanskohercegovačke književnosti, autoru prvih tiskanih knjiga na narodnom jeziku i ujedno prvih djela na području današnje Bosne i Hercegovine ostvarenih što kavskom stilizacijom hrvatskoga književnog jezika. Divković svoja prva djela Nauk krstjanskiza narod slovinski (tzv. veliki Nauk) i Sto čudesa aliti zlamen’jablažene i slavne Bogorodice, Divice Marije objavljuje u Veneciji 1611. u tiskari Pietra M. Bertana i to na bosančici za koju jesam osmišljavao grafijska rješenja i lijevao slova. Svoje tiskarsko iskustvo Divković primjenjuje i pet godina kasnije kada ponovno lijeva slova i kod istog tiskara 1616. objavljuje još dva djela kojasu doživjela znatno veću popularnost: Besjede svrhu evanđel’ja nedjeljnijeh priko svega godišta (2. izdanje 1704) i Nauk krstjanskis mnozijemi stvari duhovnijemi i vele bogoljubnijemi (tzv.mali Nauk) koji je do 1738. godine objavljen dvadesetak puta i to u dvije inačice: opsežnoj i kratkoj.

MEĐUNARODNI NAUČNI SKUP - IVO ANDRIĆ - 50 GODINA KASNIJE

Author(s): / Language(s): Bosnian,Croatian,Serbian

Naučnim skupom Nobelovac Ivo Andrić – 50 godina kasnije Odjeljenje humanističkih nauka Akademije nauka i umjetnosti Bosne i Hercegovine obilježilo je pedeset godina otkako je Ivo Andrić dobio Nobelovu nagradu za književnost. Kao što znamo, ova nagrada je tom velikanu naše književnosti priskrbila međunarodni značaj, a time i samoj našoj književnosti dala vidnije mjesto u svjetskoj kulturnoj javnosti. Andrićevo djelo, koje je i do tada bilo predmet velikog interesovanja i čitateljske publike i književnokritičke misli u svim krajevima Jugoslavije, postalo je, zahvaljujući Nobelovoj nagradi i prijevodima koji su uslijedili, zanimljivo za čitatelje širom svijeta. Od tada to djelo ne prestaje privlačiti pažnju književne kritike i van zemalja bivše Jugoslavije. Njen sud davno je izrečen: Andrić je veliki pisac. Međutim, ako je ta ocjena ostajala sve vrijeme jednako neupitna, pristup njegovom djelu značajno se mijenjao u proteklim decenijama, zahvaljujući znatnim dijelom brojnim novim (modernim i postmodernim) razumijevanjima i tumačenjima same književnosti, ali i kulture uopće. Osim toga, mi više ni svijet oko sebe ne vidimo onako kako ga je vidjela Andrićeva generacija, pa su i značenja koja “izvlačimo” iz njegovog djela drukčija od onih koje je u njemu prepoznavala kritika njegovog vremena. Andrićevo djelo, kratko rečeno, nama danas ne govori isto ono što je govorilo njegovim čitateljima 60-ih i 70-ih godina prošlog vijeka. A upravo je ova pedestogodišnjica bila pravi trenutak da se književno kritička misao ponovno suoči s njegovim djelom, da mu pristupi u suglasnosti s novim iskustvima čitanja i da oslušne što nam ono danas govori, i na koji način. Bez svake sumnje danas, pedeset godina poslije dobijanja Nobelove nagrade, književno djelo Ive Andrića postalo je izazovni predmet novih čitanja, odnosno čitanja u dosluhu s novim vremenom. A želja je ANUBiH bila da tim povodom okupi stručnjake različitih profila i književnokritičkih usmjerenja, koji bi Andrićevo djelo iznova sagledali, kako u perspektivi nekih modernih učenja (naratoloških, strukturalističkih, postkolonijalnih, feminističkih) tako i u okviru promjenjenog društvenog i ideološkog konteksta u kojem se ono danas čita. Zbog te želje da se njegovo djelo u novim tumačenjima dovede u korespondenciju s duhom našeg vremena, ANUBiH je okupila desetak poznavalaca Andrićevog djela, s uvjerenjem da će oni – svaki iz svog ugla – svojim izlaganjem značajno doprinijeti suvremenom tumačenju tog djela. Sad smo u prilici da u ovom zborniku predstavimo široj javnosti sva izlaganja koja su podnesena (ili bila planirana da budu podnesena) na tom naučnom skupu, koji je održan u prostorijama ANUBiH u ponedjeljak 21. novembra 2011. godine.

Zbornik radova u znak sjećanja na kolegicu Almu Granov

Author(s): / Language(s): Bosnian

Odsjek za bosanski, hrvatski i srpski jezik Filozofskog fakulteta u Sarajevu priredio je Zbornik radova u znak sjećanja na kolegicu Almu Granov (1968–2013). Alma Granov bila je asistentica, viša asistentica i docentica na Odsjeku od 1993. do svoje smrti, te je ostavila veliki trag i kao nastavnica i kao naučnica među kolegicama i kolegama i studentima našeg fakulteta. Kolegica Granov dala je značajan doprinos bosanskohercegovačkoj lingvistici u oblasti rekcijske fonologije i posebno kompjuterske semiotike. Veliku je zaslugu imala u projektu uvrštavanja bosanskog jezika na Google Translate. Dr. Alma Granov napustila nas je u trenutku kada je pripremala projekt koji se ticao procesa digitalizacije bosanskohercegovačke kulturne baštine. Zbornik objedinjuje deset radova iz lingvisitke, nauke o književnosti i kulutrne bašine te dodatne tekstove o životu i radu kolegice Granov. Pored članova Odsjeka za bosanski, hrvatski i srpski jezik, radove su napisali kolegice i kolege koji su sarađivali s kolegicom Granov te mlađe kolegice i kolege koji su usvajali prva znanja iz njenih tekstova o kompjuterskoj lingvisici i jezičkim tehnologijama. Svaki pojedinačni rad u Zborniku recenzirala su po dva recenzenta slijepom recenzijom. Zbornik su u cijelosti dodatno recenzirala dva recenzenta otvorenim recenzijama. Pored sjećanja, ovaj zbornik je posebno naš znak zahvalnosti kolegici Almi Granov za njenu hrabrost da se uhvati ukoštac s brojnim izazovima u oblasti kojom se bavila te da iza sebe ostavi pionirske radove koji će služiti narednim naučnim generacijama. Zbornik objedinjuje deset radova iz lingvistike, nauke o književnosti i kulturne baštine. Uz članove Odsjeka za bosanski, hrvatski i srpski jezik, radove su napisali kolege i kolegice koji su sarađivali s kolegicom Granov te mlađe kolegice i kolege koji su usvajali prva znanja iz njenih tekstova o kompjuterskoj lingvistici i jezičkim tehnologijama. Vjerujemo da će sadržaj ovog zbornika biti koristan i zanimljiv čitateljstvu te da će radovi objavljeni u njemu biti inspirativni za dalja naučna i stručna istraživanja sličnih tema u području lingvistike, književne nauke i kulture uopće.