Tema ljubavi u pjesništvu Maka Dizdara (dvojstva i odrazi zvuka i slike)

Author(s): Sanja Franković / Language(s): Croatian Publication Year: 0

The theme field of love in the poetry of Mak Dizdar is revealed as the love of lyrical subject towards girl and woman, fidelity to the life ideals, and mother’s love towards son. The poems dedicated to woman’s beauty are the most numerous. The parts of woman’s body are equated with the manifestations of nature as synecdoches and the external indications of spirit. Woman’s deceptive love is mysteriuosly represented by motifs and language of oral literature’s poem. In poem Femaleswimmer mermaid symbolizes the ideal love, and since it is not from this world, no one is worthy of it. The young day-dreamer, still pure under the sun of life, is the closest to it. The poems on mother’s love as the unity of mother and son carry the special emotional heaviness, expressed in human, but also in animal world (poetical ekphrasis of stećak perpetuates the protective love of a doe to its fawn). In formal sense, the accoustic reflection of the words one in another is important, which also confirms the amalgamation of their contents: man is equated with the nature, and body with spirit. The unity of opposites expresses the aspiration for the overcoming of dualism as a prinicple of being, but also the ancient tone of Bosnian Bogumile spirituality. Key words: the theme of love, ekphrasis, the metaphor of seasons, synecdoche, antimetabole, paradox, syntactic paralelisms, homophony

Egzistencija samoprepoznavanja u poetici Kamenog spavača (Iskustvo života i nadiskustvo smrti u Slovu o čovjeku)

Author(s): Irma Marić / Language(s): Bosnian Publication Year: 0

The most complex spirituality is exposed in art. Spiritualization is a process of human analytic attitude towards one self and others. The human spirit engages in different processes which it can, but doesn’t necessarily have to grasp. Sometimes we are conscious of such situations, but sometimes we aren’t. Consciousness and self-consciousness; recognition and self-recognition are key spiritual elements on the verge of the 21st century. Mental makeup of research process is recognized in slightest oscillation, exhalations, memories, events, experiences registered or just touched on. At first glance, the unreachable is sought to be reached; to escape the imposed circle as a finished life circle, make prominent thought and think about it. That is the way of seeking for the self, meaning, happiness, love… In this way the understanding of the duality of the self is born; the duality which absorbs consciousness and sub consciousness in the aim to explore the sides of one sole in the course of one own, or, more precisely – shared way.

Комиссия эмигрантологии славян Международного комитета славистов

Author(s): Lucjan Suchanek / Language(s): Russian Issue: 1/2015

Književnost i umetnost u Jugoslaviji: (DIS)KONTINUITETI (1918 – 1992)

Author(s): Jana Gligorijević / Language(s): Serbian Issue: 3/2016

Эминрантология. Научно-исследовательский вклад польской русистики

Author(s): Izabela Kowalska-Paszt / Language(s): Russian Issue: 150/2015

Based on the literary and cultural material, the article discusses two functions played by the term of emigrantology as a legacy of three waves of Russian emigration in the 20th century. The term was introduced by Lucjan Suchanek to the research space of Slavic emigration. It has systematized the area of intellectual and scientific self-reflection (including literary studies, historiography, philosophy and theology, and cultural studies), which developed in the community of Russian emigration. Additionally, the term provides modelling of the need for interdisciplinary and in the nearest future trans-disciplinary studies on the complex cultural phenomenon of Slavic emigrations. In this particular context, the article presents major research directions and achievements of Russian studies in Poland.

Interkulturalni dijalog u svetlu politike različitosti Laslo Blašković i Laslo Vegel

Author(s): Dragana V. Todoreskov,Aleksandra Đurić-Bosnić / Language(s): Bosnian,English Issue: 3/2016

This paper studies the cultural, in this case literary (prose),communication between writers-representatives of different nations. After the determination of the term interculturality and function of culture in slowing the stigma, ghettoisation, passes to the analysis of literary and social activities of two writers,members of the same minority in Serbia - Laslо Vegеl and Laslo Blašković. In the case of different strategies (writing in their native or second language, orientation towards his national community, the relationship to the majority, according to a former state – Yugoslavia – and present, Serbia, treatment of political issues, etc.) Establishes their relationship to their own entity stronghold and possibilities of overcoming its possible oppression (the term Gayatri Chakravorty Spivak) or oppressiveness (termed Susan Stanford Friedman).

Юбилеят на Татяна В. Цивян и XIV Балканистични четения в Института по славянознание към Руската академия на науките

Author(s): Irina Aleksandrovna Sedakova / Language(s): Bulgarian Issue: 1/2018

Anniversary; Scientific Life; Scholarly Conference

Домът на литературата: Югославски и постюгославски представи за литературната споделимост

Author(s): Ludmila Mindova / Language(s): Bulgarian Issue: 1/2018

The Home of Literature is a metaphor of the literature and literary community. However, this metaphor is connected with the home obsession in contemporary post-Yugoslavian literatures. After the collapse of the Former Yugoslavia and Bosnian war, the home is one of the constant themes in contemporary literature in all area. We can see that in the poetry of the Bosnian-Slovenian poet Josip Osti, but also in the novels and essays of the famous emigrant writer Dubravka Ugrešić, as well as in the works of Peter Semolič, Miljenko Jergović, Vida Ognjenović, Jasna Koteska etc. The home is often present even in the titles of their works (House of Language by Osti, House of Words by Semolič, The House of Dead Scents by Ognjenović), and what is more important – the home is a counterpart of the literature as a place of the sense in the world that every day loses a part of its sense and good taste. The literary home is not a utopian place, because it is a collective image and it could be the dystopian place as well. We mark that through the works about the prison and concentration camps – The Damned Yard by Ivo Andrić, the novels and stories by Danilo Kiš, Dragoslav Mihailović, Branko Hofman, Miroslav Popović etc. At all events, the literary home is always a place of the reinventing of the sense.

PARATEKSTUALNOST U BOSANSKOJ SREDNJOVJEKOVNOJ KNJIŽEVNOSTI

Author(s): Lejla Nakaš / Language(s): Bosnian,Old Church Slavonic Issue: 83-84/2018

Na odabir termina paratekst, kojim je moguće definirati specijalne žanrove u srednjovjekovnoj književnosti, filolozi su potaknuti definicijama i interpretacijama iz teorije književne kritike do kojih je došao Gérard Genette. Paratekstualnost je odnos između teksta i njegovog parateksta, koji okružuje glavni tekst, kao što su naslovi poglavlja, predgovor, uvod, pogovor, sažetak, napomene, ilustracije, sve što je pored teksta, s osnovnom svrhom da poboljša i prilagodi njegovu recepciju. U srednjovjekovnoj su rukopisnoj tradiciji naslovi poglavlja ili glave (capita), koje nose glavno (kapitalno) značenje sadržaja pripovijesti, potom popratni tekstovi u rukopisnoj tradiciji četveroevanđelja poznatoj kao sinopsis i hipotezis tipično paratekstualne prirode, a takvim se može smatrati i aparat koji je specijalno osmišljen za sinoptičko čitanje teksta četiriju evanđelja, naime Euzebijevi kanoni na hotizontalnim marginama. U Mletačkom i Hvalovom zborniku ta se pravila nalaze na istaknutom mjestu, na početku knjige a popraćena su tradicionalnim tekstom, Euzebijevom poslanicom Ciprijanu, u kojoj je objašnjena njihova svrhovitost. Riječ je o podjeli teksta četveroevanđelja na takav način koji omogućava usporedbu odlomaka u kojima su “evanđelisti jedno rekli.” Osim svih tih formalno uočljivih uputa redaktora oko, ispred, iza i iznad samoga glavnog teksta, kao paratekst se tumače načelno i svi parabiblijski tesktovi, koji se u odnosu na kanonski tekst mogu smatrati periferijskim tekstovima. Tekstovi ove vrste širili su se uglavnom sekularnim putevima i sačuvani su u zbornicima apokrifne literature. Nešto su rjeđi slučajevi kada oni ulaze u sastav kodeksa s primarno kanonskim sadržajem. Većina ih je prevedena u Preslavu u razdoblju od kraja 9. i početka 10. stoljeća. Obilježeni su intertekstualnošću, koja uključuje citiranje, reminiscencije i aluzije na kanonski tekst. Priređivači tih tekstova uživali su veću slobodu pri prepisivanju nego što je to slučaj s prepisivanjem kanonskih tekstova. Dijalektalne odlike lakše su prolazile u te tekstove, pa oni imaju poseban značaj i sa stanovišta historije jezika.

Nadomak optimalne projekcije: Jugoslavija i opća teorija avangarde

Author(s): Lujo Parežanin / Language(s): Croatian Issue: 2/2020

As the fundamental text for the study of artistic and literary avantgardes, Bürger’s Theory of the Avant-garde has been the subject of a wide and diverse critical reception. An especially contentious claim of Bürger’s is the one about the failure of neo-avant-garde art – a claim that cannot be separated from of his category of historical avant-gardes and the claim about the defeat of the pre-war avant-garde movements. Missing the construction of Bürger’s argumentation, different critics have pointed to different post-war artists and artistic movements which, through their work, revitalized avant-garde poetics with more or less success. However, by staying in the same framework of the Euroamerican capitalist West and its artistic system, these counterexamples could not offer a systemic intervention into Bürger’s theory. Due to its specific historical, social, and therefore cultural and artistic trajectory, the experience of Yugoslavia represents one of the possible points of departure for such an intervention. By focusing on existing interpretations of the relation between the Yugoslav avant-garde, neo-avant-garde and post-avant-garde, this article aims to show how the unique relation of the post-war avant-garde towards its tradition can contribute to the critical supplementation of Bürger’s theory and a more nuanced understanding of the possible relations between the neo-avantgarde and the avant-garde. In that sense, this article will try to show how the Yugoslav example is indispensable to a relevant discussion of artistic avantgardes in general.

Subverzija i književnost (Subverzivna uloga književnosti na primjeru časopisa i biblioteke Feral Tribune)

Author(s): Mubina Mešić Palić / Language(s): Bosnian,Croatian,Serbian Issue: 6/2022

The aim of the paper is to present the subversive role of literature on the example of the Feral Tribune magazine and library. The analysis begins by listing the types of repressive measures the magazine was dealing with in the time of SFRJ and independent state of Croatia which ultimately led to the cancellation of the magazine in 2008. Following the literary procedures in the published texts, the interpretation deals with forms and contexts of literature which are deemed as subversive in the Feral. As examples of the most important art forms in the Feral, the author singles out the columns Bilježnica Robija K. and Greatest shits, shorthand forms of burlesque comedy, provocative aphorisms and travestied forms of poems published in the magazine. Additionally, the paper is also looking into the method in which the publishing venture of the Feral Tribune library subversively influences the social and cultural atmosphere of Croatia and its vicinity. The criteria of the book selection for the library itself and the manner in which the literary discourse of the chosen works was undermining nationalist and clero‑fascist metanarratives are further explained in the final part of the paper.

ОБЛИЦИ ПОБУНЕ У САМОКОВЛИЈИНОЈ И АНДРИЋЕВОЈ ПРОЗИ

Author(s): Branka U. Todorovic / Language(s): Serbian Issue: 77/2022

In this paper, the presence of the motif of rebellion is analyzed on the basis of two prose works: Davoka’s story of Jahijel’s rebellion (1953) and The story of the farmer Siman (1969). We establish a connection between the two main charac- ters, Samokovlija’s Jahijel and Andrić’s Siman, to distinguish between two forms of resistance. Jahijel’s rebellion is an ordinary, human revolt, whereas Siman’s is a revolutionary one; Jahijel opposes Jewish customs and tradition, while Siman opposes authority and government. Although the reasons and results of their op- position are different, both are fighting against ingrained social principles that don’t allow a marginalized individual to progress and free himself

HASAN (FEHMI) NAMETAK: FOLKLORIST, KNJIŽEVNIK, KULTURNI HISTORIČAR

Author(s): Nehrudin Rebihić / Language(s): Bosnian Issue: 5/2022

Hasan Nametak was one of the most important leaders in the ield of collecting and describing Bosniak cultural and literary heritage from the end of the 19th century. He made a special contribution in the ield of folklore by collecting a collection of poems of Croatian folk songs and several legends, anecdotes and humorous stories that he published in the then Bosnian periodicals. As a narrator, but also a witness of the time, he wrote several autobiographical sketches and pictures about the events in Herzegovina after the arrival of the Austro-Hungarian Monarchy in Bosnia. He also made a signiicant contribution to the memory of prominent Bosniak scholars of the late 19th and early 20th centuries. He also wrote several texts about prominent Mostar’s vakufs (endowment) and their vakifs (founder).

NARATIVNA REPREZENTACIJA BOSANSKO-JEVREJSKOG INTRAKULTURNOG IDENTITETA (NA PRIMJERIMA PRIPOVJEDAKA ISAKA SAMOKOVLIJE)

Author(s): Šeherzada Džafić / Language(s): Bosnian Issue: 21/2022

The Jewish cultural tradition, which within the framework of the Bosnian habitus went through stages - from assimilation, concretization, activation, and even fusion - represents a paradigm of intracultural processes in the complex Bosnian society. These processes take place through various interactions, which have not been bypassed by local literature, and are representative of one part of the literary oeuvre of Isak Samokovlija. Based on the theoretical starting points of intercultural interpretation and psychoanalysis, the work questions Samokovlija's short stories in which the characters act through the suppressed own versus the foreign. This is especially expressed in the stories “Od proljeća do proljeća” (From Spring to Spring) and “Plava Jevrejka” (The Blue Jewess).

PRIKAZI

Author(s): Madžida Mašić,Amer Maslo,Edin Omerčić,Dino Mujadžević,Amir Džinić,Emina Mostić,Aladin Husić,Muamer Hodžić,Ekrem Čaušević,Esad Duraković / Language(s): Bosnian Issue: 72/2023

Review of: Mahmud Derviš, SABRANA DJELA, POEZIJA, I-IV, prijevod s arapskog: Džemo Redžematović, Horizonti – centar za međukulturno razumijevanje, Podgorica 2022, 510+478+400+278 str. Olga Vladimirovna Sarıgöz, Praktičeskaja grammatika sovremennogo tureckogo jazyka (v dialogah i tablično-shematičeskih objasnenijah) // Praktična gramatika suvremenoga turskog jezika (u dijalozima i tabličnim objašnjenima//, URSS, Moskva, LENAND 2022, treće prerađeno izdanje, 426 str. Amina Šiljak-Jesenković, RE/KONSTRUKCIJA PRIČE O LJ/ljUBAVI: FABULE I IZBOR STIHOVA IZ MESNEVIJA U PRIJEVODU NA BOSANSKI JEZIK, Univerzitet u Sarajevu – Orijentalni institut, Posebna izdanja LXVIII, Sarajevo, 2023, 570 str. Emrah Seljaci, POEZIJA FEVZIJA MOSTARCA NA OSMANSKOM TURSKOM JEZIKU, Fondacija “Baština duhovnosti”, Mostar, 1444/2023, 105 str. Aladin Husić, DEVŠIRMA U BOSNI (O REGRUTACIJI BOSANACA U JANJIČARE), Posebna izdanja LXIX, Univerzitet u Sarajevu – Orijentalni institut, Sarajevo, 2023, 164 str. Elma Korić, OBLIKOVANJE GRANICA BOSNE: BOSNA U AHDNAMAMA I HUDUDNAMAMA IZ 16. I 17. STOLJEĆA, Univerzitet u Sarajevu – Orijentalni institut, Posebna izdanja LXVII, Sarajevo, 2022, 174 str. Faruk Taslidža, IZMEĐU RATOVA – NA GRANICI SVJETOVA: DRUŠTVENO-PRIVREDNI ODNOSI HERCEGOVAČKOG SANDŽAKA U PRVOJ POLOVINI XVII STOLJEĆA (1606–1645), BZK Preporod, Mostar, 2022, 233 str. Hana Younis, A QADI IN THE CHRISTIAN EMPIRE: THE STAFF AND WORK OF THE SHARIA COURTS IN BOSNIA AND HERZEGOVINA 1878–1914, Univerzitet u Sarajevu – Institut za historiju, Sarajevo, 2023, 430 str. Dijana Pinjuh, Anđelko Vlašić, TRAGOM EVLIJE ČELEBIJA KROZ HERCEGOVAČKI SANDŽAK, Srednja Europa, Zagreb 2023, 290 str. ULOGA I ZNAČAJ GAZI HUSREV-BEGA U HISTORIJI BOSNE I HERCEGOVINE: Zbornik radova sa naučnog skupa “Uloga i značaj Gazi Husrev-bega u historiji Bosne i Hercegovine”, Sarajevo, 22. septembar 2021. godine, Gazi Husrev-begova biblioteka u Sarajevu, Univerzitet u Sarajevu – Orijentalni institut, Univerzitet u Sarajevu – Institut za historiju, Historijski arhiv Sarajevo, Sarajevo, 2022, 305 str. ZAMIŠLJANJE ŽENE: O IDEOLOŠKIM I KULTURNIM KONCEPTIMA ŽENSKOG RODA U POVIJESTI BOSNE I HERCEGOVINE, ur. Sabina Veladžić, Aida Ličina Ramić, Fondacija Heinrich Böll, Sarajevo, 2023. Dženita Karić, BOSNIAN HAJJ LITERATURE: MULTIPLE PATHS TO THE HOLY, Edinburgh University Press, Edinburgh, 2023, 256 str. Katalog arapskih, turskih, perzijskih i bosanskih rukopisa, Svezak treći. Obradio Hamza Lavić. Historijski arhiv Sarajevo, Sarajevo, 2022, 370 str.

Mula Mustafa Ševki Bašeskija, Ljetopis

Author(s): Amir Džinić / Language(s): Bosnian Issue: 22/2023

Review of: Mula Mustafa Ševki Bašeskija, Ljetopis, prijevod s turskog, uvod i komentar Mehmed Mujezinović, Zenica: Vrijeme, 2021, 497 str.

La serbocroatistica nei primi settant'anni di attività di "Ricerche slavistiche"

Author(s): Luca Vaglio / Language(s): Italian Issue: 65/2022

Serbocroatistic contributions have been published on the pages of “Ricerche slavistiche” since 1952, when this academic journal of Slavic Studies was founded by Giovanni Maver at the University of Rome (now Sapienza University). Articles and reviews on various Serbocroatistic topics (that is concerning linguistics, literary history, literary criticism, culture) have been appearing in this journal with such a continuity that they can be included among the most frequent ones.

Husref Tahirović, Dr. Isak Samokovlija: Život u bijelom mantilu.

Author(s): Omer Merzić / Language(s): Bosnian Issue: 52/2023

Review of: Husref Tahirović, Dr. Isak Samokovlija: Život u bijelom mantilu. Sarajevo: Akademija nauka i umjetnosti Bosne i Hercegovine, 2023, 200 str.

DE/KONSTRUKCIJA STEREOTIPNIH PREDODŽBI U ROMANU NEBOJŠE LUJANOVIĆA OBLAK BOJE KOŽE I AUTOBIOGRAFSKOJ PROZI HEDINE TAHIROVIĆ-SIJERČIĆ ROM K`O GROM

Author(s): Simbi Husarić-Junuzović / Language(s): Bosnian Issue: 18-19/2022

This paper aims at deconstruction of cultural stereotypes about Roma population in contemporary literature in Bosnia and Herzegovina. The focus is on cultural constructions depicting the ethics of resposibility towards others found in two works of art, Oblak boje kože, a novel by Nebojša Lujanović and autobigraphical prose by Hedina Tahirović – Sijerčić, Rom k’o grom. The emphasis is placed on stereotypes and prejudice immanent to all identities. It also indicates discriminatory practice particularly pronounced in the case of Roma people minority, because they are more often than not excluded and outlawed from the social processes. They are ghettoized in every way, which is clearly seen in the examples of Enis Selmanić, the main character of the novel Oblak boje kože and the heroine of the autobigraphical prose Rom k’o grom. Alongside the deconstruction of negative stereotypes, these works of art also open up a number of gender issues, especially the issue of Roma women under patriarchal pattern and gender roles imposed on them not only biologically, but also by their Roma identity, in which they become otherness of others, a category that indicates a marginalization within the identity of Other. Both novel and autobiography use a specifi c ethnographic and culturographic manner to raise questions about neglected and dark historic stains, the neglected Roma history, their everyday struggles since forever or the more traumatic parts of their history, such as the Auschwitz experience. In the theoretical framework of this research, a hybrid approach is used, based on imagological studies and postcolonial theory. Key texts from the anthology “Kako vidimo strane zemlje” provide the basis for understanding literary depictions of foreign countries and peoples, particularly through the works of Manfred S. Fischer, Hugo Dyserinck, Karl Ulrich Syndram, Joep Leerssen, Daniel-Henri Pageaux, and Jean-Marc Moura. The imagological approach helps in addressing the perceptions of the Roma national minority and questioning intolerance and racism. The postcolonial aspect, along with the works of Homi Bhabha and Stuart Hall, enables a critical examination of identity through a system of differences and the affirmation of diversity. Feminist theory and works such as those by Simone de Beauvoir and Judith Butler contribute to understanding gender issues and marginalization within Roma communities. These approaches together enable a detailed exploration and deconstruction of stereotypical representations of Roma in literary works.

MEDIJSKA PISMENOST UČENIKA ZAVRŠNIH RAZREDA OSNOVNE ŠKOLE U HNK

Author(s): Amela Medar,Alema Fazlić,Aida Džiho / Language(s): Bosnian Issue: 4/2024

The concept of literacy, which once referred to the ability to read and write in the mother tongue, is changing in accordance with social, scientific and technological changes so that in the 21st century literacy is not only the ability to read and write, but also implies knowledge of information and communication technologies, critically thinking and the necessity of lifelong learning. Such changes also require changes in the educational system, i.e. media literacy of students from the period of elementary school, which is achieved through media education. In this paper, we will analyze the presence of content related to media education and media literacy in the following subjects: Bosnian language and literature, English language, Biology and Chemistry, and their impact on the development of critical thinking and media literacy of eighth and ninth grade elementary school students. After collecting the data for the purpose of developing the theoretical part of the work, we began to develop the methodological part, which represents the basis for empirical research of the problem. Using the methods of theoretical analysis and synthesis, descriptive and survey methods, we examined the connection between the content of the mentioned teaching subjects and media culture. The aim of the research was also to determine the inclusion of media content in the teaching of the mentioned subjects with an emphasis on the analysis of the most frequently used media and media content, the possibility of their critical evaluation by the students, as well as the ability to create their own media content.