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RASPJEVANI I OPJEVANI MOSTAR

Author(s): Elbisa Ustamujić / Language(s): Bosnian Issue: 5/2022

The paper connects two distant periods of poetry creation in Mostar. In the 16th and 17th centuries, dozens of poets sang in Turkish and Persian in the Oriental cultural circle, among whom the most important are Hasan Zijaija, Derviš-paša Bajezidagić and Fevzi Mostarac. he second period refers to the revival of the literature, the end of the 19th century, modernization in the 20th century according to European literature ends – impressionism and symbolism, expressionism and avant-garde, existentialist modernism. he representatives are: M. Ć. Ćatić, Hamza Humo and Skender Kulenović. At the same time, the merging of concepts and motifs and networking of the Oriental poetic tradition into a contemporary literary expression is signiicant for understanding the poetic and cultural complexityof contemporary Bosnian literature.

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RUKOPISNA VERZIJA BOSNEVIJSKIH (ALHAMIJADO) PJESAMA MUHAMEDA RUŽDIJA U MEDŽMUI (R 31) MUZEJA HERCEGOVINE U MOSTARU (S POSEBNIM OSVRTOM NA PJESMU OGLAN NASIHATI)

Author(s): Alen Kalajdžija / Language(s): Bosnian Issue: 5/2022

he article will provide basic historiographical data on the Bosnian aljamijado poet from the end of the 19th and the beginning of the 20th century – Muharrem Dizdarević, better known under the pseudonym Muhamed Rušdi (Muhamad Rushdi), and available bibliographic data on his work. In addition, basic information will be given on the manuscript of the Museum of Herzegovina in Mostar (R 31), which contains Bosnian Arabic texts containing 12 Rushdi’s poems and three other poems by various Bosnian authors. Since the most extensive monograph on Rushdie, prepared by Abdurahman Nametak (1981), does not include the poem Oglan nasihat, this short poetic form will be transcribed and basic philological data will be given.

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DOSJETLJIVOST I MUDROST U MOSTARSKIM ROMANSAMA U RUKOPISNOJ ZBIRCI „HERCEGOVAČKI BISER“ OSMANA ĐIKIĆA

Author(s): Nusret Omerika / Language(s): Bosnian Issue: 5/2022

he manuscript collection „he pearl of Herzegovina“ written by Osman Đikić, which is kept at Serbian Academy of Science and Arts, has never been published although it contains 60 extremely valuable lyrical poems that had been collected in Herzegovina in the period between 1896 and 1898. Among these 60 poems, there are 20 which were collected in Mostar, romance mostly. his work focusses on the poems noted in Mostar because, as Jovan Vuković cited: „the muslim people of Mostar cherished lyrical poems , as well as romance, which sang several interesting boys and girls from Mostar and its close environment.“

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PRIČANJA O ŽIVOTU U RUKOPISNOJ ZBIRCI HUSEINA RIZVIĆA

Author(s): Amira Dervišević / Language(s): Bosnian Issue: 5/2022

Manuscript collection of Husein Rizvić stands out from other manuscript and printed collections of Bosniak oral prose due to his greater foundation in everyday life. Little has been written about the collection and it has not been the subject of more thorough researches. he aims of the paper are the analysis and interpretation of selected oral stories which, according to their poetic features, correspond to narrations about life. After analysis and interpretation, using comparative and textual methods, it is concluded that the selected narrations have poetic features of talking about life, but that the writer most likely changed the text and stylized it. he relections in this paper aim to contribute to a better insight into the manuscript material of this collection.

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SEVDAH O MOSTARU U PRIPOVIJETKAMA HAMZE HUME

Author(s): Almedina Čengić / Language(s): Bosnian Issue: 5/2022

Hamza Humo’s literary oeuvre is determined by speciic stylistic forms that represent his work within the framework of Bosnia and Herzegovina’s artistic heritage. “Sevdah” and “sevdisanje”, love longing and ecstasy, which in their ultimate meaning are primarily “basic substances that according to the teachings of the ancient Arabs, that is, Greek doctors, are found in the human body”, Humo is not characterized at the level of relationships between human beings, speciic love is addressed to his hometown - Mostar. He sighs over the landscape of his existence and in the ecstasy of the artistic experience of memorized images, scenes and associative moments, tells the story of his native Mostar. “As a poet of life’s joy and a narrator of sad destinies”, Humo writes his poems, novels, poems and inds inspiration in descriptions of nature and emphasizing its connection with the destiny of man. he aim of this paper is to prove how the writer (H. Humo) emotionally experiences the locational and temporal determinants of a recognizable environment with speciic stylistic means and artistic variables, creating distinctive visions within his own literary prose.

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SLIKA HERCEGOVINE U BOSANSKOHERCEGOVAČKIM PUTOPISIMA

Author(s): Ena Begović-Sokolija / Language(s): Bosnian Issue: 5/2022

The paper based on the example of the travelogues of ten Bosnian authors (I. F. Jukić, G. Martić, I. Andrić, H. Humo, Z. Džumhur, J. Beran, A. Isaković, I. Kajan, R. Mahmutćehajić, and A. Žetica) analyses the impressions and ideas about Herzegovina with the view of basic imagological assumptions. In order not to fall into an analytical dead end, it is irst necessary to place the authors in the Bosnian-Herzegovinian context and determine his literary-historical era, focusing on each individual text, keeping in mind precisely his genre (travelogue) and thematic region (Herzegovina). Travelogues as a privileged type of text for understanding of the “writing of the Other” or “writing about the Other” are a useful and thematically rich material, wherein the construction of images of Herzegovina is followed, without dealing with its veracity, but rather with its efectiveness in the cultural and communicational domain. he analysis shows that the problem of travelogue as a literary-historical phenomenon is still relevant, while the ofered imagological analysis could be one of the key prerequisites for the literary-historical approach. he chosen geographic area as the theme of the travelogues proved to be an interesting material for the study of the characteristics of national self-understanding. In this regard, the term he Travelogue Herzegovina was coined as a genre and regional concept.

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PUTOPISNI PROSTORI ZUKE DŽUMHURA

Author(s): Mirzana Pašić Kodrić / Language(s): Bosnian Issue: 5/2022

To understand Džumhur’s travelogue space, that is, the way in which Džumhur’s travelogues grow into a story and go beyond classical travel prose, it is inevitable to understand the spaces of his travelogues. he end of the 19th and the beginning of the 20th century brought great shifts and fundamental changes in all genres of literature. he traditional understanding of literature as “beautiful literature” which insisted on a triadic system of literary genres divided into epics, lyrics and drama slowly began to lose its meaning just giving way to hybrid genre transformations and also in the novel and literature in general, not just in travel writing. hus, when it comes to travel writing, travel literature has proclaimed the so-called. the era of the “end of mere travel” and the traditional notion of what may once have been a travelogue, and began the era of travel as an escape into the space of text, the space of storytelling, far from the alienation and anxiety of the real world. Precisely in the endless genre intertwining, it is almost impossible to deine the poetics of travelogues.

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POLITIČKO U MANJINSKOJ KNJIŽEVNOSTI: POLJE JEVREJSKE KNJIŽEVNOSTI U BOSNI I HERCEGOVINI IZMEĐU DVA SVJETSKA RATA

Author(s): Damir Šabotić / Language(s): Bosnian Issue: 21/2022

Jewish literature in Bosnia and Herzegovina between the two world wars is not the result of a peaceful weaving of tradition, but a constant struggle of different forces that made certain writers and their works important and famous, and marginalized others. The founding of the Jewish newspapers in Bosnia and Herzegovina between two world wars opened the possibility for public debate, polemics, and numerous literary contributions in the Judeo-Spanish and Serbo-Croatian languages. These newspapers show how a field of Jewish literature was formed and how the success of some writers and the oblivion of others was influenced by what we can conditionally call political and which is always present in the structure of the field as a force that regulates, directs, and shapes it.

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TRI LITERARIZIRANE SLIKE SUŽIVOTA JEVREJA I MUSLIMANA U OSMANSKOJ BOSNI

Author(s): Nehrudin Rebihić / Language(s): Bosnian Issue: 21/2022

The paper presents three literary images of the coexistence of Jews and Muslims in Ottoman Bosnia. The pictures chronologically represent a hodogram of coexistence from the 16th to the beginning of the 20th century. The first picture is Sušić's short story Šta učini Don Daniel Rodriga, in which the author first shows the early relationship between Bosnian Muslims and Jews in trade between the Ottoman Empire and the Venetian Republic, and then the social controversies that accompanied that process. The second picture is based on Bašeski's Ljetopis and presents a picture of coexistence in the daily life of Sarajevo in the 18th century, where it does not only include the beautiful and positive, but also the negative representations. However, this picture shows the dynamic connections between Muslims and Jews at the national level, but also the differences and tensions conditioned by the social, religious, and political context. The third picture represents the positive relationship between Muslims and Jews in the example of literary representations of Sarajevo’s Purim. Here we analyze the different interpretations of this event, as well as how much they, regardless of evident contradictions, together influenced the shaping of the discourse about this holiday of Sarajevo’s Jews

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PREDODŽBE O JEVREJIMA U BOSANSKOHERCEGOVAČKOJ FRANJEVAČKOJ KNJIŽEVNOJ TRADICIJI: OD ANTIJUDAIZMA DO ANTISEMITIZMA?

Author(s): Ena Begović-Sokolija / Language(s): Bosnian Issue: 21/2022

The literary opus of the Bosnian Franciscans is interesting in many ways from the imagological point of view: both concerning self-perceptions and hetero-perceptions, which were constructed based on the importance of religion as an element of community identity. Analyzing the imagotype potential of religious and ethnic divisions, the paper reconstructs the controversies between Christianity and Judaism, as well as linguistic elements, folk customs, and contemporary reality. At the source of the Bosnian Franciscan literature, at the beginning of the 17th century, we find Divković, who, as is often the case in pre-modern culture, relates the religious Other to the ethnic Other. This tradition is continued by the 19th century’s Franciscan chroniclers (Lastrić, Benić, and Bogdanović), while Martić, Jukić, and Knežević, who stepped into the era of the rebirth of Croatian Illyrianism, we can trace various normative implications of the relationship between political, ethnic, racial and religious identity. Since the Bosnian Franciscans of that time, we remember the ecclesiastical and intellectual elite among the Catholic population in Bosnia, the imagotypical statements about Jews in their works reflect both the Christian heritage through history and the Eurocentric view of the Others. Therefore, reconstructing the Bosnian Franciscans’ perceptions and ideas about the Other and the Different is, at the same time, reconstructing the genesis of the narrative about the Other, i.e., social and religious stereotypes and prejudices, as well as the continuity of talking about oneself by talking about the Different.

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PITANJA IDENTITETA U TRILOGIJI O BOSNI VALERIJE SKRINJAR-TVRZ

Author(s): Vildana Pečenković / Language(s): Bosnian Issue: 21/2022

The paper questions the construction of identity in the novels of Slovenian-Bosnian authoress Valerija Skrinjar-Tvrz: Na svojoj, na plemenitoj, Jutro u Bosni and Bosna i Soča, which were combined and published as a trilogy this year. Integrating the period of medieval Bosnia, the First World War, and the war in Bosnia and Herzegovina from 1992-1995 into one whole, the trilogy achieves multiple coding. Although distant in time, driven by different motivations, and intersected by different ideologies, wars shape the lives of the heroes of this trilogy. In this unique poetic entity, the authoress managed to show the complexity of common life through individual destinies and “small stories” and to deconstruct the conception that history is made up of “big stories”. The identities of individuals in the novels represent the identities of communities whose borders are porous and threaten to destroy the established systems, while individual unfortunate destinies are a mirror of collective traumas from the Middle Ages to modern times. The Trilogy covers almost the entire Bosnian history, trying to include identity constructions and their associated identification features, which the authoress considers representative of contemporary identity re/configurations.

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KROKODIL LACOSTE ZLATKA TOPČIĆA KAO SILVERTOWN: ANALIZA PREVODA DRAME

Author(s): Selma Đuliman,Amira Sadiković / Language(s): Bosnian Issue: 21/2022

This paper contains an analysis of the selected scenes from the play Krokodil Lacoste / Silvertown by Zlatko Topčić. The play won the “Alija Isaković” award in 2010, while the Cultural Association of Bosniaks Preporod published its dual Bosnian and English edition in 2016. The segments are analysed parallelly in Bosnian and English for the purpose of observing the level of functional equivalence in the target text. The analysis entails extralinguistic and linguistic categories in accord ance with the model developed by Hatim and Mason (1990) and later expanded by Zhang et al. (2015). The extralinguistic category includes, among other, the culture-translation relationship, and the linguistic category entails three dimensions: communicative, pragmatic and semiotic. The analysis in this case includes the communicative and semiotic component.

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POTČINJAVANJE ŽENSKOG RODA/TIJELA U BIH MEĐURATNOJ KNJIŽEVNOSTI

Author(s): Edisa Gazetić / Language(s): Bosnian Issue: 35-36/2022

When it comes to gender inequality, regardless of which part of the world we are talking about, whether it is the West, which has made considerable progress in the application of equal rights in practice, or the non-West, which follows such a policy, but it is more difficult to implement in reality, it is still impossible to talk about the achieved equal rights of women and men. Even today, this inequality hides the possibility that the social community treats the female gender with disdain, and if a woman tries to resist this, she is most often exposed to public lynching. Many feminist theorists show in their research that such foundations were laid far in the past, and sacred texts confirmed what was already part of everyday gender politics even before monotheistic communities.

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TRAGOM JEDNOG PANEGIRIKA POSVEĆENOG DEFTERDARU RUMELIJE MEHMED-EFENDIJI MOSTARCU

Author(s): Adnan Kadrić,Madžida Mašić / Language(s): Bosnian Issue: 20/2021

The paper presents a qasida of the poet Isami, which is found in a manuscript codex (medzhmu) from the National and University Library of Bosnia and Herzegovina. The kasida is dedicated to Defterdar Mehmed Effendi Mostar. It has 56 verses and is found in the same codex that contains the transcripts of several Mostar vaqfnams. In the qasida, you can also find some important information about Mehmed-efendi Mostar, to whom the poet Isami sang the qasida. When comparing these data with Ottoman biographical sources, we noticed a lot of similarities between the biography of Mehmedefendi and the biography of Koski Mehmed-pasha, one of the famous Mostar vakifs (legators) from the beginning of the 17th century.

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Dukanovićevo razdoblje ili bosanskohercegovačko-poljske književne veze za vrijeme Druge Jugoslavije

Author(s): Leszek Małczak / Language(s): Bosnian,Croatian,Serbian Issue: 2/2019

This article describes Bosnian-Herzegovinian-Polish literary contacts in the period of the second Yugoslavia. I’ve started with a brief presentation of the history of literary and cultural contacts between Bosnia and Herzegovina and Poland. They are shown within the context of law, political and the institutional circumstances of cultural cooperation. The most detailed presented period from 1944 to 1989 can be named as ‘Dukanovic’s period’ dute to the role this translator, literary critic, and editor, who stayed in Poland after the Cominform Resolution of June 28, 1948, played in cultural contacts.

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Rukopisna baština srednjovjekovne Bosne i Hercegovine kao primjer kulturnih odnosa između Istoka i Zapada

Author(s): Emilian Szymon Prałat / Language(s): Bosnian Issue: 2/2012

The article is devoted to the legacy of selected manuscripts from Bosnia and Herzegovina, formed before the fall of Bosnia in 1463, which is the reflection of the cultural wealth that was created in the area throughout history. At the same time in the texts of manuscripts, their illuminations, we can see elements from different traditions, which main determinant was confession (Slavia Latina, Slavia Orthodoxa). This specific feature will be confronted with the contemporary political and cultural situation of the Polish Kingdom and slightly later Polish-Lithuanian Commonwealth (Polish Kingdom and Grand Duchy of Lithuania, Res Publica Utriusque Nationis). Example of Hrvoje Vukcic Hrvatinic Missal and the chapel at Lublin Castle is the best paradigm of vital currents associated with infiltration of various ethnic groups and their nurtured artistic traditions. This fact made those two dualistic countries significant centers of art and cultural communication nodes with an extremely strong influence on Europe at this time. A special place in the article will take analyze the cultural perspective and illumination, taking into account the border nature of Balkans art, its homo-and heterogeneity. On this occasion, may be necessary to appeal to the complicated political history of the area, its multiculturalism and multi-confessional nature. Article will also attempt to bring the problem of South Slavic miniature painting, in a little present in the minds of western researchers, which will allow for fuller and more coherent view of the artistic map of Europe in the Middle Ages. The basic argument for the desirability of taken theme is its validity from the standpoint of cultural reconstruction of the full picture of South Slavs in the medieval period, which is an important aspect of miniature paintings, tested and well known in relation to Western Europe. Synchronous perspective of history and culture of BiH and the Polish-Lithuanian Commonwealth will find the universal elements, as well as those who contributed to the uniqueness of the analyzed area.

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Tuđina kao dom ili dom kao tuđina u romanu Crnoturci Huseina Bašića

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Tuđina kao dom ili dom kao tuđina u romanu Crnoturci Huseina Bašića

Author(s): Miluša Bakrač / Language(s): Montenegrine Issue: 91-92/2023

U radu će se dati prikaz slike ,,drugih“ kroz koju se defi nišu kulturna posebnost, kulturna raznolikost i kulturna sličnost utemeljene na smjeni turske crnogorskom kulturom nakon oslobođenja Nikšića od Turaka pred Berlinski kongres 1878. (Poslije slavnih pobjeda nad turskom vojskom, na Vučjem dolu 1876. godine, u Dugi nikšićkoj i Ostroškom klancu 1877. godine, koje je slavila sva Evropa, 9. septembra 1877. godine oslobođen je Nikšić. U gradu je prije oslobođenja bilo 3.000- 4.000 stanovnika (V.Klaić, 1878., str. 93). Bilo je samo 40 hrišćanskih porodica. U selima u ravni polja i obodu bilo je 1800 starosjedilačkog stanovništva. Oslobađanjem od Turaka konačno je nestalo izolacije Nikšića i Nikšićkog kraja od široke okoline... Tada je još jednom došlo do mijenjanja skoro cjelokupnog stanovništva. Od muslimanskih porodica ostalo je svega 19. Ostali su odselili pretežno za Skadar, a kasnije za Tursku. Nikšićki kraj naseljavaju učesnici u borbama za njegovo oslobođenje.(Radojičić 1982:113)

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Percepcija i komunikacija Travničana u djelu Ive Andrića Travnička kronika

Author(s): Nela Ćosić / Language(s): Bosnian,Croatian,Serbian Issue: 129-130/2023

Ivo Andrić u svojim djelima naglašava čovjeka kao biće sa svim manama i vrlinama koji ga čine čovjekom. Prikazuje zlo, ljudske nagone, nemirnu savjest, izopačenosti ostale pojave koje utječu na čovjeka i njegovo ponašanje. U najpoznatijem Andrićevu povijesnom djelu Travnička kronika do izražaja dolazi obični travnički život, pomutnja nastala dolaskom stranaca te neprihvaćanje istih. Također, prikazan je i pogled stranaca na život u Travniku u doba Osmanskog Carstva. Andrić turskim uzrečicama, smiješnim poštapalicama i anegdotama, čitatelju pokušava dočarati suživot muslimana, kršćana i Židova u Travniku za vrijeme Drugoga svjetskog rata. Prikazana je važnost komunikacije, pregovaranja, slušanja i osluškivanja pozadine između političkih subjekata tijekom ratnog vremena te posljedice prilikom komplikacije istih. Uz verbalnu, istaknuta je i neverbalna komunikacija kojom su tadašnji Travničani pokazivali brojne reakcije poput negodovanja, žalosti, bijesa. Travnička kronika djelo je bogato etnološkim, kulturno-povijesnim, tradicijskim i ostalim vrijednostima koje je Andrić odlično prikazao kroz brojne likove, a posebice glavne likove, austrijskog i francuskog konzula.

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DOBROTA, PONOS I STRADANJE: BOŠNJACI U PRIPOVIJETKAMA ALIJE NAMETKA

Author(s): Nedim Alić / Language(s): Bosnian Issue: 93/2023

This article presents an interpretation of stories written by Alija Nametak, one of the most significant Bosniak authors from the period between the two world wars. It also deals with theoretical backgrounds of cultural recollection, new historicism, and cultural materialism. His narrative illustrates Bosnia and Bosniaks in space and time within different frameworks of varying empyreal and governmental rules during the first half of the 20th century when the country was facing changes induced by the phenomenon of Europeanization, nationalization, agricultural reform, as well as political and national marginalization, prosecution and annihilation. Alija Nametak’s literary work is of great significance for the cultural awareness of Bosniaks, however, the communist government in Yugoslavia imprisoned this author immediately after the Second World War and sentenced him to fifteen years. His works were banished from the literary canon and Bosniaks were condemned to oblivion and extinction.

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POREDBENE FRAZEME U ANDRIĆEVOJ PROKLETOJ AVLIJI I NJIHOVI ITALIJANSKI EKVIVALENTI

Author(s): Nermina Čengić / Language(s): Bosnian Issue: 24/2023

A simile is a semantic-stylistic figure, very common in literary texts and authors tend to use it to give their text a new, broader, figurative meaning. In the category of simile, there exist simile phrases, that is, a special type of phraseological unit intended to create a more powerful artistic impression. Given the high frequency of use of these lexical elements in Ivo Andrić's literary works, to conclude their structure and use in Bosnian, we will analyze several phraseological units that contain similes, all taken from Andrić's novel Devil’s Yard. We consider it interesting to observe these lexical units contrastively, so in the Italian translation of Devil’s Yard (La Corte del Diavolo) done by Lionello Costantini, we will identify the Italian equivalents of original simile phrases and analyze their characteristics. With this contrastive analysis, we aim to offer an overview of the basic features of special lexical constructions which contain similes, and to make generalizations about the similarities and differences in their structure, meaning and use in the two language systems. The results of this study will also allow us to comment on the intensity of the author's creativity and the skill of the translator to recognize the semantic and stylistic value of these phraseological units and transfer them into the Italian language.

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