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Matošev autobiografski diskurs: pisma i bilježnice

Author(s): Martina Kokolari / Language(s): Croatian Issue: 04+06/2015

Matoševe bilježnice i pisma, dominantno obilježeni, kao uostalom i gotovo sva njegova fikcionalna i nefikcionalna djela, autobiografskim diskursom, među najmanje su proučavanim segmentima njegova stvaralaštva. Dvadeset je sačuvanih bilježnica na više od tisuću i petsto rukopisnih nepaginiranih stranica2 te više od šesto poznatih nam pisama, dopisnica i razglednica,3 koje je najčešće slao iz Beograda, Pariza i Ženeve, »iscrpan dokument o širokim prostranstvima njegovih interesa kao i pouzdan vodič kroz njegovo stvaralaštvo i život«. (Kapetanić, 1976: 353)

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Matoševi putopisi

Author(s): Neven Vulić / Language(s): Croatian Issue: 04+06/2015

Na Jacquesa Le Goffa i njegovo obrazloženje ideje o dva dorečenija kršćansko–antropološka koncepta razumijevanja čovjeka upozorit će Dean Duda u »Kulturi putovanja«. Prvi koncept je onaj putnika, a drugi pokajnika. Putnik ima bitan značenjski i simbolički višak. On je homo viator, čovjek u hodu, onaj koji se kreće, uvijek u dvostruko artikuliranom prostornom i vremenskom prolasku — na zemaljskom putu i na putu vlastitog života.

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Zlatna arija uskipjelog rimarija

Author(s): Tonko Maroević / Language(s): Croatian Issue: 04+06/2015

I stoljeće nakon autorove smrti Matoševa poezija ima izazovnosti i poticajnosti, nudi nam niz iznimno sretno usklađenih slika i strofa, dobro ugođenih zvukova i znakova, a istodobno dovodi u pitanje ideju oblikovnog savršenstva potrebom, čak nuždom, prevršavanja ustaljenih kriterija i standardiziranih normi. Naš najizrazitiji lirski artist i nadahnuti artifeks istančanih stihova, cizeliranih po najstrožim mjerilima parnasovske škole, bodlerovske sinestezije, poovske konstrukcije, kranjčevićevske tradicije, ujedno je i prvi tvorac antiestetičkih, verbalno drastičnih, egzistencijalno–ekspresionistički intoniranih i u našim razmjerima protoavangardističkih poetskih nastojanja, pokušaja i ostvarenja.

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Zlo i ljudi dobrog imena

Author(s): Nenad Vertovšek / Language(s): Croatian Issue: 01+04/2016

Kako opisati čovjeka koji Dobro nosi u imenu? Raspoložen, vedar, zavodljiv, zgodan, umiljat, Muškarac s velikim M na početku i velikim K u sredini riječi... bogat, simbol savjesti i obitelji, nepogrešiv, perfekcionist... Kako opisati Dobroslava Manđurinu, jednog od onih koji zahtijevaju snebivanje?... podilazi drugima iz koristi, pokreće osjećaj krivnje, grabežljivac, sadist... ne udara iz bijesa već hladnokrvno, mora imati žrtvu, ali i glumi žrtvu kad je potrebno, on širi i svoj miris po stanu, obilježava teritorij... diler, švercer, nasilnik, bahat, lažljivac... Dobro Nuši reče Jaki — »ne volim imena koja unaprijed nešto opisuju...«

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Roman o narcizmu

Author(s): Irena Matijašević / Language(s): Croatian Issue: 01+04/2016

Unatoč uvodu, s morem i s ljubavi koju doživljava Nuša, glavna junakinja romana — i to s ljubavi u čak tri njezina pojavna oblika: platonskom, erotskom te partnerskom — kao negativ stoji njezina kći Gala, suprotna punini Nušina života, koji je u cijelosti ostvaren život, i u privatnom i profesionalnom smislu. Unatoč Nušinoj snazi, strasti i zdravom hedonizmu koji se da odčitati iz njezinih postupaka, zbog čega bi se roman mogao nazvati i ljubavnim, zbog drugog najvažnijeg lika, njezine kćeri Gale, on više poprima dimenzije psihodrame.

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Roman satkan od tisuću slojeva

Author(s): Vanda Babić / Language(s): Croatian Issue: 01+04/2016

Znam samo da sam rekla: čitam sjajnu priču Margaret Duras, Bolest smrti.. Mani je rekla: I ja, upravo sada..., po tko zna koji put. I stalno mislim na Vas, rekla sam joj... jer.., da na koricama knjižice ne piše njezino ime, potpisala bih da je Vaša.

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Stanislav šimić – Književni kritičar ispred svog vremena

Author(s): Perina Meić / Language(s): Croatian Issue: 23/2016

Vrijeme kad Stanislav Šimić počinje objavljivati razdoblje je intenzivnih previranja na književnoj i kritičarskoj sceni. Radikalno raskidanje s tradicijom, te svojevrsna revizija postojećih književnih vrijednosti pojavljuju se kao najeksplicitnija očitovanja promjena vezanih za pojavu ekspresionizma koji je izuzetno važan za razumijevanje Šimićeve kritičarske pozicije.

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Sukob na knjževnoj ljevici u novohistorističkom ključu

Author(s): Domagoj Brozović / Language(s): Croatian Issue: 1-2/2015

Starting with the thesis about literature as a socio-political phenomenon, the paper introduces the possibility of applying one of the concepts of New Historicism – the integration of subversion – to the study of the so-called “conflict of the Croatian literary left”. The famous New Historicist, Stephen Greenblatt proposes the adaptation of Foucault’s discourse analysis with the idea of channelling of political subversions by the centres of power. The scholar argues that what is at stake is the mutual interference of the centres of power and their subversion rather than their confrontation. The first part of the paper offers a short survey of the pre-war stage of the conflict of the Croatian literary left. The early debate focused on whether literature is a form of political propaganda or an autonomous category. The dominant figure in this debate, Miroslav Krleža, responded with a series of articles published in the 1930s, which argued for the balance between political engagement and artistic freedom in literature. Consequently, Krleža was politically marginalized. In the post-war stage of the conflict, Krleža was appointed the editor of the new literary magazine Republika (The Republic), the aim of which was to include him in the social life of the socialist regime. The analysis of the contributions published in the early years of Republika reveals the formulation of a new polemical wave with which Krleža disagreed and consequently left the editorial board of the magazine. However, after the Resolution of Informbiro, socialistic authorities changed their rhetoric by loosening socialist realism and introducing so-called controlled liberalism in literary production. This, in turn, increased the aesthetic quality of literary contributions published in Republika. Hence, the New Historicists’ concept of containment of subversion is applicable to the study of the interference between literature and politics after World War II.

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Pjesništvo J. Severa i problemi proučavanja neoavangardne književnosti

Author(s): Lujo Parežanin / Language(s): Croatian Issue: 1-2/2015

Broadening the scope of research on the poetry of Josip Sever by analyzing his “Labour Day” poems published in the journal Oko during the mid-1970s, this article discusses the ways in which Sever’s treatment of the avant-garde tradition changes in different contexts, and hence offers an alternative reading to the stereotypical interpretations of Sever as a postmodernist antiutopian writer. Sever’s poetry is thus revealed to be positioned in manifold ways in relation to a variety of intertextual coordinates ranging from the Soviet avant-garde to the local literary tradition. His poetry interprets and articulates such protocols in a distinctive way, ambiguously upholding the avant-garde’s constructive project. Furthermore, detecting the difference in the intertextual treatment of the avant-garde in Sever’s two collections of poems, on the one hand, and in the Oko poems, on the other, is useful for a more refined understanding of the basic categories in Peter Bürger’s Theory of the Avant-garde, especially the scholar’s distinction between the neo-avant-garde and the so-called post-avant-garde stages in art.

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PRIGODNICE OTA ŠIAKOVIĆA – PREVLADANI OBLIK KNJIŽEVNE KOMUNIKACIJE

Author(s): Anica Bilić / Language(s): Croatian Issue: 2/2015

The study is based on a relatively small number of poems written by Franciscan friar Oto Siakovic (1830–1878), a lesser known and forgotten occasional poetry author. With several occasional poems,he joined the predominant literary trend in the 19th century poetic practice in Latin and Croatian.In the corpus analysis of our study, occasional poems were taken as a popular and affirmed type of social and literary communication in the 18th and 19th centuries. We have found that the communicative function in these poems is more clearly expressed since the language, in establishing a reference to reality, is focused on extralinguistic context. The poetic function is, on the other hand,mirrored in the stylized speech embellished with rhetorical figures.Our conclusion is that 19th century occasional poems, including those written by Oto Siakovic,which represented the predominant type of social and literary communication in the mentioned period,exist today only as a written record of communicative act devoid of the original context, thus being a reminder of centuries past, a keepsake, and a collection of literary and non-literary data relating to the time when odes and panegyrics were used to publicly address the contemporaries.

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GOTIČKI MOTIVI U PRIPOVIJETKAMA RIKARDA FLIEDERA JORGOVANIĆA

Author(s): Magdalena Blažević / Language(s): Croatian Issue: 2/2015

Rikard Jorgovanic is a unique character of Croatian literature. In the time of Senoa’s realism, when writers used to choose the topics from Croatian reality, Jorgovanic’s romantic writing style was based on the motives and techniques characteristic for gothic literature while he took a psychological approach to the analysis of his characters. Critics were divided on the value of his works, as he was reproached for triviality and wrong choice of topics. However, with his motives and figures of speech he can be related to Edgar Allan Poe, the master of horror and suspense fiction.

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Odrednice postmodernog mišljenja u Radauševu pjesništvu

Author(s): Vlasta Markasović / Language(s): Croatian Issue: 1/2016

Ivan Vanja Radauš (1906. ‒ 1975.) was a Croatian sculptor, painter and writer. His literary work includes three books of poetry and manuscripts stored in the Archives Collecting Center in Vinkovci. Radauš’s literary work is characterized by postmodern aspects, disbelief in ”big narrations”, scepticism towards ideologies, introduction of the decentralized and weak subject and luddism.

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Glas mora kojega (ne)ima

Author(s): Kornelija Pinter / Language(s): Croatian Issue: 1/2016

The paper analyzes contacts of textual structures with the pannonian landscape in Delimir Rešicki's poetry. Its particular focus, speaking thematically, is the author's constant poetic dialogue with water which has disappeared. His textual correlation with water suits the panonnistic concept of literature which describes its geological history. Rešicki built his poetry around the fading water motif which has roots in reality, thus, reality in his poetry is this paper's indirect interest.

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La littérature est partout autour de nous

Author(s): Darko Rundek,Dunja Kučinac / Language(s): French Issue: 2-3/2016

Interview with Darko Rundek by Dunja Kučinac

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Hrvatska književnost BiH – izazov(i) hrvatske književne historiografije

Author(s): Perina Meić / Language(s): Croatian Issue: 44/2016

Odgovor na pitanje što je to hrvatska književnost u BiH iznimno je složen. Svaki pokušaj preciznijeg defi niranja ovog dinamičnog književnog sustava neminovno prati dvije vrste problema. U jednu se skupinu svrstavaju problemi neknjiževne naravi (ideologija, politika i sl.), dok se u drugoj pojavljuju pitanja metodološke (književnoznanstvene) naravi. Ovi potonji najočitije dolaze do izražaja onda kad se postavi pitanje: kako defi nirati a, slijedom toga, i primjereno književnopovijesno prezentirati pretpostavljeni književni sustav. Navedene skupine problema (neknjiževni i metodološki) međusobno su povezani i na neki način uvjetovani. Utječući jedni na druge svojim mehanizmima oblikuju strukturu književnopovijesnog prikaza stvarajući ujedno i našu predodžbu o navedenom sustavu.

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Suvremena hrvatska poezija od 1980. do 2010.

Author(s): Branko Maleš / Language(s): Croatian Issue: 21/2016

Pregled suvremene hrvatske poezije zadnjih tri, četiri desetljeća ma kako bio skroman zahtijevao bi knjigu. Ali, tu smo se nužno ograničili na realno, ako je to moguće: mlađe autore, i onih srednjih godina, koji zadnjih godina stječu, ili su stekli ime i glas. I u takvom širem izboru mnogi su kandidati, dvadesetak autora, a – vjerujem – još ih je više koji nisu u trenutačnom pregledu.

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Između Časa anatomije i dijalektičkog antibarbarusa

Author(s): Nikica Mihaljević,Velimir Visković / Language(s): Croatian Issue: 21/2016

Interview with Velimir Visković by NIkica MIhaljević

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Teret dobrote i stida

Author(s): Tonko Maroević / Language(s): Croatian Issue: 09+12/2016

Moglo bi se kazati da smo Hrvoju Čuliću ostali dužni. Mislim pritom na kritičare i antologičare, povjesničare i enciklopediste, a ne usuđujem se govoriti o običnoj čitateljskoj recepciji. Naš dug se sastoji u neodgovarajućoj interpretativnoj reakciji, u nedostatnom praćenju njegovih pjesničkih, proznih i esejističkih tekstova, u nedovoljnom prepoznavanju njegove ekskluzivne i stroge, pomalo moralističke i gotovo monotematske spisateljske pozicije.

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Hrvoje Čulić

Author(s): Zvonimir Mrkonjić / Language(s): Croatian Issue: 09+12/2016

Ne može se olako imati šesnaest godina! Imao sam sreću što sam tu godinu proveo u društvu peripatetičnih ljepoduhā, koji su se kretali raznim mjestima za korteđavanje i intelektualno pripetavanje u ondašnjem Splitu početkom 50–ih godina prošlog stoljeća, a to su bila Pjaca, Riva, kupališta Bačvice i Firule. Tom društvu sve je bila šetnja u kojoj su se izmjenjivale galantne riječi, ali i obavijesti, misli o pročitanom i viđenom, bilo da se radilo o slikarstvu, filmu ili glazbi. Među njima isticao se Hrvoje Čulić, ni po čemu nametljiv, reklo bi se prije: stidljivo rječit u svojoj mladenačkoj sveznalosti i erotski obojenom humoru. Imao je gard skeptika, ali s neuništivom potrebom za komunikacijom od koje sam se u svojoj šutljivosti i ja činio sebi manje nekomunikativan.

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Deset kratkih priča iz Kolendara za puk za prostu godinu 1847.

Author(s): / Language(s): English,Croatian Issue: 01/2015

The following pages contain facsimiles of all ten illustrated contributions from the Calendar, in real size. Kolendar za puk za prostu godinu 1847 [Calendar for Common People for the Common Year 1847] is a booklet measuring only 13.5 x 10.5 cm, comprising a total of 116 pages. It contains information useful for farmers and craftsmen: from lists of fairs, through annual weather forecasts or tables for calculating interest on loans, to practical instructions on what to do, for instance, when a human or animal is bitten by a snake. Appropriately enough, the Calendar also includes a section primarily intended for children.

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