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4.50 €

En français, s’il vous plaît...et plus grand

Author(s): Diana Yankova / Language(s): English Publication Year: 0

The article begins with a brief overview of the federal legislation on official languages in Canada and provincial legislation in Quebec. Concern for the future of the French language materialized in the 1977 Charter of the French language, popularly known as Bill 101, ruled unconstitutional by the Canadian Supreme Court in 1988. This led to the introduction of Bill 178 (the ‘inside-outside’ law), which used the ‘notwithstanding clause to override the Canadian Charter’s guarantee of freedom of speech. Against this background, some of the issues to be discussed are: What are the implications of the ‘language police* or ‘tongue troopers’ in Quebec? Is the attempt to control English in Francophone Canada a result of the long-standing subjugation of the French and the recent resurgence of nationalism? Does making Anglophones in Quebec feel like second-class citizens help preserve French on a predominantly English-speaking continent? Will Quebecers acquire the linguistic skills needed to compete in the English-dominated global economy? Does the recent (March 31, 2005) ruling of the Supreme Court of Canada, which obliges Francophone Canadians and immigrants to Quebec to send their children to French schools, protect the French language?

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Стиловите регистри в романа „Монт-Ориол“ от Ги дьо Мопасан

Author(s): Maria Ivanova / Language(s): Bulgarian Publication Year: 0

The task of this article is to examine the style registers in the novel „Mont– Oriol” by Mopassan in order to reveal their role in the overall construction of the work. The subject of the study is the types of style registers, the way of their structuring and their role in the communication situation. On the basis of concrete analyses, it is concluded that style registers outline the character and the relationship between the novel characters. The style registers build a more authentic picture of the described realities; they also have a certain aesthetic and social focus

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Fransız Çocuk Yazınında Göç Örneği: Buranın Çocukları Başka Yerlerin Anne-Babaları

Author(s): İrfan Atalay / Language(s): Turkish Publication Year: 0

Günümüzde farklı boyutları ve etkilediği alanla içinden çıkılmaz bir sorun haline gelen ve kavramsal boyutta bile farklı adlandırmalarla ele alınan göç ve göçerlik, artık dünya ölçeğinde küresel oluşumlardan ülke yönetimlerine, toplumsal kurumlara, sivil toplum örgütlerine ve tikel düzeydeki yerli ve yabancı diye adlandırılan bireye kadar her kesimi derinden etkileyen, sebep ve sonuçlarıyla devasa bir boyut kazanan sorundur. Doğal olarak bu sorun yaşamın ve onu şekillendiren her araçta ve her alanda olduğu gibi, yazın alanında ve onun alt alanlarından biri olan gençlik yazınında da geniş ölçüde yer alan bir sorundur. Ekonomik koşullar ve sosyal yaşam koşullarının daha yüksek düzeyde olduğu ülkeler ya da bir genellemeyle Avrupa kıtası sıklıkla bu sorunla karşı karşıya gelen bir coğrafyadır.

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‘Göç Kültürü ve Çatışma Modeli’ Bağlamında Mathias Enard’ın Hırsızlar Sokağı

Author(s): Ali Tilbe,Kuramsal Çerçeve / Language(s): Turkish Publication Year: 0

Yazın incelemelerinde, inceleme nesnesindeki göçün doğasını saptamak için, bu düzeysel ayrımlar yol gösterici işlevler üstlenmektedir. “Özellikle romanlarda ele alınan göç durumu ve konulara göre kolaylıkla düzeyler belirlenebilir ve anlatı yerlemleri ile olay örgüsü bu düzlemde incelenerek açıklayıcı sonuçlar elde edilebilir. Bu modelden devinimle, romanların ulamlandırılması da kolaylaşacaktır” (Tilbe, 2015, s. 464 ).

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Ebedi Göçer: Medea

Author(s): Özlem Agvan,Yıldız Aydın / Language(s): Turkish Publication Year: 0

Bireyin en temel fizyolojik ihtiyaçlarından sonra ruh sağlığı için vazgeçilmezlerden biri aidiyet hissidir. İnsan sosyal bir varlıktır ve belli bir çevreye ait olduğunu hissetmek ister; bir aileye, bir dine, bir kültüre ya da arkadaşlarına. Göçmenin aidiyet hissi sabit değildir, sallanma halindedir, bu bir arada kalıştır. İçinde var olduğu düzeni terk edip, bilmediğine alışmak durumunda kalır göçmen. Göçlerin, sürgünlerin ve sığınmaların ortak noktası ayrılmadır. Maddi ya da toplumsal yaşam koşullarını iyileştirebilmek adına evinden ayrılıp başka bir ülkeye veya bölgeye yerleşen kişi dilimizde göçmen olarak adlandırılır.

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Francuski teatr feministyczny na przełomie XIX i XX wieku

Author(s): Tomasz Kaczmarek / Language(s): Polish Publication Year: 0

Until recently not many people recognized the feminist theater movement existing in the end of the 19th century. For almost a century it was condemned to oblivion for above all political reasons. Most scholars were focused on anarchist authors while in this the article works of the two feminine authors are analyzed, these include: Vera Starkoff and Nelly Roussel. Starkoff, the Russian Jew, was inspired by Tolstoy, Zola and Ibsen, and wrote the didactic dramas in which she discussed gender inequality between men and women at that time. She in her works seems to be more moderate then Russel who is more uncompromising in her works. Russell ridicules canonic values represented by the Roman-Catholic Church enslaving not only women but each individual’s thinking.

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Wpływ deportacji Akadian na estetykę i poetykę francuskojęzycznego teatru w Kanadzie

Author(s): Sebastian Zacharow / Language(s): Polish Publication Year: 0

This article has two goals. The first goal is to present a historical process which forced the Canadians to become a minority towards the British and to show the complicated relationships in which these two nationalities had to live after the numerous wars waged in North America between the British Crown and the Kingdom of France. The second goal is to show the evolution of the aesthetics of the francophone Canadian theater being the result of the Acadian’s deportation. In this context, three theatrical plays, which are dramatic texts representative of various stages of the difficult Acadian-Canadian history, will be used as examples: Le Théâtre de Neptune (1609) as a representative of the theater of the period of the French dominance in the New France; Le Drame du peuple acadien (1930) as a stage in the poetics of the Acadian martyrology; and La martyrdom Saguine (1971), depicting the aesthetics influenced by the Quiet Revolution, where Acadia becomes a nostalgic place, in a way an open-air museum, where thoughts are returned without a tormenting sense of injustice.

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Inter-standing Bodies in Early Modern British Culture

Author(s): Ana Maria Tolomei / Language(s): English Publication Year: 0

My paper aims at the analysis of dialogue as a form of recuperation while re-shaping and re-organising physical and non-physical bodies (either social, political or moral) in need of a “treatment” in Early Modern British and French Cultures. This kind of dialogue implies movement starting from under-standing to inter-standing and from curing to preserving private and public, individual and collective, dominant and dissident bodies in ordinary or extra-ordinary circumstances. I am interested in the way in which bodies as cultural constructs can be activated or re-activated in a Bakhtinian dialogical manner. I am also interested in the way in which “speaking with the dead” represents in Greenblatt’s view a manifestation of the circulation of the14social energy within written and visual texts. Furthermore, my inquiry leads to the analysis of the images of the self and the other, of the centre and the margins through cultural, national or religious clichés. The physical and non-physical bodies of the self and the other as well as bodily ornaments can also be interpreted from the Derridian perspective of the double-edged “pharmakon” as both “remedy” and “poison” as well as “artificial” and “natural” cultural constructs.

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Marges ou périphéries: un plaidoyer pour les autres littératures francophones du Canada hors Québec

Author(s): Peter Klaus / Language(s): French Publication Year: 0

This article aims at being a defender of the so-called small Canadian literatures in French, which tends to be forgotten or ignored in the face of Québec literature. What are the relations in French speaking Canada concerning its respective literatures? What are the relations of Québec, its literature and the other literatures in French created in Canada: in Acadia, Ontario and Manitoba? What about the contribution of First Nations’ literature in French? Will the history of Canadian literatures in French not have to be rewritten?

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La machine du roman et le mouvement de la vie. Nancy Huston, Gilles Deleuze, Henri Bergson

Author(s): Jan Miernowski / Language(s): French Publication Year: 0

This article shows how the literary mechanism of a novel can successfully express the truth of biological life. The key of this artistic success is a proper rhythm which is never a repetition of the same, but rather the emergence of the new that encompasses past, present and future in one indivisible duration. Such is the teaching of Henry Bergson that permeates Nancy Huston’s 1999 novel Prodige. Polyphonie. The intermediary between the Canadian novelist and the French philosopher is Gilles Deleuze.

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De Sartre à Derrida: fictions de l’intellectuel en (dé)construction

Author(s): Peter Frei / Language(s): French Publication Year: 0

To celebrate the 200th anniversary of the foundation of the University of Warsaw, a research group from the Faculty of Modern Languages organized at the end of May and the beginning of June 2016 an international conference entitled “Europe and its Intellectuals”. The event was planned as part of the international programme “European Culture – European Identity” which is co-organized by the University of Warsaw with, among others: Universtité de la Sorbonne-Paris IV, Universität Bonn, Universita de Firenze, University of St Andrews, Université de Fribourg, Universita degli Studi Firenze, Universidad de Salamanca, Bulgarian Academy of Sciences, Université de Toulouse Le Mirail. The aim of the project was to show to what extent the idea of Europe was and is being shaped by the intellectual elites, and to emphasise the role played in this process by important institutions such as universities, libraries, museums, archives, publishing houses, and other centres of intellectual life. Such a framework allowed the participants to reflect in their presentations and discussions on more detailed issues: Panel I – “Engagement in the interest of Europe and its shape”, Panel II – “Europe in comparative perspective”, Panel III – “Remarkable individuals of the intellectual Europe”, Panel IV – “European incarnations”. At the invitation of the rector of the University of Warsaw, Marcin Pałys, the conference was attended by the rectors of the Paris-Sorbonne University and the University of Bonn. The papers of twenty-three scholars have been edited and published by the University of Warsaw Press in a volume of conference proceedings in printed and electronic versions.

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Houellebecq ou le déprimiste incurable

Author(s): Marcin Darmas / Language(s): French Publication Year: 0

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La lenteur de la Première gorgée de bière. La nonchalance dans l’écriture de Philippe Delerm

Author(s): José Domingues de Almeida / Language(s): French Publication Year: 0

Our study focuses on the treatment and (auto)fiction of the theme of slowness in the poetics of Philippe Delerm, more particularly from the reading of the novel The very first sip of beer. Indeed, from the poetization of small daily gestures, the narrator is part of a nonchalant approach to time and reconciliation of action with immemorial anthropological rhythms.

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Poétique de la lenteur dans Souveraineté du vide de Christian Bobin

Author(s): Atmane Bissani / Language(s): French Publication Year: 0

Souveraineté du vide by Christian Bobin is, in my opinion, a text of mystical illuminations, which turns the notion of void, a mainly philosophical notion, into a structure able to mobilise other notions such as writing, light, childhood, nostalgy, love and solitude, in such a way that they highlight the notion of slowness and thus they reconcile the human beings with their human nature, by significantly anchoring them into it.

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L’amour au ralenti: fleurs et leurres de l’idylle au XIIe siècle

Author(s): Brîndușa GRIGORIU / Language(s): French Publication Year: 0

Slow love is the secret recipe of Floire and Blancheflor’s evergreen Conte, which started in the 1150’s as one of the first and most treasured romances in French literature, destined to a multicentennial career across Europe. It is this hermeneutic hypothesis that we explore in the present article by focusing on the author’s overt appropriation of Neoplatonist reminiscences and by highlighting the correspondence between narrative speed and philosophic positioning in some of the most representative episodes in the heroes’ quest for erotic and ultimately spiritual bliss.

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Facettes de la paresse chez Proust

Author(s): Maria Tronea / Language(s): French Publication Year: 0

The paper explores the different aspects of otium – leisure – in Marcel Proust’s À la recherche du temp perdu (In Search of Lost Time). Leisure is analyzed as the exquisite pleasure of reading, artistic creation, intellectual carnival or marked by hedonism. The last one is illustrated by a whirlpool of pleasures that the characters get caught into, a vivid image of the Belle Époque society and morals that the narrator, Proust’s spokesperson, describes. He simultaneously reveals the difficult and slow genesis of his work, similar to an alchemic process that ultimately achieves magnum opus – a symbol of recapturing the Lost Time and of the triumph over death.

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Attente et décor dans la fiction gracquienne

Author(s): Cristina Poede / Language(s): French Publication Year: 0

Beside Dino Buzzati, Beckett, Kafka or more recently Alessandro Baricco, Julien Gracq will be remembered in the history of Letters as one of the great masters of an essential theme of the twentieth century: expectation. Slowness and waiting could be paradoxical, if we think of the phrenetic rhythms of this period; not only literature but also the iconic arts showed a preference for the images of slowness: from Dali to De Chirico, from Last Year at Marienbad by Resnais to Rendezvous à Bray by Delvaux, the characters evolve in unchangeable landscapes, surprised by their mysterious geometry. The theme of waiting is inscribed in the Graquian chronotope: the flat calm of the Farghestan sea, the unknown volumes of the Ardennes forest which make time weightless, the beach of the Hôtel des Vagues with its imperceptible modifications, the dark villa of Nueil plunged in the forests waving in the wind. The paper aims to identify the linguistic and narrative structures by which Julien Gracq manages to infuse the feeling of expectation in the reader, while impressing an unmistakable tempo on the fiction.

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La lenteur, un rythme avoisinant l’éternité

Author(s): Emilia Dolcu / Language(s): French Publication Year: 0

As human beings, living on Earth, we are connected to terrestrial time, and therefore to the same measurement system, without which we could not communicate with each other. And yet what we communicate is our difference. The author of “Matière et Mémoire”, who makes perception an essential component of Time, makes this clear. Through Bergsonian duration, this lived time, irreducible to measurable time, I propose to reassess slowness, which is a rhythm bordering on eternity, which is therefore not immobility. By wanting to make joy “last”, Jean Giono transmits the same message, a message that I will try to dissect in his two writings, “The man who planted the trees” and “May my joy remain”.

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Le discours littéraire hybride - forme de lenteur dans le roman postmoderniste. Précipitation de la narration versus lenteur de l’essai dans les romans d’Éric Emmanuel Schmitt

Author(s): Marilena BANU / Language(s): French Publication Year: 0

Starting from the difficulty of defining postmodernism, of setting its boundaries with modernism and anti-modernism, which implies a slowness of literary theory, we decided to see how the preference for hybrids specific to postmodernism impacts the writing of novels. The intertwining of the narrative and the essay requires a certain rhythm of reading implying the pleasure of immersing yourself in the story and the desire to find the meanings. The slowness given by the difficulty of defining postmodernism is transmitted in postmodernist works through hybrid discourse. Eric-Emmanuel Schmitt's work is an example of the intersection between the precipitation of the narration and the slowness of the essay, even if his work is intended to be a merry, playful one. The proposed essay themes are profound and require a slow reading to deepen the meanings.

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Pauses commentatives ou comment ralentir le récit dans le roman de Denis Diderot, Jacques le Fataliste et son maître

Author(s): Ana-Elena Costandache / Language(s): French Publication Year: 0

The time of Jacques’ love stories… little adventures that every reader looks forward to. Whether it is the pleasure of the text told in a more or less determined duration and in a variety of tones (comic, serious or pathetic), the story of the adventures of Jacques the fatalist becomes the leitmotif of the novel having the homonymous title. But when would they be told? How to move them forward when the protagonists (master and valet) are always on the same road, when time seems to slow down each time you are about to move forward, as the saying goes ”get up with a light foot and go away quietly”? The reader is subject to the same expectation as the Master of the protagonist, having fun at the sight of his valet who takes the trouble to consider himself a formidable philosopher, but who never manages to bring his memoirs to a successful conclusion. We propose, by the present study, a fine analysis of the technique of the slowing down of the story and the commentary pauses inserted in the main narration, to better understand and observe the diegetic levels of the narration and the frequency of the author’s interventions, fact that makes the narrative thread of Diderot’s novel slower.

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