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Mitler çağından beri insanoğlunun yaşamı değiştirip dönüştürme gayretlerinin bir sonucu olarak edebiyat, topluma ve yaşama dair söylenecek sözlerin etkili bir aracı olmuştur. Bu durum edebiyatı giderek ideolojik bir nesneye dönüştürdüğü gibi kimi zaman korkulan kimi zaman da gücünden yararlanılan bir özne olarak, toplumsal dinamiklerin ön safında yer almasını da sağlamıştır. Bu nedenle 19. yüzyılla birlikte dünya düşünce tarihinde boy göstermeye başlayan ideolojiler için edebiyattan daha verimli bir hareket alanı yoktur, denilebilir.
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Sonuçları önceden hesap edilmemiş olsa da, tarihleriyle, kültürleriyle, değerleriyle; kısaca kendilerine özgü dünyalarıyla; ailelerinden uzakta, sıla özlemi çeken, yalnız, dışlanmış, birçok sorunları olan bir topluluk meydana gelmiştir. İsviçreli yazar Max Frisch bu gerçeğe, “İş gücü istenmişti, insanlar geldi,”(Frisch, 1991: 14) diyerek dikkat çekmiştir. Zafer Şenocak da, “İş gücü demek, yedek parça demek değil. Onlar birer insan. Geçmiş bir tarihleri, kendilerine özgü bir dünyaları ve kültürleri var,”(Şenocak, 1986: 65-70) demiştir.
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With this book, you're going to have to go to the fifth We present a review of the papers presented at the Migration Conference to our readers. 35 articles addressing the issue of migration from various disciplines and perspectives share a wide range of reviews. This paper-book offers a selection of more than 100 sessions, panels and workshops in total, as well as the 400 papers presented at the fifth migration conference in Athens, which lasted four days. Many participants from more than 60 countries, from economics to anthropology, sociology to medicine, working in the field of migration from a wide range of disciplines, migration and security, gender, public administration, repatriation migration, law, political participation, diyaspora, media, as well as migration culture and summer presented a large number of papers on the subject.
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1972 yılından beri Berlin’de yaşayan Güney Dal, eserlerini Türkçe yazmaktadır. 12 Mart döneminde Almanya’ya gitmiş siyasi sürgün yazarlardandır. 1944 Çanakkale doğumlu olan yazar, Türkiye yıllarında radyoculuk ve tiyatro ile ilgilenmiş, oyunlar ve öyküler yazmıştır. Almanya’ya gittikten sonra yazarlığa devam etmiş ve 1976 yılında ilk romanı İş Sürgünleri’ni (Memeleri Büyüyen İşçi) yazmıştır. Romanları Almanya’nın önemli yayınevleri tarafından yayınlanan Dal, çeşitli ödüller almış ve Yüksel Pazarkaya ile de bir antoloji hazırlamıştır. Antolojisi ise, Yüksel Pazarkaya ile 1990 yılında hazırladıkları Geschichten aus der Geschichte derTurkei’ dir.
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This volume brings together a selection of papers presented at the 3rd Turkish Migration Conference held at Charles University Prague, 25-27 June 2015. This selection of papers presented at the conference are only a small portion of contributions. Many other papers are included in edited books and submitted to refereed journals in due course. There were a total of about 146 papers by over 200 authors presented in 40 parallel sessions and three plenary sessions at Jinonice Campus of Charles University Prague. About a fifth of the sessions at the conference were in Turkish language although the main language was English. Therefore some of the proceedings are in Turkish too.
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Göç, insanlık tarihinin hiçbir döneminde yok olmamış, çeşitli sebeplerle varlığını daima korumuş bir olgudur. Yaşamı başka yerde sürdürme kararı kolay bir karar değildir. Savaşlar, tabii afetler, can ve mala dair emniyetsizlik, geçim sıkıntıları, siyasal baskılar, daha özgür yaşama arzusu, göç için, bilhassa kitlesel göç hareketleri için temel sebeplerdir ve kişilerin çoğu kez bu hallerde fazla düşünme şansları yoktur. Sürgün de kişilerin yahut kitlelerin üzerinde fazla düşünme şansının olmadığı bir tür göçtür. Bir de başka bir mekânda hayatı devam ettirmeyi arzulayan, tamamen şahsın iç dünyasının arzusuna göre şekillenen mekân değiştirmeler vardır. Daha çok ferden (yahut eş ve çocuklarla) gerçekleşen bu yer değiştirmeler de bu gruplar içerisinde anılabilirler; çünkü neticeleri itibariyle kültürleşme, entegrasyon, kimlik sorunları vs. bu göçlerde de benzer sorunlar olarak ortaya çıkar.
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Memory – Discourse – Identity. Interdisciplinary Reflections is a bilingual book aligning with the memorial discourse trend. It contains reflections on the condition of man and the world in the context of Polish and German memory discourse in the post-war culture. The authors refer to the category of memory in public and private dimensions and present various approaches to the issues of memory turn and transformations concerning mutual relations and interpenetration of literature, music, art. And contemporary media. The book includes the papers written by German and Polish studies scholars, historians, and art. Historians from Poland, Germany and Spain.
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The article analyses the collages of Herta Müller as an appropriate means of articulating traumatic experiences made under the regime of rumanian dictator Ceausescu. The own liminal position and the contingency of west-german print-media offer a space for poetological reflections and experiments. Müller develops a strategy of playfulness that allows to free traumatic experiences and initiates a process of healing memory. The collages also try to give an answer to the question, to what extent the terror experienced in the Past can be articulated across aesthetic forms.
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On the basis of relevant works of art contemporary concepts about remembrance will be presented to the forced migration of Germans. This is Christine Bachmann with “BIRKENORT. VANISHING POINTS”, Rosemarie Zens with The Sea Remembers David Adam with Marie Scheibner, among other things, Heike Lydia Grüß with Der getrübte Körper/The clouded body, Yvon Chabrowski with Sun + Land + Diagonal and Sven Johne with Ostpreußen/East Prussia. The works were created in the period from 2003 to 2014 and situate itself in the Czech Republic, Poland and the Kaliningradskaya Oblast. The media of photography and film are preferred. The focus is on critical analysis of the traditional canon of motifs, with image structures and mechanisms of presentation.
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The main assumption of presented article is dwelling on the term of memory and ways of presenting the past in modern culture on the example of the work of a painter Miroslaw Balka. The artist is characterized by a visual acuity of phenomena surrounding him and a special concentration on the other man with all aspects of his life as well as awareness of the past, his own biography and the artistic work. Time and history influence his work and are shaping their form.
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The German trilogy consists of three films by Christoph Schlingensief: „Das deutsche Kettensägenmassaker“, „100 Jahre Adolf Hitler“, „Terror 2000“. On the political uncorrect way the regisseur deals with the unsolved problem of the getting over of the Nazi-time and its delayed effect of neo-nazizm and the east-west-confrontation after the German reunion. He represents hereby a different opinion from the official political line.
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This article presents ways in which memory can exist in digital texts. We characterize digital representations of the work of human memory, the influence of digital technology and changes in the digital narration on realization of mnemonic function of the text (e.g. the use of the perceptive linearity, intersemiotic repetition, engaging the user in the creation of texts). Structural tricks and textual strategies used to create the textual representation of different existing forms of memory are analyzed on the example of digital poetry and hypertext narration. These are for instance: the remembering, the mentioning, the recalling, the presenting of the past.
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In the analyzed Polish mems a selective treatment of culture and a duplicationof stereotypes concerning the appearance of German women,men and the German language can be observed. However, in the memsthere appear new elements which are connected with a clever observationof the changes that take place, and an awareness of the existenceof stereotypical images, and, perhaps, an attempt at referring to themin a perverse way (a series Ładna Niemka – ‘A Pretty German Woman’).In the series with the phrase Niemiec płakał, jak sprzedawał (A Germanwas crying as he was selling) we can notice a play with the typicalperception of German cars, their owners and the arguments of carsalesmen. Therefore, on the one hand, mems strenghten conventionalperspectives, and on the other hand, they oppose them, frequentlyshowing their absurdity, ridiculousness and conventionality.
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The article presents an analysis of the construction of the memory in the book Jerominkinder by Ernst Wiechert. In the first part the author describes the reception of Wiechert’s work in Poland in consideration of a turning point in 1989. After that, the author passes on a definition of the memory. The next part describes the most important elements of the memory of the inhabitants of Sowirog. The wars, above all the World War I, and the persons of Mr. von Balk and Michael Jeromin were mentioned.
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The past does not exist objectively. It exists as an image in our memory. The following article is devoted to the perception of the past related to the Second World War by representatives of two different communities – Polish and German. The example of the memory of the Jewish community that lived before the World War II in contemporary Poland will show a different sensitivity of perceiving facts related to this period, depending on the social framework of the two nations.
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The article discusses memory processes that occur above all in the context of the cemetery. The first part demonstrates Jan Assmann's conceptof the memory which concerns the recollection of the dead through special tokens, rites and institutions. The remainder of the article presents examples of gravestone inscription with their narrative potential, gravestone photos, church and secular rites such as celebrations or name giving practices. Next there is shown the process of forgetting that occurs in anonymous burial sites and new burial places.
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The present article reviews contemporary trends in German literature regarding political aspects of the identity. Author discusses Deutscher Buchpreis, authors’ profiles and their publications with the goal to demonstrate the relation between the literature and its institutionalization – a process thorough which indirectly but consistently political identity aspects of the modern Europeans are being established.
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