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Арии. Веди. Санкхя и Йога
Collection of papers and articles on ancient Indian literature and culture
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Collection of papers and articles on ancient Indian literature and culture
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The contributions in this collection pertain to a variety of multiethnic, multilingual and multicultural aspects of Canada, epitomizing the diverse academic interests of the members of the Bulgarian Chapter of the Central European Association for Canadian Studies. The Bulgarian Chapter is one of the recent additions to the Association —formed in 2004 — but since its very inception it has proved to be a vibrant and enthusiastic society for academics, to which the present volume undeniably testifies. The papers in this volume address a broad range of topics which have been grouped according to their subject matter: history/culture, literature, linguistics, and teaching. The study of Canadian culture is seen to involve both a general introduction to various aspects of Canadiana and the close scrutiny of phenomena that belong to specific subject areas.
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Shakespeare’s Hamlet is the first book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. Hamlet is Shakespeare's most popular, and most puzzling, play. It follows the form of a "revenge tragedy," in which the hero, Hamlet, seeks vengeance against his father's murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. Among them: What is the Ghost--Hamlet's father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder?
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Shakespeare’s Macbeth is the fourth book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft. In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes? Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.
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Shakespeare’s Othello is the second book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most readers and audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello. Iago’s false insinuations about Desdemona’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello’s horrifying verbal and physical assaults.
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Dedicated to the 180th anniversary of the birth of Vassil Levski, this collection gathers in one place the research efforts of literary writers and historians. The aim is tracing the way of the narrative about the historical personality to the sacred status of the national icon of the Apostle. The achieving of this scientific task intertwines the poetry of the "canonization strategist" (Hristo Botev), the words of today's lyricists, the memory of the associates, the "written by the hand of the Apostle", the results of an Olympiad in Taraklia (Moldova), the English press, the today’s children book and even the name of a mystical regiment The research efforts face the mystery of Apostle’s path into and out of monasticism, the words of veterans and philosophers, the ode and the rhapsody, the camera and the paint brush, the sound and the letter... To draw a never-ending journey, that will forever - and everywhere, accompany the Bulgarian spirit.
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Through the analysis of contemporary works of fiction, the papers published in these proceedings aim to shine light on the representation and/or construction of the Bosniak identity. Furthermore, as a result of the academic conference that preceded the publishing of these papers, these proceedings represent a collection of works which passed through the scrutiny of the Bosniak academic community, and thus presents an incumbent contribution to the fields of literary studies, sociology, contemporary history and cultural studies.
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These volumes provide scholarly editions of Edward Perry Warren’s works (all, save one, never before re-issued), augmented by a biographical introduction, extensive notes, translations, illustrations, and appendices. For the first time, Warren’s voice is heard in full—through his correspondence and other residues that constitute his commissioned Edward Perry Warren: The Biography of a Connoisseur, through his conversation, captured in Osbert Burdett’s An Imaginary Conversation, through his novel A Tale of Pausanian Love (published here for the first time) and his collection The Wild Rose: A Volume of Poems, through his fairy-tale The Prince Who Did Not Exist and his scholarly article The Scandal of the Museo di Villa Giulia, through his pamphlet Classical & American Education and his retelling of three Greek legends in Alcmaeon, Hypermestra, Caeneus, and through his magnum opus, the apologia A Defence of Uranian Love.
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The monograph deals with the issues of expressivity (emotionality) in language. It starts with a theoretical chapter about the development and characteristics of fairy tales, fairy tales of German and Czech provenance are then analysed and compared. The author categorizes language expressivity at different language levels: phonetic, morphologic and word formation, syntactic and lexical, as well as those relating to text-linguistic, pragmatic and stylistic aspects of the utterance. The book also discusses translation problems, i.e. comparison of the original and the translation. The monograph analyses selected fairy tales by brothers Grimm, Clemens von Brentano, Michael Ende, Karel Jaromír Erben, Božena Němcová and Karel Čapek and presents examples of expressivity at several language levels.
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In the novel "Splitting", with the ominously ambiguous subtitle "How I Searched for Serbs in the City" (which in another culture, say Czech, could be the title of some Hašek humoresque), a whole world of good neighbours, friends and schoolmates cracks at the seams and collapses. Based on the experience of youth that is maturing in the shade of socialist blocks of Split through games of football, first drunkenness, petty theft, skipping classes and confused, casual sex, Split youth suddenly, still green, learns that "we are not all the same", this prose precisely depicts and demystifies the time in which the Dalmatian metropolis shockingly and forever changed its face. The plot of the novel mostly takes place in one of Split's neighborhoods inhabited by former Yugoslav military (JNA) personnel, mostly serving in the former naval base of Lora, in the period from the New Year 1990 to November 15 of 1991, when the first shells from the ships of the then Yugoslav navy fell on Split. Told from the perspectives of several characters, mostly underage high school students, who show more or less misunderstanding and resistance to the changes that are taking place, this Split story seems more authentic and true than anything written so far about the period. With this novel, journalist and publicist Damir Pilić has established himself as an excellent narrator. Damir Pilić was born in 1969 in Šibenik. He has a master's degree in psychology and a degree in journalism from Zagreb University. He published the scientific monograph Samoubojstva: oproštajna pisma (Suicides: Farewell Letters, 1998); the novels Đavo prvo pojede svoju majku (The Devil Eats His Mother First, 2001), Splitting (2014) and Kao da je sve normalno (As if Everything is Normal, 2018); the journalistic study Marx nije mrtav (Marx is Not Dead, 2016) as well as Tito očima Krleže (Tito Through The Eyes of Krleža, 2020). In co-authorship with Dražen Lalić, he published a book about young Split delinquents Na mladima svijet zastaje (The World Stops for Young People, 2001) and the monograph Torcida: Pogled iznutra (Torcida: An Inside View, 2011), and with Ed Vujević a study on former heroin addicts Dedal na iglama (Daedalus on Needles, 2005). From 1994 to 2001 he worked as a reporter for Feral Tribune, and since 2001 he writes for Slobodna Dalmacija newspapers. He lives in Split.
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Black Lymph/Green Heart: The Alternative Lexicon of Soul is a glossary of terms which the author deemed significant for today's collective and individual psychic condition. The selected entries have their definitions as in ordinary lexicons. However, the alternative lexicon selects the terms differently, and uses a different methodology of their treatment. In this lexicon, you will find apparently arbitrarily selected entries with inconsistently written definitions. But it is precisely with that subjective and ironic approach that the author reveals the characteristics of the listed concepts, which are important in some not-so-rare situations. The ones that concern our psychological welfare. This unscientific book, that parodies the scientific structure of a lexicon as such, reveals the functioning of narcissists, egomaniacs, psychopaths and sociopaths who have become a norm, instead of an exception. If you want to know what melancholy and femmes fatales have in common, or what is the nature of a relationship between pathocracy and a tram, The Alternative Lexicon of Soul will give you the answers and make you laugh at the same time. Željka Matijašević was born in 1968, in Zagreb. She graduated in Comparative Literature, and French Language and Literature at the Zagreb Faculty of Humanities and Social Sciences. She obtained her doctor's degree at the Trinity College of the Cambridge University. She is a full-professor at the Department of the Comparative Literature at the Zagreb Faculty of Humanities and Social Sciences. Her main interests are psychoanalytic theory and applied psychoanalysis. She is an author of six scientific books: Lacan: ustrajnost dijalektike (2005), Strukturiranje nesvjesnog: Freud i Lacan (2006), Uvod u psihoanalizu: Edip, Hamlet, Jekyll/Hyde (2011), Stoljeće krhkog sebstva: psihoanaliza, društvo, kultura (2016), Drama, drama (2020), and The Borderline Culture (2021). She also authored one novel, Defences with the Taste of Death (2019), and a lexicon Black Lymph/Green Heart: The Alternative Lexicon of Soul (2017). She is a member of La Fondation Européenne pour la Psychanalyse and the Croatian Writers Society.
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The Covid-19 crisis, with all the horrors it has caused, has offered humanity an opportunity to reflect on itself and evaluate its point, even if it is delayed. In a very short time, we found ourselves worried about whether we could reach the objects we needed, whether we would lose our jobs or keep our freedom.Alienation is described as withdrawing or separation of a person or a person’s affections from an object or position of former attachment: alienation viewed as a sense of detachment from the values of one’s society, family, and even from one’s own feelings from the values of one’s society and family (S. L. Halleck). Different forms of alienation, such as cultural alienation, professional alienation, and religious alienation, are among the current issues. It is obvious that we need to define different forms of alienation along with the pandemic.I believe this book will not be the first nor the last research book published on the Covid-19 pandemic. Our aim is to leave a resource on the subject for the next generation of researchers. I would like to thank everyone who contributed to the book and hope it will be beneficial for the academic community.
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“Göç ve sanat ilişkisinin kökleri çok eski dönemlere uzanmaktadır. Ancak bu ilişkiyi ortaya koyan araştırma ve incelemelerin yeterli düzeyde olmaması, bu ilişkinin akademik anlamda tartışılmasını geciktirmiştir. Bu ortak yapıt, resim, sinema, grafik, tasarım, el sanatları ve edebiyat gibi değişik sanat/yazınsal alanlardan araştırmacıları bir araya getirerek, alanlararası yeni(likçi) bir bakış açısıyla değişik sanatsal yaratıların tarihsel süreçte ve günümüzde göç ile kurdukları ilişkileri ve göçün yarattığı sanatsal sonuçları belirlemeyi amaçlamıştır. Doğal olarak bu çalışmanın, kapsamıyla alanyazında boşluk doldurması ve yeni çalışmalara öncülük etmesi beklenmektedir.”“Bu yapıtta, bir tanesi göç anlatılarını çözümleme yöntembilimi çalışması olmak üzere, sinema, görsel iletişim, yerleştirme, seramik, tasarım gibi değişik sanat alanlarından olan, birbirinden ilginç sekiz özgün çalışma yer almaktadır.”
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In his foreword to World Report on Violence and Health, published by the World Health Organization (WHO) in 2002, Nelson Mandela states that “the twentieth century will be remembered as a century marked by violence”. Now we are nearly at the end of the first quarter of the twenty-first century, but violence still permeates in our lives at various levels. Various forms of violence occurring at levels of interpersonal, self-directed, collective, state, warfare, child and youth violence, intimate partner violence, environmental violence, and animal violence lay bare the complexity and pervasiveness of the phenomenon, yet it also brings along the necessity to discuss violence from multiple perspectives. Nelson Mandela Dünya Sağlık Örgütü’nün 2002 yılında yayınladığı Şiddet ve Sağlık Hakkında Dünya Raporu’nun önsözünde “yirminci yüzyılın şiddetle mimlenen bir yüzyıl olarak hatırlanacağını” söyler. Bizler, neredeyse yirmi birinci yüzyılın ilk çeyreğinin sonlarını yaşamaktayız, ancak şiddet hayatımıza hala çeşitli düzeylerde nüfuz ediyor. Kişilerarası, öze yöneltilen, kolektif, devlet, savaş, çocuk ve genç şiddeti, yakın eş şiddeti, çevresel şiddet ve hayvan şiddeti gibi çeşitli düzlemlerde vuku bulan şiddet biçimleri olgunun karmaşıklığını ve yaygınlığını açıkça ortaya koymakla beraber şiddet kavramının farklı açılardan tartışılması gerekliliğini de ortaya koymaktadır
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This publication presents Ainu people, a mysterious culture of the Far East. Ainu people have long inhabited the Japanese island of Hokkaido, hence the chapter is concerned with the social context and status they have in Japan. An important chapter of this publication presents Bronisław Piłsudski, who lived among the Ainu people for a long time. He studied their culture and language thoroughly, which was preserved on Edison’s phonograph, and this made him known to the Japanese (in fact, only after almost a century) and Ainu. A list of memorials and memorabilia associated with Piłsudski is also included in this publication. However, the most important aim of the study is presenting the legends of the Ainu people. The legends have been translated into Polish (from Russian, into which they were translated from Japanese) and annotated with linguistic and cultural commentary.
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Krystiana Robb-Narbutt is one of the most inspiring and at the same time least known Polish-Jewish artists and poets of the 20th and 21st centuries. She created prints, installations and objects, as well as miniature prose and poems. She exhibited them at Kordegarda and Zachęta, among other venues. In March 1968, she was sentenced to prison for participating in protests and distributing leaflets. The subjects of her work were biography and imagination. The book contains all of Robb-Narbutt’s poems and prose deciphered from manuscripts, as well as their critical consideration. They are supplemented by the voices of literary and art critics as well as friends of the artist.
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The Price of Gold is an emotional play-testimony about the coming of age of a child who grew up dreaming of becoming a sports dance champion. A child for whom the bodies of the dancers he watched represented both rigor, discipline, freedom and courage. "The Price of Gold" is a vulnerable confession in which memories from the dance hall, from trainings and camps become a subjective map of detachment from formative moments. Remembrance is a transformative act, which gives fragility the power to move forward.
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The collection book includes 20 scientific articles by leading specialists and researchers from a National Scientific Conference in honor of the 200th anniversary of the birth of Dobri Chintulov, held in 2022. It was organized by the Regional History Museum "Dr. Simeon Tabakov" in Sliven and the Municipality of Sliven.The topics cover various aspects of Chintulov's work, such as his roles as a teacher, poet, composer and compiler of textbooks. Part of the publication focuses on the portrayal of Sliven during the Revival period, and notable personalities are also presented. The processes of the formation of educational work, ethnology, theater, and fine art in Bulgaria are also traced in detail.
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Turkish science fiction dates back to the early years of the twentieth century and serious development has been seen ever since. The writers, who escaped from the darkness of the First World War and took refuge in utopian science fiction, added the excitement created by science and technology to their texts over time. Turkish writers, who followed the science fiction works from the West and made efforts for the development of this genre, produced very qualified works that could compete with their contemporaries at some points. However, due to some historical, social, and economic problems, it was not possible for these works to meet readers in the West. In this anthology, the works of Turkish science fiction writers are brought together for the first time in English. Contemporary science fiction writers have written short stories for this anthology. Hence, the resulting diversity of stories represents a contribution to science fiction literature. An important feature of the anthology is that it includes examples showing how science and technology are perceived philosophically by authors outside of Europe and America. Since literature is an indispensable resource to investigate the equivalent of science fiction, which was born with modernism, in “post-modern” societies. This anthology of Turkish science fiction will be an important Non-Western SF source for both science fiction readers and researchers.
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