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Poesia agli adulti
Poetry written by Adam Wazyk: Poesia agli adulti" (translation: Cristina Fuhrman, Franco Fortini).
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Poetry written by Adam Wazyk: Poesia agli adulti" (translation: Cristina Fuhrman, Franco Fortini).
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Prose written by Jerzy Pilch: Mille ville tranquille (frammenti) / A thousand peaceful villas (fragments).
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Il manoscritto del racconto Wiek biblijny i smierc, al quale mio padre stava lavorando negli ultimi mesi della sua vita, lo abbiamo ritrovato sulla sua scrivania, in tre quaderni numerati sulla copertina e nelle pagine interne: i primi due sono completi e contengono la prima parte del racconto (fogli 1-53) e l'inizio della seconda (fogli 53-55), interrotta con una frase che lascia intendere un ulteriore sviluppo della narrazione nel successivo terzo quaderno, rimasto bianco.
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Ho tradotto queste pagine del Decalogo 1989-1995, concepite come "ultime note politiche" del Diario scritto di notte di Gustaw Herling, alcuni anni fa per un amico di mio padre, Benoit D'Aboville, ambasciatore di Francia a Praga e poi a Varsavia negli anni intensi e cruciali del difficile passaggio dal comunismo alla democrazia.
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Credo nella legge profonda dell’onda. Ovvero nella legge della rivolta della superficie che smuove i residui di fondo. Ed ecco che la proposta di scrivere un saggio su Varsavia mi turba la memoria, trasporta immediatamente sulla sponda del laghetto di Park Ujazdowski, il più magico dei miei luoghi, dove mi vedo alzare le pietruzze, gettarle nell’acqua morta facendo partire dei cerchi che più che essere onde sembrano addensamenti di una materia più solida dell’acqua, come cerchietti che si raggrumano attorno alla tazza di tè posizionata ogni sera, per anni, sullo stesso palmo di tavolo. Sono tuttavia – quelli della memoria – solo cerchi d’acqua che da una parte, verso l’altra sponda, si estinguono in lontananza da soli, a tratti invece sbattono contro isolotti vicini, contro anatre o cigni, poiché le onde fra cui vivo hanno sempre questa doppia natura: di fuga e di approdo. E non credo che altri vivano in mezzo a delle onde diverse per natura, ma solo per il percorso.
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Sono appeso in un armadio. Mi preparo alla battaglia finale. Detesto gli abiti che, da anni, mi appendono addosso. Spesso sono mal stirati e mal lavati, non freschi… Mentre io amo l’ordine e la pulizia.
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The article contains a historical and literary analysis of the novel The last monk in Orłowa which was written by the Cieszyn clergyman – Dominik Ściskała (1887–1945) and published in Cieszyn by the publishing house of Blessed Jan Sarkander in 1924. The author was engaged in the dispute over the Polish-Czech border in 1919–1920 on behalf of the Union of Silesian Catholics. After losing the fight for the Zaolzie lands he created a historical novel ‘to encourage hearts’ for contemporary compatriots from the Olza River. This article is an attempt to read the novel as a regional “Cieszyn Deluge”. For this purpose, the author presents not only relationships with Sienkiewicz’s work, but also similarities and differences in: the creation of the represented world, the narrative, the construction of time, the use of historical material, and the construction of a real and fictional plan. She also discovers the historiosophical thought which is contained in the novel. She shows the Reformation as an evil that caused a breakdown of unity in faith in the past, and t he division of the native land in the present day. The author also indicates what the thought to give “encouragement to compatriots” is based on, despite the tragic finale of the novel. The analysis and interpretation of the novel by Fr. Ściskała is the first historical and literary attempt of this kind because no one has ever dealt with it before.
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One of the translations that have participated in the reconstruction of expressive means of Slovak children´s poetry in the late fifties and sixties is Válek´s translation of poetry by Julian Tuwim, a file named Mr Miniscule and the Whale (1975). Children´spoetry of Julian Tuwin corresponds to the efforts of modern poetry since the poetism in Central Europe and the wider European context. One of its dominant features is concreteness. Several features connect poetry of M. Válek to the concretists. Language of the original text and translation is colloquial, the author uses direct speech.Concreteness, natural spoken language, expressive sound saturation and modern imagery based on contrast is used in the creation of modern Slovak children´s poetry that is based on the play of words, the most significant since the sixties of the 20th century. An important element quickening children´s poetry is the revitalization of phrases. Even in children´s art the author uses irony. In the creation of images in translation Válek uses an appropriate substitutions, he specifies and creates revealing rhymes that are euphonically rich as well as the entire text of the poem. In accordance with the original work he designs the poetic images on the metaphoric-metonymic basis – a boat from walnut shells, oars are matches etc. A journey of discovering a main character is accompanied by obstacles, but he copes with them with the humor leading sometimes to nonsense. The author points to fictitiousness of the artistic text unlike the mimetic presentation of reality in the traditional literature.
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Sažetak 2019. godine na poljskoj književnoj sceni moram početi obavezno i uz veliko zadovoljstvo podsećanjem da je poljska spisateljica Olga Tokarczuk osvojila Nobelovu nagradu za književnost 2018. Želim da vas podsetim da je 2018 god. Tokarczuk dobila Međunarodnu Buker nagradu za roman Beguni, a takođe je i dvostruka dobitnica književne nagrade “Nike” za romane: Beguni (2008) i Knjige Jakovljeve (2015). Ona je jedan od najčešće prevođenih poljskih pisaca. Njena proza bila je i ekranizovana (Pokot [Tragovi životinja] Agnieszke Holland), adaptirana za libreto opere (Ahat ilī – siostra bogów [Ahat ilī – sestra bogova] Aleksandra Nowaka) i stripove.
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This article outlines creation and presentation of Jewish characters in the roman The Doll by B. Prus through the prism of imagology studies. Presented article is focused on theory of imagology and by using its methods it attempts to analyze how author have created and presented Jews in his monumental work and which devices he used to do so. The aim of this short study is to show how chosen characters are presented and which elements did author use to create them.
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In the article “From a look in the mirror to photographs on Instagram,” I investigate thephenomenon of intermedial interpretation. I compare and contrast a social campaign aimedat young people meant to raise awareness of the perils of Instagram, the pastiche of AnnaŚwirszczyńska’s poem by Grzegorz Uzdański, and Świrszczyńska’s original poem. I ask questionsabout different types of reflectivity triggered by different media and artworks which differgenerically, historically, and socially. The central issue is the changing role of visuality andthe differences in experiencing a given medium. My ahistorical interpretation is motivated bya specific didactic assumption: media images often precede “textual” readings and they oftencondition their understanding. It is therefore worth exploring the mechanisms of receptionof visual images and how they relate to literary structures.
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This paper is an attempt at another interpretation of the poems In Memory of My Feelings byFrank O’Hara and Cover by Andrzej Sosnowski, in the light of their autothematic motifs. Thepaper focuses first on a close examination of the relationship between the two poems, looking atboth differences (language, emblems, symbols, contexts) and similarities, trying to assess howO’Hara influenced Sosnowski. Later, the focus shifts to the relationship between the two poemsand a discussion of a possible interpretation of Sosnowski’s poem in terms of interpoetics.
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The article defines the importance of late nineteenth-century research and psychological reflectionsfor the construction of descriptions in Boleslaw Prus’ The Doll. The issues related tothe description of the world and the man - as shown by the author’s ‘composition notes’ fromthat time - built an important thread of his epistemological and artistic reflection. Theoreticalnotes by the author of The Doll make it possible to present this novel in a slightly differentlight: as a testing ground for techniques developed in the psychological workshop of influenceand impressions for the interested reader.
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Zapiski z nocnych dyżurów by Jacek Baczak is devoted to the world of hospices, which is generallyabsent from the world of multiplied presence. Baczak tries to describe it, to express thesuffering of this place through words, slowly passing away, and death. His description cannotrefer to ready-made matrices, schemes or tested and familiar languages. His description is thusconstructed from the simples, the most translucent, ascetic elements. Thanks to this, it becomespoignantly genuine and serving. While restrained in the face of death, it is also moving.
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The article subjects to analysis selected motifs from Zbigniew Herbert’s poem “Mr. Cogito and the Imagination” based on the draft copies of the work that are stored in the poet’s archive. An analysis of the manuscripts, which reveals a different, hidden aspect of the final text, allows for the investigation of what was omitted in the process of creation, such as the motif of Daedal and the reference to the Upanishads, and traces the development of the significant themes of the poem: a concept of identity and the notion of tautology.
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Anna Mateja and Anna Spiechowicz in Conversation with Michał Szczepański
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Review of: Małgorzata Zemła - Obroty liter. Szkice o twórczości Tomasza Różyckiego, red. Anna Czabanowska-Wróbel, Magdalena Rabizo-Birek, Universitas, Kraków 2019, ss. 500
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