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4.50 €

СЕМИОТИКА НА ПЪРФОРМАНСА

Author(s): Mariya-Liya Borisova / Language(s): Bulgarian Publication Year: 0

The problem that is implicit in the title was provoked by the need for examining the performance not only in the range of the art, but as an overall concept of impact, which is realized through various semiotic tools. Through the analysis of performances of Marina Abramovic proves necessary and indispensable connection between the art and the science that helps the ideas reach the viewer at different levels.

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15.00 €

Йероглифите

Author(s): Bratislav Ivanov / Language(s): Bulgarian

The book I'm offering to the readers’ attention includes two parts - a brief introduction to the Chinese hieroglyphs in order to clarify their function in Japanese writing and etymology of one hundred Chinese hieroglyphs. The hundred hieroglyphs are selected by the Chinese Ministry of Culture in a way that is representative of the hieroglyphs as a whole. I hope this book will be useful to all who are interested in hieroglyphic cultures. – Bratislav Ivanov

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15.00 €

Книга на портите

Author(s): Teodor Lekov / Language(s): Bulgarian,Egyptian (Ancient)

The "Book of the Gates" is the third book of Ancient Egyptian Religious Texts series, which includes the main works of the Egyptian sacred tradition. "The Book of the Gates" is an ancient Egyptian magical book devoted to journey of the god of sun to the afterlife. Its name has been given because of the gates that close the spaces between the various parts of the underground kingdom. The book is intended for the Egyptian ruler; it was unavailable to the uninitiated. It first appeared in the middle of the New Kingdom (XIV BCE) and was recorded on the walls of the royal tombs.This edition contains an introduction, an ancient Egyptian translation (accompanied by translation), images of the scenes and commentary. It is published for the first time in Bulgarian.

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PRIVIRE DE ANSAMBLU ASUPRA BAROCULUI MUZICAL

Author(s): Iulian Horez / Language(s): Romanian Publication Year: 0

After a brief presentation of the social situation that appeared at the beginning of the Baroque, we framed the current in the historical period - being located between the end of the 16th century and the middle of the 18th century - after which we defined the term baroque and specified the etymology of the word. Also, in this first introductory part we talked about how the Baroque evolved first in the other arts - architecture, painting, sculpture, theater, dance and literature - and then with strict reference to the art of music. We followed a periodization of the Baroque, made according to some musicologists as follows: an early period that is characterized by the gradual transition from choral polyphony to accompanied monody and is distinguished by highlighting a single melodic line, which makes possible the appearance of opera and vocal genres- symphonic, such as the oratorio and cantata; a middle period in which the development of opera, ballet opera, court ballet, but also instrumental music takes place; and a late period of synthesis, which fixes the concept of tonality through the two basic modes: major and minor

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ANALIZA COMPARATĂ A INTERPRETĂRII STUDIILOR DE CONCERT NR. 2 ȘI 12 DE HEITOR VILLA-LOBOS

Author(s): Daniel Dragomirescu / Language(s): Romanian Publication Year: 0

Often, Villa-Lobos' studies contain more than one technical idea or, on the contrary, there are sections within a study that insist on a single problem. However, nothing is lost in the musical quality: the sound is always rich, and the presence of a wide range of colors increases the possibilities of exposing a virtuous interpretation. This "pattern-thinking" as Jukka Savijoki calls it in his book "The Guitar Works of Heitor Villa-Lobos", often provides the solution to correcting some notations of fingerings or sounds, but this this does not happen every time, due to which the interpreter will be late with the learner.

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FUM PENTRU CLARINET SOLO DE DOINA ROTARU - ASPECTE STILISTICE ŞI INTERPRETATIVE

Author(s): Daniel Paicu / Language(s): Romanian Publication Year: 0

Written for solo clarinet in 1996, the work of composer Doina Rotaru, the Smoke, proposes the illustration of the symbolic element declared in the title by a particular sonority dependent on a space that implies the presence of another instrument, the piano, borrowing from the vibration of its resonance assimilating and absorbing the harmonics. More evident than the piece architecture is the technical means of sound organization, variation principle prevailing in it and causing a certain formal circumstance by rhythmical entity around which the mechanisms are focused. A permanent oscillation between acute and the grave register, rhythmic oscillation between long and short sounds, the contrast between very small and very strong colors, the game between vibrato and non-vibrato, frullatto and non-frullatto, calmo - nervoso - calmo are elements that predominate the whole work, intensifying the emotional intensity many times as an authentic dirge.

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4.50 €

Arteterapia w pracy oligofrenopedagoga

Author(s): Agnieszka Gorgól / Language(s): Polish Publication Year: 0

Oligophrenopedagogy who daily deal with working with people with intellectual disabilities in varying degrees, are looking for an even wider range of methods and techniques that will help them in the therapeutic work. Increasingly, in the circle of their interest in art therapy appears as the art of communication tools gives disabled people in an atmosphere of affirming individuality, originality. In art, there are no solutions only right, success is guaranteed.

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4.50 €

Kreatywne nauczanie w warunkach powszechnego gimnazjum na przykładzie projektu Klas Aktywności Twórczej

Author(s): Aleksandra Drzazga,Katarzyna Michalska / Language(s): Polish Publication Year: 0

Classes of creative activity are the project of cultural education leading since 5 years by Aleksandrę Drzazgę and Katarzyna Michalską in a public school (gimnazjum, pupils between 13—16) — Gimnazjum nr 1 z Oddziałami Integracyjnymi im. Ks. J. Szafranka in Bytom. Within the framework of the Project, young people have the obligatory classes — 2 hours a week of Education for creativity‑literature, art and media (K. Michalska) and 2 hours a week of Education for creativity‑theatre with some elements of creative thinking training (A. Drzazga).

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4.50 €

Synergia nauki i sztuki w projektach artystyczno‑edukacyjnych

Author(s): Łucja Piwowar-Bagińska / Language(s): Polish Publication Year: 0

Artstic and educational projects undertaken by the international network of art colleges and universities called CROSS‑BORDER NETWORK OF HISTORY AND ARTS. Presentation of the purpose and effects of the project “Forced Migration”, realised in April 2011 in the headquarters of the Krzyżowa Foundation for the European Agreement in Krzyżowa in Lower Silesia.

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Lyrické drama Františka Hrubína

Author(s): David Kroča / Language(s): Czech Publication Year: 0

The study deals with an interpretation of a play by František Hrubín, Křišťálová noc. The year 2021 will mark sixty years since its premiere on the stage of the National Theatre in Prague. The present work discusses the public reception of the drama right after the release and its standing in the context of contemporary theatre with a special account of the response after the ambitious Prague staging in Švando vo divadlo in 2011. The significance of this almost forgotten play by Hrubín lies mainly in presenting non-idyllic characters along with the theme of the revolting youth and provocative daily ordinariness introduced to the Czech theatre by Hrubín at the beginning of the 1960s.

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Soluţii de reabilitare a monumentelor istorice utilizând tehnici moderne inovative şi programe software specializate – studiu de caz cula Cioabă-Chinţescu

Author(s): Antonio Valentin Tache / Language(s): Romanian Publication Year: 0

The long-term protection of cultural heritage is an essential condition for sustainable development and preservation of territorial identity, and good documentation and registration of heritage objects allows to know, preserve and transmit them over time to future generations. The recording of cultural heritage currently uses different techniques and methods of documentation, especially in the field of architecture and urban planning. For the documentation of historical sites, different methods can be used to obtain 3D digital models that offer the possibility of documenting in accordance with the preservation of the original architecture and local specifics, as well as the creation of 3D archives. This article highlights the technical ways of obtaining digital models of heritage architectural ensembles and presents a case study of the rehabilitation of the Cioabă Chințescu kula, Șiacu village, Slivilești commune, Gorj county.

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Ханако: една кабуки актриса из България и Трансилвания в началото на XX в.

Author(s): Andronika Martonova / Language(s): English,Bulgarian Publication Year: 0

For the first time, this study analyses and export to the academic community the rare documents and archival materials proving that the Japanese Kabuki theatre actress Hanako realised a tour in Kingdom of Bulgaria and Transylvania (Austro-Hungarian Empire) in 1911. Referring to the information from Sawada Suketaro‘s book “Little Hanako. The Strange Story of Rodin’s Only Japanese Model” the research paper tracks down and focuses on the contracts, advertisements and the critical reception who introduced unknown aspects of Japanese culture to the territory of mentioned countries from present Eastern Europe. Hanako’s presence is also set in a broad European and research context because she had an important influence on the development of Western stage practices.For the first time, this study analyses and export to the academic community the rare documents and archival materials proving that the Japanese Kabuki theatre actress Hanako realised a tour in Kingdom of Bulgaria and Transylvania (Austro-Hungarian Empire) in 1911. Referring to the information from Sawada Suketaro‘s book “Little Hanako. The Strange Story of Rodin’s Only Japanese Model” the research paper tracks down and focuses on the contracts, advertisements and the critical reception who introduced unknown aspects of Japanese culture to the territory of mentioned countries from present Eastern Europe. Hanako’s presence is also set in a broad European and research context because she had an important influence on the development of Western stage practices.

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TOTUL E FOARTE NORMAL - scenariu de spectacol

Author(s): Leta Popescu,Viorel Cojanu,Gabi Albu,Alexandra Băcanu,Silvana Negruțiu / Language(s): Romanian Publication Year: 0

The project "EVERYTHING IS VERY NORMAL - DIALOGUE WITHOUT TABOOS." is organized by the Replika Cultural Association and co-financed by the National Cultural Fund Administration - AFCN.

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ENTERTAINMENT AS A STANCE OF PUBLIC COMMUNICATION

Author(s): Mirela Ioniță,Veronica PĂSTAE / Language(s): English Publication Year: 0

Entertainment is a particular area of public communication, due to the aesthetic component of the messages. Artistic expression is primarily about emotionality, not rationality, and the originality of creation gives artistic value. Entertainment nowadays tends to contaminate the other functions of communication, namely information and persuasion. In contemporary society, the production of entertainment is industrialized. Contemporary culture is dominated by entertainment industry, especially in the fields of publishing, music, film and games. In this article, we shall summarize the content and specifics of entertainment as premises of the creative industries’ social impact.

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Ozbiljna igra: kreativno suočavanje sa traumom kroz ekspresivnu umjetnost

Author(s): Kathryn Mansfield / Language(s): Bosnian Publication Year: 0

Praktičari/ke na polju izgradnje mira, ekspresivne umjetnosti i liječenja traume naglašavaju važnost kreativnosti i umjetnosti. Kako možemo kroz ozbiljan, podroban i često bolan proces transformiranja traume potaknuti kreativnost? Kakav učinak imaju tjelesni činovi poput kretanja, stvaranja ritma, umjetnosti i igre uslijed hroničnog nasilja? Kako nam suočavanje sa “zarobljenošću” unutar vlastitog tijela/uma pomaže izaći na kraj s hroničnim nasiljem i nepravdom, pa čak i problemima u međuljudskim odnosima ili poslovnom životu? Koje nam strukture mogu biti od pomoći te koji su izazovi i potencijalni učinci korištenja teorije i prakse ekspresivne umjetnosti u obrazovnim procesima posvećenim transformaciji traume?

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Смяната на имената като проблем на историографията и колективната памет

Author(s): Nikolay Papuchiev / Language(s): Bulgarian Publication Year: 0

The article presents the results of a study carried out within the project “The Post-1989 Democratic Transition – Interpretations of Historical Change, Social Experience and Cultural Memory in Contemporary Bulgarian Literature,” financed by the National Science Fund, Ministry of Education and Science. The study focuses on two films: Gori, gori, ogunche (Burn, Burn Fire) (1994), screenplay by Malina Tomova, directed by Rumyana Petkova, and Radiogramofon (Radiogram) (2017), written and directed by Ruzie Hasanova. The subject of the paper is the reflection within Bulgarian society during the so-called “Time of Transition” of one of the most traumatic period of Bulgarian history – the changing of the Bulgarian Muslims’ Turkish or Arabic names which the communist government initiated and enforced, at times using violence, during the 1960s and 1970s. The concept of the modern Bulgarian nation shared after 1989 was characterized by the same heavy nationalistic leanings which had been created and sustained by the totalitarian regime in the previous historical period. Some of them shaped the social representations after the collapse of the Communist regime. Using the two movies under consideration, the article looks at some of the main aspects of the changes in Bulgarian society – the collective images, the attitudes towards history, and the problems of group identities in the new social, political, economic and historical period. Along with mass media content analysis, the study is based on numerous interviews with local people. The chosen methodology aims to reveal and discuss the sites of trauma in the collective memories.

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Образи на прехода в новата българска драма в периода 1989–2007 г.

Author(s): Kamelia Nikolova / Language(s): Bulgarian Publication Year: 0

In the early years of Bulgaria’s political transition (1989–2007), writing for the theatre was in a situation substantially different from the developments happening on the theatre stage. While the latter, especially during the first ten years after the political changes, went through a period of rapid resurgence and intense and profound transformation, playwriting suffered a deep existential crisis. In the plays of those authors who had established their names prior to 1989, the crisis manifested itself as a traumatic need for a desperate revision of the past and for a pessimistic end to it. The main image of the transition imposed by these dramatic texts is of filial guilt – the guilt of children towards their parents, and the apocalyptic irreparability of the broken relationship between them. For the young generation of playwrights of the 1990s and those who came after them, the obsessive image of filial guilt was no longer familiar. They outlined a different emblematic image of the transition – that of the cosmopolitan homeless person. In their plays, children and parents live together, sharing a common space and time, their roles alarmingly mixed up. The image of the cosmopolitan homeless person has retained its presence, albeit in a new way, in the dramatic texts written after the beginning of the 21st century, where it is manifested mostly in the sharing and immediate experience of personal stories. Out of the emblematic perspectives and images of the transition in Bulgarian drama from the period 1989–2007, the only one retained in today’s writing for the stage, though in various different transformations, is that of the cosmopolitan homeless person. By contrast, the image of filial guilt has long disintegrated and is now forgotten, while the endeavour to distance and forget the past has been replaced by the theatre’s newly awakened critical attitude towards the processes and the complex dynamic developments current in the modern world.

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Предприемачество чрез изкуства и български фолклор

Author(s): Slavina Nikolova / Language(s): Bulgarian Publication Year: 0

Bulgarian folklore is vast, colorful and unique. Folk arts are beautiful, interesting, intriguing and melodious, this makes them a ground for creating an enterprise developing performing arts. Entrepreneurs developing similar businesses contribute to the preservation, enrichment and popularization of traditions and culture, part of the life and lifestyle of Bulgarians for millennia. At its most basic, the creative sector consists of those industries that rely on human creativity to generate wealth. The leader is the main driver and generator of a product, a vision in the future to achieve positive results. Intelligence and knowledge in a given field of art, as well as the creator's idea of a creative work, make him an innovator. This is a prerequisite for creating a new intellectual product, and hard work leads to the realization of this product. The experience and vision of the author are an important part of the necessary qualities to be able to present to the audience his point of view in the vast ocean called folklore. Every creative entrepreneur must have his own personal skills to develop, improve and manage his business correctly and willingly. Personal skills should include knowledge and skills to act in the creative industry that he is targeting, have leadership skills, knowledge of negotiation, which leads to being in contact with the team and the people with whom it is necessary to negotiate to reach its ultimate goal. Ensemble „Bulgare“ is a successful creative project that has become an emblem of Bulgarian folklore. It is distinguished by uniqueness and its own appearance. An example of an institution with very good management, self supporting, showing the creativity and flexibility of Hristo Dimitrov - entrepreneur and producer.

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NATIONAL VALUES PROMOTED IN CONTEMPORARY EDUCATION THROUGH THE TRIARCHICAL CONCEPTION OF THE MORPHOLOGICAL STYLISTICS OF THE CREATIVE ARTS

Author(s): Angela Munteanu,Tatiana Filipski / Language(s): English Publication Year: 0

The article represents a theoretical and practical study of the concepts of culture, heritage and values of national importance. The promotion of the national treasure requires support from the triarchical conception of the morphological stylistics of the creative arts (architecture, interior design, fine arts), which constantly applies a series of instruments to stimulate and protect universal and national values towards the formation of the young generations. At the same time, the article reflects the specifics of applied research in the contemporary education of creative professionals, strategies, methods and tools of thought in the promotion of cultural heritage, which develop moral qualities, critical thinking and scientific-artistic. The university education process is concentrated and has an impact on the valorization of cultural heritage and axiological training through the study of creative arts (interior design, architecture, fine arts).

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VALORI ALE IDENTIFICĂRII ȘI/ SAU DENEGĂRII ÎN SPECTACOLUL DE FORMĂ SCURTĂ

Author(s): Ana Ghilaş / Language(s): Romanian Publication Year: 0

The research refers to the domain of education and values in contemporary society, the object of study being the theatrical discourse of short forms and its valences at the level of identification and/or denial by the spectator. The varied forms of theatrical performances at the current stage propose new approaches to the axiology of stage/director - receiver communication. The purpose of the investigation is to reveal the impact of certain theatrical forms on the way of reception and awareness of the spectator. In the paper, we propose as objectives the analysis of some performances staged currently on the stages of theaters in Chisinau in order to demonstrate the valences of the short-form theatrical discourse and of the documentary one in the moral and social education of the spectator through the specificity of these types of theater, especially, of the theatrical conventions of identification and denial of the receiver.

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