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Интертекстуальный анализ сегодня

Author(s): Mikhail Gasparov / Language(s): Russian Issue: 2/2002

The paper provides a discussion about recent results and perspectives of intertextual analysis — the method that has been a contemporary with Tartu-Moscow school. The connections between the classical philological methods and intertextual analysis are described, together with specifying the concept of intertext and emphasizing the need for the correctness of a researcher, because such an analysis always carries a danger of overinterpretation. Several examples are used to illustrate how the imagination of a researcher can create arbitrary allusions that are not based on the original text and are usually misleading. As a result, the text under study will not become more clear, vice versa, it turns to be less understandable.

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‘Infernal’ subtexts in Brodsky’s poem "The fifth anniversary"

Author(s): Maija Könönen / Language(s): English Issue: 2/2002

This essay explores the intertextual relationships of Joseph Brodsky’s poem Пятая годовщина — an occasional verse dedicated to the fifth anniversary of the poet’s enforced emigration from the Soviet Union. As is common in Brodsky’s poetics, the text is imbued with allusions to other texts, not only from Russian, but from Western belles lettres, as well. Through reminiscences of La Divina Commedia the lost homeland together with the beloved native city of Leningrad is paralleled with Dante’s “lost and accursed” Florence as well as with the lost St.Petersburg of Mandelshtam and Akhmatova, among others. The Dantean undertones are exposed not only on the semantical level of the examined text but in the metrical and structural aspects of the poem, as well.

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Boundaries and identities in religious conversion: The mirror

Author(s): Massimo Leone / Language(s): English Issue: 2/2002

Religious conversion revolutions the boundaries which delimit personal identity. Therefore, the main semiotic problem of mental and cultural representations of this religious phenomenon is to convey simultaneously a feeling of sameness and otherness, identity and change. In the present paper, mirrors are analysed as cultural mechanisms which enable representations to accomplish this paradoxical task. After a brief survey concerning literature on mirrors, some early-modern religious texts using these optical instruments as representative devices are analysed in-depth: a painting of the Magdalene’s conversion by Artemisia Gentileschi, an engraving representing conversion from a 17th-century French book, a fragment from Sainte Theresa’s spiritual autobiography, a passage from John Calvin’s Institution de la religion chrétienne. In its conclusion, the paper underlines the importance of Saint Paul’s metaphoric conception of mirrors for the cultural history of these objects, and tries to define the role which cultural semiotics should play concerning this kind of representative mechanisms.

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Introduction: Rereading of cultural semiotics

Author(s): Peeter Torop / Language(s): English Issue: 2/2002

In 2002 the Department of Semiotics of the Tartu University got 10 years old. Juri Lotman, the founder of the Department, would have turned 80 in the same year. This was a symbolic reason to invite from all over the world scholars respecting semiotic thinking and/or J. Lotman’s scientific legacy to Tartu. So the international conference “Cultural Semiotics: Cultural Mechanisms, Boundaries, Identities” (25.02–2.03.2002) was born.

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Spatial semiosis in culture

Author(s): Leonid Tchertov / Language(s): English Issue: 2/2002

Lotman’s conception of semiosphere opens the way to development of spatial semiotics as a special branch of sign theory. There are a lot of peculiarities in the spatial semiosis, which distinguish it from the temporal ones. These distinctions are connected with some special features of semiotized space, and they touch both upon the spatial texts and upon the spatial codes. The spatial syntax has its own specific structures, which can be reversed, non-linear and continual, created without discrete signs. The differentiation relates also to semantics of spatial signs and texts, which are mainly motivated by their denotates due to similarity or contiguity. There are some pragmatic peculiarities of the spatial semiosis: the greater connection with the praxis, on the one hand, and the greater ability for the preservation of the cultural memory, on the other hand. The mainly visual character of spatial texts in plane of expression can be also considered as its specific pragmatic property. These peculiarities give some special possibilities for the spatial semiosis and make necessary its participation in the various spheres of the culture, where diverse spatial codes interact in different ways between each other and with temporal codes as well.

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Juri Lotman on proper name

Author(s): Eleonora Rudakovskaja,Ülle Pärli / Language(s): English Issue: 2/2002

The article treats the concept of proper name in Juri Lotman’s semiotics, taking into account also studies in the same field by other authors of the Tartu-Moscow school (V. Ivanov, B. Ogibenin, V. Toporov, B. Uspenski). Focus is laid at three sub-topics: name and myth, name and text, name and artistic creation. One of the sources of treating proper name for both the program article by J. Lotman and B. Uspenski (“Myth — Name — Culture”), and works by several other semioticians of the Tartu–Moscow school is confidence in the connection between proper name and mythical (a-semiotic) thought: semiosis equals here with nomination. Proper name plurality, different re-namings affirm the continuing importance of mythical thinking in later culture. Proper names (such as personal names, place names) belong, in addition to natural language, also into a certain individual system, forming thus an interlinguistic layer located on the boundary of language. J. Lotman stresses that art has a specific power of uniting general and proper name (proper name characterized here by individuality, explosiveness). An artistic work is even doubly of proper name character: both the act of creation and its reception are by nature individual and unrepeated. In the opinion of the authors the treatment of proper name by the Tartu-Moscow school contains fruitful and promising standpoints for the analysis of contemporary culture that, however, have been applied unjustifiably little.

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Author, landscape and communication in Estonian haiku

Author(s): Kati Lindström / Language(s): English Issue: 2/2002

Present article tries to give insight into the ways in which Estonian haiku models its author and communicates with the reader. The author thinks that while Japanese haiku is a predominantly autocommunicative piece of literature, where even a fixed point of view is not recommended, Estonian literary conventions are oriented towards openly communicational texts, which convey a fixed axiology and rely on abundant use of pronouns and rhetorical questions, addresses and apostrophes. While there is a considerable amount of Estonian haiku that depend on Estonian literary conventions, most of the Estonian haiku texts, however, are oriented to the Japanese model. These texts have been labelled “the catalogues of landscape”, as they are constituted by naming different landscape objects without developing a line of narration. Thereby every landscape element in poetry is granted its own voice, and through this multitude of voices inside the text, the reader is forced to enter an autocommunicative process of remodelling him/herself.

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How did the ideas of Juri Lotman reach the West?

Author(s): Thomas G. Winner / Language(s): English Issue: 2/2002

During my first face-to-face meeting with the younger generation of the Tartu semiotics school during the Meeting of the International Association for Semiotic Studies in Dresden in 1999, Peeter Torop — now Lotman’s successor in the chair of semiotics at Tartu University — asked me to write down my recollections about how I discovered Juri Mikhajlovich first two monographs on semiotic aspects of artistic texts (1964, 1970), and how I was able to bring these monographs to the United States and thereby to open them up for the world of Western learning. To this request I recklessly assented, not giving much thought to the difficulties inherent in this the task. The proposed memoir seemed so simple, and so wholly straightforward. Was it not a simple task of retelling something, which is an intimate part of my own personal experiences, my own recollections, my own intellectual biography? But, as I was to learn painfully when I sat down to prepare this paper, this was not at all the case. For what follows involves not just a piece of my lived life, but something which literally turned my scientific maturation on its ear, and was to become a vigorous compass for the direction of my further intellectual paths. So, as the Germans say: “Wer A sagt muss auch B sagen,” here I am, trying to say B.

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Pure visual metaphor: Juri Lotman’s concept of rhetoric in fine arts

Author(s): Linnar Priimägi / Language(s): English Issue: 2/2002

Salvador Dalí’s oilpainting Hallucination partielle. Six apparitions de Lénine sur un piano (1931) has been considered to be one of the most difficult works to interpret. O. Zaslavskii has analyzed it, using the sound of the words in title and the items depicted on the masterpiece, “the phonetic subtext”. Obviously, Zaslavskii’s interpretation is based on Osip Mandelstam’s poem “Grand piano” (1931), that in the context of Russian language associates the piano ( рояль) with the French Revolution. Nevertheless, Zaslavskii’s final conclusion of the connections between Dalí’s painting and the French Revolution turns to be accurate, because it is possible to find iconographic parallels between Dalí’s “Partial hallucination…” and Jacques- Louis David’s “The death of Marat” (1793). On at least four most significant oil paintings from the beginning of Dalí’s surreal period we can observe his “emblem of love and death” as the combination of fellatio and bleeding. Obviously, he understood in the same code also Marat’s murdering by the knife of a woman. This allows us to insist, that Dalí was inspired to paint “Partial hallucination…” by “The death of Marat”. The shadow of a grand piano on his painting “Diurnal illusion: the shadow of a grand piano approaching” (1931) directly bears the meaning of “terror” and “fear”. In such motif combination and graphic parallel, the complex cultural metaphoric relations of these two paintings can be viewed. This complex can be considered as rhetorical in the sense of Juri Lotman’s conception. But it is evidently a case of “pure visual metaphor”, not an illustration of verbal metaphors.

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Understanding life: Trans-semiotic analogies

Author(s): Andres Luure / Language(s): English Issue: 1/2002

This paper sketches a network of analogies reaching from linguosemiotics (including theory of reference in analytical philosophy of language) to biosemiotics. It results in the following proportion: attributive use of referring expressions : referential use of referring expressions : ‘generative’ use of referring expressions = signifying : referring : ‘poetic pointing’ = ‘functional’ semiosis : ‘adaptational’ semiosis : semiosis in the narrow sense.

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Biosemiotic knowledge — a prerequisite for valid explorations of extraterrestrial intelligent life

Author(s): Elling Ulvestad / Language(s): English Issue: 1/2002

The scientific search for extraterrestrial intelligent life is probably one of the most ambitious projects ever taken in biology. The article discusses methodological problems associated with the search. It is emphasized that investigators of extraterrestrial intelligence, in contrast to investigators of terrestrial matters, have no valid pre-understanding of their subject matter. In this barren setting, utilization of semiotic knowledge is shown to be a prerequisite for achievement of valid data. Owing to methodological shortcomings, it is concluded that the NASA funded project SETI (Search for Extraterrestrial Intelligence) has little if any relevance for the detection of intelligent life in other worlds.

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Feeling the signs: The origins of meaning in the biological philosophy of Susanne K. Langer and Hans Jonas

Author(s): Andreas Weber / Language(s): English Issue: 1/2002

This paper describes the semiotic approach to organism in two proto-biosemiotic thinkers, Susanne K. Langer and Hans Jonas. Both authors develop ideas that have become central terms of biosemiotics: the organism as subject, the realisation of the living as a closed circular self, the value concept, and, in the case of Langer, the concept of symbol. Langer tries to develop a theory of cultural symbolism based on a theory of organism as a self-realising entity creating meaning and value. This paper deals mainly with what both authors independently call “feeling”. Both authors describe “feeling” as a value-based perspective, established as a result of the active self interest manifested by an organic system. The findings of Jonas and Langer show the generation of a subject pole, or biosemiotic agent, under a more precise accent, as e.g. Uexküll does. Their ideas can also be affiliated to the interpretation of autopoiesis given by the late Francisco Varela (embodied cognition or “enactivism”). A synthesis of these positions might lead to insights how symbolic expression arises from biological conditions of living.

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Human/animal communications, language, and evolution

Author(s): Dominique Lestel / Language(s): English Issue: 1/2002

The article compares the research programs of teaching symbolic language to chimpanzees, pointing on the dichotomy between artificial language vs. ASL, and the dichotomy between researchers who decided to establish emotional relationships between themselves and the apes, and those who have seen apes as instrumental devices. It is concluded that the experiments with the most interesting results have been both with artificial language and ASL, but with strong affiliation between researchers and animal involved in the experiments. The experiments on talking apes are not so much experiments in psycholinguistics (how far can animal learn human language) but wonderful experiments in the communities of communication between human beings and great apes.

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On the zoosemiotics of health and disease

Author(s): Aleksei Turovski / Language(s): English Issue: 1/2002

The main feature of the signs of health in the animal habitus and behaviour can be characterised as the readiness to adequately (for a species) serve the need for impression (in animalistic elements of the Umwelt). The signs of disease, however multifarious and diverse, generally display certain lack of Umwelt-oriented attentiveness, alertness. Attention of deeply afflicted animals is strongly Innenwelt-oriented; and in some species a set of such signs, suggesting sickness or mortal disease is used as a set of traits in the mimicry of dying. The semiotic factors in health-disease relationships are apparently connected with intuition — like responses creating in the semiosphere a structure of Umwelt-Innenwelt polarized tensions, important in ecological and evolutional developments.

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Where bonds become binds: The necessity for Bateson’s interactive perspective in biosemiotics

Author(s): Peter Harries-Jones / Language(s): English Issue: 1/2002

The paper examines important discrepancies between major figures influencing the intellectual development of biosemiotics. It takes its perspective from the work of Gregory Bateson. Unlike C. S. Peirce and J. von Uexküll, Bateson begins with a strong notion of interaction. His early writings were about reciprocity and social exchange, a common topic among anthropologists of the time, but Bateson’s approach was unique. He developed the notion of meta-patterns of exchange, and of the “abduction” of these metapatterns to a variety of other phenomena, in both biology and in game theory. Later, Bateson’s concept of ecology of mind, the product of interactive phenomena, was modified by a non-purposive cybernetics. Biosemiotics has yet to adopt Bateson’s interactive stance, which is absent from Peirce’s approach to communication, of Uexküll’s functional cycles, and of Hoffmeyer’s discussion of the relation between culture and environment. Rather than pursuing notions of appropriate “subjectivity” through changed ethical response to ecological conditions (Hoffmeyer’s discussion of empathy), the paper discusses the advantages of an approach that continues to focus on conditions of paradox and pathology. Specifically, Bateson’s resolution of the relation between culture and environment arises from situations of blocked communication where ecological bonds become binds.

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Umwelt and semiosphere

Author(s): Mihhail Lotman / Language(s): English Issue: 1/2002

In the paper an attempt is made to treat the basic concepts of biosemiotics and semiotics of culture in a wide intellectual context. The three leading paradigms of the current intellectual discourse are distinguished, which could be conventionally designated as “classical”, “modern” and “postmodern”: Peirce’s semiosis stands for the classical, Umwelt for the modern and semiosphere for the postmodern semiotic space.

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Does “quorum sensing” imply a new type of biological information?

Author(s): Luis Emilio Bruni / Language(s): English Issue: 1/2002

When dealing with biological communication and information, unifying concepts are necessary in order to couple the different “codes” that are being inductively “cracked” and defined at different emergent and “deemergent” levels of the biological hierarchy. In this paper I compare the type of biological information implied by genetic information with that implied in the concept of “quorum sensing” (which refers to a prokaryotic cell-to-cell communication system) in order to explore if such integration is being achieved. I use the Lux operon paradigm and the Vibrio fischeri – Euprymna scolopes symbiotic partnership to exemplify the emergence of informational contexts along the biological hierarchy (from molecules to ecologies). I suggest that the biosemiotic epistemological framework can play an integrative role to overcome the limits of dyadic mechanistic descriptions when relating the different emergent levels. I also emphasise that the realisation of biology as being a “science of sensing” and the new importance that is being ascribed to the “context” in experimental biology corroborate past claims of biosemioticians about a shift from a focus on information (as a material agent of causality) towards a focus on the world of signification.

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Habit formation as symmetry breaking in the early universe

Author(s): Peder Voetmann Christiansen / Language(s): English Issue: 1/2002

This paper tries to combine Peirce’s cosmology and metaphysics with current understanding in physics of the evolution of the universe, regarded as an ongoing semiotic process in a living cosmos. While the basic property of Life is viewed as an unexplainable Firstness inherent in the initial iconic state of the vacuous continuum we shall consider and exemplify two sign developing processes: (a) the transition from icon to index is considered as a symmetry breaking emergence of order actualising one among the possibilities of the iconic vacuum; (b) the transition from index to symbol, regarded as a habit formation — an adaptation of the surroundings to the order that has emerged. While the iconic state is characterized by fractal self-similarity the transitions to index and symbol are modelled by the mean field theory of second order phase transitions.

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Tractatus Hoffmeyerensis: Biosemiotics as expressed in 22 basic hypotheses

Author(s): Frederik Stjernfelt / Language(s): English Issue: 1/2002

This paper briefly outlines the main ideas of biosemiotics in 22 hypotheses, with special regards to the version of it claimed by Jesper Hoffmeyer.

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Biological evolution — a semiotically constrained growth of complexity

Author(s): Abir U. Igamberdiev / Language(s): English Issue: 1/2002

Any living system possesses internal embedded description and exists as a superposition of different potential realisations, which are reduced in interaction with the environment. This reduction cannot be recursively deduced from the state in time present, it includes unpredictable choice and needs to be modelled also from the state in time future. Such non-recursive establishment of emerging configuration, after its memorisation via formation of reflective loop (sign-creating activity), becomes the inherited recursive action. It leads to increase of complexity of the embedded description, which constitutes the rules of generative grammar defining possible directions of open evolutionary process. The states in time future can be estimated from the point of their perfection, which represents the final cause in the Aristotelian sense and may possess a selective advantage. The limits of unfolding of the reflective process, such as the golden ratio and the golden wurf are considered as the canons of perfection established in the evolutionary process.

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