Simonid na Balkanu: jezik haosa

Author(s): Peter Ramadanović / Language(s): Serbian Publication Year: 0

Prema legendi koju su nam preneli Ciceron i Kvintilijan, umetnost pamćenja izumeo je Simonid Kejanin, čuveni grčki pesnik. Jedan imućan čovek, tesalijski plemić Skopas, zatražio je od Simonida da za njega sastavi napev u slavu pobednika bokserskog meča. Budući da je polovina peana bila posvećena Kastoru i Poluksu, mitskim prototipovima boksera, Skopas je odlučio da pesniku isplati samo polovinu ugovorene sume. Drugu polovinu, Skopas reče, platiće Dioskuri.

Karl Kraus i modernizam: Preispitivanje

Author(s): António Sousa Ribeiro / Language(s): Serbian Publication Year: 0

»Modernizam« je po mnogo čemu problematičan pojam, često je predmet neadekvatnih tumačenja ili tumačenja koja vode na pogrešan put – a naročito kada se koristi na način koji teži tome da ga svede na poseban stil ili pokret koji je navodno razumljiv unutar ograničenog referentnog okvira. Iako je uvek bilo očigledno da ovaj pojam ima više lica u različitim zemljama, zapravo je sve do nedavno preovladavalo shvatanje kako je glavni tok modernizma u suštini anglo-američki fenomen čiji su koreni u estetskim inovacijama francuskog simbolizma.

U spomen Karla Krausa

Author(s): Rolf Schott / Language(s): Serbian Publication Year: 0

Naši lični odnosi sa najoštroumnijim i najstrastvenijim, najnemilosrdnijim i najduhovitijim od svih satiričara, koji su — da li da izuzmemo Hajnea — ikada pisali na nemačkom jeziku, dakle, sa austrijskim moralistom češkog porekla i pesnikom Karlom Krausom, bili su retki, mada prijateljski. Pesnik? Nego šta! U svakom pogledu slave dostojan, iako čitaoci i poštovaoci čoveka, koji je umro pre 28 godina, toga nikad onako sasvim nisu bili svesni. Biće da je za to i sâm pomalo kriv, jer je tvrdio: »Kada mi je dosadno ja pišem pesme«.

Slučaj Karla Krausa

Author(s): Franz Leschnitzer / Language(s): Serbian Publication Year: 0

Decenijama se u više gradova Evrope, poseb- no u Beču i Pragu, a do dolaska nacizma na vlast i u Berlinu, odigravala sledeća scena: Mladi i mnogi stariji intelektualci bi u izlogu neke knjižare ili koiska ugledali jedan mali časopis sa jarko-crvenim omotom, na čijoj je naslovnoj stranici stajalo Die Fackel (Baklja), izdavač Karl Kraus. Kupovali bi ga smesta i onda kada su morali da daju i svoj zadnji novac. Odmah bi počeli sa čitanjem, a kod kuće bi sve još jednom pročitali. I opet bi ga čitali po ko zna koji put. Telefonom ili pismom bi obaveštavali svoje najbolje prijatelje, pošto ovaj najnoviji broj Baklje, koji je mogao biti rasprodan za samo nekoliko dana, možda još ne bi imali.

Kako je Karl Kraus čitao Ofenbaha

Author(s): Georg Knepler / Language(s): Serbian Publication Year: 0

Kako je Karl Kraus mogao čitati Ofenbaha? Kako se uopšte mogu čitati operete? To nije izvodljivo. To, da je to bilo moguće Karlu Krausu imalo je niz pretpostavki koje teško mogu da se ponove, ali je ipak postojala želja da se pokuša. Najpre, javna čitanja pozorišnih komada Kraus je priređivao već od svoje mladosti. Godine 1893, on je čitao Hauptmanovo delo Weber (Tkač), koje je tek godinu dana ranije bilo izašlo iz štampe, a pola godine ranije bilo prvi put izvedeno u Berlinu. U literaturi o Karlu Krausu stalno se ponavlja tvrdnja da je neuspeh koji je Kraus doživeo iste godine, sa nepunih 19 godina, igrajući Franza Moora u jednoj izvedbi Razbojnika u jednom bečkom periferijskom teatru, bio povod za napuštanje glumačke profesije.

Banda političkog pakta

Author(s): Alfred Pfabigan / Language(s): Serbian Publication Year: 0

Poslednji ostaci bliskog odnosa između Krausa i socijaldemokratije, čije je vođe na kraju proglasio za puku »bandu političkog pakta«, nestali su u borbi ovog satiričara protiv bečkog novinskog izdavača Imrea Bekešija, posebno zbog načina na koji se partija držala u ovoj borbi.

Karl Kraus: portret umetnika

Author(s): Frank Field / Language(s): Serbian Publication Year: 0

Karl Kraus je rođen 1874. godine u Jičinu, Češka. Njegov otac, Jakob Kraus, strog ali nežan roditelj, pobožan Jevrejin i uspešan fabrikant papira, preselio je porodicu u Beč, dok je njegov sin Karl bio dete. Još u detinjstvu, sin je pokazivao strast za pozorište, i dok je studirao na Bečkom univerzitetu, gde je slabo posećivao predavanja i vreme uglavnom provodio po pozorišnim i literarnim kafeima, odlučio je da postane glumac.

Eros i Temida

Author(s): Nike Wagner / Language(s): Serbian Publication Year: 0

Za duhovnu klimu moderne karakteristična su opozicionalna razgraničenja, secesije. Ali, kao što u njoj skoro istovremeno susreću kretanja iz suprotnih pravaca, naturalizam i psiholo{ki impresionizam, tako je ukupno primetna tendencija suprotna segregacionim kretanjima: težnja ka sintezi, ka pravljenju bilansa znanja epohe. S obzirom na sve veći rascep između prirodnih i duhovnih nauka, koji je izazvala sve veća specijalizovanost po stručnim oblastima, postoji želja da se još jednom pokušaju objasniti osnove i poreklo civilizacije i da se svede suma pogleda na svet.

Kraus i savremenici

Author(s): Author Not Specified / Language(s): Serbian Publication Year: 0

Najveći deo tekstova iz ovog poglavlja objavljen je u Rundfrage über Karl Kraus, Brene Verlag, Innsbruck, 1934. Svi ovi tekstovi su preštampani u časopisu L’Herne, Jesen, 1987. Sa francuskog je prevela Delila Dizdarević. Tekst Ernsta Kreneka preuzet je iz knjige Dreiundzwanzig, dok su tekstovi A. Barbisa i Ž. Ofenbaha objavljeni u knjizi Stimmen über Karl Kraus. Prilozi Karela Čapeka, Paula Engelmana i Wernera Krafta preuzeti su iz knjige P. Engelman (Hg.), Dem Andenken an Karl Kraus, Verlag O. Kerry, Wien, 1967. Sa nemačkog je preveo Predrag Obradović. Tekst Louis Fürnberg, “Zu einem Vorlese-Abend aus Werken von Karl Kraus”, objavljen je u časopisu, Weimarer Beitrage, no. 3/1967. Sa nemačkog je prevela Dragica Novaković.

A történelem használatáról

Author(s): András Gerő / Language(s): Hungarian Publication Year: 0

Van-e Európa? Létezik-e Latin-Amerika?

Author(s): Dávid Zelei / Language(s): Hungarian Publication Year: 0

Između krajnosti: Kritički identitet Muhsina Rizvića u optici metakritike

Author(s): Erna Murić / Language(s): Bosnian Publication Year: 0

From the perspective of modern literary theory, the development of literary criticism in Bosnia and Herzegovina from 1945 on is characterized by constant balancing between positivism and impressionism, the interrelationship between academic and political discourse and amateurish use of theoretical terminology. Literary criticism in Bosnia and Herzegovina did not reach the level of postmodern hybridity until the post-war period. The critical approaches to the works of Muhsin Rizvić and his personality can, with some necessary simplification, be positioned between two opposite reception poles: the negative critical pole (Kazaz, Ibrahimović), which takes the position of radical poststructuralist revisionism of literary history, on the one side, and the positive critical pole (Maglajlić, Džanko), which glorifies Rizvić’s works and the role it had at the time when it was written, on the other. There is also a third critical pole, whose strategy can be termed as affirmative recycling. The middle road, outside of the apologetic or leveling discourse proved to be the most appropriate to the present situation which in its statement requires the right to diversity.

Трансформацията на българската мечта

Author(s): Boyan Durankev / Language(s): Bulgarian Publication Year: 0

Historically, the manifestations of Bulgarian dreams are analyzed. Consider the extent to which endogenous and exogenous factors and conditions allowed dreams to come true. The Bulgarian dream for honest labor, creativity and life in their homeland was established back in time – more than 1300 years ago. During all the distinct periods (from internal and external conditions and factors), this dream has undergone substantial alternations, however, not in its roots. My generation has experienced two signifi cant changes to our dream. The fi rst distinct period began in the distant 1945 when the dream was to ensure the livelihood, health and education of all Bulgarian citizens through the system of socio-economic planning in Bulgaria and in the CMEA. Society and the economy were systems, whether, businesses and people – inseparable elements of these systems. The second distinct period began in 1990 when the creation of the „Common European Home“ began on the basis of the „decomposition of the planned economy“ and the affi rmation of freedom of personality and human rights. During this second period, the European countries, Bulgaria, and the individual economic agents were placed in a competitive environment – „whatever you do, you do it for yourself.“ Society and the economy have become clusters in which the horizontal ties (seemingly) were dominant. Both, the first and the second, periods possessed their merits and defi ciencies, which suggests that potentially the Bulgarian dream has to redefi ne its format, as well as, its content.

Възможен ли е свят без мечти?

Author(s): Iliana Getova / Language(s): Bulgarian Publication Year: 0

Моята мечта и сън за Сирия

Author(s): Basel Al-Garrui / Language(s): Bulgarian Publication Year: 0

Мечтаем ли правилно?

Author(s): Peter Getov / Language(s): Bulgarian Publication Year: 0

On Community in the Political Theology of Jacob Taubes

Author(s): Daniel Tincu / Language(s): English Publication Year: 0

The present paper aims to analyse through a systematic approach the notion of “community” encountered in the works of Jacob Taubes. Under a theologico-political scenario, the author discusses the political framework of Saint Paul in his Letter to the Romans. According to Taubes, the Apostle inaugurates a new type of sovereignty — acquired by the grace of God, and not by the divine law. Ultimately, the plan of Paul is to create a new “life” for the community of Christians through spirit (gr. πνεῦμα) and the highest form of love (gr. ἀγάπη). According to the author, the Letter to the Romans perfectly illustrates the transformation of the political, where the idea of hierarchy is replaced with the one of equilibrium; under this equation religion is not authority, but participation in community. From a more practical point of view, the political theology of Jacob Taubes is interested in answering the following dilemma: how is it possible for a community that sees its Lord crucified on the Cross not to create rebellions, but, on the contrary, to generally cultivate an obedient attitude towards state authority? Ultimately, while mapping the author’s understanding of community, the paper also brings into attention what the transformation of the political means for Taubes and why political theology is the scenario that accommodates the revolutionised community.

« Barbe Bleue » d'Amélie Nothomb - avatars et perspectives

Author(s): Elena Simina Bădărău / Language(s): French Publication Year: 0

"Blue Beard" by Amélie Nothomb illustrates from the very beginning certain elements of intertextuality and seeks to enrich the famous story of Charles Perrault through an insolit perspective and innovative style, dynamic dialogues and powerful characters showing extreme passions. One can identify here the phenomenology of the mystery referring to a secret chamber, associated with inexpressible things, whose indiscretion becomes overwhelming. Stepping through the door (“l’entr-ouvert”) - unavoidable and terrifying place, means beyond doubt changing the characters’s lives. Our study mainly refers to a comparative analysis which focuses both on the metamorphosis of the story into a novel and the avatars of the latter one along the process of narration or adaptation from Blue Beard myth in a modern context, in short, the premises of an original writing, surprising and profound at the same time.

De Van Eyck à Vermeer : à la recherche d'une symbolique de l'espace

Author(s): Cristina Poede / Language(s): French Publication Year: 0

From the fervent universe of “The Mystic Lamb” to the tranquility of bourgeois interiors hiding secrets, Dutch painting evokes an ever more symbolic space marked by thresholds, doors and stairs, cautious or exuberant windows, interior courtyards conducive to melancholy and meditation. French writers have often revealed their attraction for Flemish and Dutch masters: Théophile Gautier (“A Tour in Belgium and Holland”), Gérard de Nerval (“Lorely. Souvenirs d'Allemagne”), Baudelaire (“Les Phares”), Marcel Proust (“The Prisoner”), Paul Valéry (“The Return from Holland”), Marguerite Yourcenar (“L’oeuvre au noir”) comment on the works of these painters, with whom they experienced subtle aesthetic affinities. The paper is an attempt to achieve a diachronic division of two centuries in order to observe certain modifications concerning the representation of space in Flemish and Dutch painting, modifications which took place from the late Middle Ages to the Golden Age, including the Renaissance.

Ionesco et le seuil de la théorie (de la littérature)

Author(s): Iulian-Emil Coțofană / Language(s): French Publication Year: 0

This research tries to propose a different attempt to approach the writings of and the critique discourse on Eugène Ionesco. The basic guidelines consist of the means of reflecting derived from what could still be named theory of literature. The possibilities of questioning the functioning of literature and of literary criticism are, in principle, rendered visible and intelligible by the domain of theory. It is in this sense that we consider theory as a central threshold before the text, since theory comes before practice or, in other words, theories regulate the reading of a text. The text is preceded by the conventions of reading and by horizons of the reader. But theoretical discourse represents a chance to contribute to their exposure and it helps to question how the text is made (constrained) to signify. After sketching the theoretical sphere, we test certain hypotheses starting from the prefaces and the introduction to the English and French editions of “The Theater of the Absurd”. Moreover, we choose a short text included in “Présent passé, passé present” in order to illustrate a theoretical reading. Thus we bring to light a configuration of theoretical means related to the practices of the critique and literary discourses.