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A i ezauroi kapitalizmi mundësitë e veta progresive? Mund të konkludojmë se organizimi global i ekonomisë ka nevojë për ristrukturim të organizmave që e shoqërojnë atë. Ky është konkluzioni i parë që vjen nga vetë nevojat e kapitalizmit të sotëm. Marx parashikonte se përqendrimi i kredive në duart e shtetit është një nga hapat e kalimit nga kapitalizmi në komunizëm.
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Krizat e urisë prekin gjithmonë një pjesë relativisht të vogël të popullatës. Kriza të thella mund të shkaktohen nga rënie shumë të vogla të prodhimit ushqimor. Uria ka të bëjë jo vetëm me prodhimin e ushqimeve dhe shtrirjen e bujqësisë, por edhe me funksionimin e ekonomisë në tërësi dhe – akoma më gjerë – me funksionimin e rregullimeve politike dhe sociale që mund të ndikojnë, drejtpërsëdrejti ose indirekt, në zotësinë e njerëzve për të siguruar ushqim dhe për të pasur shëndet dhe ushqyerje të mirë.
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Pas një përshkrimi të aspekteve kryesore të Kartës Urbane Europiane autori analizon në dritën e parimeve të saj legjislacionin shqiptar të fushës duke identifikuar të metat kryesore të tij. Ai e shtrin analizën dhe në projektligjin e ri të rregullimit të territorit dhe dilemës kryesore- pushtetit lokal apo atij qendror?
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Njeriu është një qenie hapësinore. Ai priret ontologjikisht të afrojë gjërat rreth vetes, të përdorë dhe të manipulojë në hapësirë. Përveçse ontologjike dhe a priori, hapësira është edhe prodhim social. Mënyra sesi njeriu përdor hapësirën e bën atë HOMO URBANUS po aq sa edhe HOMO FABER.
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Një studim që shikon lidhjen funksionale midis reformës së territorit dhe formalizimit të ekonomisë ekstraligjore, që shkojnë krah njëra tjetrës. Duke u ndikuar reciprokisht. Një studim ku ofrohen plot ide të reja, veçanërisht për reformën e territorit ku rajonet fitojnë peshën kryesore.
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With Nobel Prize winners and businessmen all over the world, with a NATO army and locally produced aircraft, Turkey is easily the most successful Moslem country. But the problems begin with this statement. Have the Turks a native talent for adapting to whichever empire they happen to encounter, in modern times the American? Or is it that there is a special form of Turkish Islam? Or does it come from the simple fact that the Ottoman Empire, taking over from Byzantium, was originally largely Christian? Another conflict divides the nation, and, now, almost to the point of civil war. Mustafa Kemal Atatürk is the famous figure of Turkish modern history. As military leader, he led the fight for independence, and defeated all comers. Then, before he died in 1938, he introduced reforms of a thoroughgoing sort, including the exclusion from public life of all religion. Is the vast difference between Turkey and her neighbours to east and south ascribable to these reforms – an introduction of the European Enlightenment in a Moslem heartland? The Islamists were prevented from persecuting and have never stopped complaining that they were thereby persecuted. In today’s Turkey they are taking a certain revenge, and a tense election is coming up.
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Kultur und populäre Kunst wird oft als ein Bereich von „Antimustern”, in dem man die Kämpfe führen muss, behandelt. Man ist der Meinung, dass die Popkultur den falschen Geschmack bei den Jugendlichen bildet und sie von der „hohen Kunst“ entfernt. Diese Auffassung ergibt sich aus einem spezifischen Verstehen der Kulturpädagogik, das sich auf Kunst- und Ästhetische Erziehung zurückführt. Diese Verengung des Verstehens der Kulturpädagogik bringt die Schlussfolgerungen mit sich. Sie determiniert die Aufgabestellung in dem Bereich und auf eine „natürliche” Weise die Popkultur und Popkunst aus pädagogischen Interessen ausscheidet. Doch populäre Kultur ist ein wichtiger Bestandteil des kulturellen Lebens, hat viele gemeinsamen Merkmalen mit Volkskultur von traditionellen Gesellschaften. Im gewissermaßen kann auch als Volkskultur der postindustriellen Gesellschaft verstanden werden. Aktuell eben die Medien und die Idole der Popkultur „kommunizieren uns” es, wie wir leben sollten. Der heutige Mensch baut seine Identität auf der Grundlage von Zeichen der Popkultur auf. Indem wir ästhetisches Kriterium als Hauptdominante der kulturellen Pädagogik annehmen, sind wir bereit, die kulturellen Gebilde in Kategorien „gut“ – „schlecht“, „wertvoll“ – „schädlich” zu klassifizieren. Doch solche Wahrnehmung dieser Erscheinungen ausschließlich in so definierten Kategorien scheint es unzutreffend zu sein. Das alles, was in der Kultur von heutiger Jugend wichtig ist, sollte auch für die Erwachsenen von großer Bedeutung sein, wenn auch die traditionell verstandenen ästhetischen Kriterien übergreift. Solche Einstellung vermindert aber keineswegs die Rolle und Attraktivität der erzieherischen Maßnahmen. Resignation, einem durchschnittlichen Menschen die in den kulturellen Eliten herrschenden, ästhetischen Normen aufzuzwingen, hat mit einer Ausschaltung von anderen erzieherischen Aufgaben nichts zu tun. Pädagogik sollte Popkultur als Platform seiner bedeutenden Auswirkung akzeptieren. Popkultur ist nicht nur ein Ort, wo sich Sittenverwandlungen und Evolutionen von ästhetischen Konventionen ersichtlichen. Sie ist vor allem ein Bereich, wo sich diese Verwandlungen artikulieren. Verzicht auf eine auf den ästhetischen Kriterien gestützte Bewertung ermöglicht eine Wahrnehmung von anderen Bereichen, in denen geschlechtlich oder gesellschaftlich differenzierte Muster für die Jugend, eine ökonomische oder gesellschaftliche Anpassung an die immer neu bildende sich äußere Wirklichkeit, Ängste und Unruhen der heutigen Welt zur Ausdruck gebracht werden. In den Texten der Kultur wird unser Welt kommentiert und sie werden zugleich eine interessante Quelle vom Wissen über ihn selbst. Man sollte also zum Schluss betonen, dass die Popkultur auf das Interesse von der Seite der Kulturpädagogik völlig verdient hat.
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The paper discusses the identity of a Gypsy musician and explains the conditions underwhich this figure can be identified as a prototypical romantic virtuoso. Since improvisingartists were heavily criticised in the early 19th century as those contaminating the true art, they soon became the objects of ambivalent perceptions: admired for their command of the instrument and, at the same time, eschewed by professional musicians. In the 1840s, Gypsy musicians became more appreciated as the their culture and history began gaining currency among scholars. Since Gypsy musicians relied heavily on oral tradition, they were often associated with the practice of improvisation. This common perception of the Gypsy musician – so deeply indebted in the romantic ideology of alienated genius – became one of the most stereotyped images of Gypsies in the European culture.
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The article discusses the activities of the Institute of Culture and Arts at Lugansk’s Taras Shevchenko National University, in the context of music education in the Ukraine following the signing of the Bologna Declaration. This paper reviews the system of amateur/ professional music education in different institutions in the Ukraine. Professional activities of the selected faculty members working at the Institute are highlighted. Additionally, this essay discusses the types of specialized training in the field of musical culture offered by the Institute.
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It is 25 years since the Estonian artists and activist Heinz Valk coined the phrase “Singing Revolution” to describe the wave of patriotic gatherings sweeping the country, which then spread to the other Baltic republics. Of all the things that happened during the Singing Revolution, however,it is the singing that is the least remembered.
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Memories of the Second World War in Germany and in Poland strongly follow national patterns, yet with a variety of different narratives. The national memory patterns show that the images of the past and, closely intertwined with this, a national self understanding are challenged by a confrontation with transnational discourses, especially when it comes to attributions of victimhood and perpetratorship.
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Коммерческая номинация — это названия магазинов, учреждений и товаров, которые преследуют коммерческие цели — служат продвижению товара, услуги и т. п. на рынке. Одним из актуальных современных терминов для обозначения коммерческих онимов является термин «прагматонимы». Формирующиеся рыночные отношения окунули нас в море коммерческих наименований, призванных привлечь наше внимание к товару, магазину, заставить купить товар.
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В результате индустриальной революции и активной урбанизации, с расширением функций и роли городов как составляющих производственного комплекса и репрезентантов власти, Город приобретает особое место в культурном сознании Х1Х века: писатели, философы, ученые все больше внимания уделяют внутренней жизни города, рассматривая его как «социальный организм». Это не значит, что городов не было в Средневековье и эпоху Барокко: первые города в Европе датируют эпохой неолита (современная Греция, Турция) [3. с. 15-18]. Однако, если преимущественным видом поселения в эпоху Средневековья или Барокко были деревни, городки, тесно связанные с натуральным хозяйством, помещичьи усадьбы, то, начиная с ХIХ века Город возникает как новый социо-культурный феномен, вбирая внутрь себя массы людей из предместий, требуя от них нового типа работы (на производстве) и нового образа жизни (очень скученного), и взамен предоставляя им новые типы развлечений, самореализации, создавая новые типы профессий и услуг, а также новые культурные символы и знаки.
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Gore prepisane Danteove tercine mogle bi biti nezaboravne iz današnjeg kuta gledanja kad se zna da je Papa Martin IV. 1281. Godine završio u čistilištu samo zato što je volio jesti ugore pa nije papovao kako je trebao. Volio je osobito ugore iz jezera Bolsene, a pripravljali su mu ih tako da su ih najpri je žive metali u vino, a on da istom pekli, piše u bilješci.
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The author analyses an urban legend about a butcher from Niebuszewo (district of Szczecin), which is an emblem of social fears and phantasm in post‑war reality in a borderline city. She notes that Józef Cyppek’s story is represents Polish‑German‑Jewish experiences after 1945 in local space and describes these experiences, which concern the relations between superstitions and „meat stereotypes” in the community. The starting point of the interpretations in the article is Richard Sennett’s essay – Fear of touch in Flesh and Stone. The Body and the City in Western Civilization.
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Un volume d’anniversaire est une façon de remercier une personne pour ses efforts à faire avancer la connaissance dans notre métier. Celui-ci réunit une série d’exposés rendant hommage à Livia Buzoianu. À travers ses diverses recherches, accomplies le long de sa carrière, elle nous fait part de son expérience, mettant en évidence un dialogue soutenu entre l’archéologue, l’épigraphiste et l’historien.
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Prošle je godine urađena, a ove godine, u nakladi Hrvatskoga doma iz Tuzle, izašla Monografija. Kad se slavi, nema mjesta tugovanju i traženju razumijevanja za poteškoće u kojima Hrvatski dom u Tuzli, traje, evo već, stoljeće i više. Nije ništa novo i neće nitkoga iznenaditi objašnjenje zašto Monografi ja nije objavljena prije 11 godina, na stotu obljetnicu, kako nalaže red i dobri običaji – razlog je materijalne prirode, o kojemu, kako je rečeno, neće biti riječi!
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