![Книги 2012–2013 г.](/api/image/getissuecoverimage?id=picture_2103_26972.jpg)
Книги 2012–2013 г.
Selected bibliography in the field of Bulgarian Studies published in the current year.
More...We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Selected bibliography in the field of Bulgarian Studies published in the current year.
More...
Selected bibliography in the field of Bulgarian Studies published in the current year
More...
Selected bibliography in the field of Bulgarian Studies published in the current year
More...
This article introduces Tod Browning’s 1932 film Freaks, in conversation with nineteenth century carnival and fair practices and further explains the creation and development of the freakshow. In tandem with theoretical work by authors such as Judith Butler, Rosemarie Garland-Thomson, Adrianna Cavarero and Lennard Davis, the article positions the freakshow within disability and trauma through the notions of ‘staring’, ‘normal’ and ‘horrorism’. Using two contemporary texts such as American Horror Story: Freakshow and the reality television series Freakshow, this article firstly introduces these texts thematically before analysing all three in conversation with one another as a means of further contextualizing the role of the freakshow in contemporary cultural products, then connecting these texts to the notion of violence and the use of disability as a tool for horror. The article concludes that although the freakshow has been dismantled in the literal sense, the obvious bodily difference that predicates it still remains present in today’s cultural sphere.
More...(Уводна статия)
The introductory article of the first issue of 'Medialog' journal presents the new academic journal, part of a new media culture portal. 'Medialog' is a journey into the media worlds. 'Medialog' is an invitation to dialogue addressed to academic researchers and university lecturers, PhD students and students; to all who are curious to understand something more and different about media, communications and culture.
More...Рецензия на книгата на Ивайло Дичев „Културни сцени на политическото“
A review of Ivaylo Dichev’s book „Cultural scenes of the political”
More...
Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.
More...
Selected bibliography in the field of Bulgarian Studies published in the current year.
More...
The article’s goal is to imagine a productive form of teaching creative writing as part of a Master's program in fields only remotely connected to literature and literary studies, such as digital media and videogames research. The text begins with a discussion on talent as the ability to perceive and submit to adequate and working models of writing. The topic is then further developed by analyzing talent within the framework of specific creative tools such as close reading and worldbuilding. Finally, the idea of creative writing as a model oriented and model guided activity is connected to the nature of the computer game as a space inhabited by a variety of new discourses, which the player - like a careful and attentive reader – has to learn to read and work with, thus making them part of her personal experience.
More...
A review of the collection “The Soft power of popular music in media (by examples from Bulgaria and the Balkans”, comp. Lozanka Peicheva. Sofia: “St. Kliment Ohridski” University Press, 2020 (160 p.). The collection is part of research collective’s work on the eponymous scientific project “The soft power of popular music in media (by examples from Bulgaria and the Balkans”, financed by the Bulgarian national science fund.
More...
Two decades after the publication of the Green Paper on the convergence (1997), radio and television are not only creating and disseminating more and more digital content through digital technologies but are striving for an increasingly integrated online presence. Along with search engines, internet platforms have become an important intermediary between media service providers and audiences whose habits have changed dramatically in the second decade of the 21st century. Broadcast media (BM) have no choice but to be where the users of media content are - content of different quality, origin, purpose, logic of distribution. At the same time, audiences are overwhelmed with mis- and disinformation, which often comes from fake pages and profiles posing as legitimate media organizations, and set against trustworthy media and journalists from public figures. This creates an information crisis, which can be counteracted both by legislative measures and by empowering the audience with media literacy. And while the implementation of educational reform is a slow process, the BM, which still have the largest audiences and are most trusted, can play an essential role in increasing the media literacy of citizens. A function of great public importance, at the same time entirely in their interest.
More...
National identity in Bulgarian socialist cinema and especially in the films of the program 1300 years of Bulgaria is understood mainly as a plot – to reflect events from our native history and way of life. Very cleverly, they glided over only those events that, even in their drama, are positive for our self-esteem. But the constructive direction was in the films about migration and guilds as a native modification of the results of industrialization and modernization. In the time of transition, national identity appeared as a problematization – ethnic minorities, ideological, religious, and other repressions came into focus. I define the third stage of identity as confusion. There is no magnetic energy, innovative ideas, deep truth, and sincerity – the screen is 18 percent gray.
More...
The article explores current phenomena - the relationship between war, radio and music. The focus is on the army radio stations of two warring countries: Russia's Radio Zvezda and Ukraine's Army FM. The research examines the programming policy, funding, music content and audience attitudes of the two radio stations. The question is raised how the media and their musical contents are mobilized and "dressed" in a uniform. Observations on the radio stations and the changed music in them related to the wartime and regime in 2022 point to some new features of the radio propaganda mobilizations and the musical "weapons" used in them
More...
The text examines the narrative of the video game Hellblade: Senua’s Sacrifice through Jean-Noël Thon’s three-part perspectivist model, focusing on its third dimension - the ideological perspective. It states that the elements of the gameplay, usually defined as purely ludic, in fact play a prominent narrative role. The game manages to trick the player without lying to them by relying on classic video game relations such as believing in what is seen and told, the self-identification of the player with the avatar, and uncritically accepting the game’s instructions/information as relating to their own actions, not to those of the avatar. The ideological perspective of the characters combined with the thus created ‘misleading’ gameplay question the game-player relationship, while at the same time succeeding in an original way to distance the player from the avatar and ultimately succeeding to make the player feel towards the game as the character feels within in his own world. Accordingly, if the gameplay has a message, i.e., allows itself to be semanticized independently of and in conflict with the cinematic cuts in the game, it functions narratively and creates a dissonance resulting from two different and parallel forms of storytelling.
More...
The edited volume “Journalism, Values, World. A Jubilee Collection in Honour of Prof. Dr. Maria Neykova” (University Press “St. Kliment Ohridski”, 2022) contains 20 articles united by 5 common themes that contribute to the understanding of a wide range of issues of journalistic practice and to professional debates in the field
More...
Kinga Wyskiel’s article concerns the issue of gender in science fiction stories by Julia Nidecka. The following stories have been analysed and interpreted: “Wilki na wyspie” [Wolves on the Island], “Taśmy prawdy” [Tapes of Truth], “Kwiaty w bukiecie” [Flowers in a Bouquet] and “Goniący za słońcem” [Chasing the Sun]. Wyskiel considers two dominant strategies for the representation of femininity in these stories and focuses on Nidecka’s images of the woman scientist and the mutant woman present in them. Wyskiel also points out that gender is an a priori category in Nidecka’s future worlds and that, consequently, the construction of those worlds has been based on the gender matrix.
More...
In this article, Jerzy Stachowicz examines selected literary works the represent the science fiction genre of the interwar period. He focuses on pacifist visions of the future in those works and argues that these scientistic, military, and superpower fantasies have an anti-war potential, and that fantasy literature itself can, to some extent, be regarded as a „pacifist practice”.
More...
The unconscious (das Unbewusste; etymologically, that which is unknown) is a relatively modern concept that naturalized areas of the unknown previously explored by literature, mythology, and metaphysics. Each in their own domain, Karl Marx, Sigmund Freud and Friedrich Nietzsche, the three ‘masters of suspicion’ (according to Paul Ricoeur), debunked the hubristic claims of modern rational consciousness, exposing its social, existential and psychological grey zones. 1 Inspired by, yet critiquing humanity’s confidence in the power of reason, their acknowledgement of the limits of the Enlightenment is emblematized in Freud’s charting of the conflictual relations between the orderly ego and the unruly id.
More...