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Since gaining independence after the collapse of the Soviet Union, the republics of Central Asia have undergone a diverse process of nation and state building. However,some common threads in Central Asia have emerged, including a unique understanding of the concept of democracy.
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An interview with Bhavna Davé, a senior lecturer in Central Asian politics with the department of politics and international studies at the School of Oriental and African Studies, University of London.
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Interview with Edina Márkus, by Éva Tót
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Interview with Sándor Szép Sándor, by Tót Éva.
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Interview with Éva Hideg, by Zsuzsanna Hanna Biró
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Throughout this paper, I have tried to do analisis of the role which India might be playing into the future, considering the demographic explosion of its population. India is a country that has all the premises to claim itself as a regional power and to have an important role in the establishment of world order. This thing may only occur if this country can fix some internal problems.
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The international system is in a constant change and struggle for power. The technology, the science and military superiority have led to a different aspect of the conflict, which is evolving, although the nature of war remains the same. State actors and non-state actors have the opportunity to use a wide variety of forces and means of lethal and non- lethal order to demonstrate to combatants the power they have. Asymmetric actions, hybrids actions and non-conventional, will be often encountered in this century.
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Czechs are by definition more western and European(although not necessarily pro-European), more democratic, more liberal, wealthier and more emancipated than other Central Europeans. This megalomania,to a great extent, contributed to the success of the Czech transformation. Yet, these advantages also represent a paradox of the Czech myth.
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En postmodernité l'école roumaine est confrontée à de nouveaux défis.. Pour avoir de futurs citoyens vraiment compétents dans différents domaines d'activité et solidaires, il est nécessaire que les enseignants se concentrent davantage sur le coté éthique de la formation de la nouvelle génération, autrement les valeurs fausses remplaceront les vraies valeurs fragilisant l'ethos du peuple roumain. Et nous ne le souhaitons pas du tout.
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1. „Unser Leben – Osteuropa“. Laudatio zu Ehren von Emil Niederhauser anlässlich seines 85. Geburtstages 2. Kálmán Bor fünfundachtzigjährig 3. Bilder eines Lebensweges Unkonventionelle Porträtskizzen zu 75 Lebensjahren von István Fried 4. К 75-летию Аттилы Холлоша 5. К 65-летию Анны Хан 6. Károly Gadányi fünfundsechzigjährig
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Although trauma and memory have been a focus of cultural studies for more than twenty years now, few scholarly works focus on medium-specific representations of trauma and even fewer comment on the tendency of trauma representations to be autobiographical in the 21st Century. The present paper is part of a larger project that seeks to tackle precisely these issues. Here, I look at the representation of trauma in a relatively recent autobiographical video game, namely Vince Caballero’s Father and I (2012). I argue that the use of trauma as a trope adds a further narrative demand to video games, making it even more difficult to negotiate the specificities of the medium. At the same time, however, it functions as a stock story that enhances the narrative dimensions of the game under discussion.
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