IRENEUSZ WITOLD DUNAJSKI, FOTOGRAFIA W GDAŃSKU PHOTOGRAPHY IN DANZIG, 1839-1862, GDAŃSK 2013, SS. 247 + 1
Book review: IRENEUSZ WITOLD DUNAJSKI, FOTOGRAFIA W GDAŃSKU PHOTOGRAPHY IN DANZIG, 1839-1862, GDAŃSK 2013, SS. 247, NLB. 1.
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Book review: IRENEUSZ WITOLD DUNAJSKI, FOTOGRAFIA W GDAŃSKU PHOTOGRAPHY IN DANZIG, 1839-1862, GDAŃSK 2013, SS. 247, NLB. 1.
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Tünde Kocsis writes a review about the Norwegian drama anthology Jégszivárvány (Rainbow of Ice). The book was published as part of the Drámatájak (Drama Landscapes) series of Napkút publishing house in Budapest, with texts selected by Norway-based Ferenc Kovács Katáng. In the volume there are dramas by Arne Lygre, Tore Vagn Lid, Olaug Nilssen, Maria Tryti Vennerod, Fredrik Brattberg and Johan Harstad, translated to Hungarian by Ferenc Kovács Katáng and László Borka. The dramas report about crisis situations in the family and at school, opening new dimensions with a good sense, according to the reviewer.
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Zsófia Domsa translated six dramas by the contemporary Norwegian playwright Jon Fosse to Hungarian. The title of the book published in the Polar Books series is Valaki jön majd (Someone Is Going To Come). Besides the drama with the same title, the volume also contains the dramas The Name, A Summer’s Day, Winter, Deathvariations, I Am the Wind. The punctuation of the texts is negligible, the characters are mainly universal, such as Woman, Man, Other, Daughter, Mother, Father. The dramas strengthen each other. The reviewer considers that the most poetic text is I Am the Wind. This text, as well as the other ones, orbits around solitude and loss, while in this one it seems as if an already dead soul were looking for the meaning of life.
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In 2019, the employees of the Institute of Eastern Slavic Studies are celebrating a triple jubilee: as an academic community – the 20th anniversary of the University of Warmia and Mazury in Olsztyn; as humanities scholars – the 50th anniversary of the Faculty of Humanities; finally, as philologists – the 20th anniversary of the Acta Neophilologica journal. Hence, we are summarizing academic achievements of researchers and teachers who have contributed to the establishment and development of the Institute. These are people who have had to face various problems on their professional path, yet their aim has always been to undertake, organize and popularize scientific research, improving their lectures and classes, promoting Eastern Slavic Studies as well as the university. This close-knit group of staff have contributed to and edited journals, organized conferences, participated in workshops, gaining new qualifications so that students could benefit from their expertise. Unfortunately, as a result of the reform of higher education enforced on the 1st of October 2019, the Institute of Eastern Slavic Studies will cease to exist.
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Czarno białe fotografie Elżbiety Lempp niezależnie, czy są to pej zaże, czy portrety – najbardziej znane są jej portrety ludzi kultury, w szczególności pisarzy – to zamknięta w kadrze wielowątkowa opo wieść. Sama artystka swoje prace określa mianem fotografii narracyjnej. „Na zdjęciach pejzażach, na zdjęciach scenkach, ale też na zdjęciach portretach – pisał Marek Bieńczyk w posłowiu do albumu Krajobrazy literackie. Fotografia 1985–2007 – wzrok ma wiele do zrobienia, dużo do przebiegnięcia...”. Prezentowane na stronach 75, 97, 119, 143, 201 zdjęcia zostały wy konane w latach 2001–2017 i pochodzą z następujących cykli: Biały dom, Azja w porę, Słowa, Słownik fotograficzny.
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