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Književnost i odgovornost O aforistici i lirici Karla Krausa

Author(s): Dietrich Simon / Language(s): Serbian Publication Year: 0

O Karlu Krausu davane su skoro samo apsolutne ocene i skoro da nema pisca o kome su davane tako apsolutne ocene kao o njemu. Elijas Kaneti naveo je, na primer, kad se zapitao šta je naučio od Krausa, »prvo i pre svega osećaj apsolutne odgovornosti« a zatim, govoreći o Krausovoj književnoj metodi, on kaže: »Jer pada u oči da je struktura kojoj nedostaje celina, prisutna u svakoj rečenici. Sve strasti kreacije, kojima pisci treba da su bogati, kod Krausa se iscrpljuju u pojedinačnoj rečenici…

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Mag i učenik: sukob sa Frojdom

Author(s): Edward Timms / Language(s): Serbian Publication Year: 0

Kraus je stekao slavu time što je bio jedan od Frojdovih najglasovitijih oponenata. Njegova dela su se koristila u nameri da se diskredituje cela zgrada psihoanalize. Na drugoj strani, Frojdovi sledbenici su se naročito založili da podriju Krausovu poziciju. Da bi se cela ova priča postavila na svoje pravo mesto, neophodno je pokazati koliko su obe strane imale nešto zajedničko čak i onda kada su im se putevi razilazili. Oba autora su bila svakako najveći kritičari civilizacijskog nezadovoljstva, koje je poticalo od habzburškog Beča, i njihove su se dijagnoze u suštini dopunjavale.

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Čitanje nečitljivog. Derida bi da svedoči za Celana

Author(s): Jovica Aćin / Language(s): Serbian Publication Year: 0

In his three analyses, Shibboleth pour Paul Celan, A Self-Unsealing Poetic Text and Béliers, Jacques Derrida proposed an expanding interpretation of Paul Celan’s poems. He raises the questions of translation, responsability, witnessing. These are the questions we find without doubt as essentially important to us. According to Derrida, on the other hand, the poetic text is a coded, encrypted text. For that reason, the French philosopher tries to make a deconstructive deciphering. However, Aćin suggests and shows in short that Celan’s poetry is not an encrypted text at all, but a text where every word, every phrase, and every caesura is already a deciphering which transfers itself onto the reader. Although below the surface, the living sense is clearly inscribed in the poems. It seems the reader also can only approach the unreadable elliptically, through poetic language and beyond language, invoking all possible referential contexts. When we are at the edge of the readable, mixing together the real and the imaginary, we do read and understand. Welcoming that and allowing that into our minds is like receiving a gift.

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Intermedijalnost u arhitekturi Makovog Spavača

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

The paper tries to depict how Mak’s Stone sleeper establishes within an intermedial communication an imitative connection between poems in the traditional connected verse with visuality of medieval tombstones (bos. Stećak). One can recognize poems/stećaks in the form of a coffin, a coffin with a tombstone, a pole, a slab with or without a base and in various sizes. Relief figures from the stećaks take turns, bypass each other and plug into a compressed imagery of metaphorical-metonimical-symbolic connections and meanings. Visual monolithic property of the stećak and expession of relief signs is suggested through the medium of the language via omnipresence of euphony/eurythmy. By the means of assonance - alliteration, rhyme, anaphora, polysyndeton and parallelisms and other, they gave dimensions to the whetted reduction of the edges and polished stone form.

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„Kамени спавач“ на Мак Диздар или довикување меѓу вековите

Author(s): Naume Radichevski / Language(s): Macedonian Publication Year: 0

With the Stone Sleeper, his unique poetic achievement, Mak Dizdar has established himself not only as a dreamer and a remarkable thinker, but as a rare, unattainable, and never fully graspable prophet and visionary. Most impressive is the fact that he achieves this through an imaginary, and a dominantly poetic dialogue with the ancestors from the order of the Bogomils, that is, Bosnian Christians. Through the inscriptions on their tombstones in that already deepened poetic venture and project, he appears as both their reader and interlocutor. On account of this very analytical ungraspability, this contribution insists on detecting at least some of the connections between the 20th-century poet and prophet, on the one hand, and, on the other, his impossibly possible, if not doubles, then at least fellow travellers sharing his sentiments and ideas, but above all his fate in the triviality and transience of space and time. In this reading of Dizdar’s Stone Sleeper as an attempt to find the connections between the identicalities divided by temporal infinity, or as an attempt to transcend time, that is, to enter time eternal, to reach timelessness, one nevertheless humbly concludes by interpreting this poetic endeavour as an incredibly profound and endlessly existentialist and philosophical poetogram that is an expression of man’s defiance of infinity.

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Odnos između kulturnog spomenika i revitalizacije srednjevjekovne kulture u pjesništvu Maka Dizdara

Author(s): Sanela Sarkić,Mirela Šertović / Language(s): Bosnian Publication Year: 0

It is a known fact that the lapidary literacy was pushed to the side a long time and the interest in her show were mostly professionals several profiles, while the broader mass is stirred much interest. It is also known that, that it is this literacy engraved on the stone served as the motive for the creation of Mak Dizdar, primarily on his Stone Sleeper and collectors radove.This work deals with the cultural elements in the poetry of Mak Dizdar, in the first part of it as a fundamental reference appears Tombstone, monument and unique works of art created by Bogomil ideology. Showing how intertwined Mak and messages from the tombstones, and to revitalize the cultural and religious beliefs Bosnian Patarins through archaic words and enlivened proceedings diac. Furthermore, explains how to restore the medieval source helps the new reading texts of culture and a new poetic expression and how this culture implement into contemporary culture in BiH that is being experienced and vrednovana.Last part of the starting point is found in the style of Mak Dizdar, which is important for the segment direct experience of the reader, with an emphasis on the problem of translation and interpretation in other cultures, and the stylistic possibilities prezentacje in other languages and their impact on the readers’ experience and passing on messages universally Bogomil culture.

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Mak Dizdar stizanje i prestizanje u prepjevu na ruski jezik

Author(s): Adijata Ibrišimović Šabić / Language(s): Bosnian Publication Year: 0

In this article the author, analyzing the translation into Russian language of a Mak Dizdar´s poem Stizanje i prestizanje (Arriving and overtaking), from the collection of poems Koljena za Madonu (Madonna’s Knees, 1963), from the cycle Vidim te a ne čujem (I can see you not hear), examines what happens in cases where the interpreter is primarily focused on the target language and target culture, and when he decides to adapt the original work in accordance with the expectations of the target culture and readers of another language and other cultural code, and when the interpreter adjusts the translation in accordance with his own “horizon of expectation”.

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Reflektiranje orijentalnog i mediteranskog prostora i duha u putopisu Zuke Džumhura

Author(s): Alija Pirić / Language(s): Bosnian Publication Year: 0

This text shows Zuko Džumhur`s view of Mediterranean spirit , its values and history. On the other hand, this text pictures Zuko Džumhur`s perception of cultural interferentions between East and West, and also shows his modernist poetics which corresponds with the poetics of city and urban life. Zuko Džumhur`s texts have elements such as literarization and supplementary thematisation, and those elements are part of the text about Počitelj.

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Du politiquement au grammaticalement correct

Author(s): Tzvetilena Krasteva / Language(s): English Publication Year: 0

In the modem French language, the feminization of nouns denoting traditionally masculine vocations arises as an attempt to allay the social concern of political correctness. However this issue is discussed from the perspective of both the language system and the socio-cultural context of the Francophone countries. The article analyzes the different or similar ways in which the French language spoken in France and Quebec addresses the issue of literary gender equality, either respecting or transgressing the language system. This particular analysis also attempts a contrastive approach to the phenomenon in the Bulgarian language, which seems to provide more “appropriate" feminine alternatives for the corresponding masculine occupational titles.

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Fra Jako Baltić kao pripovjedač

Author(s): Iva Beljan / Language(s): Croatian Publication Year: 0

The work deals with Baltić’s narrative methods as a distinctive feature which his Yearbook (Godišnjak), and his annals in general, share with literature. At the same time it is not the intent to simply declare this historiographic text to be a literary one, nor shall narration, i.e. the literary value of the Yearbook, be considered only as a concurrent feature, or as a successful ornament which makes the text more attractive to readers. It is considered that Baltić’s narrative methods are not random but that they are tightly connected with the meaning of the text and the effects which it produces. Therefore the narrative methods and Baltić’s attitude towards the conventions of the chronical genre are considered to be a narrative equivalent, i.e. an expression of the way in which the historical reality is being experienced, presented and explained through the text. Hence it is the intent to try to arrive at Baltić’s way of understandig and interpreting reality through narrative techniques.

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Mit rodzi(n)ny w twórczości Marka Kusiby w świetle tomu Rajskie

Author(s): Bożena Szałasta-Rogowska / Language(s): Polish Publication Year: 0

The present article addresses the question of family myth in the works by Marek Kusiba — a Polish poet, who has been creating his works in Canada for many years. Interpreting mainly the poem Rajskie in the context of the still unpublished volume of poetry of the same title, the authoress of the article explores autobiographical elements — mainly connected with family, emigration (meta-literary and historical) — which constitute one of the most important foundations of this lyrical proposal. The biographical optics, which in this poetry has always been firmly embedded in the cultural context, usually inspires universal findings.

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Prywatna Ameryka Wierzyńskiego

Author(s): Zdzisław Marcinów / Language(s): Polish Publication Year: 0

This literary sketch is devoted to the book titled Moja prywatna Ameryka [My Private America] (London, 1966), which unfortunately is not available in its entirety in Polish editions. In the initial part of the sketch, the author focuses on the reception of both the aforementioned book, and the collection titled Cygańskim wozem [Gypsy Cart], issued six months earlier. He argues that Wierzyński’s “American” sketches depict the poet’s way of accustoming himself to that country. Moreover, he tries to observe particular stages in the poet’s settling down in America and subsequent circles of friends, who lived in Wierzyński’s neighbourhood or further away. By delineating their profiles, the poet showed the specificity of American artistic and political life, as well as the diversity of American artistic proposals.

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Wojny z oddali. “W imię Ojca” Kazimierza Wierzyńskiego

Author(s): Miłosz Piotrowiak / Language(s): Polish Publication Year: 0

In the article Wars from Afar. “W imię Ojca” by Kazimierz Wierzyński the poem — written by the poet in exile — undergoes an in-depth analysis and interpretation. In the initial part of his deliberation, the author of the article examines semantic possibilities of W imię Ojca [In the Name of the Father] — restitution of tradition, reinterpretation of symbols, intertextual contexts. The poem turns out to be the poet’s bitter settlement with the romantic manner of poetizing, historiosophical interpretation of the order of history, and an array of archaic characters. However, in his poem of prayerlike character, Wierzyński shows the way to discovering good solutions that can lead along three routes: the land variant — the American dream of an expatriate; the history variant — an affirmative reiteration of Józef Piłsudski’s poetical phrases; the religion variant — kenosis as solace. The author of Krzyżei miecze [Crosses and Swords] treads these routes and returns to the sources of peace, soothes his mind and emotions, which at the beginning of the text were brought by him to the highest registers of bitterness, despair, and melancholy.

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„Kasandra się myli”. Epilog przyjaźni Wierzyńskiego z Lechoniem

Author(s): Ewa Bartos / Language(s): Polish Publication Year: 0

The text is an attempt at scrutinizing the funeral oration Kazimierz Wierzyński delivered over Jan Lechoń’s grave after his suicide. Beginning with an analysis of the relationship between Jan Lechoń and Kazimierz Wierzyński, the authoress interprets the speech, delivered on June 12, 1956. She examines elements of romantic tradition in Wierzyński’s text, as well as its relationships with poetical works, and juxtaposes the speech with commemoratory texts of both poets.

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W poszukiwaniu pełni. Czesława Miłosza spotkania z poezją anglo‑amerykańską

Author(s): Justyna Hanna Budzik / Language(s): Polish Publication Year: 0

This literary sketch is devoted to Czesław Miłosz’s translations of Anglo-American poetry,which the poet incorporated into Nieobjęta ziemia [Unattainable Earth] — one of silvic poems in his literary oeuvre. Against the background of the whole collection, two quoted here translations of poetry by David Henry Lawrence and Walt Whitman mark themselves as especially interesting. The article is an attempt to decipher the author of Trzy zimy [Three Winters’] intention as well as to answer the question of what determined the choice of these particular poems from amongst the realm of Anglo-American lyrical poetry. The authoress tries to discern whether, and if yes, in what sense, Miłosz identifies with Whitman’s and Lawrence’s ruminations or even certain philosophy that can be construed based on their poems.

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„Spotkanie, którego nie będzie”. „Na wierzbach… nasze skrzypce” Juliana Stryjkowskiego

Author(s): Grażyna Maroszczuk / Language(s): Polish Publication Year: 0

Grażyna Maroszczuk’s sketch concerns the migration experience of the writer, whom fateand history sentenced to frequent changes of abode due to political coercion, to the desire to save his life and, in the post-war period, to the cognitive curiosity realizing itself through travel. The experience of encountering the Soviet occupation zone in the East and the American continent in the second half of the 1960s could not remain without consequences for both the subject and for the places, which his imagination was taking possession of. Changes of place turned the writer into a migrant, influenced his way of interpreting reality, showed the complicated issues of identity transformations and auto-identification entanglements inscribed in the story and autobiographical narrative “about encountering” the Other.

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Kobieta na wygnaniu. O bohaterce prozy Danuty Mostwin

Author(s): Jolanta Pasterska / Language(s): Polish Publication Year: 0

In the historically sanctioned discourse, presenting the masculine ethos of the writer in exile,the question of female immigration narrative, the female point of view, also demands careful reflection. Danuta Mostwin’s novels constitute the narration of women about women. This manner of story-telling emphasizes duality of the accepted role. This is because in this prose on the one hand we deal with showing the existential dimension of emigration (a woman speaks about women, she speaks overtly), and on the other hand — we find ourselves in the field of textualization of emigration: the woman is a writer and she is talking about women experiencing the world (she speaks covertly). That bond between existence and writing reveals a new kind of reading — the emigrational femininity and female writing in exile.

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Brazylia i polscy emigranci w cyklu powieściowym Jerzego Kossowskiego “Ta krew nie plami”

Author(s): Janusz Pasterski / Language(s): Polish Publication Year: 0

The article recalls an unfinished trilogy by Jerzy Kossowski titled Ta krew nie plami [This Blood Does Not Stain], telling the story of Polish immigrants in Brazil in the 1930s, of the hard life of people in the wilderness of virgin forest, and of their patriotic commitment, which makes them abandon their American home after the outbreak of World War II, return to Europe and join the Polish army in France. The author of the sketch briefly describes the history of Polish emigration to Brazil and characterizes the most important literary works portraying the life of immigrants in this country. The main part of the article is an analysis of two novels that make up the aforementioned cycle: Wici w puszczy [Wici in the Forest] (1954) and W Wogezach straszy nocami [It Haunts in the Vosges at Night] (1955). Both novels are treated here as a literary picture of life in a foreign land and, at the same time,as the testament to their author’s deep attachment to his homeland.

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„Znaleźć dla siebie nowe miejsce pod słońcem”. Twórczość prozatorska Wacława Lieberta

Author(s): Agata Paliwoda / Language(s): Polish Publication Year: 0

The authoress discusses prose works of Wacław Liebert (1902—1993) — a writer born in Moscow, now living in Canada since 1951 — the author of five unpublished plays, a volume of memoirs (Wrony nad Moskwą [Crows over Moscow]), a novel taking place in Kielce during World War II (Ewidencja W-16 [Register W-16], and two collections of short stories on various subjects (O miłości i tak dalej [Of Love and So On], Byłe i niebyłe [The Former and Non-existent]). Agata Paliwoda draws attention to the autobiographical sources of Liebert’s writing and underlines his ability to build interesting stories (which, among others, undertake the issue of emigration experiences of people from different generations) or to create psychologically credible characters, as well as his narrative efficiency and remarkable sense of humour.

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Kultura etniczna Polonii amerykańskiej i kulinarna nostalgia w twórczości amerykańskich autorów polskiego pochodzenia. Głos trzeciego pokolenia: proza Leslie Pietrzyk i Anthony’ego Bukoskiego

Author(s): Sonia Caputa / Language(s): Polish Publication Year: 0

In American ethnic literature, food — apart from fulfilling a biological function — also hasa cultural role. Cookery, which includes all activities related to preparing a meal, serving or consuming it, but also simply treating food as nourishment, is an expression of cultural belonging and attachment to a particular ethnic group. A kind of culinary nostalgia is also observable in the prose of Leslie Pietrzyk and Anthony Bukoski, contemporary American writers with Polish roots. The foods shown in the debut novel by Pietrzyk and selected stories by Bukoski serve as indicators of ethnicity, specific emotional bridges, thanks to which the characters can be transported to the times of their childhood, thus being defined anew and achieving a sense of rootedness in a strange for them American land.

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