K praktickému přijímání artificiální hudby našeho věku
The paper is focused on the practical perception problems of the 20th century art music, particularly its progressive post-romantic manifestations. It prefers a difference between informative input contact with the concrete music piece and its repeated listening. The priority elements of each music piece can be already seen in the first listening, more to the surface. They are either melody or rhythm, elsewhere harmony, chord, rhythm and tonally harmonious and dynamic feature. The paper also deals with issues of fundamental innovations in the 20th century music, i.e. the area of metro-rhythmics, dynamics and timbre sound feature as an expression tool of the musical ideas.
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