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The research the results of which are partially presented in this paper is based on the notion that the Gorani idiom is one of the segments of Gorani culture. In other words, I perceive it as an identity question which is only one part of the larger ethnic issue. In that regard, I do not attribute more significance to the Gorani idiom than to other symbols/markers of this community, but in this paper it is in the focus of observation. By analysing language (idiom) and its communicational function it is possible to observe, trace, and explain different processes regarding ascription and description of the ethnic identity of individuals and community. Following this idea, I am trying to analyse and explain communicational function of the Gorani idiom in the context of rights of its usage and possibilities of realization of these rights in one multi-ethnic environment in which Serbian is the official and major language. The analysis of the communicational function of the Gorani idiom seemed very inspiring for research to me due to the fact that the Gorani are educated in Serbian schools in Serbian – which is the mother tongue within the educational curriculum, and besides this they use Serbian as a main language in the public sphere. In the environment (Belgrade) where the research was conducted Serbian is used in parallel with several dialects; members of different confessions and ethnic communities, cultures and subcultures live there – which overall implies various questions regarding the usage of the Gorani idiom and its symbolic role in the process of creation of Gorani`s ethnic identity. The analysis of the usage of ‘Nashinski’ among Gorani who live in Belgrade has led me to the conclusion that they use the Gorani idiom and Serbian in everyday communication, therewith Gorani idiom is present only within private sphere of communication (among family and relatives). Apart from this it is evident the appearance of mimicry of Gorani idiom and the attempt of increasing language competences in Serbian which might affect the decrease and an intensity of the usage of Gorani idiom within the private sphere of communication. Therefore, there is concern that the decreased scope and intensity of the usage of the Gorani idiom might negatively affect its reproduction and its existence. The state and its public policy do not undertake any attempts in order to provide organised and systematic conduction of care for Gorani idiom and Gorani ethnic community.
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This paper provides a comparative analysis of verbal synesthetic metaphors with the basic taste adjectives in Polish and English: słodki/sweet, gorzki/bitter, kwaśny/sour, słony/salty. Since taste seems to be an ideal candidate for a universal, biologically determined source of metaphors, the authors seek to verify the hypothesis of metaphor embodiment. The corpus-based analysis of nominal phrases with basic Polish and English taste adjectives indicates that cultural influences on the metaphorical mapping, as well as the importance of the target conceptual domains, must be taken into account.
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Fire as the ‘Logo’ of Artistic Worlds. The aim of the present paper is to analyse the image of fire created by two representatives, one of the Acmeist and the other of the Romantic school of poetry, N. Gumilev and S.T. Coleridge, revealing similarities and differences between their approaches. The obvious parallelism of the poets’ works is demonstrated, with particular attention paid to the fact that specific fire-related images were emphasised by Gumilev in his translation of Coleridge’s works. The attributes of the artistic universes of the Russian and of the English poet are shown: the continuity and constant interaction of their elements, the identity of the properties of the whole and of its various parts in each case.
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A handbook of the Polish language for foreigners – beginners and intermediate students. It includes 40 methodological units devoted to the basic Polish grammar issues, the key to exercises enabling the students to work with the handbook on their own, and an example test on grammatical correctness.
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The tendency of conversationalization in the public discourse is known as shifting boundaries between written and spoken discourse practices, shifting the public discourse towards a more conversational, informal and spontaneous style to create the impression of a casual conversation with the public. Analyzing a wide range of political speeches held in three discourse contexts - when politicians are in power, in opposition and in the personal context - this paper investigates the phenomenon of conversationalization in the discourse of Albanian female politicians. Using a qualitative and comparative analysis, we aim to examine the form, the context and the purpose of conversationalization in the political discourse of the female politicians. The results are that the tendency towards a conversational and sometimes rather casual discourse is documented on the morphological, syntactic, lexical and phonetic levels; secondly, it is not expressed constantly and consistently in the political discourse analyzed, but prevails in the speeches held by female politicians in the context of the opposition; and thirdly, its purpose is as much public understanding as possible, to gain more popularity in order to secure public understanding, sympathy and support.
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The article analyzes a computer game This War of Mine in terms of Ian Bogost’s procedural rhetoric. It reconstructs ideological presumptions of the game, mainly its communitarianism and pacifism.
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The spread of several Orthodox Churches outside their own canonical territory has led, for an obvious pastoral reasons, to the translation of liturgical texts. At the same time, the diverse translations proposed by Orthodox jurisdictions reveals differences between the various "original" textual recensions currently in use. For many, this situation has provoked a serious question, namely, which is the preferred text, i.e., which text has kept the best reading and why? This article sheds light on the problem through a specific example. One of the most striking places of contrast between current versions of the Liturgy of St John Chrysostom concerns a textual passage where we find two opposing concepts proposed in relation to the Eucharist through the choice of the words "sobriety" or "purification". Through studying this example, the author emphasizes that behind wrong translations there can often exist a great deal of preexisting theological pre-understandings that can sometimes lead to ideology.
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In this essay/article, after introducing briefly the ideas expressed by various linguists on the matter in question, the author throws into discussion two issues: the origine of the patronymic Buzuku, as well as the origine of the name of Gjon’s father (Bdek), giving thus his contribution. He thinks that the two names, Buzuk and Buzuq, are nominal compounds. There is no doubt that the first part of these compounds is the noun buz/ë/(lip/s), but with the meaning ‘brink, border, bank’. It seems that with this meaning, are especially linked the toponyms and micro-toponyms, numerous throughout all the toponomastic nomenclature in our country, which come out since early times in various medieval documents to our days. The second part of Buzuk/Buzuq is the name Ujk (wolf), which appears since early in documents as personal name. It seems, then, that in Buzuk as well as in Buzuq, we have a compounding or a juxtaposition of two nouns, which originally named a place, buzë ‘brink’, where there were wolves, this perhaps in connection to some occurrence, now petrified in the micro-toponym Bazulk (respectively Buzuk). Later the noun must have been used as a patronym; over time it may have passed also to the naming of the village according to the name of the kin holding it. We are then within that circle which E. Çabej calls ‘the system of Albanian anthroponomy’.
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