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Voda koja proizvodi zvuk kretanja: Interpretacija fenomena vode u Prelidima Claude Debussyja

Author(s): Marija Radovanović / Language(s): Serbian Issue: 1/2017

This paper examines the relationship between Debussy’s musical intellection of the element of water and Bachelard’s philosophical apprehension of the same element. More precisely, I will explore the (reciprocal) relationship between musical transpositions of the water element in the composer’s piano oeuvre and Bachelard’s interpretation of the element of water in the study – Water and dreams. An essay on the imagination of matter. Considering that a large part of Debussy’s opus are musical “images” of the water element, it is evident that for the composer this phenomenon has a more profound, psychological note. Therefore, this paper will, on the basis of the analytical and comparative approaches, consider the relationship of Debussy’s and Bachelard’s (psychological and / or psychoanalytical) intellection and interpretation of water “images”.

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Vojin Komadina. Skica o životu i stvaranju

Author(s): Ivan Čavlović / Language(s): Bosnian Issue: 1/2017

The opus of Vojin Komadina is consisted of over 200 notable works with two basic creative approaches: the presence of folklore, primarily the Bosnian-Herzegovinian and openness to contemporary and modern style and aesthetic requirements of composing. These guidelines mark overall pluralistic work of Komadina, but do not exhibit the same quantitative and qualitative intensity. In these creative guidelines can be seen a few more or less closed phase: neo-classical (the first student works until 1965), the avant-garde (1965- 1969), folklore (strongest from 1969 to 1976) and a new phase of simplicity (1976-1997) with subphase colored with national Serbian-Orthodox content of the second half of the '80s. However, by reviewing his work I noticed that his work in sense of the historical, stylistic and aesthetic variations, is eternal melody that runs as a constant through all stages of development. Therefore, selected works are require of proof bosnian meaning but also of world significance of his work.

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Paris, «un lieu centre de tous les centres». Est-ce toujours d’actualité?

Author(s): Anne-Marie Le Baillif / Language(s): French Issue: 2/2020

In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The claims on which Ms. Casanova builds her assertions are not supported by the facts of recent history and geography. She refers to “La belle santé économique et la liberté” in Paris but she forgot to mention why artists came from central Europe. It was just because the life was cheaper in Paris than in Berlin, as Walter Benjamin observed in 1926. She notes that Paris was the world centre for high fashion and that writers came together there to be inspired by the place and each other. But these things are no longer true: Paris is one of the most unaffordable cities in the world. Fashion in clothes is determined in many centres, with fashion weeks held in New York, Milan and China; aesthetics no longer depend on a single country. Literary creativity has spread across many continents and the internet and social media provide access to millions of people around the globe. Globalisation has unified the world, note Jean-Philippe Toussaint and Sylvain Tesson, and brought the standardization of cultures. There is also the matter of the dominant language today. The French language has not changed since Ms. Casanova was doing her research, but French writers now dream of being translated into English to reach the largest audience around the world. Publishers also favour English to make the most profit because literature and art are now worldwide commodities. Writers and researchers use the Internet, which connects them with documents, libraries and people all over the world. Newspapers such as Le Monde and Le Figaro in France provide literary reviews from around the world; for example, Histoire de la Traduction Littéraire en Europe Médiane, compiled by Antoine Chalvin, Marie Vrinat-Nikolov, Jean-Léon Muller and Katre Talviste, was written up in Cahiers Littéraires du Monde. What about the readership? If publishing and merchandizing are accelerating and globalizing because of how the Internet changes time and distance, the writer still has to follow the rhythm of the subject.

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Nova jednostavnost / Nova duhovnost – porijeklo, utjecaji, predstavnici i esencija

Author(s): Harun Zulić / Language(s): Bosnian Issue: 2/2020

The paper discusses the development of the New Simplicity from its inception to the present day and New Spirituality as one of its manifestations. The first part of the paper will discuss the historical facts that established the concept of New Simplicity and New Spirituality, the first known examples, and theoretical views of the term by prominent musicologists and composers themselves. The second part of the paper focuses on the New Spirituality and its role in the New Simplicity. In the third part, the emphasis is on the composers whom history has established as expressive representatives of this style, and on the general characteristics and essence of their works. Finally, the fourth part of the paper exhaustively presents the elements that represent the bearers of structural explanations of style.

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Μίμησις et Ἀνάμνησις. Les théories d’Aristote et de Platon fondues dans la musique de Ravel et dans la danse de Béjart.

Author(s): Simona Nicolae / Language(s): Romanian Issue: 1/2021

Starting from Ravel’s “Bolero”, choreographically transposed by Maurice Béjart and integrated in the movie “Les Uns et les Autres” (directed by Claude Lelouch), I intend to reveal how the Plato's doctrine of anamnesis and the Aristotle’s theory of mimesis transcend the philosophical language and rebuild the concepts of space and time in relation to the human being, through music, dance, or scenography. This analysis follows, essentially, the rhythm, melos and gesture variation superposed over an ascendent linear progression that evolves in syncretic harmony, in different languages. I also look on to the symbolic accumulation of certain fundamental concepts of Plato’s gnoseology and Aristotle’s poetics, transposed in the auditive and visual arts language. The memory and the remembrance of birth, love, and death as attributes of existence, the knowledge as a mythical memory of the primordial elements (water, earth, fire and air), the rhythm imitation of the world, day, night, breath and love, and the meaning of the three principles (the unity of action, place, and time) are the landmarks followed by this analysis, until the abrupt end of the score, choreography and movie scene.

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Simulacres de la conscience : jeu de répétition et jeu à répétition comme dispositifs de cadrage de la subjectivité dans "Fin de partie" de Samuel Beckett

Author(s): Liviu Dospinescu / Language(s): French Issue: 1/2022

This article explores a series of dramaturgical aspects of “phenomenological theatre” that bring into play strategies of absorption of the spectator into the universe of fiction. Seeking to further extend the results of previous studies on Samuel Beckett’s “television plays” to his major theatrical works, the author here puts a special emphasis on the Endgame’s mechanisms of repetition and their ability to act as framing devices towards the human essences of the dramatic figures onstage and to turn them into simulacra of (states of) consciousness, to be lived by the spectator. This dramaturgical approach opens towards a hyper-realist configuration of a theatrical event within which characters paradoxically seem to be aware of the spectator’s immediate presence. As an effect of a theatre of non-representation, the subject feels more present to the human figures onstage and closer to discover, in a form of intersubjectivity, the real and fiction as interlaced worlds. The article also points at the configuration of the human nature of the stage presences in terms of symptoms of various deficiencies and reveals through a series of philosophical notions (temporality, being, being in the world, being with…) their framing function and the lived experiences it may give rise to.

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The Artistic Modelling of History in the Aesthetic Consciousness of a Time Period as a Methodological Problem of Postmodernism

Author(s): Tatiana Marchenko,Sergii Komarov,Maryna Shkuropat,Iryna Skliar,Yevgeniya Bielitska / Language(s): English Issue: 2/2022

Created during a certain time period of the world’s art development, fictional history embodies not only a set of individual authorial creative acts, but it is the only "artistic-historical model" conditioned by a number of objective aesthetic and non-aesthetic factors. As such, fictional history represents an integral part of the national worldview. Its exploration requires a combinatorial unity of methods. The article proposes a set of modern methodological principles for studying the processes of artistic modelling of history in the aesthetic consciousness on the synchronous level (a certain time period) and their representation in literary works. The methods of academic literary criticism are combined with the advanced methods of modern interdisciplinary humanities that are based on postmodern philosophy. Thus, in the chosen combination of the scientific approaches, the heuristic potential of the structural-semiotic and structural-typological methods, mythopoetics and myth-restoration, imagology, hermeneutics, and receptive aesthetics, correlates with the methods of systematic and descriptive analysis. Such diverse theoretical combinations, the existence of a kind of "methodological sinusoid" within the study, do not contradict but complement each other.

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Comicul şi jocul în literatură

Author(s): Virgil Şoptereanu / Language(s): Romanian Issue: 2/2010

В настоящей статье ставится, по мнению автора, один из важнейших вопросов, касающихся движения литературы в ХХ-ом и ХХI-ом веках. На примере романа М. Булгакова Мастер и Маргарита, творчества авангардиста-обэриута Д. Хармса и русских постмодернистов показывается, как изменяется роль и характер игры в художественном произведении. При этом подчеркивается, что эти изменения сопряжены с модификациями в системе основополагающих эстетических категорий. Иное эстетическое отношение к миру означало отрицание положительных, «идеальных», категорий, составляющих «пару» с антиномическими категориями, результатом чего явилось постепенное вытеснение комического игровым элементом. А в творчестве постмодернистов игра окончательно приобретает самодостаточный и предельный характер.

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ТОКОВИ САВРЕМЕНЕ КОСОВСКО˗МЕТОХИЈСКЕ КЊИЖЕВНОСТИ

Author(s): Danica T. Andrejević / Language(s): Serbian Issue: 5/2019

The contemporary Serbian literature of Kosovo and Metohija covers chronologically the last seventy years in the literary-historical review. The best writers of this regional literature represent the significant part of the Serbian national literature. Their work was not sufficiently known and valued in their own language and within the Serbian national culture due to the negative political context in which Kosovo has been in the last decades. This paper will follow the literary-historical, theoretical and critical aspects of the work of authors from Kosovo and Metohija and give a review of their aesthetic features and genre divisions. In this context, predominant among them are the poets, while there are only few prose writers and dramatists. There are also an insufficient number of literary critics in the review of the contemporary Serbian literature of Kosovo and Metohija.The phenomenology of the Kosovo myth will especially be defined as the thematic, ethical and aesthetic constant and focus of this literature. The concept of the sublime, synthetic review and evaluation of the work of the Serbian authors from Kosovo and Metohija will contribute to a better understanding, contextualization and homogenization of the literary creation of the southern Serbian province within the general streams of the contemporary Serbian literature. In this way, the literary values of the writers from Kosovo and Metohija will be affirmed and their cultural position further internationalized.

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Новий завіт і українська література: теоретичні аспекти

Author(s): Volodîmîr Antoficiuk / Language(s): Ukrainian Issue: 1/2009

The article is devoted to the investigation of peculiarities of functioning of evangelist topical imagery material in the 20th century Ukrainian literature. It is for the first time that in Ukrainian literary studies the most serious and reliable attempt to analyze socio-ideological, philosophical, moral psychological and literary aspects of the transformation of evangelist collisions in Ukrainian literature has been undertaken. The system of motivations of evangelist materials in the context of functioning of comprehensive cultural tendencies in Ukrainian literature has been, in particular, analyzed here. Much heed has been paid to the problem of specifying the forms and means of transformation of evangelist structures in Ukrainian literature taken into consideration some tragic processes of evolution in national spirituality. We also study some continuations, additions, processing, renderings and processes of apocryphalizing and philosophical aesthetic modeling in Ukrainian literature. The prevailing accent is concentrated upon the analysis of ontological axiological dominance in the images of Jesus Christ, Judas Iscariot, Pontius Pilate.

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Pictorii avangardişti ruşi între inovaţie şi negaţie

Author(s): Mihaela Moraru / Language(s): Romanian Issue: 1/2008

Avangarda reprezintă un fenomen cultural complex, cu adânci implicaţii sociale, politice şi psihologice. Fiind un fenomen extrem de controversat, care se situează undeva între negaţie şi inovaţie, avangarda rămâne în cultura universală ca un element inedit, ce îmbracă o mare diversitate de aspecte şi care revine în actualitate în unele domenii culturale sub forma neoavangardei.

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Kњижевнонаучни дијалози у савременој полонистици и југославистици

Author(s): Radomir V. Ivanović / Language(s): Serbian Issue: 7/2012

In the contemporary science of literature a special place is given to the comparative studies which can be divided into two narrow disciplines ─ General literature (littérature générale) and Comparative literature (littérature comparée), focused on the problems of three rounds: 1 studying the genetic relationship or contact (imagology), 2 the study of typological analogy and 3 the interdisciplinary study of the relations. The paper deals with comparison of some of the major literary works of the contemporary Polonistics and Yugoslavistics which are mostly published during the second half of the 20th century. In the first part entitled Filozofija, nauka i umetnost (p. 1─11), the author discusses the ideas of the epoch of the global interpenetration of two books of famous scientists: Roman Ingarden – O saznavanju književnog umetničkog dela, (1971), Doživljaj, umetničko delo i vrednost, (1975) and Оntologija umetnotsti, published in 1991 as well as Pitanja poetike, (1971), Književna kritika i filozofija književnosti (1976) and Uvod u filozofiju književnosti (1978) by Milivoj Solar. In the second part entitled,,Estetika, poetika i kritika" (pp. 11─17) the author, primarily discusses the new “spirit boxes" debate in a paradigmatic sense, pointng out the importance of individual dyads: philosophy-aesthetics, science, the criticism of arts and poetry. The basic ideographic ideas the author finds in the books of H. Markiewicz – Nauka o književnosti, published in 1974 and Priroda kritike by S. Petrovic (1972). One of the most important hubs is scholarliness of literary studies as well as the relationship of its disciplines, whether it is the substantial or relational theory

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Człowieczeństwo w ujęciu Jerzego Chmurzyńskiego

Author(s): Tomasz Perz / Language(s): Polish Issue: 1/2022

Humanity is a concept that denotes features common to all people, including features that constitute the differences between humans and other animal species. This issue was first taken up by Jerzy Chmurzyński, an entomologist, ethologist and philosopher, “the father of Polish ethology”, through the question: ‘to what extent are animals human?’ The scope of ethology, by adopting the evolutionary paradigm, includes all living organisms capable of behaving. This article focuses on Chmurzyński’s ethological approach to human nature and examines its anthropological, ethical and aesthetic implications. This approach shows, on the one hand, that man is a part of nature; on the other hand, it highlights the features man acquired in the process of evolution, which enable humans to exceed the animal level. Among such features, abstract thinking, language, ethics, aesthetics and culture can be singled out as the most distinctive of the human species. Jerzy Chmurzyński, by showing the biological roots of humanity allows us to better understand what it means to “be yourself in your human nature”. Furthermore, this type of reasoning leads to conclusions that can be taken to constitute universal, “biological signposts” that strengthen traditional value systems, countering the threats in the form of deviation from homo sapiens behaviour.

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„Pionowy” Wymiar Norwidologi

Author(s): Bernadetta Kuczera-Chachulska / Language(s): Polish Issue: 39/2021

The sketch deals with the problem of Norwid's irony related to his anthropology. This issue appears in discussion with the book by Lidia Banowska (Byt i światłocień. O antropologii poetyckiej Norwida). The consideration lead to the conclusion that solving the aesthetic problem of the poem is the interpreter's task.

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W parku sekwoi. Hitchcock/Marker/Godard

Author(s): Barbara Kita / Language(s): Polish Issue: 115/2021

The text is a reflection on the relationship between the filmmakers mentioned in the title: Hitchcock, Marker, and Godard. The main idea of the article is to see the significant influence exerted by the British director on the French artists, which is manifested in the proposed approach primarily in the impact of Vertigo (1958) on Marker’s La Jetée (1962), Sans Soleil (1983), and Immemory (1997), as well as on Godard’s Nouvelle vague (1990) and Histoire(s) du cinéma (1988-1998). It is worth noting that each of the French directors uses the same Hitchcock’s film in a slightly different range. Both emphasize the universality of the story of memory/forgetfulness and appreciate the craftsmanship of the father of the thriller – an excellent stylist who was sensitive to the image. Each of them, however, created the figure of Hitchcock in their works in a different way. Marker particularly emphasized the ability to manipulate time and space, the perfection of the almost ascetic form contained in Hitchcock’s simple images. Godard, in turn, relied on Hitchcock as a master of cinema, successor to great painters, who exerted great influence on the audience thanks to his ability to tell stories by means of film images.

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Okiem awangardzistki. Kwestia formy w refleksji i realizacjach filmowych Germaine Dulac

Author(s): Małgorzata Radkiewicz / Language(s): Polish Issue: 115/2021

The text presents Germaine Dulac’s ideas on cinema and film form, as discussed in her writings from 1919-1937. As a filmmaker and member of the avant-garde movement, Dulac addressed the issue of cinema as a new art form, and its original aesthetics. As an active director, lecturer, writer and editor of texts, she followed and commented on current discussions on abstract film, the role of color, sound, and new film professions that had to be defined. Moreover, Dulac was interested in film education, educating the audience, as well as in the development of film market and film industry.

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Camera de inspirație. De la proiect la facere

Author(s): Cristina Constantin,Cosmin Pavel / Language(s): English,Romanian Issue: 1/2019

The aim of the article is to relate the experience of a ”design & build” project for which context, formal references, materials and constructive techniques require understanding and contemporary reinterpretation of a certain spirit inherent to vernacular architecture. The first part of the article will briefly follow the narrative/ film of the Architectural Restoration and Conservation Section, UAUIM Sibiu student’s creation of ”The inspiration room” in Dumbrava Sibiului, right within the Museum of Traditional Civilization ASTRA, recounted by both coordinating teachers and one of the students who have participated in the project, whilst the second part of the article will focus on the subtle negotiation between traditional / vernacular and contemporary / cult three fundamental component: topos, typos, techne, stemming from a classification made by Kenneth Frampton in ”Studies in tectonic culture”.

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Čitaće probe

Author(s): Marko Grčić / Language(s): Croatian Issue: 09+10/2003

Crnković, Meštrović, Borges: Knjige od snova; Jack Nicholson i Pet lakih komada; Ivo Dulčić, Petrarca i vojna tajna ljubavnog pismara; Danteov paradoks: Slučaj Alberiga dei Manfredija

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"Rosa Bermudskih otoka"

Author(s): Peter Sloterdijk / Language(s): Croatian Issue: 09+10/2004

Dame i gospodo, među svim nazivima koji su se koristili za prošlo stoljeće, formula zvana era neutraliziranja, ima poseban položaj. Nazivi mnogih drugih razdoblja obilježeni su pukim događanjima, izumima ili trendovima, ali ovaj je dotaknuo gramatiku same zbilje. Bez obzira, govorimo li o atomskom dobu, o stoljeću žene ili o eri nepovjerljivosti, stoljeću rendgenskih zraka ili radio valova, kompjutorskom vremenu ili o čemu god drugom , tehnički ili društveni objekt uvijek je glavno obilježje cjelokupne epohe. Onaj koji priča o razdoblju neutraliziranja ima nešto posve drugo na umu. Taj naziv pokreće nemir koji se izdiže iznad prostora u kojemu nastaje zbiljnost zbiljskoga. Neutraliziranje je za prve motritelje i dijagnostičare bila demonsko područje, iz kojega je, kroz neutralizaciju maglu i sivilo zbilje, prodiralo zlo u svijet, kako bi nam oči zaslijepilo pijeskom i neodlučnošću. Nije ni čudo da su prvi teoretičari neutralizma bili i njezini najoštriji denuncijanti. Oni su bili vođe katoličke reakcije za koje se kraj svijeta približavao u obliku varljivog mira između prijatelja i neprijatelja, te između ovdje i tamo. Dame i gospodo, znate i sami da pritom najviše govorim o Carlu Schmittu, posljednjem samuraju odlučnosti pri odabiru jednog naspram drugog. On se bori protiv onoga što smatra propašću staroeuropskog smislenog kozmosa, protiv dijalektičkih i pacifističkih Sandmana i njihovih konfuznih ili polivalentnih poimanja zbilje. Bio je uvjeren da će se rat nastaviti, bez obzira na to što jučerašnji protivnici danas dijele isti krevet. I stoga je svugdje naslućivao skrivenu frontu, tražio skrivene znakove koji otkrivaju partizane koji su, tako kaže legenda, prije spavanja pogledali i ispod kreveta, jer su vjerovali da je njihov protivnik spreman na sve.

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Composing Social Media. The Representation of the Physicality-Virtuality Continuum in Óscar Escudero and Belenish Moreno-Gil’s Works

Author(s): Ferran Planas Pla / Language(s): English Issue: 8/2022

Óscar Escudero and Belenish Moreno-Gil, as artists of the millennial generation, proposed an approach to musical composition that takes into account the new ways of being and relating to the world, which has been modified by the irruption of social networks. Their work represents an understanding of the mediatised and globalised world in which we live, making it clear that the philosophical and aesthetic paradigm has changed and must adapt to these new ways of communication. In order to understand their works, it is necessary to understand how social media and the physicality-virtuality continuum work and the effects they have on us. In this article I try to outline this with the help of literature in this respect and to relate it to the different forms of artistic presentation that make up their works. This article is to be understood as an attempt to conceptualise Moreno-Gil and Escudero’s aesthetics through specific examples of the works Custom #X Series and Flat Time Trilogy. The concepts of ‘simultaneity’, ‘hyperreality’ and ‘flat time’ or the ‘struggle for visibility’ and ‘profile subject’ help us to understand the new forms of communication through social media and are the philosophical basis for the works of Escudero and Moreno-Gil.

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