Презенција, игра, разлика: Дерида и неговите маргинални театарски коментари
There is no doubt that theatre studies laments the irrefutable fact that the direct, more specific interest of its subject matter – the theatre - and namely, an interest that could (explicitly!) be recognized, read through, cited and/or referenced from the books of Jacques Derrida – has seemingly remained modest, marginal, or (even) completely insignificant. Certainly, theatre studies is absolutely aware of the factuality of this irrefutable fact, which however, should not prevent theatre studies scholars from carefully reading and even more carefully interpreting these same books. Quite the contrary.[...]
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