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Divković’s lexis, which is markedly multi-layered and varied in origin in his work Divković’s Sermons on Sunday’s Gospel for Every Year, is analyzed in the attachment. Words of the so-called common people’s language,of Croatian-Glagolitic religious literature, of Dalmatian-Dubrovnik literature,and of Church Slavonic and Turkish origin, etc., are distinguished and concrete examples are analyzed. Special attention is given to words that are used in the modern language but have different meanings. Lastly, diminutives,contact synonyms, loanwords and Divković’s neologisms (including hapaxes) are discussed.
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In our paper we will evaluate the person, community and place names of Bosnia and Zvornik brigades by using the 91, 164, 540 and 173 numbered detailed cadastral record books which are published by the General Directorate of State Archives of The Prime Ministry.
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In the article the author made lexical and pragmatic analysis of music terminology and music vocabulary, which derive from Wojciech Młynarski poems and songs. The material analysed comes from the book “Wojciech Młynarski. Od oddechu do oddechu” published in 2017. In the article it was demonstrated that music vocabulary has informational, expressive, coaxing function, and creates ironic sense of text, generates metaphors, and becomes an element of style. In the conclusions the author of the article stresses that the use of music vocabulary can result in various effects, including the change of pragmatic determinant of music-verbal statement.
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