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Творчыя знаходкi Максiма Гарэцкага ў апавяданнях “гжацкай восенi”

Author(s): Wolga Gubskaja / Language(s): Belarusian Issue: 8/2016

The article discusses the stories of M. Goretskiy’s written in autumn 1916 in Gzhatsk. It is believed that this short literary period turned out to be very productive for the writer. The stories of this period are of a special structure and particular style. They can be defined as dramatic stories with an unexpected ending, which underlines their dramatic theatrical cinematic potential in the structure of information delivery and plot development.

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Жанр мiнiяцюры ў творчасцi Янкi Брыля: ад “Жменi сонечных промняў” да “Парастка”

Author(s): Anna Al’štynûk / Language(s): Belarusian Issue: 8/2016

The article discusses the genre and thematic evolution of short pieces of prose written by the famous Belarusian writer Yanka Bryl (1917–2006). They are known in the Belarusian terminology as “lyrical miniatures” and they were written in the last forty years of his life. Bryl begins with elusive records of his observations and thoughts about everyday life and gradually goes into general human issues, such as fate, creativity, passing of time, death, destiny. The article emphasizes the importance and influence of Bryl’s personal experience on his formation as a writer and on the way the experience is used in this genre of prose.

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Павал Ёзаф Шафарык як беларусіст (На матэрыяле «Гісторыі славянскай мовы і літаратуры ва ўсіх дыялектах» 1826 г.)

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Павал Ёзаф Шафарык як беларусіст (На матэрыяле «Гісторыі славянскай мовы і літаратуры ва ўсіх дыялектах» 1826 г.)

Author(s): Siarhiej Zaprudski / Language(s): Belarusian Issue: 1/2012

This paper deals with “Belarusian” passages of Pavel Josef Safarik’s book The History of the Slavic Language and Literature by All Vernaculars (Buda, 1826) and tries to include them in the context of Belarusian studies in the first third of the 19th century. The set of used and unused sources is assessed, the ways of adoption of information about Belarusian are discussed (Safarik explicitly refers to the works of Adelung, Bandtkie, Rakowiecki, Grech, Kalaidovich). It is ironic that Safarik cites Kalaidovich’s article, in which the term “Belarusian language” was used for the first time as a title of a publication in Ukrainian bibliography. It is stated that Safarik owes Rakowiecki, Kalaidovich and Grech his statements about the history of the Belarusian language. However, when defining the area of Belarusian, he first of all relied on the broad understanding of “Belarus” by geographer Georg Hassel, outlined in his Weimar book Vollständige und neueste Erdbeschreibung des Russischen Reichs in Europa nebst Polen (1821). On the basis of works written by Rakowiecki, Kalaidovich, Grech and Hassel, Safarik defines a wide area of Belarusian (Litva, White Rus’, Black Rus’, Volhynia and Podolia). It is likely that Safarik estimated the size of the population on the territory of Belarus according to Hassel’s work as well.

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Мастацкая рэпрэзентацыя вобраза Элiзы Ажэшкi ў сучаснай беларускай паэзii

Author(s): Wolga Rusiłka / Language(s): Belarusian Issue: 9/2017

The author of the article discusses artistic features in the image of Polish writer Eliza Ozheshkova in modern Belarusian poetry. Ozheshova, who was of Belarusian origin, influenced the history and culture of both nations. The poems by Danuta Bichel, Ala Nikiporchyk, Jurka Golub, Viktor Shnip, Lubova Rusylki and other writers have been analyzed, which enabled to conclude that the image of Eliza Ozheshkova has conceptual value in Belarusian literature. It contains loyalty to the principles of freedom and social justice. The works in which the image of Eliza Ozheshkova appears are different in terms of genre and type. These are poems-initiations, a writer’s poetic monologues, ballads and narrative poems. A variety of intertextual devices such as quotations, reminiscences, allusions, reference to historical documents have been employed.

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Касмаганiчны мiф Максiма Гарэцкага

Author(s): Lilija Leśka / Language(s): Belarusian Issue: 9/2017

The article considers M. Haretski’s mythological model, which was built stepwise, from cosmogony and etymology to anthropology, and later – to eschatology. The cosmological disclosure of the world in the writer’s mythology occurs in the distinctive spatial-temporal coordinates, the initial constituents of which are represented by the images of Chaos. Primarily, M.Haretski’s characters aspire to appear in initial Chaos, to gain strength in the so-called parental bosom, which is metaphorically represented in the images of bog, parental home, world tree. The mythical-poetic concept of the world tree in the author’s mythologization reflects the most universal situation – the choice between life and death, which, in some cases, guarantees spirituality and stability.

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Канцэпт дом як аснова нацыянальнай карцiны свету беларусаў

Author(s): Tamara Tarasowa / Language(s): Belarusian Issue: 9/2017

The concept of home dominates in Belarusian prose of the 20th century. Home in the works by Y. Kolas, M. Zaretsky, I. Melezh, V. Bykov, V. Kaz’ko, Y. Stankevich is a place where the spiritual principles of a man are formed, but it is also a solid foundation for self-expression. The unity of physical and trans-physical sources in the concept of home in literature enables to reveal universal existential principles of human existence.

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Вобраз сям’i ў аповесцi Андрэя Федарэнкi “Цiша”

Author(s): Anna Alsztyniuk / Language(s): Belarusian Issue: 9/2017

The author of the article analyzes Andrey Fedorenko’s “Silence”. The writer describes the life of three generations of the Dvoraks family, discusses the question of puberty and the influence of the surroundings on a child’s character. Presenting difficult family relations, different characters and lifelong priorities becomes an excuse to consider life of a contemporary man, his attitude to history and nature.

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Zapomniany poeta polsko-białoruski: twórczość Jana Kozakowicza

Author(s): Siarhiej Kawalou / Language(s): Polish Issue: 6/2014

The article is dedicated to the literary creation of a forgotten Polish and Belarusian poet Jan Kozakovich (Litvin). The poet lived at the end of 16th and the beginning of 17th century in Vilna, wrote in Polish, but in his works he is an active patriot of the Grand Duchy of Lithuania. The poet’s epigrams and dedication can be found in a number of books published in the late 16th – early 17th century. However, Kozakovich’s most significant work is a poem “Walnut” (Vilna 1603) – an elegy of Ovid’s “The Walnut Tree”, remade in freestyle.

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Адольф Черный и белорусская литература

Author(s): Marcel Cerny / Language(s): Polish Issue: 6/2014

The author analyses translations of Belarusian literature and texts on Belarusian issues prepared by the Czech journalist, poet, slavist and interpreter Adolf Cernў (1864–1952). Although we can call him a pioneer in the Belarusian studies in Czech Republic, his name is associated rather with his work for the magazine “Slovanskў přehled” (“Slavonic Review”, founded in 1898) and with his translation activities and the Sorabian studies. He knew Belarus from his own experience (he visited it in 1889 and 1897). He published articles about Belarus in the magazines “Světozor”, “Cas” and ˇ “Slovanský přehled”. He was the first to translate into the Czech language a poetry of the Belarusian classics Jakub Kolas and particularly Janka Kupala. The study focuses on Cerny’s translation method and directs its interest at the Bélarusian studies in the broader aspect of the author’s activities related to the Slavonic studies.

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Нацыянальны вобраз свету i філасофскі універсалізм паэзіі Міхася Рудкоускага

Author(s): Zoja Mielnikowa / Language(s): Belarusian Issue: 6/2014

In the article literary creation of Belarusian poet Mikhas Rudkovsy is discussed. His lyrical hero perceives the world from various perspectives. The poet presents the national image of the world using the idea of family home, the beauty of Polesye, parents and ancestors who are the most important moral imperatives. Ethic-philosophical universalism of the poet’s approach to his homeland is emphasized.

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“Кананізацыя” Вінцэнта Дуніна-Марцінкевіча: пачатковыя этапы

Author(s): Lea Kiseleva / Language(s): Polish Issue: 6/2014

Analyzing the example of Dunin-Martsinkevich the article considers some general mechanisms of the writer’s canonization as well as the strategies of the construction of national literary canon. The author demonstrates how during the first decade of the 20th century the position of V. Dunin-Martsinkevich was gradually strengthened in Belarusian canon and how general estimation of his personality and his creative work changed.

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Наратыўныя стратэгіі беларускай “жаночай” гістарычнай прозы (на прыкладзе творчасці Вольгі Іпатавай)

Author(s): Paweł Uszkiewicz / Language(s): Belarusian Issue: 12/2012

This article discusses the specifics of women’s prose. Author analyzes the strategies of the Belarusian women’s historical prose. As an example, taken by Olga Ipatovoj historical prose. Feature of the emotional and analytical works of the Belarusian subjectivity of the author. Shows examples that illustrate how feature category of the author and the author’s specific intentions.

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Экзістэнцыйнае падарожжа Эдзіка Мазько

Author(s): Anatol Brusevič / Language(s): Belarusian Issue: 6/2014

In the article the attention is concentrated on the specific art of Edick Mazko’s poems (1970–2011). He is one of the underestimated modern Belarusian poets whose heritage is located in the esthetic area of surrealism and decadence.

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Шляхі фарміравання нацыянальнай ідэі у беларускай літаратуры ХІХ стагоддзя

Author(s): Iaanna Vasylyuk / Language(s): Belarusian Issue: 6/2014

The article is devoted to the forming process of national idea in Belarusian literature (20th century). Ethnic-cultural consolidation of Belarusian people, shaping of Belarusian nation proceeded in rough conditions. The restoration of historical memory and spiritual heritage of the Belarusian nation was a clear impulse to writers whose literary works shaped national idea, conscious striving for becoming a nation. Literary studies extended by so called nobody’s texts opened new possibilities to set new directions in the field of national idea.

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Белорусская акустическая поэзия второй половины ХХ — начала XXI вв.

Author(s): Lûdmila Sadko / Language(s): Russian Issue: 6/2014

In the article “Belarusian acoustic poetry in the second half of the 20th century and the beginning of the 21st century” the results of experimental analysis of the acoustic realization of the text are presented. In the texts a symbol is not considered as a simple carrier of meaning. Poems of modern Belarusian poets such as D. Vishnev, S. Minskevich, D. Plax, V. Sakharchuk are written with maximum attention directed to acoustic and aesthetic experience (voice and intonation) as well as to anthropological component.

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Z historii białoruskiej gramatykografii: Rękopiśmienne gramatyki Karusia Kahańca i Antona Łuckiewicza w aspekcie porównawczym

Author(s): Hermann Bieder / Language(s): Polish Issue: 6/2014

The article discusses early attempts of codification of modern Belarusian literary language made by an artist Karus Kahanets and a politician Anton Lutzkevich, the authors of handwritten unpublished school grammars, at the beginning of the 20th century. A comparative analysis revealed close connection between the two grammars in the field of phonetics, morphology and linguistic terminology.

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Стылістыка дапасаваных азначэнняу у Прадмове Васіля Цяпінскага

Author(s): I.P. Klimau / Language(s): Belarusian Issue: 6/2014

The article analyzes frequency and stylistic functions of the concordant attributes in famous text of the Old Belarusian literature of the second half of the 16th c. – the preface of the Belarusian Protestant Basil Tyapinsky, dedicated to the Gospel translated and printed by him. The conclusion of the analyses is that the rhetorical devices examined in the article reflect a speech style of the preface and some oral techniques of its author.

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«Двое яны як адна з’ява». Творчасць Янкі Купалы i Якуба Коласа у мастацкай рэцэпцыі Алеся Разанава

Author(s): Eva Leonov / Language(s): Belarusian Issue: 5/2013

The article highlights the works by Yanka Kupala and Yakub Kolas shown in the aesthetic reception of Ales Razanau. This famous contemporary Belarusian poet analyzes the peculiarities of each classical author’s worldview and characteristic features of their poetic systems. Razanau focuses mainly on Yanka Kupala’s poem “Peasant”, and in his profound analysis he aims at avoiding “hackneyed stereotypes” and reveals the essence of the text, its national and universal senses.

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Праблема канфлікту паміж пакаленнямі: вясковыя бацькі і іх “гарадскія дзеці” (раман “Карані” Аляксея Карпюка)

Author(s): Anna Sakovič / Language(s): Belarusian Issue: 5/2013

The article is devoted to the analysis of generation gap conflict described in Alaksiey Karpiuk’s novel “The Roots”. Using the example of the main hero Lauren Markievich, the fate of rural pensioners who moved to the city is described. The fact that they were persuaded by their children to leave their homes cannot be ignored. Their homesickness, the feeling of spiritual emptiness and social isolation are emphasized. Alaksiey Karpiuk describes urbanized village children, who leave for the city, succumb to moral decline and cultural consumption in the first generation.

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Беларуская i польская літаратуры мяжы ХІХ—ХХ стст.: узаемадзеянне мастацкіх метадау і плыней

Author(s): Natallia Bachanovič / Language(s): Belarusian Issue: 5/2013

The article discusses elementary methods and trends in Belarusian and Polish literature on the turn of the 19th century using the examples of the novels written by E. Orzyeshko, Tsiotka, Z. Byadulya, E. Zulavskiy. The relationship between realistic and modernistic movements, and elements of modernistic theme and poetry in realistic prose are investigated. The interplay of literary symbolism and impressionism is analyzed. Special attention is concentrated on the structure of impression and special manifestation of impressionism in symbolic miniatures.

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