Od kazališta u romanu do romana u kazalištu: “Slučaj” Gospođe Bovary

Author(s): Lada Čale Feldman / Language(s): Croatian Issue: 67-68/2017

Uzevši u obzir recentne teorijske i deskriptivno-poetičke dijagnoze razloga zbog kojih suvremena pozornica ustupa mjesto ne samo raznovrsnim oblicima “romanizacije drame”, nego i učestalim adaptacijama romana (usp. Sarrazac, 2012) – čitavome zasebnom izvedbenom “žanru” koji je u posljednje vrijeme reklo bi se zavladao i hrvatskim kazalištima – možda ni pojava Gospođe Bovary na daskama zagrebačkog Dramskog kazališta Gavella u jeseni 2016., romana koji je dramatizirala Ivana Sajko, preinačivši mu naslov u Bovary – slučaj zanesenosti, i nije tako slučajna.

Pathos versus mensonge- la poésie de la Résistance

Author(s): Henning Krauss / Language(s): French Issue: 1/2015

La propagande du régime de Vichy voyait dans la débâcle de juin 1940 une punition divine et incitait les Français à la honte et au repentir. Le patrimoine national était soigneusement remis en ordre dans une perspective réactionnaire qui abhorrait la philosophie des lumières, la laïcité, l’individualisme propagé par de mauvais maîtres (Proust, Gide) etc. « Sonne l’heure de la poésie quand sonne l’heure du mensonge ». Beaucoup de poètes s’opposaient à ce renversement des valeurs en écrivant de la poésie civique, Poésie Raison Ardente (Pierre Emmanuel), proche du sublime-pathétique, défini par Schiller comme représentation vive de la souffrance et de la résistance contre la souffrance pour éveiller la conscience de la liberté intérieure de l’âme. L’étude analyse sous cet aspect des oeuvres de Louis Aragon, Jean Cassou, Paul Eluard, Pierre Emmanuel e. a. qui se réfèrent au patrimoine spirituel de la France où chaque Français retrempe son énergie aux sources de l’âme nationale.

Un silence éloquent : narration et fantastique dans Fragoletta (1829) de Latouche et La Vénus d’Ille (1837) et Lokis (1869) de Mérimée

Author(s): Alexandra Jeleva / Language(s): French Issue: 7/2017

The paper analyses three works having employed a similar narrative strategy which triggers tension between the explicable and inexplicable and an interpretative crisis that allows a fantastic reading of the fictional text. This strategy is related to the paradoxical statute of the narrator due to which the reader is faced with an incomplete elliptic account because of the former’s reluctance (or impossibility) to offer a definite interpretation of the events.

Piękna karlica i żydowski nochal z kartonu

Author(s): Anna Maria Bielak / Language(s): Polish Issue: 37/2018

The purpose of the following article is to deconstruct multiple meanings of the presence of a Jewish female dwarf in Albert Cohen’s novel „Belledu Seigneur”. The key moment of the narrative, where this character appears, does not allow us to ignore her. Her presence is so enigmatic and the scene so oneiric that we are forced to find intertextual connections, seeking a wider historical and literary context which will help us understand this figure.

Ангажман као литерарни бренд 20. века: песнички језик Ежена Гијвика у светлу ангажоване уметности

Author(s): Katarina Z. Milić / Language(s): Serbian Issue: 19/2019

This article examines the poetic language of Eugene Guillevic, a French poet of the 20th century, in the poetry collections To Win (Gagner) and Earth to Happiness (Terre à bonheur), through the paradigm of literary engagement, starting from the assumption that the notion of engagement is certainly owed to Sartre and his existentialist philosophy, which can also be regarded as a literary "brand" widely represented in the poetic framework of avant-garde and neo-avantgarde, as well as the entire art of the 20th century. In this sense, one of the aims of the paper is to show how Guillevic, as a poet of materialist orientation, revaluates and individualises the position of an engaged poet through the deepening potential of engagement as a literary phenomenon, problematising the same through the question of poetic language. This analysis will point to the specificity of the poet's language, who, bringing it to the utmost limits of referentiality, introduces the reader as an active participant in the creation of poetry, through the process of estrangement of expression.

Srednjovjekovni koncept translacija između antičkog i humanističkog

Author(s): Dijana Kapetanović / Language(s): Bosnian Issue: 15/2017

This paper aims to reevaluate the concept of translation or transfer as a semantically polyvalent term, with special emphasis on its literary value in the French Middle Ages. The paper further explores the origin and polysemic nature of the term (lat. translatio), explaining the process and the content of the transfer as a phenomenon specific to Western civilization’s cultural history which adapts and contextualizes the legacy of the ancient Greco-Roman world. The paper also analyzes the aesthetical and poetical guidelines of antique romances and medieval courtly romances, which are inevitable sources of information about how medieval mentality perceived Antiquity and classical authorities. Lastly, the paper examines the extent to which medieval translation, as the forerunner of the new, humanist vision of the world and its relation to the works of classical antiquity, precedes the concept of contemporary translation.

ДАНТЕАНА У ФРАНЦУЗЬКОМУ ЖИВОПИСІ ЕПОХИ РОМАНТИЗМУ

Author(s): Nataliia Vasylyshyna / Language(s): Ukrainian Issue: 35/2019

The goal of the work. To consider the influence of Dante's creative activities on the development of French pictorial art of the first third of nineteenth century. Research methodology. The method of the formal analysis allows us to understand the peculiarities of creative activities of romantic artists, and the usage of general scientific methods of typology and classification allows us to consider romanticism as the phenomenon of Western European culture. The scientific novelty resides in the discovery of the artistic and aesthetic features of French pictorial art of the Romantic era, which arose under the influence of literature. The connection of the traditions of European literature was provided insight into the search for new topics and themes in pictorial art and features of their reproduction in the creative activities of French romantic artists.

LA GUERRE D’ESPAGNE – MÉMOIRE COLLECTIVE SOUS L’OPTIQUE DES DEUX ÉCRIVAINS MALRAUX ET MARKO

Author(s): Drita Brahimi / Language(s): French Issue: 29/2019

The Civil War of Spain is a distant event in time, but very alive thanks to men of letters, respectively Malraux and Marko, the one French and the other Albanian. I would try to bring their perspective on this collective memory, which although it is a factual event, is evoked by the two authors in a rather original way. Through his novel entitled Man’s hope Malraux undertakes a general study of a revolutionary crisis among different groups of characters. Endearing to war, horror, fear and death a sense of brotherhood and peaceful coexistence, he manages to make us think that even in times of war there is hope for better days in the world to come up. All that organized according to a structure in movement. The novel entitled Hasta la Vista marks the author’s attempt to evoke a rather broad plan of the the Civil War front, a glorious epic of the Spanish people written with the blood of Albanian volunteers and other peoples. As supporters of the aspirations of the Spanish people, Albanian volunteers fight for a better reality in Albania.

Dekadentni duh u „Panu i Siringi“ Žila Laforga

Author(s): Frano Vrančić / Language(s): Serbian Issue: 12/2015

Decadence as a literary movement emerged in the 19th-century France, expressing contempt against the morality and reality of the then society. Jules Laforgue is enlisted among the decadent poets, and he used to ridicule various social aff airs and individual acts. Such is the case with Pan and the Syrinx, a parody offering pronounced irony, where the characters from the Classics are transposed into modern times and dealt with subsequently. In this piece Laforgue returns to the original legend of the sevenstraw pipe. Love and art both fulfil Pan’s spirit, the former as an illusion, the latter as a reality. In the beauty and spirit of the Syrinx, as well as in Pan’s abandonment to destiny we can recognize signs of contemporariness, where daydreaming about the ideal woman proves impossible, which emphasizes the poet’s point of inaccessability of an ideal.

San o autoritetu i java manipulacije u djelima francuskih prosvjetitelja

Author(s): Anja N. Bundalo / Language(s): Serbian Issue: 11/2015

Review of: Naučni eksperiment i književna manipulacija u vijeku prosvjetitelja. Međunarodni tematski zbornik (2014), ur. Žan Mari Gulmo (Jean-Marie Goulemot), izdavač Minerve, pod pokroviteljstvom doktorske ekipe Kulturološke i diskurzivne interakcije Univerziteta Fransoa Rable u Turu.

Memoires d’Hadrien : « Le portrait d’une voix »

Author(s): Radana Lukajić / Language(s): French Issue: 10/2014

This paper attempts at reviewing the basic guidelines, both literary and ideological, Marguerite Yourcenar followed while editing Memoirs of Hadrian.

SCRIERILE DIARISTICE ALE LUI EUGEN IONESCU SAU IMAGINEA EULUI ÎN FĂRÂME

Author(s): Maricela Strungariu / Language(s): French Issue: 41/2019

Située au croisement du journal et de l’autobiographie, l’écriture intime d’Eugène Ionesco est une constante des préoccupations de l’écrivain français d’origine roumaine. Ses textes autoréférentiels, qu’il s’agisse du Journal en miettes (1967), de Présent passé, passé présent (1968) ou de La Quête intermittente (1987), représentent, pour l’auteur, une véritable quête existentielle et spirituelle, ainsi qu’un antidote au désespoir, à l’oubli et à la peur de la mort. Ionesco y cherche à se soustraire à la fuite du temps en se réfugiant dans l’instant ou en revivant le paradis perdu de son enfance. Son passé sʼavère pourtant difficile à récupérer dans son intégralité, car les souvenirs se présentent plutôt comme les morceaux d’un puzzle inexorablement incomplet. La fragmentarité textuelle fait écho à un moi fuyant et en proie à l’angoisse ontologique

Marcel Proust e la musica come modello per la letteratura

Author(s): Roberto Russi / Language(s): Italian Issue: 2/2010

The paper aims to point out to an unbreakable bond between reading, writing and listening to music in Proust’s oeuvre. In his essay On reading, Proust gives us, while discussing the purpose and significance of reading, a hint of the narrative technique which utilizes some of the specific features of musical language. It is exactly the technique that the writer’s subsequent writing titled The quest for the time lost will be founded upon. Thus music becomes the literary model in Proust’s oeuvre and binds itself to the workings of random memory, simultaneously binding the principle capable of selecting and organizing the elements necessary to expand the possibilities of a literary word.

APOLINER I AVANGARDA

Author(s): Ješa Denegri / Language(s): Serbian Issue: 266/1981

Nalazeći povod u obeležavanju stogodišnjice rođenja Gijoma Apolinera (Rim, 1880-Pariz, 1918), Galerija moderne umetnosti u Rimu je krajem prošle i početkom ove godine organizovala izložbu Apollinaire e l’avanguardia, na kojoj su bila prikazana dela Pikasa, Braka, Ležea, Grisa, Deloneja, Marisa, Derena, Gleza, Mecenžea, Arhipenka, Erbena, Pikabije, Dišana, Bočonija, Bale, Karaa, Seveririija, Sofičija, Rosula i drugih, dakle, pretežno protagonista kubizma i futurizma, dva pokreta s kojima je Apoliner bio prisno vezan kao kritičar.

Histories of translation(s): On reading the “Histoire des traductions en langue française. XXe siècle ”

Author(s): Katarína Bednárová / Language(s): English Issue: 1/2020

The article presents an overview of current research projects in translation history in French-speaking countries with greater focus on a concrete research initiative on French translation history. It draws on the fourth volume of the Histoire des traductions en langue française. XXe siècle (edited by Bernard Banoun, Isabelle Poulin, and Yves Chevrel). Thistranslation history is a unique undertaking not just in Europe, but also worldwide. The maintenets of the research are discussed and some of its aspects are highlighted in comparison to Slovak translation historiography.

Autobiografia i homoseksualność we Francji w XIX wieku

Author(s): Philippe Lejeune / Language(s): Polish Issue: 2/2019

L’espace littéraire mondial : Entre les stratégies d’écriture et les discussions théoriques

Author(s): Margarita Serafimova / Language(s): English,French Issue: 1/2020

The article looks at the effects of the concept of “globality” on the literary theory and practice. The World Republic of Letters is dominated by relations of power, cultures and languages are divided into dominating and dominated, and the battles fought for literary recognition are far from the myth of the “magic” world of creativity. At the same time, it is precisely this perspective on literature, thought of as world literature, and the creation of supranational spaces that could lend visibility to the figure in the carpet as is each creative piece of work that would otherwise remain hidden, lost, particularly if it belongs to some “marginal” culture. The balance between the local and the global puts to the test both writers and theoreticians, who also find themselves involved in the case they explore…

Urban Spaces, Non-Places and Bad Places: Intersections Between Theory and Fiction in the Writings of Aldous Huxley and Michel Houellebecq

Author(s): Maša Uzelac / Language(s): English Issue: 1/2020

In exploring the nature of space in contemporary society, the writers Aldous Huxley and Michel Houellebecq adopt an anthropological approach which focuses on space as a product of human activities instead of an inorganic and stable entity. Their novels conceptualise their theoretical positionings on mobility in urban spaces, issues of identity, and influence of modern urban architecture on individuals and society. This paper demonstrates how in Huxley’s and Houellebecq’s writings urban environments reflect the individual and collective pathologies of the modern world. By referring to Lefebvre’s theory of the social production of space and Augé’s analysis of urban mobilities, this study explores the phenomena of consumption and commodification of urban spaces under capitalism. Following the postulates of the phenomenology of space, the paper also emphasizes the negative experience of urban architecture, which shapes the individual’s emotional response to both their physical and social environment.

LE TEXTE LITTERAIRE ET L’INTERCULTUREL EN CLASSE DE FLE- L’EXPLOITATION DE CELUI QUI N'AVAIT JAMAIS VU LA MER DE LE CLÉZIO

Author(s): Esra Başak Aydınalp / Language(s): French Issue: 15/2020

Nowadays, the world becomes more than ever multicultural with the arrival of globalization. The effect of this globalisation has been felt in Europe where there are transnational exchanges in not only social, cultural but also economic and political level. In these circumstances, learning a foreign language becomes crucial because it becomes a place of encounter among societies culturally, linguistically, and politically as well in which the contact with the other becomes necessary. It is impossible to envisage an education without taking into account the intercultural competence. In fact, language didactics try to develop a pedagogy integrated with intercultural communicative competence in foreign language classes. The elaboration of curriculum adopts especially in a French context an intercultural perspective rather than multicultural. The researcher tries to question the place of the intercultural against multicultural in these classes. The article deals especially with the literary texts used as a support for teaching. The literary texts are reconsidered as a productive support with the arrival of communicative approach. This revalorisation is analysed in details in the research in which the researcher also exploited a short story entitled “one who had never seen the sea” of Le Clezio in an intercultural perspective.

“The faith I love best is hope”: Perspectives of Hope from Charles Péguy

Author(s): Ferdi McDermott / Language(s): English Issue: 4/2019

Following calls from recent popes to a rediscovery of the theological virtue of hope, this paper examines a poem dealing specifically with that subject, by Charles Péguy, a French poet who died in 1914 in the early fighting of the First World War. He is a key fi gure of what has been called the French Catholic revival. His dramatic monologue takes the form of a catechism lesson addressed to the young St. Joan of Arc, in which Hope is portrayed as a little girl. Rooted in a rediscovery of the “real” and under the infl uence of the philosopher Bergson, Péguy’s message seems to be that a childlike Hope could be the key to a renewal of Faith and Love, and perhaps to a re-energizing of the Christian message. Péguy wrote his poem at a time when France was deeply traumatized by the Franco-Prussian war, the Dreyfus scandal and the anti-clerical purge of the early 20th century. It was a society that had lost is bearings. Many themes of his day are strangely current in our own.