(ЗЛО)УПОТРЕБА НА ПОЕЗИЈАТА: ПОЛИТИЧКИТЕ ПАРТИИ И КОНЕСКИ

Author(s): Loreta Georgievska-Jakovleva / Language(s): Macedonian / Issue: 72/2018

The starting point of this paper is the impression that Blazhe Koneski’s poetry, in one way or another, has been mentioned often by the members or fans of the political parties in Macedonia. This condition imposes the question: Why is Blazhe Koneski the author that has been constantly (ab)used in political campaigns? Identifying the reasons by looking into his authority, his broad significance and the tendency his poetry to be brought closer to the people, I ask the question: What is so wrong in the use of someone’s poetry so that it becomes abused? By analyzing three separate cases including the requirement of one of the protesters, as reported in the newspaper Republika, the former mayor of the Centre municipality to read Koneski in the campaign-related videos of two parties SDSM and VMRO-DPMNE, we can conclude that the poems “Marko’s Monastery” and “Church” were used for political parties’ reasons on the basis of shallow and incorrect interpretation, while the poems “Teshkoto” and “Prayer require a complex process of transformation where the symbolic meaning has been replaced with communication. All three cases distort the idea and the message by the author and represent examples of the (ab)use of and manipulation with poetry.

Context/Контекст

Frequency: 1 issues / Country: North Macedonia

DVE PRIČE

Author(s): Mitko Madžunkov / Language(s): Serbian / Issue: 515/2019

Two stories by Mitko Madžunkov

Emigrantologia Słowian

Frequency: 1 issues / Country: Poland

“Emigrantologia Słowian” is an interdisciplinary  scientific journal of the Committee of Slavonic Emigration Studies affiliated by the International Committee of Slavists. The main aim of “Emigrantologia Słowian” is to publish research papers, reviews and reports on various aspects of life of the Slavonic communities in emigration: culture, literature, language situation (with special reference to bilingualism).

Ethica Anthropophagi

Author(s): Aleksandar Prokopiev / Language(s): Serbian / Issue: 22/2015

Budite večito gladni! Tada ste već slični. Najpre, gutajte očima. Onda, iznenadan, uzbudljiv zagriz! Važnost prvog ujeda: začetak bogate uzajamne gozbe.

Funkcija dokumenta u suvremenom makedonskom romanu(Na primjerima iz romana S. Janevskog)

Author(s): Zlatko Kramaric / Language(s): Serbian / Issue: 296/1983

Prije nego što pokušamo odrediti funkcije dokumenata u suvremenom makedonskom romanu, dužni smo odgovoriti na pitanje: što je roman? Već sam naslov naše rasprave implicira sva ona poimanja koja smatraju da je roman jedini žanr u nastanku, odnosno da je riječ o žanru koji ne podliježe »kanonizaciji«.1 Roman je žanr koji neprestano pomjera svoje žanrovske granice »prema nebeletrističkoj prozi (memoarskoj literaturi, putopisu, dijalogu, satiri, istoriografiji, dnevnicima, pismima), a romaneskni govor postojano je upućen prema različitim savremenim govornim slojevima, odnosno, postoji u više jezičkih ravni,2 u ’razngglasju’ karakterističnom za žive jezičke procese. Otud je jezik ovog žanra, zapravo, ’sistem je zik a ’, i od početka podrazumeva mogućnost literarnog korišćenja raznorodnih neliterarnih oblika: dijalekatski govor, stilova epistolarnih i dnevničkih, dokumentarističkih, naučnih, filozofsko-esejističkih« (Lj. Jeremić, 1978, 84), a da i pored toga zadrži status načelno promjenjivog i nestabilnog, a i relativno rano u svojoj povijesti svjesnog sebe kao izuzetnog u ovom smislu.

In the Clutches of Postmodernism

Author(s): Robert Alagjozovski / Language(s): Albanian / Issue: 3/2014

Përcaktuesit kryesorë poetikë të letërsisë maqedonase nuk kanë ndryshuar shumë këto njëzet vitet e fundit. Ndryshimi formacional që ndodhi në të tetëdhjetat, atëherë kur postmodernizmi mbisundonte skenën letrare,vazhdoi të shfrytëzojë frytet e suksesit të vet edhe në dy dekadat e ardhshme.

INTERART STUDIES OF LITERATURE AND VISUAL ARTS

Author(s): Vladimir Martinovski / Language(s): English / Issue: 22/2018

Interart studies must constantly consider the relations and interaction of at least two media, that is, at least two semiotic systems. The position of reading those relations, as the position of research, implies continual awareness and a dangerous search for balance in the analysis of that interaction. Hence the path of the scholar could be compared to tightrope walking. At times the scholar must focus more on the analysis of one of the arts, for instance, of the literary text (as in the ekphrasis), but the relevant study must not at any given moment ignore the other art. The study of ekphrasis would be impossible if one neglects the iconographic sources of the works of literature. The study of mixed discourses is also a sort of a movement in the mutual space created by the image and the text. The scholar must never treat only verbal or visual aspects, whereby disregarding their interaction. In the case of syncretic art forms, we find the most evident the ontological position of in-between: the cultural product is neither a merely verbal nor a merely visual entity.

Interkulturalni dijalog u svetlu politike različitosti Laslo Blašković i Laslo Vegel

Author(s): V. Todoreskov Dragana,Aleksandra Ðuric-Bosnic / Language(s): Bosnian,English / Issue: 3/2016

This paper studies the cultural, in this case literary (prose),communication between writers-representatives of different nations. After the determination of the term interculturality and function of culture in slowing the stigma, ghettoisation, passes to the analysis of literary and social activities of two writers,members of the same minority in Serbia - Laslо Vegеl and Laslo Blašković. In the case of different strategies (writing in their native or second language, orientation towards his national community, the relationship to the majority, according to a former state – Yugoslavia – and present, Serbia, treatment of political issues, etc.) Establishes their relationship to their own entity stronghold and possibilities of overcoming its possible oppression (the term Gayatri Chakravorty Spivak) or oppressiveness (termed Susan Stanford Friedman).

Kazalište kao stjecište kolektivne i privatne traume u Erigonu Jordana Plevneša

Author(s): Ivica Bakovic / Language(s): Croatian / Issue: 16/2016

The text problematizes the concept of national history and trauma in the play Erigon, written by the contemporary Macedonian playwright Jordan Plevneš. The starting point of the analysis are some peculiarities of Plevneš’s poetics and of the theatrical conceptions of Antonin Artaud that are central to Erigon as well as the problem of the representation (and performance) of history in drama and theatre. In Erigon one can recognize the critique of eurocentrism and the European centres of power along with their influence on the formation of political and historical processes in Macedonia and the Balkans in general. The main question concerns the societal role of political theatre and its power.

Književnost i umetnost u Jugoslaviji: (DIS)KONTINUITETI (1918 – 1992)

Author(s): Jana Gligorijevic / Language(s): Serbian / Issue: 3/2016

Kritičar bogate opservacije

Author(s): Miodrag Drugovac / Language(s): Serbian / Issue: 10/1964

Review of: Milan Đurčinov, "Prisutnosti", Kultura, Skoplje, 1963.; by: Miodrag Drugovac

LJUDI S PUŠKAMA

Author(s): Slavcho Koviloski / Language(s): Bosnian,Croatian / Issue: 2/2018

Poems by Slavčo KOVILOSKI

Makedonska književna produkcija u 2017. godini

Author(s): Elizabeta Bakovska / Language(s): Bosnian / Issue: 1-2/2018

Već nekoliko godina makedonska književnost (i makedonska kultura uopće) suočava se sa fenomenom pojave sve više stvaralaca, a sve manje uživalaca. U slučaju književnosti, povećani broj izdavača, dostupnost izdavačkog procesa, ali i društvene mreže kao alternativna platforma na kojoj se plasiraju književna djela doveli su do stalne ponude naslova. U makedonskom slučaju, ova bujica je još veća jer postojano pada na glave malobrojne publike — što zbog generalno malog broja govornika i čitalaca makedonskog jezika, što zbog još ograničenijih čitateljskih poriva te (potencijalne) publike. Ove 2017. godine ta se publika isto tako suočila i sa svojevrsnom amuptacijom izvjesnog broja medija koji su se godinama nadovezivali na kulturnu produkciju popularnim pregledima i kritikom, dajući tako publici neke smjernice ili, što je još važnije, dajući joj prostor u kojem se mogao pročitati i vidjeti ne samo kulturni proizvod nego i malo dublje kritičko razmišljanje o njemu.

MAKEDONSKA MIKROPRIČA DANAS

Author(s): Vladimir Martinovski / Language(s): Serbian / Issue: 515/2019

Mikropriča je uzbudljiv segment u proučavanju savremene makedonske proze, a i veliki književni izazov za savremene makedonske pisce: još je Marko Cepenkov (1829-1920) rekao da „mala priča daje veliki um". Mikropriče srećemo još u delima autora prve posle- ratne generacije, u knjizi Dnevnik nakon mnogogodina (1988) Blažeta Koneskog (1921-1993), ili u posthumno objavljenoj zbirci kratkih priča I peto godišnje doba (2001) Slavka Janevskog (1920-2000), pa sve do najmlađih autora koji svoje kratke priče objavljuju na društvenim mrežama.

PESME

Author(s): Ivan Antonovski / Language(s): Serbian / Issue: 507/2017

Poems by Ivan Antonovski

PESME

Author(s): Andrej Al-Asadi / Language(s): Serbian / Issue: 515/2019

Poems by Andrej Al-Asadi

PRIČE

Author(s): Vlada Uroševic / Language(s): Serbian / Issue: 515/2019

Two stories by Vlada Urošević

PRIČE

Author(s): Rumena Bužarovska / Language(s): Serbian / Issue: 515/2019

Stories by Rumena Bužarovska

PRIČE

Author(s): Ðorde Krstevski / Language(s): Serbian / Issue: 515/2019

Stories by Đorđe Krstevski