Panorama inna niż wszystkie
Book review of: Panorama współczesnej filozofii, Jacek Hołówka, Bogdan Dziobkowski (ed.), Wydawnictwo Naukowe PWN, Warszawa 2016, pp. 559.
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Book review of: Panorama współczesnej filozofii, Jacek Hołówka, Bogdan Dziobkowski (ed.), Wydawnictwo Naukowe PWN, Warszawa 2016, pp. 559.
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In this paper I shall try to present the role of analytical tradition in the development of Bulgarian philosophical thought – the critical attitude to it, the acceptance of its results of importance and the sizing of its typical problems. My main thesis is that at present the ideas and problems of analytical philosophers going through a veritable revival in my country.
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In the paper is considered the history of philosophy and philosophers in Veliko Turnovo before the official foundation of our Faculty of Philosophy. Some their advantages are commented from the point of view of the present-day philosophy.
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The Roman Mithraism is an Occidental variant of the cult of the ancient Iranian deity Mithra. The article explores the Iranian origin of some of the main mythological motives found in this Mystery religion and their interpretation through the prism of the Neo-Pythagoreanism and Neo-Platonism in the Late Antique Rome. A hypothesis is formulated about the fundamental significance of the concept of the logos or ratio in the context of the numerological and musical-astronomical allegories of the cult, derived from the Chaldean-Persian teachings and the science of ancient Sumer, permitting to reconstruct yet unsuspected aspects of its esoteric doctrine.
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The NOEMA Journal continues to publish, in a series, the book THE SECRET OF GENIALITY (Yerevan, Armenia, Noyan Tapan Printing House, 2002) by our colleague Robert Djidjian, not only because we all must know the philosophical research and creation (in our domain of epistemology and philosophy of science and technology) from a wider geographic area than that provided by the established fashion in virtue of both extra-scientific reasons and a yet obsolete manner to communicate and value the research; but also because the book as such is living, challenging and very instructive. The title of the book is suggestive enough to make us to focus on an old age question: the dialectic of the insight, of the discovery, its psychology moving between flashes of intuitions and cognizance stored in memory, and its logic of composition of knowledge from hypotheses to their demonstration and verification. The realm of science is most conducive to the understanding of this dialectic and the constitution of the ideas which are the proofs of what is the most certain for humans: the “world 3”, as Popper called the kingdom of human results of their intellection, and though transient and perishable in both their uniqueness and cosmic fate, the only certain proof of the reason to be of homo sapiens in the frame of multiversal existence. Therefore, creation is the secret of the human geniality, and how to create science is a main part of this secret.
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The aim of the present paper is to present the ontology of mathematical objects using the Meinongianism. Exactly in this framework we can accept abstract objects as non-existing, which are an object of knowledge, because they bear properties. We can apply these facts on mathematical objects, which are а type of abstract objects. So we can talk about non-existing math objects instead of their existence. I will use the dilemma of Benacerraf to prove the consequences of this acceptance of math objects as existing. But there is one deficiency of them being non-existing objects. First I will review the approach in the ontology and in the abstract objects. The next step will be to apply Maiong`s method to ontology of math objects and to demonstrate its strengths and weaknesses. And accordingly to the results, how far can we use this decision of the problem of abstract objects and special to math objects.
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The intense and dichotomous relationship between orientalism and classicism that has been created over the last decades of the XX century, reaches new dimensions through the rapid scientific growth, the discoveries of new historical sources and artifacts, and, most importantly, through the paradigms change in many scientific disciplines. This development is also influenced by the rapid and multifaceted societal transformations in the intensively globalizing world of the new millennium. In this context, the paper explores the new understandings of these two important conceptions in the research of the past, and their redefined scope and relation in the light of the globalization theories and through the paradigm of ancient globalization.
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The concept of digital culture defines a set of values, practices, and expectations regarding the format of human interaction in today’s online society. Predictions of digital culture describe the specifics of the online environment and the general context of social life. The range of interpretations of digital culture varies between two poles: from the recognition of digital technologies as a way of presenting libraries, museums, historical monuments, etc., to the concepts of digital culture as a new socio-anthropological reality, the content of which is not limited to ICT. Culture as a phenomenon means the semantic unity of human activity, the desire to format social life following ideas and values, the movement from existing to obligatory, from actual to potential, and digital culture is an adequate response to the demands and challenges. People worldwide change their placement of everyday activity, and we could admit such huge transformation in the Chinese People’s Republic exactly obvious
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The article presents a critique of the commonly held assumption about the practical advantage of endurantism over perdurantism regarding the problem of future-directed self-concern of a person. The future-directed self-concern of a person crucially depends on the possibility of the right differentiation of diverging futures of distinct persons, therefore any theory of persistence that does not entail a special non-branching relation of a person to only their future self seems to be counterintuitive or unrealistic for practical purposes of personal persistence. I argue that this pragmatic rationale about future-directed self-concern is equally challenging for both theories of persistence. Moreover, I indicate, that both of these theories fall and stand on the practical feasibility of hidden ontological presuppositions about specific second-order notions of concerns of persons for their future.
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The text analyzes the possibilities to think of pure language as indicated in the harmonization of modes of intention in the translation activity. This language is, in a sense, a regulative idea and it have to be liberated in translation. It is essential to distinguish between the modes of intention and intended objects, between what is named in pure language and what is „overnamed“ in human languages. One of the theses in this text – that language in its auto-relation undergoes auto-modalization – makes the connection with Kierkegaard's understanding of the impossibility of direct communication. The indication of the untranslatable is an opportunity in the language of the translator to insert as indicated the elusive in the translation and thus to introduce the use of a broken language. Awakening of the "echo of the original" means a „thinking more“ (according to Kant) through the figure.
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The essay puts to the test Darwinian evolutionist theories, especially the key concepts of adaptation, natural selection and survival of the fittest, in the reading of several plots and fictions (some of them Ark-related animal fictions) concerned with evolution, trauma, adaptability, mimicry/mimesis and survival: Julian Barnes’s Flaubert Parrot and A History of the World in 10½ Chapters, Timothy Findley’s Not Wanted on the Voyage, Robert Kroetsch’s The Studhorse Man and John Fowles’s The French Lieutenant’s Woman. Weaving its critical argument with reference to several of Derrida’s reflections – on the impossibility of a pure origin, the proximity between commencement and commandment, the logic of obsequence, or relation between being and following (je suis), applied deconstructively to the traditional hierarchy between the human and the animal, mastery and monstrosity, and logos and bêtise, etc. – ‘Zo(o)graphies’ is structured in a series of interlinked tableaux, bestiaries as well as insets (Thomas Pynchon’s Gravity’s Rainbow, Jacques Derrida’s Glas). Following from the opening evocation of Peter Greenaway’s Vermeer-themed film A Zed & Two Noughts, which introduces the joint semantics of zographein: to paint from life, and zoon: animal, discreetly at work throughout, this study will eventually attempt to recast the problematic of the evolution of literature and literary forms as involution and regression.
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In this paper, the concept of solidarity will be introduced as voluntary cohesion, mutual help and support not only within a loose group, but, above all, within the whole human race. Tischner wants to help contemporary man because he is aware that contemporary man has entered a period of profound crisis of his hope. The reflection on solidarity and hope in the philosophy of Tischner represents a neuralgic point which has its justification in Christian thought. Hope is the prospect of something better which, together with mutual support, removes both fear and isolation, and brings about the development of both the individual and the community. The deepest solidarity is solidarity of conscience. The community of solidarity differs from many other communities precisely because it is “for him” that is fundamental. It is only on this foundation that the community of “we” grows.
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The purpose of this article is to trace the behaviour of a traumatic affect based on the reading of Yusef Komunyakaa’s “Facing It,” a poetic ekphrasis of the Vietnam Veterans Memorial. Tracing the manners in which war trauma is worked through and acted out by the speaker, this paper discusses how trauma eludes both compensating processes. At the same time, the nonhuman or inhuman features of trauma are analysed alongside the nonhuman agency of the memorial. The intersection of both nonhuman modes of being makes it possible to align the trauma discourses with materialist criticism. In addition, the traumatic experience is discussed through its tactile connotations following Komunyakaa’s poem and Maya Lin’s commentaries to her monument. Touch turns out to be a potent category capable of capturing the dynamics of a traumatic affect and a promising trope on which new ethical modes of being together in trauma might be founded. Hence, the aim of this article is fourfold; it attempts to: (1) analyse how Komunyakaa’s poem, informed by the selected developments in materialist criticism and trauma studies, might illustrate and expand the affect of trauma; (2) deepen our understanding of the intersections of the material and the traumatic; (3) investigate how the speculative reorganisation of human and nonhuman boundaries, inspired by “Facing It,” might help in assessing trauma, which necessarily resides at the edges of subjectivity; and (4) propose how the figure of trauma based on vulnerable and transformative limits might revise our understanding of community and formulate an ethical obligation for the traumatic times we live in.
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In the philosophical article I would like to formulate a statement that the humanities are Geisteswissenschaften, although I am far from naively repeating the 19th century slogans. I respect what happened in the humanities in the 20th century, but it seems to me that it is possible to refer to old concepts anew, giving them new life. One such concept is the concept of spirit (der Geist). I am trying to give it new meanings by bringing relationships with space to the foreground (moving relationships with time to the background). The space, however, is thought differently than traditionally. The spirit turns out to be the space of the humanities.
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In this paper I present an understanding of the humanities from the perspective of cultural ontology. In the introduction, I specify the perspective from which I am conducting my reflections, synthetically characterise how cognition is understood on its grounds, and introduce a characterisation of the humanities as relating to meaning. In what follows, I show why, from the point of view of cultural ontology, the humanities are practical. In dialogue with other concepts, I introduce the notions of ontological imagination, mindfulness, phronesis, parrhesia, (etho)ecology. With a view to the relationship between the humanities and practical rationality, I try to show why it should be a slow science.
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The paper revisits the dialogue between Vyacheslav Ivanov and Mikhail Gershenzon in order to present two essentially different orientations in the approach to humanistic heritage and its meaning in human life. The first of these two perspectives is represented by V. Ivanov who feels amongst the great works of culture “at home,” who praises their charms and spiritual-aesthetic riches. The second perspective – as evoked by Gershenzon – is more pessimistic, existentially inclined, filled with tragic awareness. It points out to the problem of crucial importance to the historiosophical self-awareness of modernity: the accumulation of cultural knowledge and the release of theoretical reflection have alienated the human being and cast it into existential homelessness. The paper further argues that (1) there exists an irreducible hiatus between culture and the reality with its power of negativity, and that (2) the ambassadors of culture, such as Ivanov, conceal this hiatus in an attempt to convince us that theoretical humanistic reflection intensifies our perception of the world, while in Gersenzhon’s historiosophical view it ruins the immediacy and spontaneity of life.
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The paper argues that the standard pro- and anti-Kantian reception of the Critique of Judgment has largely misconstrued the relationship between Part I and Part II of the book by failing to recognize that the former is primarily providing a series of stepping-stones laying the groundwork for the elaboration of reflective-teleological reasoning in Part II. Instead of its dominant reading as foremost relevant to the study of biological nature, the paper distils from the reflective-teleological judgment a universal principle by which we typically interpret any complex set of particulars. As such, the reflective-teleological judgment of 1790 is shown to have done away with interpretive truth, replaced by Kant with the more modest claim of intelligibility.
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The essay explores the puzzling relationship between joy and the problems of postmodern culture, which affect the quality of our being in the world. Reflection on the precarious status of joy and its uncertain position in contemporary culture allows for a unique perspective on this relationship. The higher the political, economic and social stakes, the more the search for joy becomes a search for meaning, an essential nourishment for cultural forms. Such joy, filtered through our struggles with life’s challenges, compels us to examine the consequences of its absence (pain, suffering, joyless existence) and its manifestations in art (music), religion (Christianity), and philosophy (freedom). The power of joy lies in recognizing the inevitable imperfection of all solutions to our problems that do not include it as a fundamental component of life.
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This essay explores the philosophical implications inherent in Samuel Beckett’s most enigmatic and metonymic late theater work, Not I, even as he frequently abjured any interest in philosophy, which he claimed neither to read nor to understand. The play is profoundly ontological, however, and its metonymic stage image engages the classical philosophical conundrum of the relationship of the part, a piece or fragment, say, to the whole, an issue with which Beckett has at least been intrigued for most of his creative life.
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