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Obrazy Žida a Róma v humoristicko-satirickom časopise Kocúr

Author(s): Zuzana Panczová / Language(s): Slovak Publication Year: 0

Obrazu Róma a Žida vo folklórnom materiáli sa slovenská folkloristika venuje už niekoľko rokov predovšetkým prostredníctvom prác Evy Krekovičovej (1998a, 2006 a i.). Zaujímavým historickým i žánrovým premostením a doplnením je ďalší typ prameňa – humoristické časopisy objavujúce sa v slovenskom jazykovom prostredí od 2. polovice 19. storočia. Tento materiál predstavuje rôzne typy textov, tlač totiž reprodukovala nielen verejnosťou spontánne šírené látky, ale prinášala i aktuálne komentovanie spoločenských udalostí prostredníctvom textových i obrazových prostriedkov rodiacej sa profesionálnej či poloprofesionálnej žurnalistiky. Spolu s E. Krekovičovou sme pripravili štúdiu, ktorá mapovala obraz „zradcu“ a „nepriateľa“ v prvom humoristickom časopise Černokňažník, kde v kontexte spoločenských a politických pomerov rakúsko-uhorskej monarchie dominovali najmä postavy „maďaróna“, Maďara a Žida (Krekovičová, Panczová, 2013a).

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Efektywność wykorzystania narzędzi komunikowania politycznego w Internecie przez prezydentów miast na prawach powiatu województwa śląskiego

Author(s): Agata Olszanecka-Marmola / Language(s): Polish Publication Year: 0

The Internet is at present one of the most important tools of political communication. From the point of view of politicians, it is a perfect tool, not only for economic reasons, but also because the fact that it offers the possibility of permanent communication, which is especially important in the period in-between campaigns. The present article aims to discuss the use of internet sites and social media (Facebook, Twitter, YouTube) by the presidents of cities with county rights from the Silesian Voivodeship. The research conducted indicates the insufficient and inefficient use of the Internet by the politicians subjected to the study. It also demonstrates the intensification of communicative activities on the Internet during election campaigns, and its gradual suppression in the period in-between campaigns.

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Çağdaş Türk Resim Sanatında Göç Teması: Ramiz Aydın Örneği

Author(s): Ferhunde Küçükşen Öner / Language(s): Turkish Publication Year: 0

Göç, farklı bileşenlerin bir araya gelmesiyle oluşan nedensellikler ve bu nedenselliklerin doğurduğu farklı sonuçlar üzerinden yaşanan sosyolojik bir olgudur. Bu bakımdan savaş, nüfus politikaları, daha iyi yaşam koşulları arayışı gibi bileşenler göç söz konusu olduğunda hem neden hem sonuç olabilir. Göç, tarih boyunca insanların 'arayış arzusunu' ve 'zorunluluklardaki edilgenliğini' bireysel ve toplumsal yönleri ile tecrübe etmesini sağladığı için pratiğe dönük olduğu kadar kavramsal boyutuyla da yaşar. Bu nedenle göç, sebep sonuçları tarihsel süreç içerisinde değişiklik arz etse de sürekli devam eder. 'Önce-şimdi-sonra döngüselliğini sürekli devam ettiren önemli bir eylemdir ve bireysel/toplumsal anlamda belleğin altını çizdiği kayıtların başında gelir.

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Tracing Deep Scars of 1915 in Art and Literature

Author(s): Esin Gülsen,Erdem Çolak,Selen Yamak / Language(s): English Publication Year: 0

Regardless of whether we call it genocide, massacre, exile or deportation, events experienced in Ottoman lands in 1915 cost countless lives, forced millions of Armenian people to leave their lands and left deep marks on next generations. In the 100th anniversary of 1915 events, it is impossible to say that Turkey has made a considerable way in terms of coming to terms with 1915 events.

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Архангелският култ в стенописите на храм-паметника "Св. Александър Невски" - традиции и нововъведения

Author(s): Totka Grigorova / Language(s): Bulgarian Publication Year: 0

In the pictorial language of the church fresco there are many changes in the various historical periods. The changes in the conceptual content and in the iconographic program of the late 19th and early 20th century show a change in the attitude towards ecclesiastical art. In essence, this involves the extending of range of the themes and stories that are no longer so closely bound up with liturgical action. In the multiple depictions of angels and archangels, an attempt can be found for compensating the stray of art from its main purpose. Most of the portrayed archangels images are representatives of the modern compositions of those times brought by the Russian artists who worked in the monument temple.

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L’ironie littéraire et artistique

Author(s): Maria Tronea / Language(s): French Publication Year: 0

The paper explores the evolution of irony in literature and its relationship to humour, the comical, parody, satire and sarcasm. In the latter part of the paper I expand my area of investigation to the fine arts and seek a common denominator of irony and satire in the works of such painters as Jérôme Bosch, Pieter Bruegel the old, Goya and others.

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Proměny duše v arteterapii

Author(s): Hana Stehlíková Babyrádová / Language(s): Czech Publication Year: 0

Psýché – duši člověka je obtížné pozorovat, její povahu nelze přesně popsat a ještě obtížnější je ji pochopit či stanovit pro ni nějakou definici. Psychiku člověka lze přirovnat k řece, jejíž proud se neustále proměňuje, a do něhož vstupuje mnoho postranních ramen, z nichž přitékají další proudy měnící její obsahy a celkové složení. Popsat detailně principy dynamiky psychických procesů je velmi těžkým úkolem pro odborníky, jako jsou psychologové, psychiatři, pedagogové či antropologové nebo sociologové. Umělci psychiku nepopisují, ale podvědomě ji vyjadřují skrze svoje díla. V umění jsou psychické fenomény symbolizovány, a právě skrze symboly jim lze částečně porozumět. Umělci, spontánní tvůrci, ale i charismatické osobnosti zabývající se terapií uměním, mají určitou výhodu, jelikož procesuální dynamiku neustále se proměňující psýché zakoušejí v dobrodružství tvorby, která se v kontextu léčení psychických poruch stává svobodným nástrojem vyjádření niterných obsahů duše jedince.

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Přístupy k práci s archetypem v terapii uměním

Author(s): Pavel Šafář / Language(s): Czech Publication Year: 0

Objev nevědomí na počátku 20. století je připisován psychoanalýze a především jejímu zakladateli S. Freudovi, který zásadně pozměnil pohled na člověka a na jeho biologické, kulturní a společenské podmínky. Již před Freudem mnozí myslitelé pracovali s fenoménem, který měl podobné charakteristiky jako nevědomí. A. Schopenhauer mluvil o nevědomé vůli k životu, která prý v našem tajuplném nitru pohání svého služebníka – intelekt: „Vůle je jako statný slepec, který nese na svých ramenou vidoucího, ale chromého člověka. Pouze zdánlivě jsou lidé přitahováni něčím, co je před nimi, ve skutečnosti jsou poháněni zezadu. Žene je nevědomá vůle k životu.“ (Schopenhauer, 1998, cit. dle Störig, 2000, s. 387) Na tyto myšlenky navázal Friedrich Nietzsche, který rozpoznal dva estetické principy – apollinský princip dobra, krásy a řádu a princip dionýský, noční, chaotický a dynamický, ve kterém lze spatřovat jakýsi předstupeň psychologického pojmu nevědomí.

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Między ekfrazą i apokryfem. O wybranych tekstach Jacka Dehnela

Author(s): Julia Dynkowska / Language(s): Polish Publication Year: 0

The paper concerns peculiar literary genre—ekphrasis (a literary description of work of art). Basing on selected (prose and poetic) texts by Polish writer Jacek Dehnel, which involve photography and painting, I am trying to examine if (and to what extent) the category of apocryphon may be adapted for research on ekphrasis. The category of apocryphon describes not only texts which supplement The Bible or literary mystifications, but also (prototypically) literary works in which “so-called modern realities are left more or less intact” (D. Szajnert’s suggestion) and which are filling up or amplifying narrations from works of fiction considered as canonical (e.g. short stories from Karel Čapek’s Kniha apokryfů).

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Kachlové série

Author(s): Not Specified Author / Language(s): English,Czech Publication Year: 0

Analyses were conducted with five groups of stove tiles connected by various attributes, which are known from many locations in the Czech lands of the second half of the 15th century, from the neighbouring Austria or Poland, as well as from the nearby Hungary.

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Klanění mudrců

Author(s): Markéta Tymonová,Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

The feast that celebrates the revelation of God (Epiphany), as the Gospel of Matthew (Mt 2.1–12) says, commemorates three Wise Men (also referred to as Magi or Kings) from the East who came to worship the newborn King of the Judeans. This motif mostly occurs on medieval relief stove tiles in the form of a compositionally unified picture, comprising Virgin Mary with Baby Jesus and three figures of Kings bringing gifts in various containers. The scene is usually framed by a simple post-built building reminding of the Bethlehem Stable and by the inevitable star that guided the Three Kings arriving either afoot, or exceptionally riding on animals’ backs. Distinguished from this concept is a series of tile reliefs, whose figures, placed mostly on a two-cusped segmental arch of a tracery, became independent and were depicted on their own separate stove tiles of rectangular format (in more detail Loskotová 2011, 14–20, 35–37, 108–112, 150–156, 246–248). The owner or builder of the given stove thus got more space to combine individual figures, especially due to additional figures who enriched the series. In the basic series, which is defined by a bordure in the form of crossed bars anchored at the foot of the above-mentioned arch, we so far completely or partially identified fourteen reliefs. In some locations, these reliefs are still supplemented by another figures that imitate the style and composition of the original collection.

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Turnaj

Author(s): Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

The tournament series comprises only four motifs, but it is easy to distinguish from the numerous relief depictions with similar content. Similarly as it was with the Adoration of the Magi series, the figures are not crowded together in the area of a single frontal heating panel, but appear individually on separate stove tiles. Apart from the overall visual design, these tiles are interlinked by the element of an ogee arch at the foot of the relief. The arch is topped by a transversal fess, on which individual figures are placed (Jordánková–Loskotová–Merta 2004, 582–583, 588–589; Jordánková–Loskotová 2007, 334–339, 352–355; 2007a; Loskotová 2011, 69–74). Inclined armorial shields are visible in pendentives on both sides of the arch. The main figures – two knights in full plate armour – are depicted just before the moment of their collision, with lance heads touching the opponent’s shield. The heraldic symbols (saltire raguly in escutcheon and a panache of peacock feathers with a fish in crest) enable to identify the knight riding to the left with Hynek Bítovský of Lichtenburk (Fig. 1; Stehlíková 1999, 227) – the leader of Moravian Catholic opposition against George of Poděbrady. The coat of arms on the other side of the relief and the armorial bearings on the shield on horse’s forehead belong to the Lords of Šternberk (eight-pointed star). The opponent can be identified on the basis of the figure preserved in the shield and crest as a member of the royal family of the Lords of Kunštát (Fig. 2). The coat of arms below the fess on the opposite side of this relief is unfortunately not preserved among the recorded finds. Behind this knight, there is a jester riding a hinny, donkey or mule.

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Rytířská kamna

Author(s): Markéta Tymonová,Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

The name “knight’s stove” was introduced into professional literature by the Hungarian researcher I. Holl. He used the term to designate a set of stove tiles from archaeological excavations in the area of the royal palace in Budapest. Following the relief decoration and technological design, these tiles belonged to one and the same type of a heating device. The chosen name was inspired by the figure of a cantering knight in the middle of relief decoration in one of the tile groups. Holl dated the origins of this stove on the basis of a detailed analysis of heraldic elements in the whole collection to a short interval between 1454 and 1456, i.e. to the period of reign of Ladislaus the Posthumous. He first defined twelve types in the find collection (Holl 1958, 291–294). The subsequent processing of finds then identified another types (13–23) and variants of the original group (Holl 1971, 199–200). The finds treated in this chapter also are classified on the basis of Holl’s typology.

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Provinilý lev

Author(s): Zofia Jagosz-Zarzycka,Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

The graphic design of the relief springs from an older tradition of Gothic ornaments in the form of a rosette, which is enclosed by a bordure from raguly sticks entwined with a leaved twig (Fig. 1). This motif is mainly known from the production of the royal workshop in Buda in the 2nd half of the 15th century (e. g. Holl 1971, 179, 199). Later conception replaced the raguly bordure on the sides and in the upper part by a meander (zigzag), which is interrupted by heads (putti?) in the upper corners and by small rosettes in the lower corners. Above the bottom edge of the relief, there is an inscription “scham dich” (shame on you) in Gothic minuscule, rhythmised by another rosettes. The inscription is undoubtedly related to the central figure of a hunched lion surrounded by a vegetal pattern from leaves and brier flowers that are separated from the meander by a right-angled rope (Fig. 2).

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Kachlové série – závěr

Author(s): Markéta Tymonová,Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

Ceramic finds were analysed depending on the availability of individual methods and possibility of destructive sampling. Analyses were made with selected representatives of stove tile series and groups, which are frequently found on various sites in our territory during the 15th century and whose occurrence is not limited only to the Czech lands. Series are characterised as assemblages of finds with clearly definable common features, i.e. collections of thematically related stove tile motifs set into a unified architectonic frame (Adoration of the Magi, tournament) and stove tiles, whose belonging to one and the same type of heating device is determined by a characteristic application of elements of Gothic architecture in connection with heraldic and artistic components of their decoration (knight’s stove). Group encompasses stove tiles with hunting and courtly motifs with similar visual design, which is supplemented by a secondary connecting element in the form of a vegetal ornament. However, this ornament does not represent an integral part of relief decoration and its form and application are variable. A separate group is represented by a motif, which is found on various sites in the same relief design and proportions (guilty lion), but the find contexts do not indicate its possible connection to other reliefs in the body of a stove.

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Drobná keramická plastika

Author(s): Markéta Tymonová,Martin Hložek,Zdenka Mechurová / Language(s): English,Czech Publication Year: 0

Small ceramic sculptures were made in pottery workshops and people used them in everyday life for various secular as well as religious purposes. They were widespread throughout Central Europe and their origin was localised to the pottery-making centres in Rhineland, Bavaria, Saxony or Lusatia. Ceramic products from these centres were then imitated in the neighbouring countries (Hoffmann 1996, 158–160). We often find them in towns around the main square and in the area of former markets, because in the Middle Ages they became a popular market article and were brought as devotional souvenirs from pilgrimage sites.

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Aquamanile a konvice se zoomorfními výlevkami

Author(s): Martin Hložek,Lenka Sedláčková / Language(s): English,Czech Publication Year: 0

Due to their exceptionality and different production technology, aquamaniles and ewers with zoomorphic spouts were mostly classified as imported goods. The increasing number of finds, not only from Brno, and the use of natural scientific analyses enabled to specify the place of their origin.

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Závěr

Author(s): Markéta Tymonová,Martin Hložek,Irena Loskotová / Language(s): English,Czech Publication Year: 0

The problem of distribution of ceramic artefacts with a higher proportion of decorative component was treated with the help of standard procedures of typological, stylistic and relief analyses, using natural scientific and documentation methods which have yielded new knowledge of production and distribution of high and late medieval stove tile goods and building and decorative ceramics. The research was focused on objects made from fired clay with the aim to determine the geographic origin of raw material used for their production. The crafts that worked with this raw material shared the same sources in the place of their activity, but the production procedures used with morphologically variable ceramic wares were different, which was reflected in a specific processing of the “clays” used.

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Zprostředkování umění v galeriích dětem předškolního věku

Author(s): Magda Strouhalová / Language(s): Czech Publication Year: 0

Zprostředkování umění v galerii přináší možnost nahlédnout do fantastického dětského světa skrze výtvarné umění. Budeme se snažit nalézt odpovědi na stěžejní otázky týkající se zprostředkování umění. Jak se edukační program tvoří? Co je při tvorbě programu důležité? Jaké zvolit výtvarné aktivity a jak mohu následně navázat výtvarnou činností v mateřské škole na edukační program? Pokusíme se nastínit zákulisí zprostředkování umění předškolním dětem při edukačních programech nebo při výtvarných ateliérech s rodiči a ilustrovat nejdůležitější informace a zkušenosti na konkrétních příkladech, které se odehrály v rámci konkrétních výstav. Abychom podpořili dlouhodobý aktivní zájem dítěte o umění a kulturu, je nesmírně důležité, jakým způsobem je koncipováno jeho první setkání s uměním.

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Amor Vincit: Příspěvek k ikonografické koncepci maleb Fabiána Václava Harovníka

Author(s): Vendula Prostředníková / Language(s): Czech Publication Year: 0

Domácí tradice nástěnného malířství se v Čechách plně rozvinula až v 18. století s osobností Václava Vavřince Reinera, avšak již ve druhé polovině 17. století se v dějinách českého výtvarného umění setkáváme s osobností malíře Fabiána Václava Harovníka, který se takřka jako jediný domácí umělec své doby specializoval na techniku nástěnné malby. Jeho dílo sice kvalitativně zaostávalo za soudobou evropskou produkcí, ale přesto jej výzdobou svých sídel pověřovali zástupci z řad vysoké aristokracie doby pobělohorské. F. V. Harovník působil od roku 1650 v pražském staroměstském cechu. Jeho dílo lze zhruba vymezit roky 1650−1682, nejexponovanějším obdobím malířovy tvorby se stala zejména šedesátá léta 17. století. Do roku 1654 dokončil spolu s G. Vanettim náchodskou zakázku pro Ottavia Piccolomini a v následujícím desetiletí pracoval na dvou významných pražských objednávkách pro Lobkovice.

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