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A Bardophobe? A Short Defence of Jan Śniadecki
4.50 €

A Bardophobe? A Short Defence of Jan Śniadecki

Szekspirofobia? Mowa krótka w Jana Śniadeckiego obronie

Author(s): Anna Janicka,Jarosław Ławski / Language(s): English,Polish / Publication Year: 0

Keywords: Jan Śniadecki; Enlightenment period; Shakespeare; Polish modern culture

This article focuses on Jan Śniadecki (1756–1830), an eminent Polish philosopher of the late Enlightenment period, and on his attitude to Shakespeare. Jan Śniadecki was a major figure in the debate on the shape of modern literature and culture in Poland in 1818–1825. A representative of classicising Enlightenment values, Śniadecki was seen as a conservative and an opponent of Romanticism, and as such he famously makes an appearance in Adam Mickiewicz’s ballad “Romantyczność”, a poem whose motto is taken from Shakespeare. Śniadecki has been accused of harbouring an aversion to Shakespeare, and he has met with ridicule for a passage in one of his treatises where he wonders if a more polished and well-educated 19th-century Shakespeare would have made a better playwright. As shown by the authors of this study, Śniadecki was not actually hostile to Shakespeare, whose genius he hailed on numerous occasions. What he found objectionable was the unquestioning adulation for the author of Richard III, a phenomenon we now call Bardolatry, as distinct from the more positive term of “Shakespeare mania” which denotes a broad fascination with the assimilated heritage of the English playwright. It appears that Śniadecki has fallen victim to a stereotype made permanent by the lasting success of the Romantic aesthetic in Polish culture.

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Dreams, Słowacki, Shakespeare and Others
4.50 €

Dreams, Słowacki, Shakespeare and Others

Sen, Słowacki, Szekspir i inni

Author(s): Michał Kuziak / Language(s): English,Polish / Publication Year: 0

Keywords: dreams; illusion; intertextual plays; Witold Gombrowicz; Juliusz Słowacki; Shakespeare; Calderon

This article focuses on the problem of dreams and the related cognitive, ontological and linguistic disorientation which leads to the experience of illusion. The article makes use of several highly intertextual plays including "Ślub" [The Wedding] by Witold Gombrowicz, "Balladyna" [Balladine], "Sen srebrny Salomei" [Salome’s Silver Dream] and "Samuel Zborowski" by Słowacki, and Shakespeare’s "A Midsummer Night’s Dream" and "Calderon’s Life is a Dream". These musings on 19th- and 20th-century literary texts invite reflection on the problem of the illusory nature of existence in post-modern thinking. Special attention is drawn to the diverse depictions of illusion in the plays and to their potential meanings.

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“What’s waiting there?” – Dostoevsky’s Hamlets, and a Glance at Dostoevsky’s Shakespeareana
4.50 €

“What’s waiting there?” – Dostoevsky’s Hamlets, and a Glance at Dostoevsky’s Shakespeareana

„Co będzie tam?”, czyli Hamleci Dostojewskiego (z rzutem oka na szekspiriana rosyjskiego geniusza)

Author(s): Tadeusz Sucharski / Language(s): English,Polish / Publication Year: 0

Keywords: Dostoevsky; Hamlet; Shakespeare; Russian literature

This short article presents the multi-dimensional links between the thoughts and works of Dostoevsky and the plays of Shakespeare. In one way or another, Dostoevsky lived his whole life under Shakespeare’s spell. He saw in Shakespeare an artist endowed with the power to reveal the ineffable aspects of reality, and his fascination is palpable in his numerous inter-textual allusions, quotations and cryptic references to Shakespeare’s plays as well as in his approach to characterisation (Stavrogin in The Possessed). Hamlet was a particularly important play to Dostoevsky, who saw Prince Hamlet as a champion of metaphysical rebellion. To him, Hamlet’s lines contained some of the most important existential dilemmas such as reflections on man’s place in the cosmos and musings on “existence” beyond the grave. From his youngest days suicide was always a lasting influence on Dostoevsky’s thinking; his best novels tend to contain characters who are “logically” drawn to suicide and have to undergo a variety of trials as if trying to find an ultimate answer to Hamlet’s famous question. To Dostoevsky, however, suicide was part and parcel of the human experience in a hopeless world stripped of all transcendence and stranded in a limbo between “the truth of science” and “the truth of faith”. Unlike the times of Hamlet, when things may have been chaotic but faith still prevailed, Dostoevsky’s characters exist in a period of empty transcendence and wanton free will, where suicide becomes a desperate attempt to find metaphysical consolation.

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A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yūshi Odashima’s Translation
4.50 €

A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yūshi Odashima’s Translation

A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yūshi Odashima’s Translation

Author(s): Ayami Oki-Siekierczak / Language(s): English,Polish / Publication Year: 0

Keywords: colour in theatre; Richard III; translation of colour in Japan; Yūshi Odashim; Japanese reception of Shakespeare

In Shakespeare’s art, visual perception is entwined with touch, taste, hearing, and smell: the colour terms stimulate other senses, recalling their symbolic meanings in both ‘colourful’ plays (such as "Romeo and Juliet" and "The Winter’s Tale") and those dominated by bleak and darkish hues (such as "Richard III" and "Hamlet"). The paper surveys Shakespeare’s contemporary perception of colours so that we can understand more clearly what his colour usage means in the play, describes Shakespeare’s use of colour in "Richard III" and specifies what kinds of colour appear at which points in the play. It also covers the translation of colour in Japan, while particularly focusing on blue in Odashima’s 1983 translation, comparing it with other important translations in the history of the Japanese reception of Shakespeare.

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On Shylock Postage Stamps
4.50 €

On Shylock Postage Stamps

O znaczkach z Szajlokiem

Author(s): Mieczysław Abramowicz / Language(s): English,Polish / Publication Year: 0

Keywords: postage stamp; Shakespeare portrait; The Merchant of Venice; Shylock

The first postage stamp bearing the image of William Shakespeare was issued 24 years after the world’s first ever stamp, the Penny Black, came out on 6 May 1840. Today, a complete collection of Shakespeare-themed stamps from all over the world would have to include almost a thousand items (stamps, stamp series, souvenir sheets, commemorative postmarks, first day covers, postcards) with hundreds of themes ranging from portraits of Shakespeare to scenes from his plays, including "The Merchant of Venice". Shylock first appeared on a postage, stamp issued by the Emirate of Fujeira as part of a nine-piece series (1969), followed by two Senegalese stamps (1972) and a Sierra Leone series (1989). The most recent Merchant of Venice-themed stamp is part of a ten-stamp series issued by Saint Vincent and the Grenadines, a tiny island nation in the Caribbean. The stamp shows Portia who is played, rather surprisingly, by the Disney character of Minnie (the series also shows Donald Duck as Hamlet, Mickey Mouse and Daisy as Romeo and Ophelia, Goofy as Mark Antony and Clarabell Cow as Titania). The Polish Post Office has never come up with Shakespeare-themed stamps, so the author takes the liberty of recommending a virtual series to feature portraits of famous actors appearing in performances of "The Merchant of Venice" in Gdańsk, including Siegfried Gotthilf Eckhardt (1780), Ludwig Devrient (1818, 1821), Ira Aldridge (1854), Marija Vera (1917), and others.

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To the idea of ​​the game
4.50 €

To the idea of ​​the game

Zur Idee des Spiels

Author(s): Małgorzata Filipowicz / Language(s): English,German / Publication Year: 0

Keywords: fairy tale; game; play; German literature; English literature

The volume is a collection of 18 papers that examine the relationships between fairy tales and games/play from a variety of perspectives, taking on a broad range of research problems, methodological approaches and source materials. The contributors seek not only to elucidate the treatment of the game/play motif in fairy tales, but also to uncover the mechanics of intertextual and inter-medial play with the fairy tale tradition in American, British, Georgian, Icelandic, Austrian, Swiss and Polish culture. As such, the book showcases the richness and multi-layered quality of the “fairy tale and game/play” thematic complex, serving as inspiration and encouragement for continued research.

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About the Game of Poetry in Fairy Tales
4.50 €

About the Game of Poetry in Fairy Tales

Über das Spiel der Poesie im Märchen

Author(s): Harm-Peer Zimmermann / Language(s): English,German / Publication Year: 0

Keywords: fairy tales; game theory; aesthetics; anthropology; poetics

This paper asks about the intellectual origin of game theory with regard to fairy tales: what is the underlying concept of game? For this purpose, the hour of birth of homo ludens as homo narrans is examined. It concerns the aesthetics of Immanuel Kant and Friedrich Schiller, the anthropology of Johann Gottfried Herder and the poetics of Jacob Grimm. Different frameworks for the autonomy of the narrative game are presented: epistemological, epochal, national and formal.

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“You Have to Kiss a Lot of Frogs before You Meet Your Handsome Prince”
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“You Have to Kiss a Lot of Frogs before You Meet Your Handsome Prince”

„Bevor du deinen Prinzen findest, mußt du eine Menge Frösche küssen“

Author(s): Wolfgang Mieder / Language(s): English,German / Publication Year: 0

Keywords: fairy tale; Grimm; kiss; proverb; variant

In the German fairy tale Der Froschkönig the princess throws the ugly frog in disgust against the wall, upon which the animal changes into a handsome prince. In a variant the frog sleeps for three nights on the bed of the princess and then is changed into a prince. There are dialect variants in which the frog is transformed into a prince by a liberating kiss. With the exception of very recent children’s books, there is no kiss scene in the printed versions of the tale. The kiss has entered the folktale by way of the modern proverb “You have to kiss a lot of frogs before you meet your handsome prince.”

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Playing like Gods
4.50 €

Playing like Gods

Spielen wie die Götter

Author(s): Angelika B. Hirsch / Language(s): English,German / Publication Year: 0

Keywords: fairy tales preserve cultural peculiarities; playing characters; Tacitus and playing Germans; unholy gambling; gambling as a picture of an ideal world

Gambling protagonists are characteristic of Icelandic fairy tales, while the act of playing itself is irrelevant to the plot. A closer look at the playing characters surprisingly reveals a deep understanding of ancient Germanic culture: gambling with each other is much more than pure leisure. Humans and Gods are building a communion and performing an ideal world.

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About the Symbolic Play with Fear, or: How ‘Märchen’ Help to Build Up Resilience
4.50 €

About the Symbolic Play with Fear, or: How ‘Märchen’ Help to Build Up Resilience

Vom symbolischen Spiel mit der Angst oder: Wie Märchen spielerisch Abwehrkräfte stärken

Author(s): Sabine Lutkat / Language(s): English,German / Publication Year: 0

Keywords: ‘Märchen’; symbolisation; thrill; children’s games; courage

‘Märchen’ symbolise our dreams and desires, our fears and nightmares. Traditional ‘Kindermärchen’ with the motifs of devouring and being devoured have a striking similarity with early children’s games. The experience of going through a playful fright in these games or through traditional stories works because the frame is safe and secure. The thrill of experiencing fear in a secure environment accompanies the child’s development and helps to build up resilience and emotional resources.

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The Play of Life and Death in Georgian Folktales
4.50 €

The Play of Life and Death in Georgian Folktales

Spiel um Leben und Tod in georgischen Volksmärchen

Author(s): Elene Gogiashvili / Language(s): English,German / Publication Year: 0

Keywords: folktale; magic tale; realistic tale; children’s games; mythology

The article gives an account of Georgian folktales and traditional children’s games, representing the fight between light and darkness. An overview of folkloric material outlines the characteristics and transformations of some archaic motifs in magic tales, realistic tales and traditional games. This article shows how a mythological motif can be transformed in folk traditions and what correlation may folktales have with children’s games.

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“If I Only Knew What It Is Like to Be Very Poor… ”
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“If I Only Knew What It Is Like to Be Very Poor… ”

„Wenn ich nur wüsste, wie es ist, wenn man ganz arm ist …“

Author(s): Ewelina Michta / Language(s): English,German / Publication Year: 0

Keywords: fairy tale; Berlin; princess; fate; learning process

The aim of this study was the analysis of a fairy tale from the cycle of sagas and fairy tales from Berlin entitled "Das Märchen von der Prinzessin, die das Hungern lernen wollte". The story concerns the reckless game of Princess Charlotte with her fate. An examination of the empirical material revealed that the protagonist was exposed to a learning process on her courageous journey, from which she learned an important lesson. The theme of the fairy tale can therefore have a meaning for the real life of the reader, which consists in the universal educational role.

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Fairy Tales in a Play? A Play with Fairy Tales? About Polish Operas at the Teatr Wielki – Polish National Opera
4.50 €

Fairy Tales in a Play? A Play with Fairy Tales? About Polish Operas at the Teatr Wielki – Polish National Opera

Märchen im Spiel? Spiel mit Märchen? Zum polnischen Opernschaffen in dem Großen Theater – der Nationaloper

Author(s): Małgorzata Kosacka / Language(s): English,German / Publication Year: 0

Keywords: fairy tale; fairy-tale drama; libretto; opera

The paper aims to present the results of studies on a fairy-tale drama based on the repertoire of the Teatr Wielki – Polish National Opera in Warsaw. The author tries to describe the development of the genre and the typology of its forms, and to compare its structural features in order to present the tradition of the poetics of a fairy-tale drama at the Polish National Opera.

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The World as Stage and Performance
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The World as Stage and Performance

Die Welt als Bühne und Darstellung

Author(s): Andrey Kotin / Language(s): English,German / Publication Year: 0

Keywords: fairy tale; play; Romanticism; Ludwig Tieck

The article focuses on the metamorphosis of the fairy tale "Puss in Boots", both in Perrault’s and Grimm Brothers’ versions, transformed into a theatrical performance by Ludwig Tieck, a legendary German Romanticist. The most important topics to be discussed in this context include those of literature and other art forms dealing with the play-like nature of reality and the multifunctional, interactive triad “Player–Spectator–Author.”

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Fairy-Tale Elements and Their Sociocritical Function in Short Stories by Heinrich Federer: "How Bruder Klaus Teaches to Read" and "Father and Son at the Exam"
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Fairy-Tale Elements and Their Sociocritical Function in Short Stories by Heinrich Federer: "How Bruder Klaus Teaches to Read" and "Father and Son at the Exam"

Märchenhafte Elemente und kulturkritische Aspekte in Heinrich Federers Kurzprosatexten "Wie Bruder Klaus lesen lehrt" und "Vater und Sohn im Examen"

Author(s): Marzena Górecka / Language(s): English,German / Publication Year: 0

Keywords: social criticism; short stories; fairy-tale genre; society and culture of modernity; Catholic writer

Heinrich Federer was a Swiss writer whose short stories were bestsellers. The sociocritical aspect of his short prose is discussed in the article, drawing upon two of his stories. The analysis is intended to show that in his social criticism Federer uses means of expression and categories typical of the fairy-tale genre, such as contradictions or dreams. In the first text the author sketches the idyllically situated hermitage of the uneducated title protagonist, standing in opposition to the outside world.

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"Little Allies": Hermynia Zur Mühlen’s Fairy Tales as Imaginative Educational Games
4.50 €

"Little Allies": Hermynia Zur Mühlen’s Fairy Tales as Imaginative Educational Games

"Little Allies": Hermynia Zur Mühlens Märchen als phantasievolle Lernspiele

Author(s): Christiane Baumann / Language(s): English,German / Publication Year: 0

Keywords: proletarian fairy tales; exile literature; proletarian revolutionary literature; fairy-tale collection; Hermynia Zur Mühlen

Zur Mühlen is known as the most important German-speaking author of proletarian fairy tales. This essay examines the concept of propaganda and the meaning of play in her writing style, which not only set the theme for her fairy tales throughout the 1920s, but also for her last fairy-tale collection, Littles Allies, which was neglected by researchers. This article debunks the widespread theory that Zur Mühlen gave up her leftist beliefs and returned to her Catholic roots while in exile.

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“Dying Forests as the Last Fairy Tale”
4.50 €

“Dying Forests as the Last Fairy Tale”

„Waldsterben als letztes Märchen“

Author(s): Mirosław Ossowski / Language(s): English,German / Publication Year: 0

Keywords: fairy tales; dying forests; The Rat; Günter Grass; Brothers Grimm

This article is about the influence of the fairy tales of Jacob and Wilhelm Grimm on the literary work of Günter Grass, especially on the novel "The Rat". The play with fairy-tale motifs in dealing with the problem of the dying forests of Germany is analysed. The subject of the study is a film draft in the novel with fairy-tale characters and the Brothers Grimm.

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“The World of Phenomena Is Just a Game to Her”
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“The World of Phenomena Is Just a Game to Her”

„Die Welt der Erscheinung ist für sie nur ein Spiel“

Author(s): Marek Jakubów / Language(s): English,German / Publication Year: 0

Keywords: Martin Mosebach; German literature; fairy-tale drama

Martin Mosebach’s drama "Rotkäppchen und der Wolf" (2006) harks back to Ludwig Tieck’s fairy tale. For Mosebach, the destruction of the depicted world, characteristic of this Romantic genre and often interpreted as a harbinger of the postmodern game, is not a means of unmasking conventionalised patterns. The writer uses them to create a multilayered structure, analogous to Baroque antithesis, which indicates complicated connections and hidden meanings.

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Play and Literature: "Ludus" in Michael Ende’s "Der Spiegel im Spiegel"
4.50 €

Play and Literature: "Ludus" in Michael Ende’s "Der Spiegel im Spiegel"

Play and Literature: "Ludus" in Michael Ende’s "Der Spiegel im Spiegel"

Author(s): Małgorzata Filipowicz / Language(s): English,German / Publication Year: 0

Keywords: play; cultural record; fantasy; ludic elements; intertextual games

In the present paper, the terms ‘game’ and ‘play’ are used interchangeably and analysed on the basis of "Der Spiegel im Spiegel" by Michael Ende (1986). In this collection of short stories, the exploration of play with reference to the form, structure and composition of the work of literature should only be considered as a side issue, since play as “cultural record” or Bakhtinian dialogism appears to occupy a central role here.

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Janosch Tells a Story and Plays with Grimms’ Fairy Tales
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Janosch Tells a Story and Plays with Grimms’ Fairy Tales

Janosch erzählt und spielt mit Grimms Märchen

Author(s): Angela Bajorek / Language(s): English,German / Publication Year: 0

Keywords: Janosch; Grimms’ fairy tales; ironic play with fairy tales; contemporary adaptation

The paper shows how Janosch adapted Grimms’ fairy tales by offering a new interpretation and introducing structural changes. His collection, which is modern and innovative in the context of German children’s and youth literature of the 1970s, is full of sarcasm and irony, and it points to a critical view of human weaknesses.

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