Bilješke o Andriću

Author(s): Radovan Zogović / Language(s): Serbian Issue: 61-62/2013

S Ivom Andrićem kao piscem upoznao sam se prvi put na ljetnjem raspustu poslije trećeg razreda gimnazije, u svom selu, dobivši od rođaka–učitelja jednu obeskoričenu svesku Srpskog književnog glasnika, u kojoj sam našao i pročitao pripovijetku Ćorkan i Švabica. Ono što je Andrić tu pisao o ljudima i životu bosanske kasabe umnogome se podudaralo s mojim utiscima i iskustvom u polimskoj polumuslimanskoj varošici gdje sam učio, i zauvijek je ostalo u meni kao “samootkriće” i izraz nečega mog, kao želja da i sam napišem o tome u Beranama. Iva Andrića kao čovjeka, građanina i sugrađanina, mada sam u Beogradu živio od 1935. godine, bavio se književnošću, sarađivao u časopisima, sam uređivao jedan (Umetnost i kritika) i bio član redakcije drugog (Naša stvarnost), sretao se sa starijim i mlađim piscima, čitao na književnim večerima i držao javna predavanja, – upoznao sam tek poslije oslobođenja Beograda, u jesen 1944. godine.

Dvostruki Identitet - Kozarčeve Tene (1894.)

Author(s): Goran Zovko / Language(s): Croatian Issue: 4/2015

Josip Kozarac writes book Tena to expose female psychology of awakening femaleness through wild behavior of femme fatale. Tena’s figure is based on two different identities bearing in mind her maiden growing and subsequent position of lustful seductress who activates the other characters and causes unexpected situations. From emotional and a girl in love, Tena will develop into desiring seductress who fully enjoys life without realizing that her fantasies makes evil to herself and others. Following the physical and mental development of the main female character, leads to the conclusion that femininity of a femme fatale is a serious psychological problem that becomes a main cause of life curse.

BIJELO POLJE

Author(s): Adin Ljuca / Language(s): English Issue: 1/2016

BIJELO POLJE

Author(s): Adin Ljuca / Language(s): Bosnian,Croatian,Serbian Issue: 1/2016

Završna riječ Zlatka Topčića autentičan prilog romanesknom dizajniranju autsajderske paradigme junaka u bosanskohercegovačkoj (post)ratnoj prozi

Author(s): Vedad Spahić / Language(s): Bosnian Issue: 10/2015

The novel's main protagonist is an outsider, humanistically self-aware and a universalistically declared figure. He is an «inner-otherness» and the writer wants to design him so that he embodies a kind of moral vitalism to the extent possible in a deadly war. The focus is on a minority view of the so-called meta theme and narrative which, in a mosaic-like consideration of the contemporary literature of Bosnia and Herzegovina, may play a prominent role in the process of a permanent re-shaping, not just mere confirmation and evoking of personal and collective identities as literary and cultural creations. Inspired by the Bosniak post-genocidal victimology, values of the recent identity (re)configurations, seen from the outsider position of the «neutral other» aim for the integral representation of the collective spirit and for the reader willing to vigorously and deeply re-examine their own opinions. Even though the main protgonist is on trial for war crimes, the focal point of re-examination of the so-called logical order is love – the only area in which he does not function as an outsider – for only love contains some of the mystery against which conjunctures of ideologically silenced and philistine-shaped social reality repel, similarly to Laughable Loves by Milan Kundera.

“Sarajevski tekst” u poeziji Abdulaha Sidrana

Author(s): Nehrudin Rebihić / Language(s): Bosnian Issue: 12/2014

The aim is to present the idea and memory figure “Sarajevan text” in Bosniak literature, using the example of poetic works by Abdulah Sidran. Sidran’s poetry collections represent Sarajevo in different ways: Sarajevan Collection (Sarajevska zbirka) interprets Sarajevo as a policy, a city with a significant historical and cultural repository of memory; The Coffin of Sarajevo (Sarajevski tabut) presents it through the metaphor of the city under siege; and Affliction (Morija) depicts it as a necropolis. This article seeks to determine how literary texts participate in the creation of the image and knowledge of a particular space, and how their projections and representations of space become “real” and “realistic”.

Dževad Kučukalić

Author(s): Dževad Kučukalić,Sead Burić / Language(s): Bosnian Issue: 3-4/2015

Dževad KUČUKALIĆ: ZAŠTO NISAM MOGAO ZASPATI DVIJE NOĆI U BRČKOM? Dževad KUČUKALIĆ: VJENČANJE U KIJEVU Sead BURIĆ:ALIJAGIN ZOV PRAUNUKU DŽEVADU KUČUKALIĆU BIOGRAFIJA I BIBLIOGRAFIJA DŽEVADA KUČUKALIĆA

Pjesma

Author(s): Dragan Vilić,Mirjana Đapo / Language(s): Bosnian Issue: 3-4/2015

(Kozmički bijes) Poem by Dragan Vilić PRED POEMOM DRAGANA VILIĆA - KOSMIČKI BIJES

Iz ptičije perspektive

Author(s): Senahid Nezirović / Language(s): Bosnian Issue: 3-4/2015

Iako je u istoj, 1987. godini završio Višu ekonomsku školu u Beogradu, te objavio zapažen poetski prvenac „Vrijeme velikog posta“, tada je malo ko mogao pretpostaviti da će se Žarko Milenić (r. 1961, Brčko, SR BiH, SFRJ) razviti u raskošnu i svestranu književnu individuu. Danas, nešto više od četvrt veka posle pojave njegove prve knjige – matice, osvedočili smo se u istinitost tvrdnje o tome da je reč o sjajnom dramskom piscu, studioznom esejisti i kazališnom kritičaru, plodnom prevodiocu (sa engleskog, ruskog, makedonskog, bugarskog, slovenačkog i ukrajinskog jezika), čija su dela prevođena na više jezika, dobitniku književnih nagrada za poeziju, prozu, dramu i esej u BiH, Hrvatskoj i Makedoniji; rečju ostvarenom piscu koji je osvetlao obraz svojih nastavnika...

KULTURALNO-MEMORIJSKI ASPEKT I POETIČKE ODLIKE DOKUMENTARNO- -MEMOARSKE PROZE HASANA NUHANOVIĆA

Author(s): Nirha Efendić / Language(s): Bosnian Issue: 62/2015

Within the opus of post-war, post-canonical Bosniac literature and the emergence of a specific stream already commonly referred to as war letters (Kazaz 2012) or poetic memories (Kodrić 2012), we are witnessing the existence of a distinct branch which in its utter diversity of genre or culturallymemorial perspective is recognized as Srebrenica text. Thus the subject of Srebrenica tragedy develops from the first novel of Isnam Taljić and Mirsad Mustafić further through poetic-commemorative discourse of Srebrenica Inferno by Džemaludin Latić, then poems dedicated to the victims of Srebrenica that came from the pens of Abdulah Sidran and Melika Smailbegović Bosnawi to documentary prose of Emir Suljagić recognised primarily in the testimony Postcard from the grave, and then in his novel Samouk (self-taught). Of the same branch are the memoires of Hasana Nuhanović, symbolically titled Escape (Hasan’s Escape – Road to Srebrenica) for it follows the track of war from incredible survival in mountains to even more unusual arrival to the City under siege, and then facing with all the troubles that are in sociohistorical context generated in the term Srebrenica. This article presents culturally-memorial aspect of Nuhanovićes memoires and attempts to determine convincing places in his prose work (Nora 2006), that make his work artistic, regardless of its evidently documentary orientation. Thus we attempt to eliminate possible confusion regarding its genre (Nuhanović [2012] 2014: 394). We used analytical and interpretative methods in this article.

Pisanje kao potraga za smislom

Author(s): Dijana Hadžizukić / Language(s): Bosnian Issue: 1-2/2016

Bježati od besmisla stvarnosti i tražiti utočište u pismu i pisanju, stara je i davno viđen atema. U različitim književnim epohama ispisivana na osobene načine, uvijek prisutna i zanimljiva. Zašto se ovakvom temom baviti kroz romane Seada Mahmutefendića? Razlog je u načinu na koji Mahmutefendić ispisuje svoje romane, i nama, književnim kritičarima, koji pokušavamo uvijek negdje autora smjestiti i klasificirati, zadaje probleme.

Dramske emocije i strasti narativa Isaka Samokovlije

Author(s): Srđan Vukadinović,Jakov Amidžić / Language(s): Bosnian Issue: 1-2/2016

Kind of interesting characteristic of each author is his attachment to the stage and the (im) possibility of literary narratives provide and allow for staging staging. In this sense, the work of Isaac Samokovlija, that counts in bibliographic allegations ten units primarily narrative and drama genre, is particularly inspiring and interesting. Carried out to six South Slavic professional scene works Isaac Samokovlija the drama carried a story of emotions and passions, which itself is an eternal theme of many authors. In this sense, “Hank” and “Blue Jew” a kind of allegory that (do not) have to illustrate life, but indicate more dimensions that are hardly visible in society. As the company matures so mature and dimensions of human existence that has its source at Isaac Samokovlija are in the senses and emotions.

Složenost dramskih struktura Derviša Sušića

Author(s): Jakov Amidžić,Srđan Vukadinović / Language(s): Bosnian Issue: 1-2/2016

Creative work Dervis Susich is very diverse and characterized by diverse forms and genres. The extraordinary significance of its creation are dramatic structure. With them is the author left a mark in nezbrisiv dramatic heritage and Bosnia and Herzegovina, and the South Slavic region. Acts Dervis Susich the stage set up in all the BiH theaters, including: Tuzla NP (13), NP and BNP Zenica (7), NP Mostar (3), the Tuzla Cabaret Theatre (2) while at a work produced at the National Theatre in Sarajevo and Banja Luka, as well as in the Chamber Theatre 55 and Prijedor Theatre. Although at first glance, its vitality and the reality of most Sucich work, has in the past and in the time duration of the journey during the XVIII and XIX century, they are, however, occur in the modern era of turbulent social and historical movement. Susich fictional world where everything happens before or two centuries, in fact, the modern South Slavic real space in which everything is reminiscent of that long-ago situation and time. Just as the show and the show Susich drama structure, the venues, he sees all the complexity and social and historical transformation for a period of one or two centuries. Own image, which is ground zero in relation to the events in Susich’s work a man of the third millennium can be seen in almost all the works of this great playwright.

Recepcija, teorijsko definiranje i model analize narativa u starijoj bošnjačkoj književnosti na orijentalnim jezicima

Author(s): Adnan Kadrić / Language(s): Bosnian Issue: 65/2016

The issue of determining the literary-theoretical framework for the reception of the narrative in the older Bosniak literature is rather complex. The methodological and theoretical basis for the genre classification of the narrative in the older Bosniak narrative literature is observed both in terms of the content and in terms of expressionism. The paper draws attention to the fact that a stylistic classification into periods of the older narrative Bosniak literature in oriental languages requires - on the one hand - an observation literary phenomena from the aspect of internal development of a genre, as well as stylistic tendencies in a given period, while on the other hand - it requires an observation from the aspect of general historical context that influences the development of cultural life in general, including the development of literature. One of the most important conclusions to be reached is that the most complete stylistic periodization and genre classification is the one that does not differentiate between the content and the form when drawing conclusions, but making a synthesis of the facts derived from the analysis and the content and the form of the work, as well as the literary world of the author. Semiotic cultural and civilisational patterns and imagological foundation narratives in old Bosniak and Bosnian-Herzegovinian literary tradition is a phenomenon which, in the examples of analysis of individual works, can significantly affect the various cultural re semantisation of the same motives under the influence of different literary sources or give a certain specific meaning and/or a code in order to understand the semantically difficult-to-navigate texts of intra-cultural nature in a literature marked by a specific poetic registry.

Može li drugi čitati? Skica o teorijsko-književnohistorijskim pitanjima i problemima recepcije književnog djela Ive Andrića

Author(s): Sanjin Kodrić / Language(s): Bosnian Issue: 74-75/2016

Ivo Andrić i njegovo književno djelo neki su od živih problema postjugoslavenskih književnih historiografija i njihovih međusobnih odnosa. U bosanskohercegovačkom, a posebno bošnjačkom književnohistoriografskom slučaju u vezi s Andrićem najizrazitiji je prijepor pitanje koje je dobro poznato i u širem kontekstu – pitanje koje se u simplificiranoj perspektivi javlja kao problem Andrićeva odnosa prema Bosni i Bošnjacima. Radi se, međutim, o višestruko složenijem problemu reprezentacije Bosne, posebno bosanske povijesti, bosanskih muslimana, “muslimanskog Orijenta” i drugih sličnih i ovom bliskih pojava u Andrićevu književnom djelu, u vezi s kojim ni bosanskohercegovačka ni bošnjačka književna historiografija nisu niti mogu biti homogene. Zato je u konačnici nemoguće govoriti o nekoj jedinstvenoj, unisonoj bošnjačkoj, a pogotovo ne o jednoobraznoj bosanskohercegovačkoj recepciji Andrićeva književnog djela ili nekih njegovih aspekata u ovoj problemskoj perspektivi.

Kad započinje novija bošnjačka književnost?

Author(s): Sanjin Kodrić / Language(s): Bosnian Issue: 2/2023

The paper deals with the poem Pozdrav (Greetings) by “Mr. Hoca Mehmed-Emin-Efendi”, published in 1866 in the inaugural issue of Bosna, one of the first newspapers printed in the Bosnian Vilayet. It is the first, but now almost completely forgotten poem written in the Bosnian language and the western alphabet in Bosniak literature, that is a poem which is the first, though not sufficiently acknowledged text of modern Bosniak literary practice in general. In this context, the paper discusses the literary-historical problems of the beginnings of modern Bosniak literature, especially the problem of its demarcation of older Bosniak literature. In doing so, and in contrast to the commonly accepted periodization and systematization of Bosniak literature, the paper introduces the concept of the “Pre-Revival period” as a transitional historical-developmental phase between older and modern Bosniak literature at the time of the last decade of the Ottoman rule in Bosnia

Etička pozadina dječačkih likova u pripovijetkama Alekse Mikića: na primjeru zbirki priča Sunčana obala i Priče o malim borcima

Author(s): Mirzana Pašić Kodrić / Language(s): Bosnian Issue: 2/2023

Literary history and criticism have not shown more significant interest in the creative potential of Aleksa Mikic to the present day, and, unfortunately, his work has remained sealed by the character of engaged 'national-liberation' literature for children in a one-sided and highly engaged realistic tone of 'action and battles,' or simply by the character of realistic autobiographical stories with the leitmotif of the heavy burden of a poor rural upbringing in Bosnia and Herzegovina between the two World Wars. This paper seeks to examine other poetic features of Mikić's work – indications of post-war premodernism, and even fragmentary post-war modernism in the collection of stories Sunny Beach (1954), but also through ethical criticism of the background of various boy characters in Mikić's collection Stories of Little Fighters (1962). This ethical background today, without questioning the aesthetic characteristics of Mikić's art, however, due to its ideological nature, requires the reintegration of such and similar texts in children's literature, since the main characters are boys fighters. However, all this shows that the work of Aleksa Mikić is much more poetically complex, but also more literary relevant than it seems at first glance.

Imagološki pristup romanu pripovijesti Nova vremena (Slika iz novijeg života u Bosni). (1914) Edhema Mulabdića

Author(s): Elmir Spahić / Language(s): Bosnian Issue: 2/2023

The paper is about observing and analyzing hetero-images (ideas about foreign countries and peoples) and self-images (ideas about one's own country and people) and their integration-related or subversive functions in the novelnarrative of Enlightenment Realism of the Renaissance period of Bosniak literature through which constant ideological antagonisms on the topics past – future, old – new, traditional – modern, East – West, etc. are stretched, and all of them are based on the conflict of two civilizations and cultures – Oriental Islamic and Western European.

Amela Mustafić, dvije pjesme

Author(s): Amira Sadiković / Language(s): Bosnian Issue: 3/2024

“Pjesništvo je uvijek aktuelno, ali ljudi toga nisu svjesni. Ja vidim poeziju u svemu što pogledam. Poezija se manifestira u svim ljudima. Ljudi se prepoznaju samo onda kada se ogledaju u tuđim očima. Ogledajte se u očima beskućnika i napisat ćete pjesmu o čovječanstvu,” kaže Amela Mustafić u jednom intervjuu.

Amela Mustafić, Two Poems

Author(s): Amira Sadiković / Language(s): English Issue: 3/2024

“Poetry is always relevant, but people don’t realise it. I see poetry in everything I look at. Poetry is manifested in all people. People recognise themselves only when they see their reflection in different eyes. See yourselves in the eyes of a homeless person and you will be writing a poem about humankind,” said Amela Mustafić in an interview. Born in Srebrenica in 1994, holds a master’s degree from the University of Sarajevo: she has published several collections of poetry, translated into several languages.