Диптихот Доровски низ призмата на една машко-женска поетска енергија

Author(s): Vesna Mojsova-Čepiševska / Language(s): Macedonian Publication Year: 0

Ever since mythical days identity has been designed through the “Other one” prism, and consequently, these Dorovski couple verses, show the phenomena of their personal identity as well as the possibility of its double poetic consideration both in their own language, and in the language of the „Other one”. Hence the 17 poems of Dagmar Dorovska and the 16 poems of Ivan Dorovski have both a Czech and a Macedonian version, and thus become available / readable for both the Macedonian and the Czech reader. The 33 poems from “The town, the Water, the People” represent a poetic picture of their deepest insights, confessions never told to their very end, confessions wanted to be uttered but not, sometimes simply because it was not the right time, pictures that draw a possible first person plural selfportrait, creating a hyperbolic „WE” through the strong power of the dichotomy nature – culture.

Расказите на Карел Чапек на македонски јазик

Author(s): Lidija Kapushevska-Drakulevska / Language(s): Macedonian Publication Year: 0

The Reception of Karel Čapek’s short stories in Macedonian starts with Vera Janeva-Stojanovich, the author of the only PhD dissertation dedicated to the great Czech and world-wide writer which is named: “Karel Čapek and expressionism” (Skopje, 1973). Čapek’s work is also translated on Macedonian by: Dimitar Dimitrov, Dime Mitrevski and the most by Professor Donka Rous. Although Čapek’s short stories are written a hundred years ago, they have lost nothing of theirs freshness; nowadays, they are still admirable with their great sort of humanism.

Pohádkové příběhy v české literatuře pro děti a mládež (1990–2010)

Author(s): Milena Šubrtová / Language(s): English,Czech Publication Year: 0

It is not possible to describe the position and the form of fairy tale in the Czech literature for children and youth of the past two decades without returning to transformations of the Czech literary scene immediately after 1989. The 1990s in the Czech literature for children and youth were a turbulent period influenced by social changes brought about byde–monopolization and fragmentation of publishing activities and also by the chance of open confrontation with the international book production featuring top as well as trivial and utilitarian works. The new national production of that period remained in the shadow of edition returns to the time–tested books from the golden collection of the Czech literature and also returns to the banned authors of the previous period. Quantitatively, catchy translations prevailed on the book market.

Lidová pohádka v adaptacích Milady Motlové

Author(s): Jitka Zítková / Language(s): Czech Publication Year: 0

Jitka Zítková’s chapter Lidová pohádka v adaptacích Milady Motlové [Folk fairytale in adaptations by Milada Motlová] describes the adaptations by Milada Motlová. Having dealt with various genres previously Motlová focused on folk fairy tale including well-known as well as half-forgotten topics and her work resulted in an artificial fairy tale of illusively folklore type.

Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalouna a Jaromíra Kincla

Author(s): Jitka Zítková / Language(s): Czech Publication Year: 0

The chapter Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalounaa Jaromíra Kincla [Resonance of Čtvrtek’s poetics in fairy tales by Emil Šaloun and Jaromír Kincl] deals with distinct motif and language features of their texts. She analyzes similarities and differences in their work – having a lot of common features – where we do not find only similar heroes but also books that stand outside the “Čtvrtekian” tradition of modern fairy tale due to their distinctive updating character and situational comicality.

Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly)

Author(s): Martin Reissner / Language(s): Czech Publication Year: 0

The topic of picture books is dealt with in Martin Reissner’s paper Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly). [Telling a fairy tale with pictures (Towards fairy tale books by Pavel Čech and Martina Skala)]. Among distinguished authors of picture fairy tale books is the painter, author of comics, illustrator and author of original books, Pavel Čech, who has been offering readers and spectators for two decades fairy tales full of sensitivity and nostalgia.

Autorské pohádkové knihy Petra Nikla a Františka Skály

Author(s): Martin Reissner / Language(s): Czech Publication Year: 0

The experimental Czech fairy tale includes some books by the artist, theatre author, musician and writer, Petr Nikl. Despite the fact that in the recent years the literary quality of his texts has not increased he still remains an important figure in the area of the modern original fairy tale. Similarly, the fairy tales by the painter, graphic, conceptual artist and writer, František Skála, are aimed at readers and fans of his multi-media works as a whole. In comparison with Nikl he fascinates readers with his ability to find and emphasize aesthetic qualities in ordinary and banal connections, stories and artifacts while originally dealing with the natural environment at the formal (artistic) as well as the story-telling (literary) level. Both the writers are dealt with by Martin Reissner in the chapter Autorské pohádkové knihy Petra Nikla a Františka Skály [Original fairy talebooks by Petr Nikl and František Skála].

Pohádkové travestie jako žánrová inovace v současné pohádce (Nad texty Magdaleny Wagnerové)

Author(s): Milena Šubrtová / Language(s): Czech Publication Year: 0

Fairy tale travesties as a genre innovationin the current fairy tale (Towards the texts by Magdalena Wagnerová) In the chapter Pohádkové travestie jako žánrová inovace v prostoru současné pohádky (Nad texty Magdaleny Wagnerové) [Fairy tale travesties as a genre innovationin the current fairy tale (Towards the texts by Magdalena Wagnerová)] Milena Šubrtová deals with the fairy tale output by Magdalena Wagnerová who has written several dozensof fairy tale books for children since the early 1990s. Apart from adaptations of folklore fairy tale topics she produces original works in which she moves over boundaries of experiment towards the genre codification of fairy tale travesties.

Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Various literary works by Radek Malý include poetry, translations, drama, literary science and also books for children. Miroslav Chocholatý’s chapter Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého) [The poetic in a prosaic text (Towards fairy tales by Radek Malý)] is an analysis of the author’s modern fairy tale called František z kaštanu, Anežka ze slunečnic [Frank from the chestnut, Agnes from the sunflowers] (2006). He analyzes the author’s metaphors and peculiarities of the compositional build-up of that book. He also point out the postmodern character of the text, especially in the area of the multi-layer meaning character.

Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Viewegha a Pavla Šruta)

Author(s): Naděžda Sieglová / Language(s): Czech Publication Year: 0

A consequence of the changing position of the child in the world of the adults, shifts within genres, syncretic tendencies in arts as well as in life, is the growing number of books labeled as books with uncertain orientation. Naděžda Sieglová deals with them in the chapter Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Vieweghaa Pavla Šruta) [Fairy tales for a double addressee (Works by Michal Viewegh and Pavel Šrut)]. Out of individual personal experience respecting the possible child reader and reflecting parental experience arose the book by Michal Viewegh Krátké pohádky pro unavenérodiče [Short fairy tales for tired parents].

Pohádky Ludmily Klukanové a Jiřiny Salaquardové

Author(s): Jiří Poláček / Language(s): Czech Publication Year: 0

Jiří Poláček in the chapter Pohádky Ludmily Klukanové a Jiřiny Salaquardové [Fairy tales by Ludmila Klukanová and Jiřina Salquardová] analyzes two fairy tales by Ludmila Klukanová (Z pohádkových končin [From fairy tale parts], 1993) and Jiřiny Salaquardové (Pohádky ze stříbrných hor [Fair tales from silver mountains], 1996) within the context of their all production aimed especially at adult readers. First, he interprets individual fairy tales and then he defines their general features while comparing the analyzed books.

Antropomorfizace jako prostředek komunikace (Nad pohádkovými příběhy Pavla Brycze)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Pavel Brycz is among authors writing books for both adults and children. The subject of Miroslav Chocholatý’s chapter Antropomorfizace jako prostředek komunikace (Pohádky Pavla Brycze) [Anthropomorphization as a means of communication (Fairy tales by Pavel Brycz)] is the fairy tales Kouzelný svět Gabriely [The wonder world of Gabriela] (2006) that were originally broadcast as a radio series, the book Dětský zvěřinec [The children’s menagerie] (2008) on the basis of which Brycz wrote a script for a TV series of bedtime stories, and the latest publication Bílá paní na hlídání [The white lady as a baby-sitter] (2010).

Pohádková kouzla ve službách formativních cílů (Nad pohádkovou tvorbou Ivony Březinové)

Author(s): Milena Šubrtová / Language(s): Czech Publication Year: 0

The paper by Milena Šubrtová Pohádková kouzla ve službách formativních cílů (Nad pohádkovou tvorbou Ivony Březinové) [Fairy tale magic serving the purpose of formative goals (Towards the fairy tales by Ivona Březinová)] deals with fairy tales by Ivona Březinová. The authoress follows a few simple models differing in the degree of didactics and its implementation into the fairy tale. The first one is based on connecting the modern fairy tale and updated didactics. Fairy tales take place in a fictional world (which is often very close to the real life) retaining their basic genre characteristics including anthropomorphizing and poeticizing tendencies but their plots are motivated by outspoken educational intention.

Summary

Author(s): Author Not Specified / Language(s): Czech Publication Year: 0

Патувањето и пишувањето во прозните дела на Петра Хулова

Author(s): Vladimir Martinovski / Language(s): Macedonian Publication Year: 0

The Italian theoretician Domenico Nucera remarks that travel literature nowadays forms an important part of the international and intercultural communication. From this perspective, in our research we attempt to analyse the relationship between travel and writing—as well as the Czech and Macedonian literary traditions—in two segments of the prose opus of the Czech authoress Petra Hůlová (1979): 1) in the travel short stories ‘Brno’ and ‘Třetí oko’, related the authoress’ travel experiences in the cities of Brno and Skopje, published in the book Kde nejeste doma (2012), as well as 2) in the novel Pamĕť mojí babičce (2002), related to her travel experiences in faraway Mongolia. Hůlová’s novel has also been considered through several parallels with works from the contemporary Macedonian prose production (Petre M. Andreevski, Kica Kolbe, Jagoda Mihajlovska-Georgieva, Lidija Dimkovska, Rumena Bužarovska and Petar Andonovski).

От трансцедентната бездна към всемирния необят

Author(s): Zhorzheta Cholakova / Language(s): Bulgarian Publication Year: 0

The essay addresses the genesis and the basic evolutionary stages the artistic conceptualization of the image of the lake follows. The reflections I offer here stem from a wide-ranging study of different cultural and historical periods and national contexts. The diachronic plane of structural transformations is chartered from the lake’s earliest epistemological manifestations in the texts of Antiquity and the Bible to the Ro-mantic functionalization of the lake as an ontological and iconic sign of a holistic philosophical and aesthetic vision that connects into an intrinsic whole the world beyond with the natural world of perception. The mythological imaginings of the lake as an infernal topos were gradually replaced by new emerging worldviews reflecting the process of subjectivisation of nature -- both earthly and cosmic in the discourse of Romantic mythopoetics. In turn, this process was initially expressed though con-noting the lake with the idea of natural infiniteness and by associating it with larger aquatic spaces such as the sea and the ocean, but as a result of its melancholic resonances with the meditative auto-reflection of the Romantic subject the lake was structurally minimized and began to be identified with the inner space of the subjective world.

Književno stvaralaštvo manjina u Hrvatskoj – dio hrvatske književnosti ili ne?

Author(s): Helena Stranjik / Language(s): Croatian Publication Year: 0

There are numerous national minorities in Croatia supported by the state in their maintenance of minority languages, cultures and traditions. And many of these minorities with songs, dance and customs cherish their own literature, meaning poetry, prose, and drama written by their members in minority languages or in Croatian. These works are mostly known among members of the minorities, but sometimes it is difficult to find the way to readers of the majority of the population. An example of such a minority literature with a long tradition is literary creation of the Czech, who have been living in today’s Croatia for over two hundred years. Nowadays regularly or occasionally there are about thirty authors who write mostly in Czech, but to come to the readership, some of them have been translating their work into the Croatian language lately or leaving their mother tongue and starting to create in Croatian. Are Croatia’s minority works known and to what extent? What are the possibilities of writers using minority languages to publish their works? Why are minority literary works important, what can they offer to a broader readership and in what way can they enrich Croatian literature? How could they reach the majority population and could they wake up the interest beyond Croatian borders? And what difficulties do minority writers encounter? In the presentation, we will use the example of Czech minority literary works in Croatia to answer these and other issues related to minority literature emerging in Croatia, but remaining unknown to the Croatian public.

K obrazu ženy ve starší české literatuře

Author(s): Michaela Soleiman pour Hashemi / Language(s): Czech Publication Year: 0

The study focuses on the image of woman in Old Czech literature as s. c. good and bad one. Some modifications of the two afore-mentioned types of woman are discussed: namely, woman as sinless and helpful and woman as sinful and envious.

Бог - милосърдният друг за човека в сборника чешки народни песни и поговорки от К. Я. Ербен

Author(s): Tanya Yankova / Language(s): Bulgarian Publication Year: 0

This paper compares and contrasts recurring folkloric representations of the sacred as recorded in written form (cf. Czech National Folk Songs and Proverbs com-piled by K.J. Erben) with the literary interpretations of the images of God, the Mother of God, and Christ in Erben’s cycle of ballads entitled A Bouquet of Folk Legends. The focus is on man’s addresses to the anthropomorphic images of the sacred and the quest for a dialogue with them. In this process, the role of inherited family kinship is perceived as important, and the layering of human psyche is revealed in light of the integration that creates inner moral imperatives.

Nikde není řečeno

Author(s): Svatava Urbanová / Language(s): Czech Publication Year: 0

The poet Petr Hruška (1964), a native of Ostrava, has published his eight coll ection Nikde není řečeno (Itʼs Never Said Anywhere), in which we not only come across motifs from his previous work, which have become part of the myth of Ostra va as an industrial magical city, but we also encounter the notion of it being a pulsa ting locale, filled with artistic fervor. We step over the threshold of home along with the poet and find ourselves in a reality that offers analogues to the mythical extinction of civilisation of ancient Mesopotamia. The collection is interspersed with fictional fragments of texts written on clay tablets, thereby enhancing the artistic quality and intensity of the account provided by the collection as a whole.