Autobiografski roman kao medijacija između fikcije i stvarnosti (na osnovu romana Mimesis Andreja Nikolaidisa i Privatna galerija Balše Brkovića)

Author(s): Katarzyna Sudnik / Language(s): Serbian Issue: 1-2/2010

Powieści Mimesis Andreja Nikolaidisa i Privatna galerija Balše Brkovića były jednymi z najbardziej komentowanych utworów literackich w ostatnich dziesięciu latach w Czarnogórze. Obaj autorzy stali się elementami "nowej literatury" i "nowej kultury", a ich teksty przyczyniły się do przełamania dotychczasowego modelu literackiego („wielkich narracji“) panującego w regionie. Obie powieści łączy szereg podobnych rozwiązań literackich, przy czym ich najważniejszą wspólną cechą jest konstrukcja powieści oparta na autobiografii. W świetle szczegółowej teorii autobiograficzności francuskiego badacza Philippe’a Lejeune’a, żadna z tych powieści nie jest typową autobiografią. Ponieważ nie spełniają one warunku tożsamości autora z bohaterem i narratorem, autentyczność jest poddana w wątpliwość, a utwory należy zakwalifikować jako "powieści autobiograficzne“.

Poetizacija u romanu Mojkovačka bitka Ćamila Sijarića

Author(s): Ivana Petrović Račić / Language(s): Bosnian,Croatian,Serbian Issue: 1-2/2010

After briefly reviewing the idea of the novel as an “unfinished” literary type, as well as the history of novel in Montenegrin literature, I will analyze the basic features of the novel Mojkovac Battle, focusing on poetical procedure in this narrative text. In this novel Sajric uses diverse and numerous tools, the most dominant of which in are repetition and variation involving verbal units, symbolization, and leitmotif composition. The author also pauses on sentence and paragraph levels where there is variation of rhythm, which causes the narrative text to approach the poetic.

U Tuđem gnijezdu Huseina Bašića

Author(s): Olga Vojičić Komatina / Language(s): Bosnian,Croatian,Serbian Issue: 1-2/2010

The paper deals with the poetics of Bašić’s novel In Anotherć's Nest. The novel’s poetic elements include the following segments: thematic-range motives, psychological concretization of the protagonists, and genre syncretism. A phenomenological interpretation of the work includes a contrast between the native, rustic chronotope, on one, and the chronotope imposed by the main character who had lived in the Turkish Empire. The regional motive nucleus is, at the same time, the main motive in Bašić’s novel.

Sintaksički sinonimi glagolskih priloga u jeziku Stefana Mitrova Ljubiše

Author(s): Miloš Krivokapić / Language(s): Bosnian,Croatian,Serbian Issue: 1-2/2010

The author notices the higher frequency of the “glagolski prilog sadašnji” than the “glagolski prilog prošli”. Both of them act as the adverbials. The usage of the present adverbs is rather limited, and there is no past adverb acting as an adjective. The “glagloski prilog sadašnji” has been distinguished because of the usage of the suffix “-ći”, while the “glagoloski prilog prošli” has got the abbreviated suffix “-ć”. The form known as “glagolski prilog prošli” will, more often, have the suffix “-vši”, than “-v”.

Mikrodrame

Author(s): Slobodan Vukanović / Language(s): Bosnian,Croatian,Serbian Issue: 1-4/2020

Theatre play by Slobodan Vukanović

LEOPARDIJEVA ŽUKVA NA CETINJU

Author(s): Sanja Roić / Language(s): English,Serbian,Italian Issue: 30/2020

Našavši se 1954. godine u teškim materijalnim prilikama, Vladan Desnica nije namjeravao odustati od svog intelektualnog dostojanstva. Znajući za ugled cetinjskog kulturnog časopisa Stvaranje ponudio je redakciji svoj prijevod s talijanskog jezika jedne od najkompleksnijih pjesama Giacoma Leopardija „Žukva“. Tako je Stvaranje u trenucima krize talijansko-jugoslavenskih odnosa obavilo dragocjenu kulturnu misiju posredovanja između dviju kultura, a objavljeni prijevod potvrdio je Vladana Desnicu kao vrsnog znalca talijanske poezije i kulture i kritičkog intelektualca.

CRNOGORSKI PREVOD KARDUČIJEVE ODE PIJEMONTU

Author(s): Vesna Kilibarda / Language(s): Serbian,Italian Issue: 30/2020

U radu se razmatraju okolnosti u kojima je u Crnoj Gori 1896. godine objavljen prevod Kardučijeve ode Pijemontu koji je ostao jedina verzija ove pjesme slavnog italijanskog pjesnika kod Južnih Slovena do danas. Uz to, radi se o jedinom prevodu s italijanskog jezika cetinjskog profesora Živka Dragovića, jednog od rijetkih prevodilaca italijanske književnosti u Crnoj Gori do kraja 19. vijeka koji nije duhovno izrastao u Boki ili Dalmaciji, u kojima je vjekovima bilo odomaćeno poznavanje italijanskog jezika, književnosti i kulture. Nastanak prevoda Kardučijeve ode koja slavi dinastiju Savoja i regiju Pijemont, odakle je pokrenuta borba za ujedinjenje Italije, dovodi se u vezu s najavom vjenčanja crnogorska princeze Jelene Petrović Njegoš s italijanskim princom prestolonasljednikom Viktorom Emanuelom Savojskim, ali i s idejom crnogorskog pijemontizma koju u to vrijeme pothranjuje dinastička ideologija i pjesničko djelo crnogorskog knjaza Nikole I. Rad razmatra i ostale rijetke priloge o Kardučiju objavljene u crnogorskoj periodici do početka Prvog svjetskog rata.

CRNOGORSKE TEME JEDNOG ITALIJANSKOG OFICIRA S KRAJA XIX VIJEKA

Author(s): Olivera Popović / Language(s): Serbian,Italian Issue: 30/2020

U radu se govori o napisima crnogorske tematike Euđenija Barbarića, italijanskog oficira koji je Crnu Goru prvi put posjetio decembra 1896. godine, neposredno nakon vjenčanja italijanskog princa prestolonasljednika Viktora Emanuela sa crnogorskom princezom Jelenom Petrović Njegoš. Kontekstualizujući njegovu posjetu i utiske sa putovanja, analizirali smo Barbarićeve priloge posvećene crnogorskoj istoriji i crnogorskoj vojsci, kao i knjigu njegovih prevoda poezije zahvaljujući kojoj je italijanska čitalačka publika dobila priliku da se upozna sa dijelom stvaralaštva aktuelnog crnogorskog knjaza – pjesnika Nikole I Petrovića Njegoša.

UMBERTO EKO KAO PISAC ZA DJECU

Author(s): Svetlana Kalezić Radonjić / Language(s): Serbian,Italian Issue: 30/2020

U radu se razmatraju tri knjige Umberta Eka i Euđenija Karmija namijenjene dječijoj čitalačkoj publici: La bomba e il generale (1966, rev. 1988), I tre cosmonauti (1966, rev. 1988) i Gli gnomi di Gnu ( 1992). Sva tri djela spadaju u slikovnice čiji tekstualni identitet upućuje na usmjerenost najmlađoj publici, dok vanserijske „ilustracije“ Euđenija Karmija karakteriše naglašeno modernistički izraz i usmjerenost na odraslu čitalačku publiku. U skladu sa osnovnim određenjem književnosti za djecu kao čitalačkog fenomena sa „duplim dnom“, ove knjige postaju zanimljivo štivo za tzv. dualnu publiku. U njima se ispituju odnosi moći među ljudima, promovišu pacifističke ideje o suživotu, toleranciji i međusobnom razumijevanju, kao i ekološke o očuvanju prirode. U radu ćemo se baviti analizom pomenutih verbo-vizuelnih medija, pokušavajući da preciznije odredimo domete njihove intencionalnosti.

POETIČKI KRUGOVI HUSEINA BAŠIĆA U KNJIŽEVNOKRITIČKIM TEKSTOVIMA PROF. DR. EMERITUS ELBISE USTAMUJIĆ

Author(s): Lejla Žujo-Marić / Language(s): Bosnian Issue: 85-86/2020

Review of: Lejla ŽUJO-MARIĆ - Elbisa Ustamujić, Svjetovi u kovitlacu: o poetici Huseina Bašića, Almanah – Podgorica, BZK Preporod – Sarajevo, 2019.

ПЕСНИЧКЕ РЕФЛЕКСИЈЕ ЖИВА БОЛИЦЕ КОКОЉИЋА

Author(s): Sanja P. Veselinović / Language(s): Serbian Issue: 68/2019

Živo Bolica Kokoljić is one of the most important representatives of baroque poetry of the Boka Kotorska Bay in the 17th century, and his extensive and diverse opus has been available to the public for the last few decades. Although pri- marily known for his occasional poetry, some of Bolica’s reflexive poems, as well as the reflexive verses in his epistles, are mentioned in passing in the analyses dedicated to this Boka poet, almost always with the remark that these are the verses that prove the existence of an autonomous poetic quality in Bolica’s poetry. The renunciation of the quality and aesthetic value of the poetry of Živo Bolica Kokoljić is common in studies on this poet. This paper attempts to explore whether there are grounds for revalorization and re-actualization of Bolica’s work, mostly by analyzing the reflexive verses of his poems sung in the folk, Illyrian language. The goal is to show in which moments Živo Bolica Kokoljić remains only a skillful baroque poet, and in which he expresses an authentic poetic feeling that can be valuable for today’s reader. The sincerity of the poet, as well as the tendency to appear in certain verses as particularly intimate, are no longer the only criteria of quality when it comes to Bolica’s poetry, and the comparative method aims to further illuminate the place ofŽivo Bolica Kokoljić in the context of our baroque literature.

ESEJISTIČKE MIKROANALIZE

Author(s): Muhidin Džanko / Language(s): Bosnian Issue: 02/1998

Review of: Muhidin Džanko - Marko Vešović, Na ledu zapisano, Zid, Sarajevo, 1998.

Glagoli i gramatički frazemi turskog porijekla u epu Avde Međedovića Ženidba Smailagić Meha

Author(s): Amina Ajdinović Mehović / Language(s): Bosnian Issue: 16/2021

This paper examines Turcisms, specifically verbs and grammatical idioms, in the epic “The wedding of Smailagić Meho” by Avdo Međedović. The analysis is aimed at identifying and exploring Turkish loan verbs and grammatical idioms in the epic, as well as establishing whether there are some examples of these Turcisms characteristics of the poetic voice-poet Međedović himself to be noted. In this paper, the analytic-synthetic and comparative methods of analysis were employed as the analytic tools. The verbs were categorized into two categories, based on their formation. The first group comprises the verbs with a Turkish infinitival or perfective root and the suffix -isati, while the second group comprises the verbs formed from Turkish nouns and the suffix -ati, -ovati, -iti. The structures treated as grammatical idioms in this paper contain either a Turkish noun or (rarely) an adjective and some Bosnian verb. Based on their formation, these structures correspond to Turkish complex verbs. The analysis results indicate that there is an abundance of grammatical idioms in the examined epic, many of which, however, are characteristics of the author himself.

Knjiga ljubavi i mudrosti

Author(s): Stijepo Mijović Kočan / Language(s): Croatian Issue: 119/2021

Review of: Stijepo MIJOVIĆ KOČAN - Miraš Martinović: Teuta, kraljica Ilira, Radio Bijelo Polje i JU Ratkovićevi pjesnički susreti, Bijelo Polje, Crna Gora, 2021.

Lirska paradigma Njegoševog djela Gorski vijenac

Author(s): Olga Vojičić Komatina / Language(s): Serbian Issue: 37/2021

For many researchers who deal with the domain of literary and theoretical thought the lyrical component of Njegoš's literary work The Mountain Wreath is interesting for a number of reasons. Naimely, the epoch of Romanticism created the predomination of lyric poetry as a type of poetry which became a concept and a criterion of one's creative endeavor. However, it was in the period of Romanticism that Njegoš decided to create a dramatic epic, but with recognisable lyrical qualities. The elements of lyrisation are highly pointed out in the literary work and have the purposeful function – to highlight the emotionality of certain individuals, the members of heroic community, to represent the relation toward a woman and her presentation as well as her beauty as a specific cultural layer but also to contribute to the comprehension of folkloristic features through the prism which is more subtle than epic and more poetically concrete than dramatic. Therefore, the lyrical places in The Mountain Wreath present broader, typological and cultural spread given throughout the scenes of the ''kolo'', descriptions of the beauty of woman, the dream of Vuk Mandušić but also through the lyrical and sacral, sometimes even humoristic (depending on the purpose and aim) relation towards weapons, beliefs, poems, ''gusle'', other cultures, jokes, dreams and future.

Lingvistička proučavanja Njegoševog „Gorskog vijenca”

Author(s): Miodarka Tepavčević / Language(s): Serbian Issue: 37/2021

The goal of this paper is to highlight the linguistic studies of Njegoš’s “The Mountain Wreath” that have been carried out so far, but also to generate interest in this topic among new generations and to serve as the basis for future linguistic research.

ТЕОРИЈА ПРАВЕДНОГ РАТА У ЊЕГОШЕВИМ ДЕЛИМА

Author(s): Dragan Ž. Stanar / Language(s): Serbian Issue: 179/2021

Modern just war theory represents more of a tradition of thoughts on ethical issues of war than a theory per se. However, philosophical attitudes on war coming from authors from non-western cultures, including Serbian culture, are often left outside of this tradition. Author aims to demonstrate that there are clear ideas on ethical attributes of war and warring in Njegoš’s work. By analyzing Njegoš’s views expressed in his most significant works, through the prism of criteria of the classical elements of the modern just war theory (Jus ad Bellum, Jus in Bello), author demonstrates the existence of Serbian tradition of thought on ethics of war and warring. In this way, modern just war theory is supplemented and enriched with the Serbian historical perspective on justness of war and in war. Simultaneously, author highlights the challenges and perils of interpretation of philosophical ideas without considering the historical context, specific political-culturological circumstances and personality of the idea author. This is of a particular contemporary relevance, as misinterpretations of Njegoš’s ideas on war and justice in war are often used to further fuel national antagonisms and destabilize the region.

Лексичка хомонимија као лингвотекстолошки проблем (на грађи Његошевог Шћепана Малог)

Author(s): Radmilo N. Marojević / Language(s): Serbian Issue: 1/2021

The author of this paper explains the interpretation of types of homonyms (homophones and homographs), based on the epic Stephen the Little by the Serbian poet Petar II Petrović Njegoš, dating from the epoch of Romanticism. The analysis includes grammatical homonyms, where homonymy is established by individual word forms created through the motion of nouns and their base forms, and paradigmatic homonyms, where homonymy is established by a whole system of word forms created by semantic formation. The analysis also encompasses material from the epics The Mountain Wreath and The Ray of the Microcosm, and certain poems by Njegoš.

Onoare, virtute, vitejie, lașitate și trădare în anecdotica muntenegreană

Author(s): Armand Guță / Language(s): Romanian Issue: 3/2019

Hardly known in the South-Slavic scholarly milieu and almost unknown outside the Balkan Peninsula, Mićun M. Pavicević and his monumental masterpiece composed of XXXIII books titled Montenegrins through stories and anecdotes is a genuine immersion into the profoundness of Montenegrin folkloric heritage. Through these popular stories and anecdotes, Pavicević had remarkable depicted the Montenegrin mentalities revealing all readers witty sarcasm, wag sense of humor, laconic dialogues that represent the inner core of these folkloric creations.

ЂАВОЛОВО ИГРАЛИШТЕ (Андреј Николаидис: Аномалија, Buybook, Сарајево, 2022)

Author(s): Vladimir Arsenić / Language(s): Serbian Issue: 534/2022