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Sözdizimi Özellikleri Bakımından Şiir Kitabı Adları

Author(s): Nigâr Oturakçi Orbay / Language(s): Turkish Issue: 66/2020

This study analyzes the names of poetry books which have been named by 198 poets who works in the genre of poetry with syntactic features in the hundred years period between 1900-2000. “Yüzyılın Türk Şiiri” which is a 3 volume work by Mehmet H. Doğan has been considered as source in determining poetry book names. The sample of this study includes 1363 poetry book names that shown in this work. These names have been classified according to their formation from single word, phrase, sentence, subtracted structure, “phrase + word” or “phrase + subtracted structure”, ordered word sequences, non-Turkish phrases or sentence, nonce formation derivations by poet. In this study, it has been derived that poets from this genre prefer to name their works more in phrases with 20 different types particularly with possessive constructions. In this study, a structural analysis has been made by maintaining the syntactic reflections of the mental processes in which poets are involved. As a result of this analysis, the reasons why poets prefer different syntactic structures have been taken into consideration in order to contribute to onomastics.

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RESİMLİ HİKÂYE KİTAPLARINDA SÖZEL MİZAH UNSURLARI

Author(s): Rabia Dirican,Hatice Bekir,Vedat Bayraktar / Language(s): Turkish Issue: 29/2020

It was aimed with the current study to investigate the suitability of the verbal humour elements in the picture story books written by Turkish writers to the humour development of preschool students. The evocatory nature of humour its contribution to child development and the lack of researches in this field make the study significant. In the study which was planned in descriptive design out of qualitative research methods, document analysis was used. The working group of the study was made up of 67 picture story books with a humorous content in Turkish language written between the years 2008 and 2018. The data in the research was obtained using “The Investigation Form of the Humorous Content Taking Place in the Picture Books for Children”. This form was made up of three sub-dimensions as visual humour, verbal humour and casual humour, 45 items in total. As the picture story books were just investigated verbally in the current study, only the verbal humour element which was made up of twenty categories in the form was used. Depending on the results of the research, it was found that preschool period children focused on verbal humour elements in the picture story books suitable for their humorous developments. In some picture story books, it was partly found that some verbal humour elements suitable for the humorous development of children at the age of seven and over, which is not suitable for the humour development of preschool students were given.

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KAYGUSUZ ABDAL’IN KAZ ŞATHİYESİ - BİR MİTOLOJİK TETKİK DENEMESİ -

Author(s): Mefküre Mollova / Language(s): Turkish Issue: 49/2000

The paper deals with the analysis of a new variant of the poem Kaz Şathiyesi by Kaygusuz Abdal. The author compares various variants of the above-mentioned poem. They are the three variants from Turkey and two from Bulgaria (Aşik Hasaıı varyaııti, Gölpiııarli varyaııti, H. Küçük varyanti, A. Güzel varyanti, H. ibram varyanti). The paper also deals with the astrological symbolism of some of the words used in these variants (goose, nightingale, cauldron, etc.). In the closing section of the paper the author brings up some novelties in the interpretation of the said poem.

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SKUPOVI

Author(s): Adnan Kadrić,Kerima Filan,Esad Duraković / Language(s): Bosnian Issue: 46/1997

30. TÜRKİYE ÂŞIKLAR BAYRAMI VE HALK EDEBİYATI BİLGİ ŞÖLENİ, Konya 1995. (FOLK FESTIVAL, FOLK LITERATURE, KONYA 1995.); FIFTH INTERNATIONAL SYMPOSIUM ABOUT ISLAMIC ARCHITECTURE AND ART, MAFRAQ, 20-24. April 1996.; TURKISH LANGUAGE THROUGHOUT HISTORY, KARAMAN, 13-14. MAY 1997.

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Recenzie

Author(s): Róbert Gáfrik,Kristína Kállay,Adam Bžoch,Jakub Souček,Nikola Danišová / Language(s): Slovak,English Issue: 4/2020

Review of: Ben Hutchinson: Comparative Literature. A Very Short Introduction, Oxford: Oxford University Press, 2018. xviii + 140 pp. ISBN 978-0-19-880727-8 Charles Sabatos: Frontier Orientalism and the Turkish Image in Central European Literature, Lanham, MD: Lexington Books, 2020. 183 pp. ISBN 978-1-7936-1487-2 Louis Breger: Dostojevskij. Autor ako psychoanalytik, Prel. Barbora Al Zafari. Bratislava: Vydavateľstvo F, Pro mente sana, 2019. 303 s. ISBN 978-80-88952-99-2; Tomáš Horváth: Medzi invariantom a idiolektom. Detektív, dobrodružstvo, des, Bratislava: Veda, vydavateľstvo SAV, 2020. 432 s. ISBN 978-80-224-1799-0 Mariana Čechová: Ikonizácia pádu a vzostupu (v arcinaratívoch Popoluškinho typu), Bratislava: Veda, vydavateľstvo SAV, 2019. 232 s. ISBN 978-80-224-1793-8

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KNJIŽEVNOST EGZILA I EGZIL U KNJIŽEVNOSTI: BOŠNJACI U TURSKOJ

Author(s): Amina Šiljak-Jesenković / Language(s): Bosnian Issue: 69/2020

The number of descendants of Bosniak migrants in Anatolia has led us to examine the issue of existence of literature of exile in this community, as well as the theme of Bosniak migration to Turkey in literary texts. This paper presents biographies of authors of Bosniak origin and indicates elements of literature of exile in their work: Mehmet Ruhi Turan (1900-1981), Ahmet Cemil Miroğlu – Asri (1907-1971), Memduh Cumhur (1947-2018), Cemil Kavukçu (1955- ), Yavuz Bubik (1940-). The corpus also includes the novels Gözüm Yaşı Tuna Selidir Şimdi by Selm Fındıklı and Cüda by Halil İbrahima Izgi – authors whose biographies include no information about their Bosniak ancestry, but their novels focus on migration of Bosniaks to Anatolia and Ottoman-governed Palestine. Stories about the circumstances that led to migration, about the trauma of leaving home, about otherness, identity, hopes for return, nostalgia – more than a century later, after the loss of even the Bosnian linguistic identity, speak through literary text in the Turkish language.

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From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

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From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

Author(s): Elif Baş / Language(s): English Issue: 1/2020

After Mustafa Kemal Atatürk founded the new Turkish Republic in 1923, the country went through a swift and radical transformation. The ruling elite made use of all possible tools to impose the ideals of the new Republic. Their main objective was to break the bonds with the Islamic Ottoman past to establish a new secular national identity. The essence of the new Turkish nation was found in pre-Islamic Central Asia. This view was supported with the help of the Turkish History Thesis, which asserted that the Turks are a supreme race, and their origins are from Central Asia. The state tried to propagate this thesis by various means. The most effective tool that could reach the illiterate people during that period was the theatre. Accordingly, the aim of this article is to explore how the state disseminated the Turkish History Thesis and the values of the new Republic through theatre. The emergence of this new narrative coincided with the tenth anniversary of the Turkish Republic. The plays, written in 1933, especially for this occasion, will be analyzed to determine how they support the Turkish History Thesis and the values of the new nation. Two plays, Akın (The Raid) and its sequel Özyurt (Homeland), will be explored in detail to give an elaborate account of the ideology behind such plays written during that period.

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ÇAĞDAŞ EBEVEYNLİĞİ KÜLTÜREL BELLEKTE ARAMAK: DEDE KORKUT HİKÂYELERİ ÖRNEĞİ

Author(s): Cafer Özdemir / Language(s): Turkish Issue: 20/2020

The aim of this study is to reintroduce the solid structure of the Turkish family structure from the past to the present, and aim to put the cultural memory in the center of contemporary parents in terms of revealing the missing aspects. For this reason, Dede Korkut stories with rich data about the concept of family in cultural memory were taken as samples. The heritage of Dede Korkut, which was included in UNESCO's list of the Intangible Cultural Heritage of Humanity in 2018, will be presented as an inspiration for the rebuilding of contemporary parenting perception in Turkish society. Stories in the cultural context of the role of mother and father, forms of family building, family relations, values to be possessed, gender equality, family protection, child education, etc. contains. In this context, the stories will guide the present-day parents in constructing their perceptions of parenting in a changing world. The changing world conditions and the elements in the cultural memory will be blended to create parental behavior patterns that have both a national identity and the needs of the modern world. In this respect, the study is important in terms of finding the sources of parents' current behavior and duties in their cultural roots. Qualitative research method will be used in the study. Data collection will be done by document analysis technique. Dede Korkut's stories, which are supposed to be written in the 16th century, are based on Oguz Turks' life. Parental behaviors in this work will be classified by content analysis and how contemporary parents will benefit from these materials that make up cultural memory will be emphasized.

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Türk Kültürü Sözlü Şiir Geleneğinde Ekolojik Boyut: Derin Ekoloji Yaklaşımı Bağlamında Eko-Eleştirel Çözümleme

Author(s): Olgun Yalçın / Language(s): Turkish Issue: 103/2020

In this article, the ecological dimension is discussed in the selected Turkish oral poetry samples. The framework of our study is to evolve the concept of ecology consisting of the terms “oikos/home” and “logia/science”, which means “the science of home/being at home”, to the meaning content that covers the entire natural and cultural environment in which people live. In this context, considering the human being at home and being on earth, trying to determine the extent to which the reflections, beliefs, and approaches about “being in the world/nature” that we think include the folk songs as the type of oral poetry constitute the main purpose of the article. In this context, the ecological functional dimension of the folk songs, which constitute an aesthetic and communicative aspect of the Turkish folk culture, is evaluated within the framework of the functional theories of folklore and interpreted in light of the views of deep ecology approach. Exemplary folk songs and minstrel (ashik) poetry which are thought to contain nature-related themes used as data for the study were selected through literature review. While the interpretation scheme is established by utilizing the ethnomusicological point of view in terms of evaluating music in a cultural context, deep ecology approach determines the conceptual framework of eco-critical evaluation.

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Türkülerin Başına Gelenler: Politik-İdeolojik Sebeplerle Değiştirilen Türküler Üzerine

Author(s): Mustafa Dinç / Language(s): Turkish Issue: 103/2020

Folk songs are common examples of folk poetry in many areas of social life and are said in almost every subject. As a result of this prevalence, folk songs, which perform many overt or secret functions in line with all the functions of folklore products, have been used to reflect political-ideological ideas from time to time and even some or all of their lyrics have been changed for this purpose. In Turkey, folk songs, which have been restructured by right or left political ideologies, have been used as a propaganda tool in times of intense political activity or in election squares. In the study, which briefly emphasized the political and social conditions of the folk tradition in our country since the second half of the twentieth century, it was determined that it was replaced by political-ideological purposes by the performers who belonged to different ideological trends, especially from the 60s until today. They were compared with their performances and repertoire records, and then the ways in which these changes were made were discussed. In this respect, it was determined that these changes were made in the sample folk songs, which were used as arguments of some political movements in various periods by making significant changes to their lyrics for political-ideological reasons, in the form of secularizing, conservationizing, articulating current ideological jargon to the verbal texture of the folk songs and adapting new lyrics to the melodic structure of them. The study also required that this situation be considered completely separate from the concepts of variant or version; it was concluded that it would be more accurate to consider the above practices as a censorship or adaptation.

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Kevork Terzibaşyan’ın Şarkın Mistik Şiirinden Numûne veya Fuzûlî Şerhi Adlı Eserinde Mustafa Kemal Paşa

Author(s): Yıldız Deveci Bozkuş / Language(s): Turkish Issue: 104/2020

In this study, the book of Armenian priest Kevork V. Terzibaşyan which was written in 1928, titled the Sample or Fuzuli Commentary from the Mystical Poem of the Orient was examined. It is valuable in terms of being the first and only in this genre where Fuzuli’s life, works and philosophical world are comprehensively examined. In such an important work written by Terzibaşyan, the author also wrote a section titled “Selam Mustafa Kemal Pasha”. For this reason, this text, which is the subject of this study, is evaluated in terms of history and literature. Unfortunately, the work of Terzibaşyan, written in Western Armenian, has not yet been translated into Turkish. In the study, firstly, the life of Terzibaşyan and its importance in terms of Turkish language and literature was focused on. Then, the content of the section about Mustafa Kemal Pasha was evaluated. In this part, the language used by the priest Terzibaşyan, through his style and words, the perspective of the Ottoman Empire and the Republican period is tried to be understood.

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SÂMİHA AYVERDİ’NİN HİKÂYELERİNDE TOPLUMSAL CİNSİYET

Author(s): Yavuz Sinan Ulu / Language(s): Turkish Issue: 70/2021

The concept of social gender is a set of stereotypes that society expects from men and women, shaped in line with the physiology of men and women, living conditions, political, social, cultural and economic developments. In the historical process, the dominance of the patriarchal structure in the society causes social gender roles to limit women more than men and to position women according to men. Sâmiha Ayverdi (1905-1993), who made a name for herself in Turkish literature with her novels, takes her place in Turkish storytelling with thirty-six stories in her book called Mâbedde Bir Gece, published in 1940. While the stories are shaped around the main themes of love, meaning and search, there are traces of the reflections of social gender perception on men and women in many stories. These traces often guide the attitudes and behaviors of the people in the story against various events. While the roles of femininity and masculinity shaped by the society in the stories sometimes create conflict with the individual's inner world and conditions and drag the individual into an impasse, sometimes they commodify the individual by reducing the individual to the body with a utilitarian understanding. In this study, the reflections of the concept of social gender in Sâmiha Ayverdi's stories will be examined in the context of the institution of marriage, body and masculinity.

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ORHON YAZITLARINDA KİŞİ ADI VE UNVAN ÜZERİNE

Author(s): Osman Türk / Language(s): Turkish Issue: 48/2020

Orhon inscriptions, which constitute the basic sources of Old Turkish, XVIII. Köktürk inscriptions, which were first coincided in Siberia at the beginning of the century and determined in different parts of Eurasia in the following years and formed the main sources of Old Turkish, XIX. With the analysis towards the end of the century, a lot of information was brought to light. Orhon Inscriptions, one of the oldest written documents of the Turkish language, are inscriptions that provide information about Turkish literature, history, culture and social life. Scientific acceptance and dissemination of the science of Turkishness began with the discovery of the Göktürk inscriptions in Mongolia. After analyzing the inscriptions, information about Turkish culture was reached. These written documents are especially valuable in terms of documenting the values of the Turkish language and the periods in which it lived. For this reason, hundreds of studies have been carried out about the stones since the discovery of the inscriptions. In the study, the names and titles of the Orhon inscriptions were examined. The research consists of Orhon inscriptions (Köl Tegin, Bilge Kağan, Tonyukuk, Ongi, Küli Çor). In the study, the common elements of vocabulary in inscriptions with a historical depth of approximately one thousand three hundred years will be examined. Thus, by using the first written examples of the Turkish language, the use of the names and titles used in the work was determined by analyzing them in the sentence. Professor as the main source Dr. This study was conducted based on Erhan Aydın's book titled Orhon Inscriptions

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BİLGELİĞİN TACINI TAKAN ALP SALUR KAZAN

Author(s): Işılay Kara Tekgül,Aynur Koçak / Language(s): Turkish Issue: 31/2020

From the stories of the Book of Dede Korkut, which are processed layer by layer and fascinated by reading, ancient meanings that light on the field of humanity shine. The stories in which Salur Kazan plays an active role are also a unique part of this glowing cause. Salur Kazan mentioned in the stories with many admirable attributes is one of the Inner Oghuz lords and the governor of the Inner-Oghuz and Outer-Oghuz. Through him, all the features of the alp type come to life physically and spiritually. While there is information in different written sources about Salur Kazan killing a dragon, the full text of the story finally reached with the Turkistan / Turkmen Copy. The story titled "Salur Kazan Killing the Seven-Headed Dragon", referred to as the 13th Clan, is about the fight of Salur Kazan with a dragon. In hero-centred narratives, the creature and struggle process that hero fights are conveyed with various symbols. The common meaning of all symbols emphasizes the completion of the hero's journey by performing his individualization. The concept of individuation is shaped by certain archetypal phases in analytical psychology. Successful completion of the phases is vital for the hero's self-perception. If Salur Kazan's Killing of the Seven-Headed Dragon is resolved by elements of analytical psychology, the dragon-fighting symbol represents the hero's battle against the dark aspects of his psyche. The events that took place in this struggle of Kazan are the journey of a hero from the level of consciousness towards the unconscious. Salur Kazan, a real alp; He aspires to discover the nooks of his psyche, to become enlightened and to become a wise leader. At the end of the story, Kazan defeats the dragon, thereby achieving victory by recognizing his self and completing the stages of individuation. The great treasure earned at the end of the difficult struggle is "knowing yourself", an ancient crown that is the necessity of wisdom. With this narrative, it will be possible to mention Salur Kazan as the "wise alp" type.

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TÜRK KÜLTÜRÜNDE DÜŞMAN İMGESİ BAĞLAMINDA KUTADGU BİLİG ÜZERİNE BİR İNCELEME

Author(s): Fatih Balcı / Language(s): Turkish Issue: 32/2020

Kutadgu Bilig, one of the first written works and rhetorical sources of Turkish culture, conveys truth, good and beauty through various symbolic personalities. In this regard, the author of Qutadgu Bilig uses symbolic contacts to convey the order that he wants to see in the state system and the structure of society. He also creates patterns for defining concepts such as good, bad, beautiful, ugly, right, wrong. The important thing that draws attention to the patterns in question is the image of the enemy. Type studies are frequently performed in oral and written products that form the memory of Turkish culture. In these studies, which usually focus on positive types, the characteristics of negative and bad types, which are complementary and opposite to each other, are superficially passed on. In this contex the enemy flat character in Qutadgu Bilig and the features of this character is determined with the use of the sampling method. A detailed dicsussion based on the chosen samples of the characteristics constituting the enemy is made. The images in question have been compared to the enemy type previously discussed in the oral and written works of folklore, and they have revealed similar and different points. The general characteristics of the enemy type, its portrayal in literary works, the position of the enemy type in the ecology of Turkish culture, have been discussed with movements of many literary types ranging from myth-epic, epic-folk stories, folk stories-anonymous genres.

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YAŞAR KEMAL VE DİDO SOTİRİYU ROMANLARINDA BELLEK UĞRAŞI OLARAK TÜRK- YUNAN NÜFUS MÜBADELESİ

Author(s): Christina ZENGİNOĞLU,Nihayet Arslan / Language(s): Turkish Issue: 34/2021

The remnants of the war, massacre and exile have tried to testify by various means. Traumatic past and negative memories have inspired artistic and intellectual works. Knowing the pain and losses experienced in different parts of the world required being in the field, keeping records and collecting oral narratives. While the transfer of what happened is possible trough various means from diary to autobiography, the issue of not being forgotten is on the agenda. Testimonies and memories of war victims, fugitives, prisoners and immigrants have been reference sources in the process. In this study, we will argue that novels can serve as reminder tools of a lost period or forgotten events by promoting their social circulation. The fictional intersection and memory transfers of two Anatolian-born writers has allowed us to analyze the reciprocal socio-cultural spasms caused by the Turkish-Greek Population Exchange (1924). The text analyzes the aspects and ways in which population exchange- which is a forced migration and thus stands apart from other types- is brought back in novels as well as its effects on social recall. Besides Yaşar Kemal's quartet titled Bir Ada Hikâyesi and Dido Sotiriyu's İ Nekri Perimenun and Matomena Homata, which are matched with purposeful sampling here, we can study an autobiography that has not been mentioned in any academic media or publications until now. It should be noted that it is complementary. Manolis Aksiotis, who is a real person, and his testimony have allowed us to address many issues from using testimony in fiction to showing witnesses in the novel, allowing us to see that a cognitive record may not distort the original event even when it transforms a fictional record.

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Kral Mitolojilerinde Evrensel Kahraman Tipolojisine Bir Örnek: Akad Kralı Sargon

Author(s): Osman Emir / Language(s): Turkish Issue: 2/2020

In this study, the main topics and common features of universal hero stories will be discussed. Then it has been discussed the universal hero stories that emerged at different times and places and the reasons for the surprising similarities between these stories. Then, the cuneiform text, which represents one of the oldest examples of universal hero stories and tells the story of the birth of the Akkadian king Sargon, known as the “legend of the birth of Sargon”, has been studied. In this text, it will be revealed to what extent the information given about his life is similar to the universal hero stories; how, when and why this story was written. Based on the other written texts of Sargon, it has been tried to reveal whether the information given among these texts is compatible or not. Finally, the question of the “legend of the birth of Sargon” affects the similar heroic stories that emerged in the later periods, whether the text is the oldest archetype of these heroic stories, and whether Sargon’s text was taken from an older story.

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Prilog proučavanju sufiksalne tvorbe riječi u turskome jeziku: analiza deverbalnih derivacijskih sufiksa za izvođenje imenskih riječi u djelu Dîvânü Lügâti’t-Türk

Author(s): Edina Solak,Mirza Bašić / Language(s): Bosnian Issue: 70/2021

Suffix word formation is a characteristic of Turkish language grammar, and this paper analyzes grammatical and semantic structures of deverbal derivative suffixes for nominal word formation in Dîvânü Lügâti’t-Türk. Actually, this paper analyzes particular (con)textual examples from Dîvânü Lügâti’t-Türk, which uses nominal words formed by adding derivative endings to the root or base of a verb. The analysis of derivative suffixes added to the root or base of a verb to make nominal words is based on examples from the encyclopedia which contains all particularities of Turkic languages in the 11th century, thus pointing out the fact that such an analysis should be a peculiar contribution to the study of Turkish language from a diachronic perspective. Moreover, the results obtained from the analysis should contribute to the better knowledge and comprehension of suffix word formation in Turkish language and they could be a good foundation and a good starting point for further research on derivative suffixes from a diachronic perspective.

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O osmansko-europskom transferu geografskog znanja: Poglavlja o Bosni, Hercegovini i Slavoniji u risali Tārīḫ-i Belġra̱d

Author(s): Dino Mujadžević / Language(s): Bosnian Issue: 70/2021

The paper deals with the work Tārīḫ-i Belġra̱d (History of Belgrade) from the end of the 17th century, with an emphasis on the transfer of knowledge from Western sources to this work, which is largely based on the Ottoman translation of the modern Dutch Atlas Maior. Based on the analysis of the chapters on Bosnia, Herzegovina and Slavonia, the paper emphasizes that this work, as well as the original translation from which it originated, is not a mere translation of the text from the atlas, but a reworking to which numerous information from the Ottoman sources has been added, especially when describing areas under the Ottoman rule. Also, the paper critically discusses the authorship, the origin of the work and the existing transcription. At the end of the paper, a translation of the mentioned chapters with the revised transcription of toponyms from the work are given.

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Рецепция романа Ф. М. Достоевского в турецкой литературе XX–XXI веков

Author(s): Leyla Shener / Language(s): Russian Issue: 4/2021

F. M. Dostoevsky is one of the most prominent figures in the history of world culture and literature, whose work has had a strong influence on writers from different countries. The article examines the reception of F. M. Dostoevsky’s creative heritage in Turkish literature of the 20th and 21s centuries. The main translations of his works into Turkish from the 1920s to the present are noted, Turkish translators and researchers who studied the work of the Russian writer are named. The article provides an overview of the works of leading Turkish writers (P. Safa, S. Ali, A. H. Tanpinar, S. Agaoglu, D. Ozlu, V. O. Bener, B. Karasu, O. Atay, R. Ozdenoren, O. Pamuk, L. Tekin, M. Mungan, etc.) that reflect the ideas and images of F. M. Dostoevsky. The influence of his novels on Turkish literature was reflected in the similarity of themes, problems, ideas, motifs, images, narrative style, ways of depicting reality in the works of Turkish writers, especially at the level of artistic insight into tragic life collisions, universal values, human mental life, features and motifs of his behavior, as well as in the development of the novel as a genre. Master’s and doctoral dissertations of Turkish researchers, scientific articles, monographs, publications in journals, interviews with Turkish writers were used as sources of research.

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