![ПРАВО И КУЛТУРНИ ЦЕННОСТИ. Сборник с доклади ОТ МЕЖДУНАРОДНА НАУЧНА КОНФЕРЕНЦИЯ НА ТЕМА ПРАВО И КУЛТУРНИ ЦЕННОСТИ ОРГАНИЗИРАНА ОТ ЮРИДИЧЕСКИЯ ФАКУЛТЕТ НА ПЛОВДИВСКИ УНИВЕРСИТЕТ „ПАИСИЙ ХИЛЕНДАРСКИ“](/api/image/getbookcoverimage?id=document_cover-page-image_789894.jpg)
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The book summarises the basic principles as well as main tendencies within the medieval lyric genre Minnesang – both in its German version, investigating its individual evolutionary phases, and in later appearing old Czech love poetry of high Middle ages. Moreover, the author of this comparative study Sylvie Stanovská applies her findings to younger German love poetry before 1500 as well so she gains a broad analytical basis, pursuant to which she constructs a novel, with numerous text examples supported typology of the old Czech love poetry. This typology can thus lead to further research of this genre.
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In 1624, Abraham Goos, a Dutch graphic designer and map publisher, published a map of Moravia. I. A. Comenio was identified as the author of the map. Jan Amos Komenský (1592–1670), or John Amos Comenius, was the Bishop of the Bohemian Brethren, a philosopher, an educational theorist, and a man with a wide range of knowledge. He prepared materials for this cartographic work before he went into exile; he had planned to use the map as a supplement to his work about the history of Moravia. However, the result of his research and documentary work, which was intended to improve on the older Fabricius map, soon became a fully-fledged item in the list of his essential works. The 1624 publication was followed by more, and the original served as the basis for a number of versions that differed only in minor details or in the place of publication and publisher.
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The monograph examines the ways in which Indigenous women’s non-fiction published in the 1990s contributed to theoretical articulations of Indigenous feminism and to a historiographic counter-discourse which has intervened into the dominant narratives of nation-building in settler colonies. Personal non-fiction and life writing by Native American authors Paula Gunn Allen and Anna Lee Walters (USA), by First Nations authors Lee Maracle and Shirley Sterling (Canada), and by Aboriginal authors Jackie Huggins and Doris Pilkington Garimara (Australia) are analyzed in detail to demonstrate how a hybrid writing style, combining scholarly criticism with auto/biography and fictionalized storytelling, is used to inscribe Indigenous women’s cultural difference, subjugated knowledges, transgenerational trauma from colonization, and resistance to forced assimilation.
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The publication focuses on the absurd in the French Dada and pre-surrealist theatre, examining the scenical potential of three texts which have, until now, remained practically unexplored: “La Premiere aventure celeste de Mr. Antipyrine” by T. Tzara, “Les Mysteres de l’amour” by R. Vitrac, and “S’il vous plait” by A. Breton and P. Soupault. The author understands the absurd as an aesthetic category applicable to theatre analysis in general – contrary to the “Theatre of the absurd”, a concept suggested by M. Esslin in order to characterize the avant-garde of the 1950s and often criticized for its lack of precision. The conclusion evaluates Esslin's contribution to the study of the absurd in theatre.
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The book brings an original presentation of unique materials from the mid- 1970s which have not been published in an English language monograph so far. It contains a visual analysis of historical photographs from Buryatia and Tibet and the analysis of author's own field observations and recordings of interviews.
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The book describes the history of two civilization spheres in the territory of present-day Vietnam: The Viet culture in the north, developing under a direct influence of China, and the Champa culture in the south, formed by small independent indianised communities. By the 15th century, the growth of the Viet statehood reached its peak in the creation of a centralized realm. On the other hand, Champa was driven back by the expanding Viets, a far-reaching defeat resulting in their gradual regress in the following centuries. The authors offer a chronological explanation based on Vietnamese and Chinese chronicles. They present two main trends: The transition from a thousand-year-old Chinese domination to independence, and the power shift from the Buddhist sangha to military rulers and neo-Confucian civil administration.
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Tremendism is one of the most peculiar phenomena that appeared on the Spanish cultural scene in the 20th century. Its origin at the beginning of the 1940s had been accompanied with several polemics that have gradually faded out. Tremendism appeared along with a new literary group, the so called Generation of 36, whose literary works influenced the later development of the Spanish narrative. A greater revival of interest in this issue took place only much later, especially in the 1990s after Camilo Jose Cela, the leading representative of tremendism, was awarded the Nobel Prize for Literature. At the same time, new writers from the Generation X published their tremendist novels. This monograph is a contribution to the academic discussion on tremendism as a literary phenomenon.
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The core of the volume is the texts dealing with Wilhelm Dilthey (1833–1911). Although his texts could be interpreted from point of view of cultural history, the author tries to make a philosophical interpretation. Although they may seem thematically distant, the other texts are based on the development of Dilthey motifs. Kantian inspiration was evident in the analysis of the Enlightenment concept of woman and family, as well as in the interpretation of the Central European tradition of aesthetic formalism. The emergence of the philosophy of history and sociological theory in the philosophy of language and the theory of communicative behavior is shown in an analysis of the most important texts by Jürgen Habermas and Karl-Otto Apel.
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"The monograph focuses the onset of the Latin written culture in Bohemia and Moravia, especially its sources. Its focus lies on the presentation of manuscript fragments of the early medieval era, which were usually excluded from the codicological discourse or marginalised; most of them are published for the first time. The intrusion of the Latin caroline script in the Bohemian lands is presented on the base of a complex palaeographical and codicological anlysis as a phenomenon, that accompanied the Latin trend of christianisation, which came into the central Danubian region from the ecclesiastical centres of Bavaria during the IXth Cent. From mid-11th century on, the preserved sources show an important transformation: the initial passivity (i. e. dependence of the Bohemian lands upon the import of books from other countries) is transforming into an active participation of Bohemia in the transcriptions of Latin texts. In this period the oldest identifiable scribe school in the Bohemian lands can be traced – the scriptorium in Břevnov monastery founded during the long abbotship of Meginhardus. The book includes coloured pictures of all relevant sources including diagrams visualising the codicological conclusions; codicological and palaeographical registers are added."
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The exhibition “From Treviso to Brtnice” presents the fortunes of the Italian noble family of Collalto from the 10th century, when its ancestors became counts of Treviso, through the Late Middle Ages, when the dynasty's centre shifted to the rural lordships of Collalto and San Salvatore on the Piave River, to the Early Modern Age and the Collaltos’ success as condottieri on European battlefields. In 1623, Habsburg general Rambaldo XIII Collalto obtained the lordship of Brtnice, establishing a Moravian branch of the dynasty. The exhibition and catalogue present the family history through various documents preserved in the Moravian Provincial Archive in Brno and the State Regional Archive in Rokycany.
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The book is dedicated to the study of program and activity of the Polish Theosophical Society in Cieszyn Silesia during the years 1919 – 1931 (the period of its most intense, also publishing, activity). The society, for the most part of its existence, was situated on the Czechoslovakian side of the border, and formed by the local historical and cultural conditions; due to that it formulated a distinctive program of which central part was the idea of “higher spiritual culture.”
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Više od dvije decenije nakon završetka konflikta na prostoru bivše Jugoslavije, u crnogorskom društvu, ali i obrazovnom sistemu, i dalje postoji određeni otklon ka redovnom i detaljnom predavanju ovih tema. Iako su lekcije koje govore o periodu 1991-2001. zastupljene u našem obrazovnom sistemu, već duže od deceniju, istraživanja sprovedena kod svršenih srednjoškolaca/ki, ali i nastavnika/ca, ukazuju da se o ovim temama ili ne predaje ili da se predaju samo osnovne informacije.
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International Scientific Conference - Midhat Begić (1911-2011) Life and Work - Sarajevo, 27 October 2011
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Naučnim skupom Nobelovac Ivo Andrić – 50 godina kasnije Odjeljenje humanističkih nauka Akademije nauka i umjetnosti Bosne i Hercegovine obilježilo je pedeset godina otkako je Ivo Andrić dobio Nobelovu nagradu za književnost. Kao što znamo, ova nagrada je tom velikanu naše književnosti priskrbila međunarodni značaj, a time i samoj našoj književnosti dala vidnije mjesto u svjetskoj kulturnoj javnosti. Andrićevo djelo, koje je i do tada bilo predmet velikog interesovanja i čitateljske publike i književnokritičke misli u svim krajevima Jugoslavije, postalo je, zahvaljujući Nobelovoj nagradi i prijevodima koji su uslijedili, zanimljivo za čitatelje širom svijeta. Od tada to djelo ne prestaje privlačiti pažnju književne kritike i van zemalja bivše Jugoslavije. Njen sud davno je izrečen: Andrić je veliki pisac. Međutim, ako je ta ocjena ostajala sve vrijeme jednako neupitna, pristup njegovom djelu značajno se mijenjao u proteklim decenijama, zahvaljujući znatnim dijelom brojnim novim (modernim i postmodernim) razumijevanjima i tumačenjima same književnosti, ali i kulture uopće. Osim toga, mi više ni svijet oko sebe ne vidimo onako kako ga je vidjela Andrićeva generacija, pa su i značenja koja “izvlačimo” iz njegovog djela drukčija od onih koje je u njemu prepoznavala kritika njegovog vremena. Andrićevo djelo, kratko rečeno, nama danas ne govori isto ono što je govorilo njegovim čitateljima 60-ih i 70-ih godina prošlog vijeka. A upravo je ova pedestogodišnjica bila pravi trenutak da se književno kritička misao ponovno suoči s njegovim djelom, da mu pristupi u suglasnosti s novim iskustvima čitanja i da oslušne što nam ono danas govori, i na koji način. Bez svake sumnje danas, pedeset godina poslije dobijanja Nobelove nagrade, književno djelo Ive Andrića postalo je izazovni predmet novih čitanja, odnosno čitanja u dosluhu s novim vremenom. A želja je ANUBiH bila da tim povodom okupi stručnjake različitih profila i književnokritičkih usmjerenja, koji bi Andrićevo djelo iznova sagledali, kako u perspektivi nekih modernih učenja (naratoloških, strukturalističkih, postkolonijalnih, feminističkih) tako i u okviru promjenjenog društvenog i ideološkog konteksta u kojem se ono danas čita. Zbog te želje da se njegovo djelo u novim tumačenjima dovede u korespondenciju s duhom našeg vremena, ANUBiH je okupila desetak poznavalaca Andrićevog djela, s uvjerenjem da će oni – svaki iz svog ugla – svojim izlaganjem značajno doprinijeti suvremenom tumačenju tog djela. Sad smo u prilici da u ovom zborniku predstavimo široj javnosti sva izlaganja koja su podnesena (ili bila planirana da budu podnesena) na tom naučnom skupu, koji je održan u prostorijama ANUBiH u ponedjeljak 21. novembra 2011. godine.
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Proceedings are the output of the 4th International colloquium on tourism that was focused on the current issues in tourism. The major concentration is on research questions covering tourism and research topics.
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This volume contains best students works, bachelor or master educational program in history, which were created at universities in the Czech Republic in 2015.
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“Young Slavistics III” is the sixth consecutive publication in a series of annual publications of doctoral students from the Department of Slavonic Studies in Brno. The book was introduced by a study from Prof. Ivo Pospíšil called “Literary History as a Reflection of Memory and Value (with Regard to Slavonic Literatures)”. There are also ten studies by doctoral students of different Slavonic fields, in which the students focus on specific chosen topics of Slavonic literatures, languages and cultures. Their research is based on dissertations currently being prepared. Therefore, the publication is a presentation of current research topics solved in Brno by young students of Slavonic studies and at the same time they indicate the trends which this emerging generation of researchers brings to contemporary Slavonic research.
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Young Slavistics II is the fifth consecutive publication in a series of annual publications of Doctoral students from the Department of Slavonic Studies in Brno. The book was introduced by a study from Prof. Ivo Pospíšil called “The Problem of the Coherence and Incoherence of Slavonic Literatures”. There are also nine studies by Doctoral students of different Slavonic fields, in which the students examine the issues of context and connection in Slavonic literatures, languages and cultures through the investigation of individual examples. Their research is based on dissertations currently being prepared. Therefore, the publication is a presentation of current research topics solved in Brno by young students of Slavonic studies and at the same time they indicate the trends which this emerging generation of researchers brings to contemporary Slavonic research.
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The proceedings are the output of the 27th edition of the Central European Conference with subtitle (Teaching) of regional geography. The proceedings contain 19 contributions. Contributions indicate the current state of professional interest of conference participants. The contributions present current trends in geographical research by experts from the Czech Republic, Slovakia and Poland.
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