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POVARA CRUCII (THE BURDEN OF THE CROSS) – DEATH AND REBIRTH IN ȘTEFAN PETICĂ POETRY

Author(s): Cristina Ciobanu / Language(s): Romanian Issue: 11/2017

The 10 sonnets published under the title The Death of Dreams (Moartea visurilor) or The Burden of the Cross (Povara crucii) reflect both the attempts of the poet to regain his inner balance and a spiritual evolution, which presupposes that any initiatic journey require a death of the old values, a soul death and a rebirth under the sign of perfection, here under the sign of the rose. Our analysis highlights a few symbols from these sonnets that reflect this inner struggle of the poet in a process called individuation by psychoanalysis.

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BETWEEN ‘THE PRESENT SELF’ AND ‘THE SELF TO BE’

Author(s): Anamaria Dobrescu (Popa) / Language(s): English Issue: 10/2017

This study contains interpretations of the existential conflict in Edith Wharton’s novel The Age of Innocence. It is an important conflict in the book, as it includes all the others: the social, moral, erotic, psychological, of mentality and the internal conflict. It also reflects the significance of the title. All three main characters represent different ‘ages’ and stages in the evolution of human conscience and in society. The male character is in-between two ‘(st)ages’, therefore he can be considered an exponential one. ‘The Journey’, ‘the Gorgon’ and ‘the Light’ are archetypal symbols that lead the reader to a deeper level of knowledge.

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THE TEMPTATION OF ANDROGYNY IN MIRCEA CĂRTĂRESCU’S WORK

Author(s): Silvia-Maria Munteanu / Language(s): Romanian Issue: 10/2017

This study proposes an analysis of the Mircea Cartarescu’modalities of including mythical echoes in his novel. A privileged place is occupied, in the cartarescian prose, by the androgynous being. Easily traceable throughout the fictional pages, the temptation of androgyny implies a double explanation: on the one hand, the deviant sexual taste of the post-modernist individual, inclined to the genetic inter-determination, trans-sexuality, heterosexuality, homosexuality and the travesty, and who is willing to embrace new revelational experiences. On the other hand, the Androgen can easily be considered as a synonym for the Everythingness which every one of the characters teds to achieve. Consequently, the sexual experience is regarded as a bridge connecting with the transcendent and the apocalypse.

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THE SENZORIAL DISCOURSE IN HORTENSIA PAPADAT BENGESCU, BETWEEN PSYCHOANALYSIS AND ESTHETICS

Author(s): Simona Liutiev / Language(s): Romanian Issue: 10/2017

Throughout the whole Hallipa series, Hortensia Papadat Bengescu seems to reject the solution of harmonization between body and soul, blocking any communication between inner and outer body, her characters cannot live in a unified frame, and they are unable to hear their intimacy. An approach on the sense organs (seeing, hearing, smelling, tasting, touching), on the extra sensorial (intuition), and on the elaborated sensorial impressions in her novels offers a better understanding of the literary work and emotions. The sensitivity seems to be dominant in feminine fiction in general and particularly in Papadat Bengescu’s texts. She thought the main aim in art is to share all she has to say to the senses, using the technique of expressive structural motifs, transforming the work into allusions, introspections and psychological revealing. The sensorial is dominated by language and it is decoded through an affective language, since the affect is a condition of speaking. The author was concerned about the language only as a sensitive corpus and disclosed its intrinsic sensorial spontaneity that often seems to lead to heresy.

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Ganz schön in der Scheiße. Zum Diskurs der ›Skatontologie‹ zwischen Philosophie und Literatur nach Marquis de Sade

Author(s): Artur R. Boelderl / Language(s): German Issue: 27/2018

Anknüpfend an die Kontroverse, die um 1930 zwischen André Breton und Georges Bataille über den Stellenwert des Unflätigen im Denken und Schreiben geführt wurde, diskutiert der Aufsatz zum einen deren theoretischen Einsatz, indem er die Geschichte der Auseinandersetzungen von philosophischer wie psychoanalytischer Seite mit dem einschlägig notorischen Werk des Marquis de Sade beleuchtet. Zum anderen zeigt er unter Verweis auf ausgewählte Beispiele der deutschsprachigen Literatur seit 1945 (darunter Günter Eich, Werner Kofler und, wenn auch gleichsam ex negativo, Peter Handke) die ungebrochene – wiewohl unterschätzte – literaturtheoretische Relevanz dieses ›skatontologischen‹ Diskurses auf.

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Zamke političke korektnosti

Author(s): Slavoj Žižek / Language(s): Croatian Issue: 22/2015

Britanski mediji su u proljeće 2015. naširoko izvještavali o Grace Gelder, sredovječnoj fotografkinji koja je, nakon prakticiranja indijske meditacije i pošto je poslušala Bjork kako u jednoj od svojih pjesama kaže "Udata sam za samu sebe”, odlučila učiniti upravo to: organizirala je cijelu ceremoniju auto-vjenčanja, objavila zavjete sama sebi, stavila burmu i poljubila svoj odraz u ogledalu… Ne radi se tek o idiosinkratičnoj ekscentričnosti, ideja o zabavljanju sa samim sobom i o samo-vjenčanju sve više cirkulira mrežom. Pregršt je uputstava o procesu zabavljanja sa samim sobom: budući sam svoj/a ljubavnik/ ca trebam svud po stanu ostavljati ljubavne poruke; kad se odluči na sastanak sa samim sobom, treba srediti stan, lijepo postaviti stol sa svijećama, obući najljepšu haljinu, obavijestiti prijatelje kako ima važan sastanak sa sobom… Cilj zabavljanja sa samim sobom je steći produbljeno znanje o sebi, o tome šta je neko zaista i šta zaista želi, tako da, zavjetujući se svom dubljem Sebstvu, mogu doseći samoprihvatanje i auto-harmoniju, a to će mi omogućiti duboku satisfakciju u životu … hoće li?

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Diskurz, moć i seksualnost...

Author(s): Zlatan Delić / Language(s): Croatian Issue: 22/2015

... i kao tri koncepta Foucaultove filozofije- Ovaj tekst je zamišljen kao neka vrsta uvoda u filozofiju Michela Foucaulta, a pisanje uvoda u njegovu znanstvenu i filozofsku zaostavštinu predstavlja pokušaj mapiranja ključnih filozofskih koncepta koji reprezentiraju Foucaultova znanstvena stajališta i njegov utjecaj na tokove poststrukturalističke i općenito savremene teorijske misli. Rad "Tri koncepta Foucaultove filozofije: diskurz, moć i seksualnost" se može razumijevati kao poststrukturalistički susret između Foucaultovih filozofskih stajališta i feminističke teorije koja je njegova načela prihvatila za izgradnju sopstvene emancipatorne i subvertirajuće politike.

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U maglama interpretacije psihoanalize i feminizma

Author(s): Lejla Mušić / Language(s): Bosnian Issue: 22/2015

U svom djelu Gender and Sexuality autorica Chris Beasley posebno poglavlje posvećuje redefiniranju stavova Freuda i Lacana u oblasti feminističke psihoanalize. Način na koji Beasley uvodi psihoanalitičku teoriju vrlo je specifičan. Pri strateško-analitičkom čitanju dijelova knjige ili samog nastojanja da se pronikne u tekst posvećen oblasti psihoanalize neophodno je bilo proći kroz djelo i odjeljke posvećne autorima/cama koji se bave psihoanalizom. Određenja termina modernizam i postmodernizam kako ih Beasley vidi i povezuje s psihoanalitičkim pravcima, te samo kretanje koje se odvija na putu modernizam-postmodernizam, u vidu njihovih slabijih ili jačih formi, a u okviru kojih je samo djelo strukturirano načinima na koji se ove definicije vezuju za psihoanalitička stajališta, doprinose autoričinoj definiciji same psihoanalize. Kako je postmoderni i suvremeni psihoanalitički francuski feminizam, kao jedan od najznačajnijih pravaca feminizma danas, važno je istražiti prijepore koji se mogu pronaći u savremenim autorskim radovima o distinkciji modernog i postmodernog psihoanalitičkog feminizma.

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Kako razvlastiti nasilje?

Author(s): Bjanka Alajbegović / Language(s): Bosnian Issue: 26/2017

Manihejsko pitanje Unde Malum? (odakle dolazi zlo) naslov je pjesama dvojice, možda i najutjecajnijih, poljskih pjesnika našeg doba: Tadeusza Rozewitza i Czeslava Milosza.

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Psihološka analiza glavnog lika u romanu Parfem autora Patricka Süskinda

Author(s): Božena Pandža-Mandurić / Language(s): Croatian Issue: 2/2018

The work deals with the psychological analysis of the character in the novel “Perfume” which was written by Patrick Süskind (1985). The novel is postmodern hybrid text that provides the oportunity not only for the analyis of the major character but also connects intertextuality of belletrisic subjects with the trivial ones. The work gives the insight of different semems as well as of those psychological combined with the theory of Sigmund Freud, Carl Gustav Jung and Eric Ericcson. Psychological analysis is based on the works of different psychologists including the Maslow and Glaser hierarchy. The work shows the possibility for analysis of complex human psyche and importance of postmodern texts for various analyses of pathological character.

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Freud’un Rüya Tasavvuru Kapsamında Peyami Safa’nın Matmazel Noraliya’nın Koltuğu Romanından Misaller ile Metaforun Geçici İkâme Teorisi

Author(s): Mehmet Akif DUMAN / Language(s): Turkish Issue: 13/2019

The explanation of the four phases of Freud in the context of the substitution theory would lay the foundations for a very functional system of analysis of the narrative texts. The language is legitimized as a dream work and the text is analysed as a dream, and the author's and reader's attitudes between the resulting four levels can be better understood. With this in mind, we have selected the novel "Mademoiselle Noraliya’s Armchair" by Peyami Safa in order to substantiate the analysis. The use of the author on the fringes of the pragmatic level and on the pragmatic level provides us with a very wide range to explain the purpose.

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Memory in the Lighthouse by Alison Moore

Author(s): Kubilay GEÇİKLİ / Language(s): English Issue: 13/2019

The Lighthouse by Alison Moore remains to be a narration where the sense of memory has become influential. Almost all memories with mother are joyful and they are what connect Futh, the hero of the novel, to life. Especially the lighthouse, which can be regarded as a concretized form of beautiful memories with the mother, functions as a source and energy of life for him. Still, it is the unbearable memories, the memories of loss and abandonment, the memories of betrayal that gradually lead him to death and dominate his life. It might be argued that Futh was already dead and buried in memories as his absence is not noticed by others. He is abandoned and betrayed by a mother and a wife, who, in Futh’s eyes, would hopefully replace the absent mother. In short, Futh’s life as narrated in the novel is nothing but an account of memories, mostly tragic, which dominate his life and prevent Futh from living in a sense.

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INTERDISCIPLINARNI PRISTUP KNJIŽEVNOSTI: KNJIŽEVNOST I PSIHOLOGIJA/PSIHIJATRIJA

Author(s): Jasmina Ahmetagić / Language(s): Serbian Issue: 22/2018

The need for theoretical elaboration of the interdisciplinary approach to literature – in this case using knowledge of psychology and psychiatry to understand literary works – grows not only because of parallel development of literature and literary theory, but also because the flexibility of that material is not followed by appropriate flexibility of literary critics who show particular resistance to the connections between exactly these “branches”. As the old forms in literature are renovated, the old methods in the literary interpretations are also reshaped so that they only remind us of something we have already seen and questioned. However, they show absolutely different aims and results: while the psychological approach moved along the edge of literary works, the interdisciplinary approach inspects their key categories and layers. Permanent war in the psychotherapy, as well as the war in literary criticism, caused their own branching and expended their relationships. As the consequence of this, the area of their mutual connections became almost immense.

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The Melancholy of Desire in Buñuel’s ‘That Obscure Object of Desire’ and Fassbinder’s ‘I Only Want You to Love Me’

Author(s): Daniel Sebin / Language(s): English Issue: 1/2019

The purpose of this essay is to investigate the melancholic nature of desire in the films “That Obscure Object of Desire” and “I Only Want You to Love Me”. Firstly, a definition of melancholy will be given and then an analysis of the way in which the nature of desire creates melancholy in these films. Also, an exegesis of these films different aspects, how they interact and how they function together in order to achieve a feeling of melancholy in the viewer. A theoretical support for these ideas will be given by Lacan, Žižek and Freud.

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Remembrance and white spots of memory (interpreting the unsaid)

Author(s): Zdenko Lešić / Language(s): English Issue: 01+02/2017

From Freud onwards many cultural theorists have been aware of the impor¬tance of forgetting as an inherent failure of memory to retain “whole truth and nothing else but truth”. Which led them to revise their interpretative strategies in order to pay more attention to the unsaid in V memory texts. Nowadays, this has become a common procedure in post-colonial criticism, in feminist readin¬gs of cultural texts, and in post-Freudian criticism. In this paper the author pays attention to some of those theories of “the reading the unsaid” that have proven to be the most influential in contemporary cultural studies.

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Sablasna ženska žudnja: šta je Lacan (po)rekao?

Author(s): Bjanka Alajbegović / Language(s): Bosnian Issue: 73-74/2019

Prije nego što ju je Freud proglasio zazornom i sablasnom (unheimliche), “doba klinike” je koncem 18. i početkom 19. stoljeća od grčke čarobne nymphe kreiralo skandaloznu nimfomaniju. lacan je Freudov nagon smrti podigao na viši nivo: libido/žudnju (jouissance), nezajažljivu agenturu koja neprestano zahtijeva još i više (encore!), uzrokujući začarani krug zadovoljstva i patnje, ispunjenja i lišavanja, i tako sve do... smrti. Ta zloglasna jouissance porijeklom je iz predjezične, prededipalne faze, reelnog poretka/Stvarnog , platonovske chore. Ona je granični fenomen: užitak i propast,sveprisutna i nedosežna, nesavladiva i nesvodiva. Moguće je da je Bataille upravo tu žudnju imenovao slijepom silom, zaraznim porivom prekomjerja (1980: 47). Njeni nalozi, kojih (po pravilu) nismo svjesni, naši su zahtjevi. A naši zahtjevi su (u suštini) nemogući.Rene girard je ukazao na mimetičku narav želje , odnosno, mimetizam kao prisilu ponavljanja. Kada čovjek zadovolji svoje potrebe, to nije kraj, nešto ga (opet) vuče (još) dalje. To je naravno želja, a želji je svojstveno da traži uzor. Da bismo istinski željeli, moramo se obratiti ljudima koji nas okružuju, moramo od njih posuditi njihove želje (2004: 29), pojasnio je dalje girard, nagovješćujući slučajno ili ne, klajnijansku teoriju objektnih odnosa (projektnih identifikacija).

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The Archetype of Revolt in John Milton's Paradise Lost

Author(s): Marius Dumitrescu / Language(s): English Issue: 1/2019

John Milton (1608-1674) was one of the main advocates of the reform policy initiated by Oliver Cromwell in England. The texts written by him during the conflict between the Parliament and the King determined the new Republic to offer him high-ranking positions. In the last part of his life, however, after Charles II restoration, Milton fell into the disgrace of the new king. It is the period of time when he wrote the great epic poem Paradise Lost, published in a first edition in 1667 and consisting in ten books. The present paper aims to capture the way Milton developed a theory on the right to rebellion in his poem Paradise Lost. Using the instruments of a psychoanalytic approach, we want to capture the archetype of the revolt, revealing the deep meaning of the concrete history in which it is projected. For Milton, rebellion is justified. This idea was later confirmed by John Locke as the right to rebellion in The Second Treaty on Governance. For Milton, revolt is an archetype, but for Locke it becomes a true philosophical concept. Milton's main hero, the fallen angel Lucifer, becomes an archetypal symbol for the spirit of revolt. However, the text was meant to provide its creator with rehabilitation in front of the Crown, who finally recognized his genius. Using psychoanalysis, we identified subtle links between Milton's life and his work. We can even consider that Milton's life and his work intertwine; they are one and the same thing.

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Köpek Dişi Ya Da “Mülklerin En Tehlikelisi” Olarak Dil

Author(s): Güven Özdoyran / Language(s): Turkish Issue: Sp. Iss/2019

The aim of philosophy, for Wittgenstein, is to show the way out to the fly trapped in the bottle. According to him, metaphysics and the fly’s “false-consciousness” are of the same kind. The fly inside the bottle speaks falsely about “the bottle” (the world) as if it were looking from the outside of the bottle. Cinema with the power to produce images, unlike the eye as a body-dependent position, has the ability to show the bottle from outside. Yorgos Lanthimos’ Dogtooth (Kynodontas) creates a world that allows us to look at the bottle we live in with a meta-view. Contrary to common belief, Dogtooth is not the story of an abnormal, pathological family. In fact, it reveals the codes that cover the abnormalities in the society, constructed through the language, we live in. It is, indeed, the story of all of us which is told in the film. In this context, Lacanian psychoanalysis and Lacan’s way of understanding the language and society provide audiences with a powerful tool for analyzing the film. With the Lacanian strategy, the film does not tell us what the real is, because the real is unexplainable. It shows us what the real is not. The main claim of this paper is the idea that Lacan’s Symbolic Order and the world established in Dogtooth extremely intersect. In this study, Lanthimos’ film will be analyzed by putting the Lacanian paradigm at the center and the central role of the language in the process of constructing our reality will be discussed.

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KÖRLER ÜLKESİNDE HEM GÖRMEK HEM DE SAĞIR OLMAK SUÇTUR!!!

Author(s): Yener Özen / Language(s): Turkish Issue: 5/2019

In this study we tried to discuss the effects and effects of neuroses on daily life. Neuroses are mild and psychoses represent relatively severe cases. Neurosis is a state of psychic conflicts and thought disorders as a result of negative effects directly from the environment, regardless of an organic cause. The neurotic person is not disconnected from real life, although there are some discrepancies and surroundings. More or less right now, we prefer to ignore our problems that we all cannot and cannot overcome, either by forgetting them or denying them by developing defense mechanisms. In neurosis, people face despair if they encounter obstacles that they cannot overcome as they progress in line with their desires and ideals. First they judge their own abilities. He is angry with the environment when he is criticized and repressed by his surroundings because he cannot overcome obstacles. But most of the time, it does not express its anger. As my site and anger become superimposed, various problems arise and they start to give uncomfortable to the person.

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Pamięć zraniona. Renarratywizacja i problem tożsamości osobowej

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Pamięć zraniona. Renarratywizacja i problem tożsamości osobowej

Author(s): Adriana Warmbier / Language(s): Polish Issue: 4/2018

In this paper, I consider the role that individual and collective memory plays in constructing personal identity. I particularly focus on the problem of entangled memory (symbolic injuries which demand reconciliation). Analyzing the internal relation between recalling and forgetting, I argue that self-recognition (and self-interpretation) is possible only if the past events find their meaning in the narrative structure. I refer to Ricoeur’s research on memory and to the concept of narrative identity. By emphasizing the fact that temporal experience and the narrative operation are intertwined, I suggest that we need constant narrativization in striving for our inner integrity.

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