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ИНФОРМАЦИОННЫЕ ТЕХНОЛОГИИ КАК ТЕМА И ХУДОЖЕСТВЕННЫЙ ПРИЁМ В РОМАНЕ В. ПЕЛЕВИНА «ЛЮБОВЬ К ТРЁМ ЦУКЕРБРИНАМ»

Author(s): Anastasia Leonidovna Bobyleva / Language(s): Russian Issue: 2/2015

This paper considers the influence of modern technologies and the Internet on V. Pelevin’s novel “Love for Three Tsukerbrins”. The problematic and thematic field, composition and plot, stylistic characteristics are analyzed from the perspective of their involvement in the modern computer discourse. The type of intertextual links, system of images, and language peculiarities of the novel are studied. Their specificity enables the conclusion that information technologies do not only serve as the subject of artistic description, but also turn out to be the factor influencing the poetics of the novel. In addition, it is revealed that the modern types of Internet communications determine the author’s narrative strategy and the reader’s reception.

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ОППОЗИЦИЯ СВОЁ – ЧУЖОЕ В РОМАНЕ ДЖУЛИИ ОЦУКИ «БУДДА НА ЧЕРДАКЕ»

Author(s): Ekaterina Sergeevna Khovanskaya / Language(s): Russian Issue: 2/2015

The paper presents the analysis of the novel by the Japanese American writer J. Otsuka. The features of interaction between self and nonself are revealed. From this perspective, the main frame components (title symbolism, epigraphic semantics), characteristics of space-time structure, chapter relations, and type of narrative are considered.

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ЕЛЕНА ЧЕКАЛОВА – ТЕЛЕКРИТИК ГАЗЕТЫ «МОСКОВСКИЕ НОВОСТИ»: ПРОБЛЕМАТИКА ВЫСТУПЛЕНИЙ И КРИТЕРИИ ОЦЕНКИ ТЕЛЕЭФИРА

Author(s): Roman Petrovich Bakanov / Language(s): Russian Issue: 4/2015

This paper presents the results of research on E. Chekalova’s works published in the early 1990s and introducing television criticism in the “agenda” of Russian print media. The television critic was focused on the low proficiency of television journalists, increased number of entertainment related television programs, and significant politicization of television broadcasting. Having reviewed 57 publications of the author, it was concluded that E. Chekalova generally negatively assessed the quality of television programs and changes on the main Russian television channels of that time. The absence of clear criteria for assessment of television projects, small volume of the publications making it difficult to perform a comprehensive analysis of the television programs, and weak argumentation of the author’s statements are the characteristics of the style employed by this television critic in the “Moscow News”.

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МЕТАКОГНИТИВНОЕ ОБОСНОВАНИЕ СИТУАТИВНОСТИ/НАДСИТУАТИВНОСТИ МЫШЛЕНИЯ В КАЧЕСТВЕ КРИТЕРИЯ ОЦЕНКИ РЕШЕНИЯ ПРОБЛЕМНЫХ СИТУАЦИЙ В КОММУНИКАЦИЯХ

Author(s): Mergalyas Mergalimovich Kashapov,Irina Vladimirovna Serafimovich,Tatiana Vyacheslavovna Ogorodova / Language(s): Russian Issue: 4/2015

The results of the empiric study used as theoretical foundations and metacognitive substantiation of situational/metasituational professional thinking, which is the evaluation criterion of communicative situation solving, are presented. The comparison of the multilayered construction of professional thinking and the metacognitive approach has made it possible to reveal the specific features of metacognitive strategies according to the type of professional thinking. It has been demonstrated that the level of metacognitive activity influences the dynamics of transition from situational professional thinking to metasituational one, as well as the variations in interaction between the types. It has been proved that the acts of problem solving during the transition from situational to metasituational thinking are characterized by the orientation to self-development and creativity.

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Kronika

Author(s): Drahoslav Magdoško,Zuzana Tokárová,Martin Pekár,Mikuláš Jančura,Peter Fedorčák,Bernadeta Fabová / Language(s): Slovak Issue: 1-2/2012

KONFERENCIA BITKA PRI ROZHANOVCIACH V KONTEXTE SLOVENSKÝCH A UHORSKÝCH DEJÍN. KONFERENCIA SLOVENSKO V ROKOCH NESLOBODY 1938 – 1989 II. OSOBNOSTI ZNÁME – NEZNÁME. PÄŤ MESIACOV AUTONÓMIE. (VÝCHODNÉ) SLOVENSKO MEDZI 6. OKTÓBROM A 14. MARCOM. DISKUSNÝ VEČER ÚSTAVU PAMÄTI NÁRODA. ZASADNUTIE NEMECKO-ČESKEJ A NEMECKO-SLOVENSKEJ KOMISIE HISTORIKOV – DOKTORANDSKÝ WORKSHOP. KOŠICE – INŠTITUCIONÁLNA ZÁKLADŇA KULTÚRY, ŠKOLSTVA A VEDY (K 140. VÝROČIU ZALOŽENIA VÝCHODOSLOVENSKÉHO MÚZEA V KOŠICIACH). PREZENTÁCIE MEDZINÁRODNÉHO PROJEKTU ALTERNATÍVNY SPRIEVODCA HISTÓRIOU KOŠÍC 2013. STRETNUTIE MLADÝCH HISTORIKOV II. PRIESEČNÍKY SPOLOČNEJ HISTÓRIE ŠTÁTOV V4.

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ТЕОРИЯ ТЕКСТА В РАБОТАХ РОЛАНА БАРТА И ЖАКА ДЕРРИДА: ГЕНДЕРНЫЙ АСПЕКТ

Author(s): Anton Sergeevich Afanasev / Language(s): Russian Issue: 1/2016

The paper is devoted to the important problem of contemporary humanitarian knowledge, such as development of the methodology for analysis of the literary text in gender perspective. The subject of analysis is the theory of text organization, which was set out in the articles of R. Barthes “The Pleasure of Text” (1973) and J. Derrida “Spurs: Nietzsche’s Styles” (1978). These works of the French scientists, according to our opinion, provide theoretical backgrounds of the above-stated methodology. In both cases, the notion of “women’s letter” is not associated by literary critics with the biological gender of the person who created the text, thereby being rather the result and projection of the author’s consciousness. The analysis revealed that R. Barthes considers physicality and poetics of rupture as characteristics of “women’s writing”. According to R. Barthes, the text is the body (and the body is the text) possessing integrity. However, the reader finds pleasure in the text due to the tear, infringement of its integrity, as well as implications. J. Derrida speaks about its unconscious character, plurality, and parody. Femininity is understood by him in another way, i.e., as allowing to work with the reality, exposing and destroying the traditional cultural stereotypes.

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ПОСТМОДЕРНИЗМ В ТАТАРСКОЙ ПОЭЗИИ: ПОЭТИКА ИЛЛЮЗОРНОСТИ В ТВОРЧЕСТВЕ Л.Ф. ГИБАДУЛЛИНОЙ

Author(s): Daliya Fatihovna Zagidullina / Language(s): Russian Issue: 1/2016

The paper is devoted to new phenomena in the Tatar poetry at the turn of the 21st century, in particular, to the works of L. Gibadullina, a young poetess who is in search for new artistic methods and ways of development of the national literature. The principles of structuring, as well as the features associated with the content and form of her works, are revealed. The analysis of particular texts shows that illusiveness, alliterativity, skillful playing with the known image-bearing symbols and even with phrases, philosophisity, and allegory are specific characteristics of L. Gibadullina’s works. Flickering of many images in her poems is achieved through the occurrence and disappearance of meanings, feelings, and experiences. The latter ones are often not related to each other. As a result, an illusory view of the world appears. This feeling is reinforced by the skillful selection of words and phrases that indicate well-known images, motifs and ideas. The intertextual relationship often refers to the Tatar mythology, folklore, folk song. An attempt is made to identify the sources of such references. The conclusion is made that flickering of several motifs and absence of any key for identification of the dominant motif produce the effect of “text in the text”. Multivariate playing with contexts transforms L. Gibadullina’s poems into intellectually complicated postmodern works.

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ДОКУМЕНТАЛЬНОСТЬ ТРАВЕЛОГА И СПОСОБЫ ОБОБЩЕНИЯ (ПО МАТЕРИАЛАМ ТВЕРСКОГО ВЕРХНЕВОЛЖЬЯ)

Author(s): Elena Georgievna Milyuginaa,Mikhail Viktorovich Stroganov / Language(s): Russian Issue: 1/2016

The paper explores documentary character as the leading principle for representing the reality in travelogue. The phenomena of travel and travelogue are described in modern literary and cultural studies from the perspective of anthropology. Along with the purely anthropological approach, recent researchers have successfully used the nature-oriented approach developed in the western discourse of ecocriticism. Theoretically, it is obvious that the problem of the documentary character of travelogue, which arises from interaction between humans and space during travels, can be solved by synthesizing these approaches. However, complex usage of the anthropological and spatio-temporal approaches has not become common practice in modern science. The materials of surface and water travels to the Tver Upper Volga Region are used by us as a conceptual base for theoretical conclusions. Through verifying both measure and degree of the documentary character of travelogue with the help of local texts, we reveal reasons for its violation and ways to deliberately cope with it in a particular discourse of travelogue. The objective and subjective restrictions distorting the documentary character of travelogue up to implausibility are considered. It is demonstrated that travelogue authors, guided by the principle of adequate description and subject, consistently violate this principle: they conceptualize the described space in the spirit of time, demythologize its earlier description, and produce new myths. They most frequently compare the described phenomena and facts and apply a generalizing meaning to the commonly known object, which allows them to consider it as a specific type, as well as to include it in various classification models. The paradox of travelogue is disclosed, i.e., that perception of some new phenomenon inevitably involves the establishment of paradigmatic relations of it with the already known material.

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ЛИРИКА Ф.И. ТЮТЧЕВА В СВЕТЕ ФИЛОСОФИИ ПОЗДНЕГО М. ХАЙДЕГГЕРА

Author(s): Albina Mazgarovna Sayapova / Language(s): Russian Issue: 1/2016

The paper presents an interpretation of F.I. Tyutchev’s vivid philosophical system in relation to the views of M. Heidegger, whose philosophical reasoning is clearly similar to the thoughts of the Russian poet expressed in a number of his works. The symbolic and capacious images of F.I. Tyutchev motivated by “the feeling of anguish and horror” are considered in the context of the late philosophy of M. Heidegger, who was concerned with the problem of the century of industrialization disrupting the harmony between humans and the universe, when a human individual ceases to be “a reflection of the Whole”. The method of “point” hermeneutics provides a possibility to investigate the resonances in the types of attitudes and artistic thinking of M. Heidegger, whose style is characterized by the poetry of word, and F.I. Tyutchev, whose poetry is based on reflection. The creative relationships in the works of both thinkers in the context of the ontological problem designated by M. Heidegger as “the essence in general” are studied.

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ГЕНЕЗИС И ЖАНРОВАЯ СПЕЦИФИКА ОТРЫВКОВ В ПРОЗЕ Н.М. КАРАМЗИНА (1789–1792 ГГ.)

Author(s): Tatiana Aleksandrovna Alpatova / Language(s): Russian Issue: 1/2016

The paper deals with the genetic relation of N.M. Karamzin’s early prose (“Walk”, “Village”, and “Night”) to descriptive poem traditions, such as in J. Thompson’s “The Seasons”, a retelling translation in the form of prose created by the Russian writer not long before the above-stated works. The genre nature of N.M. Karamzin’s “short prose” is considered in the paper as an actualization of the model of “passage” (fragment), which became popular later in the literature of romanticism. The specificity of N.M. Karamzin’s passages is the synthesis of psychological intensity, emotional and subjective origins, and deep natural philosophical thoughts dominated by the idea of reflection of the whole in the particular, as well as the large in the small. This determined the philosophical and aesthetic specifics of passage as a genre in the artistic system of sentimentalism.

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ТИПОЛОГИЯ ЛИТЕРАТУРНО-КРИТИЧЕСКИХ ПОРТРЕТОВ В КНИГАХ АНДРЕЯ БЕЛОГО «АРАБЕСКИ» И «ЛУГ ЗЕЛЁНЫЙ»

Author(s): Margarita Sergeevna Afanasyeva / Language(s): Russian Issue: 1/2016

The paper is devoted to identification of the specifics of genre originality of A. Bely’s literary and critical portraits. The study is based on the literary portraits created by the critic during the period of 1903–1910 and assembled by him in the books of articles, “Green Meadow” (1905) and “Arabesques” (1911). Some of them were earlier published in newspapers and magazines, but these literary portraits acquire another interpretation in the context of the entire book and microcycles. Additional materials for creation of the typology of A. Bely’s literary and critical portraits are the critical works of V. Bryusov, V. Rozanov, and D. Merezhkovskii about N.V. Gogol. They allow to reveal particular aesthetic and critical views of A. Bely on the writer’s personality, symbolism, and literature as a whole. Furthermore, studies related to thoughts on the contemporary literary processes and reflecting the trends of the epoch are used. The analysis of the literary portraits created by the critic demonstrated that they are influenced by both trends of the epoch (lyricization of prose, impressionism, modernization of genres) and A. Bely’s critical views. We have identified the following kinds of literary portraits: reviewing portrait, jubilee portrait, obituary portrait, silhouette portrait, impressionistic sketch of creative work. As noted, various genre forms are synthesized in some articles of the symbolist: the portrait incorporates elements of review, essay, silhouette, feuilleton, etc.

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СТАНОВЛЕНИЕ ЭПИЧЕСКОГО В «СЕВАСТОПОЛЬСКИХ РАССКАЗАХ» Л.Н. ТОЛСТОГО

Author(s): Elena Masolova / Language(s): Russian Issue: 1/2016

The evolution of the world’s epic conception in “Sevastopol Sketches” written by L.N. Tolstoy is considered. Based on the analysis of the ratio of paragraphs in “Sevastopol in December”, it can be affirmed that the epic component in the first sketch is represented in justification of the war aimed at defense of the motherland. The “growing up” of the narrator and his awareness of what is taking place in the world are shown as the epic events. The epic component of “Sevastopol in December” turns all the city’s defenders into high epic heroes. A temporary loss of faith in people unity gives a way to the consolidation of the concept of “we”. At the beginning of the sketch, the concept of “people” involves all people in the city. At the end of the sketch, this concept comprises an inseparable body of city defenders. In the first paragraph of the sketch, the war eliminates harmony, but peaceful life dominates in the last paragraph of the sketch. “Sevastopol in May” deals with the problem of incompatibility of a human with the epic models. Furthermore, a single criterion for appreciation of people is suggested. The “dialectics of soul” in the second sketch is combined with the high mood of the epic heroes from the first sketch. The conclusion is made that people are united by the components of both elevated heroism and negativity of the world. “Sevastopol in August” shows the complexity of transformation of a human toward the world’s epic conception. The first two chapters of the sketch are treated as an exposition of Mikhail and soldiers. It is shown that there are eight micro cycles in the sketch consisting of three chapters connected by the principle of parallelism/contrast or a situation uniting people. In the first microcycle, the characters become cowards. In the second microcycle, they overcome fears. In the third microcycle, these fears dominate. In the fourth microcycle, Volodya overcomes his fear. In the fifth microcycle, every person gets a chance to become a hero. In the sixth microcycle, Volodya rejects the lies among officers. In the seventh microcycle, he feels calm among soldiers. In the eighth microcycle, both brothers die heroically. The nature and defenders of the city protest against the surrender of Sevastopol. The fearless courage in defeat is stronger than the fortitude of soldiers from the first sketch. The conclusion is made about the three-phased idea of L.N. Tolstoy’s artistic thinking.

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Л.Н. ТОЛСТОЙ И А.М. ДОБРОЛЮБОВ КАК КРИТИКИ ЦИВИЛИЗАЦИИ И ИСКУССТВА

Author(s): Andrei Nikolaevich Tushev / Language(s): Russian Issue: 1/2016

The paper deals with L.N. Tolstoy and A.M. Dobrolyubov’s criticism of modern civilization and art. L.N. Tolstoy was renowned, especially in the late period of his life, by his hostility towards the culture of his time. The paper shows the key points of L.N. Tolstoy’s criticism. L.N. Tolstoy sharply attacks the whole complex of social and cultural notions and institutions, which were influential in that period. He strictly rejects the fruits which progress brings to humanity if these fruits are not able to affect the most important, from his point of view, part of human life – the religious part. He contrasts the religious worldview with art and science. According to L.N. Tolstoy, the purpose of human life is in connection with others. From this position he criticizes art, science, state institutions and power. Some of these ideas correspond to the views of A.M. Dobrolyubov, which are set down in “The Invisible Book”. Attention is also paid to the reasons that forced L.N. Tolstoy to acclaim A.M. Dobrolyubov’s spiritual authority and to call him “a man living a Christian life”.

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ДЖ. ОСТИН И А.С. ПУШКИН: ИЗОБРАЖЕНИЕ УСАДЕБНОГО БЫТА

Author(s): Vera Borisovna Shamina,Tatyana Gennadyevna Prokhorova / Language(s): Russian Issue: 1/2016

The paper considers the problem of possible influence of J. Austen’s works on A.S. Puskin. Although the majority of scholars agree that A.S. Pushkin was not familiar with J. Austen’s novels, there are still many similar features in their works, especially in the novels “Pride and Prejudice” and “Eugene Onegin”. This similarity of motives, character types, modes of behavior, and certain rituals occurs very much due to the fact that both authors were, on the one hand, very much influenced by the English sentimentalism and, on the other hand, depicted not only the same historical period, but also a similar socio-cultural milieu – the life of the country gentry. Therefore, a very important role in the works under consideration is played by the nature and its interaction with the main characters and ball – an essential part of the country life, where many crucial events take place. Having analyzed the works in question, the conclusion was made that it is possible to talk about the typological affinity caused by the similarity of the socio-cultural situation, on the one hand, and A.S. Pushkin’s great interest in English literature, on the other hand. The “meeting” of the two artists occurred in the close space of the country life, which, nevertheless, allowed them to create bright, colorful pictures of this world. However, while J. Austen’s novels were completely limited to family matters, A.S. Pushkin considered them only part of a much larger conception.

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ФАНТАСТИЧЕСКОЕ И РЕАЛЬНОЕ В РОМАНЕ О.А. СЛАВНИКОВОЙ «ЛЁГКАЯ ГОЛОВА»

Author(s): Galina Aleksandrovna Frolova / Language(s): Russian Issue: 1/2016

This paper, on the basis of the novel “Light Head” by O.A. Slavnikova, considers the relation between classical and modern antiutopias. The basic principles of correlation between the fantastic and the real are explored. The forms and functions of the fantastic in the artistic structure of the analyzed literary work are identified. The paper analyzes from the above-stated perspective the problematics of antiutopia (freedom and captivity, confrontation between the individual and state), as well as the specifics of plot organization and conflict development, principles for disclosure of the disposition of characters (in the description of authorities, the fantastic element helps to identify their mechanicalness and impersonality; in the description of the main character, it shows that they stand out from the crowd). Furthermore, the role of computer game chronotope and related motifs (game, illusiveness, and simulation) are revealed. It is proved that the relation between the fantastic and the real in the novel under consideration contributes to actualization of the antiutopian discourse, grotesque sharpening of the real diseases of the society (displacement of the reality by simulation, absurdization of the reality, manipulations with the consciousness of the whole society and separate individual).

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ЛОРЕНС СТЕРН И ПОСТМОДЕРНИЗМ: ПРОБЛЕМА АВТОРА

Author(s): Elena Zagidovna Aleeva / Language(s): Russian Issue: 1/2016

The paper deals with the continuity of classical and postmodern literature. The research is based on the works of Sam Savage “Firmin. Adventures of a Metropolitan Lowlife” (2006), Alex Garland “The Coma” (2004), and Laurence Sterne “Sentimental Journey through France and Italy” (1768). L. Sterne still kindles the reader’s interest in spite of the fact that he was born more than 300 years ago. At the end of the 20th and the beginning of the 21st century, great attention was paid to different aspects of his works. It is proved by the fact that “The Shandean”, an annual journal, was founded in 1989. This journal was devoted to the epoch, life, and novels of L. Sterne. L. Sterne established himself a postmodern writer in the 18th century, i.e., much earlier than the terms were formulated, and that is how we can explain these non-visual relations between him and modern literature. The problem of authorship and its solution in various artistic paradigms is the main aspect of this research. Special attention is paid to intertextuality that helps us to specify the main problem and to elicit types of relations between the works of the writer in the 18th century and those of the postmodern writers.

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ПРАВО И НРАВСТВЕННОСТЬ В ПАРАДИГМЕ СОВРЕМЕННОЙ ЦИВИЛИСТИКИ

Author(s): Farida Ildarovna Hamidullina / Language(s): Russian Issue: 2/2016

The problem of relations between law and morality is an essential and integral part of the theoretical foundation of modern civil law. The aim of the paper is to examine the relation between law and morality from the paradigmatic point of view. To achieve this goal, the following objectives are set: to define the category of “paradigm”, “legal paradigm”, and “paradigm of civil law”; to consider the relation between law and morality from the standpoint of civil law paradigm in different periods. The conclusion is made that the paradigm is a research position of the scientific community in relation to the surrounding world. The legal paradigm seeks to express a certain perception of the world and reflects the generated way of understanding justice and effective regulatory effects on social relations. The paradigm of civil law is a particular way to the scientific vision of civil rights, which enables common civil law in the context of culture. The paradigm of civil law has changed due to the dramatic changes in the socio-political and economic life of society. Thus, in the paradigm of civil law of the Soviet period, which rejected the division of the right to private and public and asserted the absence of private property, there was a strict demarcation line between law and morality. Currently, shifting of the efforts towards identification of the underlying relations between law and morality due to the changes in the civil law paradigm associated with the declaration of private law principles and their implementation in the public consciousness takes place.

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Zarys Paula Natorpa psychologii ogólnej według „Allgemeine Psychologie in Leitsätzen zu akademischen Vorlesungen”

Author(s): Anna Musioł / Language(s): Polish Issue: 36/2016

In 1904, Paul G. Natorp (1854—1924) published his lectures on general psychology. This article shows that this purely philosophical, yet systematic work describes those issues of psychologism and psychology which would prove most important to the intellectual life of Europe at the turn of the century, and which Natorp interprets in accordance with the provisions of transcendental philosophy. From the perspective of a representative of the Marburg School of Neo-Kantianism, he outlines the philosophical profile of the subject and the method of psychology. He focuses his discussion on the problem of understanding consciousness and highlights the following elements: the content of consciousness, the consciousness of Ego and the relationship between the content of consciousness and the conscious Ego. His analysis is performed from the bottom up (physiology), depicting the mechanics of the operation of the human nervous system. The article addresses the question of the critical interpretation of Paul Natorp’s general psychology, with emphasis on cognitive and relational functions of consciousness (Bewusstsein).

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Kwestia kapłaństwa kobiet we współczesnym Kościele

Author(s): Justyna Groblewska / Language(s): Polish Issue: 23/2016

Article “Issue of the priesthood of women in contemporary Church “is an attempt of the answer to a question what place of the woman is at the Church in the perspective of aspirations which are occurring in the society and in Christian ties. We will trace justifying of the explicit stance the Church in it so, we will portray the genius of the woman emphasized in documents of John Paul II as well as his proposals briefly for the execution of tasks put by community of the Church for the woman in order next to go to kobntynuacji of this thought at Benedict XVI and his response to the ordination, bishop of women at the Anglican church. We will also analyse the issue of the statute of women at the Protestant church, as well as we will mention feminist demands. We will present the history of holy orders of women at the end to portray the reply of an Orthodox church to demands of aspirations to the priesthood by women briefly.

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Biblijne obrazy nieba w późnej liryce Juliusza Słowackiego. Kilka uwag badawczych

Author(s): Monika Kulesza / Language(s): Polish Issue: 23/2016

This article is dedicated to the poetic images of heaven in the late poetry of Juliusz Słowacki. Until now, researchers used to relate these images and interpret them in the context of the “Genesis” philosophy of the poet. Meanwhile, it is worth noting that the late Słowacki’s lyrics, not intended for publication, show quite different pictures of heaven which seem to be similar to those in the Bible and standing somewhat in contradiction to the Genesis philosophy.

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