Amartya Sen, Home in the World. A Memoir
Review of: Amartya Sen, Home in the World. A Memoir, Allen Lane, an Imprint of Penguin Books, New Delhi, 2021, 464 pp., ISBN: 978-1- 846-14486-8.
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Review of: Amartya Sen, Home in the World. A Memoir, Allen Lane, an Imprint of Penguin Books, New Delhi, 2021, 464 pp., ISBN: 978-1- 846-14486-8.
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The article answers the question: “How does the agathos of Dasein-psyche and Dasein-Intelligent-Matter come into being?” or “How does the meaningful-presence of Dasein-psyche and Dasein-Intelligent-Matter come about?” The author turns to the philosophy of Plato and Heidegger and presents Dasein-psyche as an elementary structure or a Dasein-Intelligent-Matter actor. The Dasein-psyche’s meaningful presence is significantly conditioned by the focus and limits of the arete potency, set by Dasein-Intelligent-Matter. The anthropologization of Dasein transforms the individual discourse and a way of life in accordance with the arete potency. The arete potency is the source of Dasein-psyche’s meaningful presence. The anthropologization of Dasein sets free arete, providing the transforming of the arete existentials potency into the energy of Dasein-psyche’s meaningful presence. The disclosedness of arete is an “ideal” state of the Dasein-psyche sustainable development and prosperity, the agathos of Dasein-psyche and Dasein-Intelligent-Matter.
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In this article, I intend to discuss the Arendtian conception of culture. In her influential essay “Crisis in Culture: Its Social and Its Political Significance,” Arendt argues that culture is at risk of disappearing under conditions of modernity. In her view, modernity is the age of mass society that leads to the destruction of culture and the development of mass culture. This is the situation Arendt has in mind when she speaks of a “crisis in culture,” a situation she describes as worldlessness. Culture, according to her, is a phenomenon of the world. Because of this conviction, argues Arendt, culture has a closer relationship to politics. The article is divided into two parts. In the first part, I explore Arendt's critical reflection on the modern attitude to culture. In the second part, I examine her analysis of the relationship between culture and politics. Throughout these parts, I suggest a reading of Arendt that illustrates her understanding of culture based on the authority of Greek and Roman thought and Kant’s Critique of Judgment.
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The paper studies the lexemes for domestic animals in Bulgarian dialects in Albania. Thedifferent dialectal lexemes as well as phonetic characteristics and features of word formationare described.
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The article analyses the artistic concepts and the production of the “Folk Art” Experimental Studio, which was founded and was operating during the 1990-s. Most of the performers in the studio were students from the Secondary Musical School in the village of Shiroka Laka (today National School of Folk Arts – Shiroka Laka) in the Rhodope region. The aesthetic values of the artists were formed in the context of dynamic changes and tendencies in a specific sociocultural milieu. Today, most participants in “Folk Art” are outstanding musicians, artists, and conductors, and are at the head of leading institutions in the sphere of professional art based on folklore. The creative ideas and alternatives of this experimental studio became a source for the development of modern tendencies in the interpretation and reconsideration of traditional culture.
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The article interprets the scientific category „literary heritage“ in the logic of Bulgarian legislation and current social reality. The connections between literary heritage and museums are outlined. The narrow meaning of the category is represented mainly by the activities of literary museums. Other institutional spaces have been pointed out, which take care of the artifacts of the literary tradition –archives, libraries, community centers, universities, and research organizations. In conclusion, a concept for defragmenting the structures and activities preserving the literary heritage has been formulated. The key factor in this case are the activities of the National Literary Museum.
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The article is devoted to the work of the Bulgarian writer of the XXth century, Angel Karaliychev. In the second half of the XXth century, his most famous fairy tales and stories for children were translated into Russian, including the collection “Bulgarian Folk Talesˮ in two volumes. In the Soviet Union, Karaliychev's fairy tales were included in collections of fairy tales of Slavic peoples and represented Bulgarian folklore in collections of fairy tales of the peoplesof the world published in Russian. Despite the fact that the last book edition of Karaliychev's fairy tales in Russian appeared in the 1980s, his works continue their life in the new century in electronic format, on the Internet. Karaliychev's fairytales, addressed to children 4 – 10 years old, tell about eternal values in a language understandable for children, they also introduce to children and adults the realities of Bulgarian life, the heroes of Bulgarian folk tales, expanding the horizons of the Russian reader.
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The article analyzes the linguistic and stylistic features of the work entitled «[Слово] надгробное... Кипріану...» by Gregory Tsamblak, proclaimed by the metropolitan in Kyiv around 1409. The text is characterized by a high level of verbal and artistic skill. The author uses traditional means of depiction, acts as an innovator, applying a whole system of linguistic means: units of the lexical level, artistic tropes (figures of speech): linguistic repetitions, antonyms, epithets, metaphors, comparisons. Through the use of structurally similar words and typical syntactic constructions, the artist achieves the creation of a certain architectonics of the sacred text and its rhythmization. They help to emphasize the closeness of Gregory Tsamblak to his spiritual father Cyprian, to exalt his activities, and to express the depth of the loss of his mentor. The distinctive signs of the ‘word-weaving’ style, revealed in the work, testify not only to its affiliation to the high style of religious writing, but also increased attention to the inner world of man, which corresponds to the ideas of hesychasm of that time.
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The article focuses on the process of mixing languages (translanguaging) in the public inscriptions of Veliko Turnovo. There are two main principles that presuppose the occurrence of mixed inscriptions and that structure the local landscape – the presentation-of-self principle and the good reasons principle. In this context translanguaged writing reflects the deliberate manipulation of the features of the two languages – English (in its variety as a global language) and Bulgarian (the local code) to produce hybrid language forms that evoke different connotations. The ethnographic analysis is carried out within the theoretical framework of Linguistic Landscaping Studies with a special focus on the indexability of the material world, code preference and feature analysis.
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The present study is the first one that aims to present a comparative analysis of the bills for the use of the Bulgarian language introduced in the Parliament since 2004. The conclusion reached as a result of the comparative analysis is that the texts of the bills have quite a lot in common rather than having differences in terms of both the main ideological positions and the weak points that prevented the adoption of such a law over the years. In addition to this, the conclusions impose the idea that a qualitatively new approach is needed in the drafting of the normative act– the law on the Bulgarian language should regulate a unified state language policy to protect the language as the basis of national identity and thus to encourage the development of education, science and culture in the Republic of Bulgaria.
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The subjunctive mood has been widely discussed from the perspective its selection in complements of volitional, directive and emotive-factive predicates (Picallo 1984, Raposo 1985, Ambar 1988, a.o.). Subjunctive questions and other type of subjunctive main clauses, on the other hand, have not been subject to much systematic research. Some works (Ambar 2016, Giannakidou 2016) suggest that, in main clauses, the selection of the subjunctive mood codifies the expression of the speaker’s evaluations. In line with this view, we discuss the syntactic expression of the Bulgarian dali-questions which do not consist in true requests for information but rather display a flavour of wondering encoded in the occurrence of dali and its morphological make up combining the subjunctive particle da and the interrogative particle li. Considering the properties of the Balkan subjunctive particles, we discuss the syntactic expression of Bulgarian dali-questions building on previous analyses of Bulgarian yes-no questions (Dimitrova 2020).
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National identity in Bulgarian socialist cinema and especially in the films of the program 1300 years of Bulgaria is understood mainly as a plot – to reflect events from our native history and way of life. Very cleverly, they glided over only those events that, even in their drama, are positive for our self-esteem. But the constructive direction was in the films about migration and guilds as a native modification of the results of industrialization and modernization. In the time of transition, national identity appeared as a problematization – ethnic minorities, ideological, religious, and other repressions came into focus. I define the third stage of identity as confusion. There is no magnetic energy, innovative ideas, deep truth, and sincerity – the screen is 18 percent gray.
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The article explores current phenomena - the relationship between war, radio and music. The focus is on the army radio stations of two warring countries: Russia's Radio Zvezda and Ukraine's Army FM. The research examines the programming policy, funding, music content and audience attitudes of the two radio stations. The question is raised how the media and their musical contents are mobilized and "dressed" in a uniform. Observations on the radio stations and the changed music in them related to the wartime and regime in 2022 point to some new features of the radio propaganda mobilizations and the musical "weapons" used in them
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The text presents results of research carried out by students of European studies (Simon Weil graduation, academic year 2021/2022), centered on the image of Ukrainian refugees and the ways in which it is constructed in the Bulgarian media. The results of the study refer to the first two and a half months of the war in Ukraine. 35 online and Internet-based media were tracked. Basic aspects of media representation are summarized in concluding text
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The article presents an analytical review of the available bilingual dictionaries (Bulgarian-English and English-Bulgarian) that were used during the Bulgarian Revival for English language teaching. A quantitative analysis of the dictionaries is made, with special attention paid to the selection of the vocabulary included in them. The specific features of the appendices placed at the end of the dictionaries are discussed. The characteristics of the dictionaries are examined from a linguistic and philological perspective.
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The article examines the interaction of the Balkan peoples in the composition of multinational empires. Widespread multilingualism and frequent switching from one language to another eventually led to the formation of the Balkan Linguistic Union. With the rise of national consciousness in the 19th century and the change of political configuration, the process of convergence of the Balkan languages was interrupted. Moreover, individual regional dialects of some languages, once united by a common name, took on a life of their own. But there is also a reverse process, languages artificially separated for political reasons are regaining their former integrity.
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The article examines the life and work of Italo Calvino, a writer with a huge contribution to Italian literature. His life path, political and moral views are examined. The text analyses Calvino’s work and how his life experiences influenced him.
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