LE PSEUDONYME : REFLET D’IDENTITE SUR LE WEB SOCIAL ?

Author(s): Achour Bourdache,Soufiane Lanseur / Language(s): French Issue: 33/2020

Cet article présente une réflexion sur l’identité et ses diverses formes de manifestations sur les plateformes socionumériques. Il ne sera pas ici question de traiter l’identité numérique dans sa totalité, mais il s’agira plutôt, pour nous, de nous focaliser sur une dimension de cette identité qui est l’identité profilaire tout particulièrement l’identité pseudonyme du sujet-internaute algérien sur les réseaux socionumériques « Facebook » en l’occurrence, car le pseudonyme est la toute première marque identitaire qui insère le sujet dans un champ relationnel en ligne. De fait, nous nous efforcerons dans cette modeste contribution de montrer à travers l’analyse d’un corpus pseudonymique issu d’un dispositif sociotechnique très populaire Facebook, que le pseudonyme ne dissimule pas toujours l’identité de celui qui l’adopte mais il marque quelquefois une identité, une individualité par des caractéristiques propres au sujet-internaute, évocatrices d’une personnalité, d’une origine, d’un rang socioprofessionnel, etc.

VULGARISER LA PREVENTION DU COVID 19 SUR LE SITE OMS : QUESTIONS DE RHETORIQUE?

Author(s): Mesghouni Dalal / Language(s): French Issue: 19/2020

The time of quarantine and social distancing generated by the time of the Covid19 pandemic marks more than any other time a preventive action on a daily basis. Thus, we can seethat the websites and social media are mobilizing for raising possible awareness on this subject.However, the readiness to popularize the medical discourse is problematized as long as the content istransposed from certified sites to personalized accounts. The obvious question: how do these sitessafeguard the veracity of the medical discourse while combining simplification of the technolect witha rhetoric of potential dialogue with site users?To answer this question, we have chosen to work on the Q&A section and “received ideas”on the WHO website as a global certified text organization; while the theoretical models borrow froma literature review touching on the meta / socioterminological dimension.

RECENZJE: Małgorzata Marcjanik, Słownik językowego savoir vivre’u, Warszawa 2014

Author(s): Radosław Pawelec / Language(s): Polish Issue: 10/2014

Strategii discursive în pliantul publicitar bancar – studiu de caz

Author(s): Elena-Tatiana HUŢU (DÂLCU-NĂSTASE) / Language(s): Romanian Issue: 1/2020

The study focuses on the identification and validation of the types of discourse contained in the publicity bank brochures and a further analysis of a piece of publicity, respectively a bank brochure for BCR Bank. The study aims at identifying the main perspectives present in the discourse, generally by indicating the elements used in the brochure under analysis. The study of the discourse will be realized from a linguistic, pragmatic and semiotic approach highlighting the coordinates established by the well-known authors in the field.

De la identidad regional a la identidad urbana. To be or not to be. Otra forma de movimiento de “brain drain” que se puede convertir en “brain regain” algún día

Author(s): Cristina Bleortu / Language(s): Spanish Issue: 1/2018

In this paper we analyzed the variation between regional and urban Romanian features in the variety of Romanian in Dărmăneşti village. The analysis focused on the alternation o/am să merg/ voi merge. Our (poor) objective was to explore the distribution of each linguistic variant in the speech of two native women from this village. We also wanted to see if the variation is socially constrained.

Przemiany tytułów nabożeństwa Drogi Krzyżowej W XX wieku

Author(s): Agnieszka Sieradzka-Mruk / Language(s): Polish Issue: XXIX/2020

Titles are regarded as part of the delimitation frame and, therefore, as part of the structural aspect of the genre of Stations of the Cross. The purpose of the paper is to describe changes that took place during the 20th century, which was a period of particularly turbulent changes in the religious discourse. The study is based on material of about 200 texts dealing with this religious service, published between the beginning of the 20th century and the present day. Throughout the last century, the most common title was the simple genological term ‘Stations of the Cross’. At the beginning of the analyzed period, however, also longer titles, extensively informing about the content of the text, were fairly frequent. At the same time, they were also persuasive titles, because of the use of explicitly valuating lexis. Those titles gradually gave way to the use of laconic genological names as titles. After the Second Vatican Council, there were many variants of the service adapted to different audiences and various communication situations, which was reflected in the titles. Recently a new type of titles has appeared, whose purpose is to attract attention of the recipient. They are often based on puzzles, contrast, allusions, etc. Consequently, the receiver gets satisfaction from deciphering a puzzle or finding the source of the given quote or allusion. These phenomena are well-known in studies on language of the press, fiction and advertising, but – at the same time – this overlaps with current trends in the so-called new evangelization. In the entire period studied, the titles played an informative and impressive (or more precisely: persuasive) function. Persuasiveness intensified particularly at the beginning and towards the end of the analyzed period.

Cysterska i jezuicka wersja Śląskich Litanii o św. Barbarze

Author(s): Krystyna Kossakowska-Jarosz / Language(s): Polish Issue: XXIX/2020

St Barbara is a patroness saint deeply ingrained in the culture of Upper Silesia. It was chiefly the 19th century that was deciding in this respect, since the process of linking the martyr-woman to the miners’ occupational group was concluded then. The miners’ community played a significant role in the socioeconomic and identityrelated character of the region. Consequently, the cult of St Barbara started to be grafted onto this land towards the end of the 17th century, mainly as a result of founding religious fraternities under the Saint’s vocation by monastic orders already based here. The process of accretion of fraternities aiming at religiousness and piety was connected with the plan of including them in the mission of re-catholicization of Europe, which followed the Council’s of Trident decision. Monks wrote into the systemic motifs of the epoch, since as regards the action which was being run, it was the Jesuits in particular who drew on the spirit of the Baroque to a large extent. The spirit itself propagated the idea of paltriness of the earthly world, which – in consequence – led to the fact that the necessity of man’s appropriate preparation for departing to the eternity came to acquire a great significance. St Barbara, who was one of the patron saints of a good death (beside St Joseph and St Anna) at that time, by patronizing fraternities inclined towards unceasing prayers for a good death, could naturally link those all-European trends with the Christian current of the right preparation of human beings for their death. Until the mid-18th century it was only single praying congregations dedicated to St Barbara that were established here. Still, even that proved sufficient to considerably strengthen the collective dimension of the Saint’s cult. The two editions of the Silesian Litanies to St Barbara date just from that time. The slightly older one comes from the prayer book Książeczka braterska sławnego i chwalebnego […] Bractwa Świętej Panienki i chwalebnej Krystusowej Męczennice Barborki […] [The fraternal book of the famous and respectable […] Fraternity of Saint Virgin and respectable Christ’s Martyr Borborka] published in Opava in 1740 for the religious congregation which was affiliated at the Cistercian abbey in Rudy near Racibórz, whereas the other one – from the booklet entitled Przeświętne Bractwo Barbary św., Panny i Męczenniczki Krystusowej, Patronki szczęśliwej śmierci […] [The glorious Fraternity of St Barbara Holly Virgin and Christ’s Martyr, the Patroness of a happy death], published by the Jesuits in Wrocław in 1747 for the Confraternity of Tarnowskie Góry. The prayer-books and the confraternities held the canonical status, since they were approved by the Holy See. They made the basis of sources to the local prayer books and song books in the 19th century. The litanies recorded in Polish old prints differ from one another, which resulted from the spirituality of the Orders that were patrons to the individual prayer books. The distribution of invocations is different and they raise different aspects of St Barbara’s cult, too. The text of the Litany inserted in the prayer book of Tarnowskie Góry accentuates the connection of the Patroness Saint with the worship for the Holy Sacrament. Hence the names given to her such as, among others, “Glory of the Holy Wood”, “the Ministress of the Heaven’s food”, “the Preventer of eternal hunger”, the Saint “treating out of the Goblet of Salvation”, “Patroness assisting on the frightful Doomsday”. On the other hand, in the monument of Ruda, St Barbara was associated with propagation of faith. Thus, she was addressed as, for instance, “Multiplier of God’s glory”, “a giver of praise to the Holiest Trinity”, “the Lover of faith in God”, “Destroyer of idolatry”, “the Mistress of Christ’s teachings invariably sticking with God”.

Forma, język i styl homilii ojca Adama Szustaka, księdza Piotra Pawlukiewicza i arcybiskupa Grzegorza Rysia

Author(s): Wiesław Przyczyna,Magdalena Jankosz / Language(s): Polish Issue: XXIX/2020

The aim of the article is to analyze the language, form and style which are used by three popular contemporary preachers: Father Adam Szustak, the Rev. Piotr Pawlukiewicz and Archbishop Grzegorz Ryś, in their homilies. The study method applied by the authors in the present work relies on the linguistic-stylistic analysis of three selected homilies (one delivered by each of the three preachers). The analysis of the form of these sermons shows that they possess numerous features of a dialogue, which complies with the thesis that the paradigm of the homily is not a rhetorical speech, but a discussion, that is a dialogue. It is a virtual dialogue consisting in that deliverers of homilies formulate various problems on behalf of their listeners, ask questions about issues which raise commonly recognized doubts. Pondering over the language which predominates in the homilies under analysis reveals that it is a primary spoken language: the speakers deliver their sermons from memory, they do not resort to using notes, do not read particular fragments. A very important role regarding their homilies is played by non-verbal codes that co-create the communication act (gesticulating, mimics, proxemics) as well as paralinguistic components. The spoken variety of language is also closely connected with the communication context. Selection of the dialogue form and the spoken form of language is connected with the dominance of the colloquial style (in its neutral type) over the official one. This is evident in the homilies of all the three preachers, in both flexion and syntax or lexis. The above-mentioned elements: the form of a dialogue, spoken language and colloquial style, cause the preachers’ messages to be spontaneous and direct. These features are met with a good reception on the part of the receivers and can contribute to the popularity of Father Adam Szustak, the Rev. Piotr Pawlukiewicz and Archbishop Grzegorz Ryś.

Специфика диалогичности современной православной миссионерской проповеди: виды, средства, функции

Author(s): Olʹga Prohvatilova / Language(s): Polish Issue: XXIX/2020

The article reveals the specifics of the types, means and functions of dialogic modern missionary Orthodox preaching found in the texts of sermons posted in the video blog «Batushka will answer» on YouTube channel. The study is based on the understanding of dialogicality as a property of a monological text associated with the reproduction of dialogic elements in it and the differentiation of three types of dialogicality – external, internal and deep. It is established that for modern Orthodox missionary preaching external, internal and deep dialogicality are actual. Features of realization of each type of dialogicality are revealed. It is shown that in order to create external dialogicality associated with the focus on the addressee and the actualization of the «you» sphere of utterance, along with the consistent reproduction of certain constitutive means for this genre, new ones are involved. Thus functions of external dialogicality are realized in full. It is proved that the specificity of the internal dialogic nature of missionary preaching based on the change of subject spheres is manifested in the change of its functions: authoritarian and interpretive functions are realized, argumentative and polemical functions remain unclaimed, a new constructive function appears. In addition, there is an expansion of sources of citation by including speeches of famous journalists and heroes of modern books. It is demonstrated that the deep dialogicality, due to the essential features of the genre, is realized in missionary preaching only in one form – when the preacher quotes the Holy Scripture, the traditional prosodic markers of this type of dialogicality are not used.

Метафора в образном строе „Псалтири” (по синодальному переводу)

Author(s): Galina N. Sklârevska / Language(s): Russian Issue: XXIX/2020

The article gives a brief understanding of the metaphor within the modern theory of conceptual metaphor, as well as puts forward arguments substantiating semantic, syntactic and structural differences between the metaphor and the comparison. This is indeed important for the study of the figurative system of the Old Testament, since in translation many metaphors are given in the form of comparison. At the root of any metaphor lies the sense of analogy, which makes one look for links between most distant entities and not just between objects of the sensually perceived world, but also between concrete objects and abstract notions. A systematic analysis of the metaphor (based on texts of the modern Russian language) has shown that such links are formed in strictly defined directions. Moreover, they are countable and quite concrete as in the following pairs: object→object; object→man; object→physical world; object→psychic world; object→social world; object→abstraction; animal→man; man→man; physical world→psychic world. The extensive material analyzed in the article demonstrates that the Psalter, with all its semantic and stylistic sophistication and remoteness of biblical notions from modern ones, makes use of the same laws of metaphorization as we do today except for one crucial circumstance: anthropocentricity of the modern times is substituted with theocentrism, thus making the central object of the metaphor not man, as in modern languages, but God: But You, O LORD, are a shield for me; His wrath is kindled; Grace is poured upon Your lips; It is God who arms me with strength; The LORD my God will enlighten my darkness and so on.

Библейские образы в апокрифической литературе (на примере Апокрифа Хождение Агапия в Рай)

Author(s): Svetlana N. Vorobʹeva,Larisa V. Selezneva / Language(s): Russian Issue: XXIX/2020

The article gives a brief understanding of the metaphor within the modern theory of conceptual metaphor, as well as puts forward arguments substantiating semantic, syntactic and structural differences between the metaphor and the comparison. This is indeed important for the study of the figurative system of the Old Testament, since in translation many metaphors are given in the form of comparison. At the root of any metaphor lies the sense of analogy, which makes one look for links between most distant entities and not just between objects of the sensually perceived world, but also between concrete objects and abstract notions. A systematic analysis of the metaphor (based on texts of the modern Russian language) has shown that such links are formed in strictly defined directions. Moreover, they are countable and quite concrete as in the following pairs: object→object; object→man; object→physical world; object→psychic world; object→social world; object→abstraction; animal→man; man→man; physical world→psychic world. The extensive material analyzed in the article demonstrates that the Psalter, with all its semantic and stylistic sophistication and remoteness of biblical notions from modern ones, makes use of the same laws of metaphorization as we do today except for one crucial circumstance: anthropocentricity of the modern times is substituted with theocentrism, thus making the central object of the metaphor not man, as in modern languages, but God: But You, O LORD, are a shield for me; His wrath is kindled; Grace is poured upon Your lips; It is God who arms me with strength; The LORD my God will enlighten my darkness and so on.The authors analyze the biblical images that are used in the Apocrypha The Journey of Agapius to Paradise. Apocrypha is a genre that is, as it were, on the periphery of religious discourse. This is due to the fact that they do not perform the actual liturgical functions, and, despite their religious content, belong to non-canonical works that the Church does not recognize as Sacred. Therefore, the Apocrypha is not included in the register and is not considered a rule of faith and piety for believers, like the texts of the Old and New Testaments. The authors use an allegorical way of interpreting the text. It allows revealing the symbolic meaning of the biblical images in the Apocrypha. Biblical images are an important component of religious discourse. Religious values, values of faith are transmitted through them in a direct or veiled form. The main idea of the gospel transmitted through the imagery and specific language-understanding life’s journey as the path to the Kingdom of heaven, which lies over either the monastery or through the desert, through many feats of restraint of the flesh. This formed the idea of asceticism as a form of rejection of earthly reality with its orders, temptations and delusions. The architectonics of the work is formed by the chronotope of the road. On the road the paths of different characters cross. The motive of the meeting plays a leading role in religious discourse. The Apocrypha The Journey of Agapius to Paradise is based on the seven meetings of Agapius, which are the organizational centers of the main events. The motive of the meeting intersects with the motive of the Epiphany in different guises: during the journey Agapius encounters on his way an eagle, a child, 12 Apostles, the Lord, prophet Elijah. Due to these images, the metaphorization of the way-road is filled with a new meaning (“the road to God”, “the road to Paradise”, “the path of spiritual transformation”) and its chronotopic value is expanded.

Nieświadomy komizm w języku tłumaczeń Biblii. na marginesie czeskiego „Nowego stylu biblijnego”

Author(s): Josef Bartoň / Language(s): Polish Issue: XXIX/2020

In Czech, modern biblical translation begins in the early 20th century. (The attribute “modern” indicates here the distance to the older tradition of Czech biblical translation from the Middle Ages to the 19th century). Since then, sixteen whole New Testaments and ten whole Old Testaments have been translated and published (which also means nine new whole Bibles) in the Czech language. However, the expert reflection of the Czech new biblical style (or modern biblical language) is still quite insignificant. Generally speaking, the language of modern Bible translations is characterized, among other things, by considerable volatility, internal contrastivity, “extreme markedness” of different types. The article focuses on one partial aspect of “extreme markedness”, in particular, the unconscious comicality of some places in Czech biblical texts. In the paper, four examples are presented and interpreted (Mt 9,16; L 13,7; Apc 2,7; Mt 10,10), taken from four important modern Czech biblical translations (Catholic Czech Bible from the early 20th century; Czech ecumenical translation; Catholic liturgical translation; evangelical Bible of the 21st Century). These examples show how the specific treatment of stylistic means of the Czech language has the potential to give rise to a comic effect (unintended by the translator) among readers/listeners. The author of the article notes that such extremely stylistically problematic places occur across all modern Czech translations of the Scripture. In the background of these stylistically defective places there are psychological and social reasons, given paradoxically by the fact that the biblical text belongs to the sacral sphere. It is thus desirable that the authors of future Biblical translations and critics of translations consciously and intensively try to shape and cultivate the Czech new biblical style (which, even after a hundred years of its existence, is still characterized by considerable instability).

Polska eponimia biblijna: Sodoma. Od urbonimu starożytnego miasta do sodomawirusa

Author(s): Radosław Marcinkiewicz / Language(s): Polish Issue: XXIX/2020

Sodom (in Polish: Sodoma) does not exist. Although this Palestinian town has been known since prehistoric times and it is mentioned in the Bible, there is no archaeological proof which would confirm its location. In 2011, the name Sodoma was removed from the official list which includes Polish equivalents of geographical names of the world. However, the onym is still used in the Polish language. This name and its derivatives appear mainly in numerous eponyms. We can find here semantic derivatives (eg. sodoma), structural-semantic ones (eg. sodomia, sodomita, sodomizować), phraseological ones (eg. sodoma i gomora, grzech sodomski, jabłko sodomskie, jeden (jedyny) sprawiedliwy w Sodomie i Gomorze), and the ones which were created as a result of transonymisation. Other proper names derived from Sodoma are usually international in their character. The most frequent ones are artiphonyms and titles of various pieces of art – in painting, music, literature, etc. The connotative value of Sodoma is wider than it seems when we take only a cursory look at eponymous forms, but the dominant connotations are sexual ones (from heterosexual practices through homosexual ones to zoophilia). Sodoma is also related to catastrophe, mess, as well as to justice and morality. Probably thanks to its wide range of eponymous forms, the onym Sodoma is still present in Polish dictionaries of proper names. What is more, phraseological associations with Gomorrah (in Polish: Gomora, another biblical town) are so strong that in a few dictionaries the information about the name Sodoma appears only in the entry devoted to Gomora.

Motywy tematyczne we współczesnych przemówieniach funeralnych

Author(s): Bartłomiej Cieśla / Language(s): Polish Issue: XXIX/2020

The aim of the article is to present thematic motifs that appear in funeral speeches given by lay people. These speeches have the form of a one-sided narration, shaped to create the best possible picture of the deceased. The author analyses seven contemporary funeral speeches which were recorded during funeral ceremonies while saying farewell to deceased Polish politicians. The speeches discussed are characterized by a considerable degree of concentration on the achievements of the deceased. Focusing on deeds – especially in laudation – is a way of cementing the memory of a person who has influenced a certain community. The funeral speech, as a genre pattern, performs the function of sustaining memory about a particular person, whose picture acquires the form of a tendentious, deformed verbal monument. It does not only present the figure of the deceased, but also evaluates their achievements in an individual and collective dimension. The assessment in both cases is designed by the speaker and is often detached from the real social feelings. The speeches under analysis are a type of occasional speeches with not only invariant stylistic and structural features (which have been pointed out in scientific or advisory literature many times), but also invested with standard and repetitive thematic threads.

Церковный календарь как жанр религиозной сферы общения (на материале издательской деятельности монашеского братства преподобного Иова Почаевского в 1923–1944 гг. в Словакии)

Author(s): Anna Petríková / Language(s): Russian Issue: XXIX/2020

In the study, we pay attention to the Orthodox Church calendar of 1928, which was published in Yu Lajo’s printing house, based in the village of Ladomirovo in Eastern Slovakia, by Orthodox missionaries who had emigrated from Russia. We consider the calendar as a genre of the religious sphere of communication. The object of the research is georthonyms as a peripheral lexical-semantic field of the onomastic space of the Russian language used in ‘Orthodox calendars’ in the last century. They make one of the constituent parts of the Christian sacred onomasticon, a reflection of the religious linguistic picture of the world in the early 20th century. The appeal to onomastics as a material for ethnolinguistic and linguoculturological research seems quite logical, since “...in onomastics the most significant and stable quanta of ethnocultural information are encoded” (Berezovich 2001: 34). The article uses onomastic research methods such as: descriptive, comparative, synchronous and diachronous.

Sakralność i patos jako cechy poezji Oświecenia (na przykładzie tłumaczeń psalmów Michaiła Łomonosowa i Franciszka Karpińskiego)

Author(s): Joanna Gorzelana / Language(s): Polish Issue: XXIX/2020

The article compares two Enlightenment translations of psalms made by Lomonosov (into Russian) and Karpiński (into Polish). Their authors used their own sense of a translation method, which allowed them to identify the determinants of style characteristics specific to each translator-poet. The sacredness and hieratism characteristic of the psalm genre were realized by the use of various stylistic means. When identifying the determinants of sacredness, a reference was made to semantic fields, presenting lexis from the sphere of the sacred and profane (e.g. such terms as Absolute and man). Analyzing the determinants of hieratism, the focus was placed on stylistic clues and vocabulary. Translations based on one source show differences, e.g. in the number of terms referring to the Absolute and in the use of archaic forms. The differences result, among others, from the poetry programs of each translator. The author of this study also reminds that during the Enlightenment, in both Poland and Russia, religious poetry developed, and the religious work of Lomonosov, who was an outstanding scientist, proves that there is no contradiction between being devoted to the development of science and faith in God.

Wojciechowym szlakiem Gertrudy Skotnickiej na tle innych opowieści o świętym Wojciechu dla młodego czytelnika

Author(s): Bożena Olszewska / Language(s): Polish Issue: XXIX/2020

The novel Wojciechowym szlakiem [On the Trail of St Adalbert] by Gertura Skotnicka stands out from other hagiographic works about this saint not only in terms of its size, but also as far as its composition and method of presenting this character are concerned. In contrast, the works by Ewa Skarżyńska and Andrzej Hartliński do not go beyond the established genre formula. Only Anna Czerwińska-Rydel uses an original idea, implementing in her story the motif of the Gniezno Doors. The content of each bas-relief scene visible on the door constitutes a separate chapter of the book. Skotnicka also refers to this motif by mentioning its artistic value in the account of a high school student and the narrator, and by using it as illustrative material for her book. The author plays with time to transfer the boy-hero into the 10th century, which allows her to slowly create a double portrait: conventional, i.e. of an idealised saint and martyr, and the other one – of an ordinary man. This way of portraying creates plenty of room for active participation of the reader, stimulating their imagination. The artistic consequence is a multi-layered narrative, the use of a story within a story, and a play with genre and stylistic conventions. The diversity of linguistic and stylistic forms seems to be motivated by the course of action, changing the setting and time, the situation in which the boy-hero takes part, and the presence of two world-views: Christian and pagan.

HUMOUR IN PROFESSIONAL COMMUNICATION

Author(s): Oana Cosman / Language(s): English Issue: 30/2020

À l’aide d’une analyse pragmatique, cette étude qualitative examine la manière dont les professeurs d’université construisent l’humour dans leurs interactions écrites. Cet article s’appuie sur un corpus auto-compilé de 100 messages électroniques choisis dans une base de données de plusieurs centaines pour examiner empiriquement les différentes manières dont l’humour se manifeste linguistiquement dans la communication professionnelle. Sur la base des preuves textuelles, l’étude aborde la question de la politesse au travail et le rôle de l’humour dans ce contexte et conclut que l’utilisation de l’humour est une stratégie réussie pour atteindre et maintenir la solidarité et minimiser les éventuels désaccords au sein du personnel académique. Un résultat potentiel de l’utilisation de l’humour comme stratégie de communication professionnelle pourrait représenter un outil d’amélioration des relations au travail.

LITERARY ONOMASTICS AND INTERTEXTUAL HUMOUR IN CHRIS RIDDELL’S GOTH GIRL SERIES AND ITS ROMANIAN TRANSLATION

Author(s): Daniela Hăisan / Language(s): English Issue: 30/2020

La série Goth Girl de Chris Riddell (composée jusqu’à présent de cinq livres, parus entre 2013 et 2017) offre aux jeunes lecteurs (mais pas seulement) une histoire tout à fait simple, mais rédigée dans un style des plus sophistiqués. Les trois premiers livres de la série (e.g. Goth Girl and the Ghost of a Mouse, Goth Girl and the Fete Worse than Death, Goth Girl and the Wuthering Fright) ont été déjà traduits en roumain (2017-2018) par Mihaela Doagă chez Corint Junior. Notre analyse vise un des défis posés par le texte anglais et la manière dont il a été géré en traduction, à savoir l’humour intertextuel, ainsi qu’il ressort d’un réseau onomastique assez complexe créé par Riddell. Un autre aspect tient du paratexte, plus exactement des notes du traducteur, censés restituer tout calembour et toute allusion que le texte omet d’enregistrer.

TRADUIRE L’HUMOUR DANS LA LITTÉRATURE D’ADAPTATION

Author(s): Nicoleta-Loredana Morosan / Language(s): French Issue: 30/2020

This paper highlights the importance played by humour in the literature of accommodation, that type of literature describing in the first person narrative the experience of settling down in a foreign environment in search of a quality life style. The translation of the account of the cultural encounter will therefore have to pay particular attention to rendering the humour the literary discourse is pervaded by as it becomes a way to overcome the cultural gap while getting acquainted with a new outlook on already-experienced life aspects.