![The Word versus the Picture](/api/image/getissuecoverimage?id=picture_2009_18770.jpg)
Keywords: Çulpan Zarif; Rife Rahman; Tatar; Çağdaş Tatar şiiri; İstanbul
İstanbul ile ilgili şiirler, Tatar edebiyatında yenilik ve gelenek arasındaki çetin münasebeti yansıtarak Tatar şiirinin gelişim sürecini düşünmek için zengin bir malzeme vermektedir. Çağdaş şairler, Tatar şiirini Doğu şiirine özgü zarafet ve güzellik ile zenginleştirerek şiire yeni konular, yeni duygular, yeni ahenk getirdiler. İstanbul konusunu işleyen şiirlerinde Çulpan Zarif’in bu toprakları kutsal olarak algılaması ve burada yaşadığı duygularından güç kuvvet alarak hayata sanki yeniden doğması Türk ve İslam kültürüne özgü tasvirler, kıyaslar kullanarak çok güzel tasvir edilmektedir. Rife Rahman ise şiirlerinde fikir ve duygu bütünlüğünü aramaktadır. Şair, yabancı bir ülkeye gelip kendi vatanının kıymetini daha derin anlamaya başlamaktadır. Hem Ç. Zarif’in hem R. Rahman’ın şiirlerinden bir zamanlar Sovyetler döneminde siyasete bağlı olarak dilinden, dininden ve tarihinden kopmaya başlayan Tatarların yeniden öz dinine, öz tarihine, millî köklerine dönmeye başladığını görebiliriz.
More...Keywords: crowdfunding; platforms and notable campaigns
The paper looks at various aspects of crowdfunding, i.e. a practice of funding a project or venture by raisingmonetary contributions from a large number of people. The author discusses its history, types, benefitsand risks, applications, platforms
More...Keywords: female; femininity; culture; body; liberature
The text is an example of a feminist reflection on the created culture and femininity implicated in the paradoxical nature. According to the author, it is the place of various "possible worlds" in which the entire history of femininity is joint initiatives and mutual inspirations, social intuitions, civil initiations and an extraordinary sphere of integration. The article, whose pretext was Dekowska’s liberature, refers to the content of the most important problems, fragments of culture of women, which the author recognizes as a kind of "women's pentateuch."
More...Keywords: Örücülük; Çorap; Patik; Aksaray;
Temel giyim ihtiyaç maddelerinden biri olan çorap, yalnızca bir örtünme malzemesi olmayıp insan sağlığı açısından da son derece önemli bir giysidir. Günümüze göre değişik doku ve şekillerde de olsa çorap tarihi çok eskilere dayanmaktadır. MÖ 8. yüzyılda yaşamış eski Yunan şair Heseidos, hayvan kılından örülen bir ayakkabı astarından (Piloi) bahseder. Ayrıca Anadolu’da MÖ 5. yüzyılda Altay Pazırık Kurganı’nda bulunan keçe çoraplar, Türklerde çorap geleneğinin çok eskilere dayalı olduğunu kanıtlar. Örgü ile çeşitli ürünler meydana getirilmesine rağmen gerek ipin dayanıksızlığından gerekse iklim koşulları nedeniyle geçmişte yapılan örgüler günümüze kadar ulaşamamıştır. Bu nedenle eskiden yapılmış el örgüleri renk, iplik, üzerine yapılan desen ve motif bakımından değerli durumdadır. Aksaray ilinde çorap ve patik örücülüğü, yüzyıllardır süre gelen bir el sanatıdır. Ev kadınlarının ve genç kızların çeyizlerinin vazgeçilmez bir parçası olan örgüler önemini halen daha yitirmemiştir. Yün, tiftik, pamuk, kıl veya ipek iplikten, tek şiş veya beş şişle görülmektedir. El örgüsü çorapların en belirgin özelliğini motifleri oluşturmaktadır. Zamanla desenlerde değişime uğramış ve hatta desende zengin kompozisyonlar yer almaya başlamıştır. Hemen her evde bulunan örücülük, zamanla hem malzeme hem de desen değişimine uğramıştır. Örneğin öncesinde çorap boyları genellikle diz kapağına kadar olmasına karşın zamanla boyları kısalmış ve artık tozluk diye bilinen ayak bileğinde bitmiştir. Çorap ve patik örücülüğünde önceleri genellikle yün kullanılmaktadır. Günümüzde farklı renklerde orlon ipler kullanılmaya başlanmıştır. Bildiride, Aksaray ilinde örülen çorap ve patik örücülüğü, örgülerde kullanılan malzemeler, motifler ve zamanla meydana gelen değişimler, Aksaray da günümüz ekonomisine olan katkısı araştırılmıştır.
More...Keywords: Customs; Folk; Tradition; Wedding; Sokol;
Narodne svadbene i druge običaje bošnjačkog stanovništva ovog kraja obrađivao je dr. Salih Kulenović u svom posebnom istraživanju o etnografskim karakteristikama Sokola (koje objavljujemo u ovom broju «Glasnika») i u svojoj doktorskoj disertaciji «Gračanlca i okolina - antropogeografske i etnološke odlike». Međutim, ja sam se zanimao za neke detalje koji nisu u dovoljnoj mjeri obrađeni u našoj etnološkoj literaturi, pa ni u spomenutim istrazivanjima naseg eminentnog etnografa.
More...Keywords: Texts of culture; Polish as a foreign language;
Tekst to każde zdarzenie komunikacyjne. W tradycyjnej lingwistyce tekstu uwagę badaczy absorbuje zwłaszcza tekst pisany. Tu poziom zdania nie jest najwyższym poziomem organizacji języka, zaś sam tekst nie musi być traktowany jako jednostka formalna. Postrzega się go nie w kategoriach swoistego produktu, lecz procesu zachodzącego w sposób całkowicie kontrolowany przez uczestników aktu komunikacyjnego. W glottodydaktyce bariera zdania stanowi szczególną granicę oddzielającą nauczanie języka obcego (rozumianego jako inny system porozumiewania się) i rozszerzanie tej nauki o kontekst kulturowy. Na lektoracie nie istnieje równouprawnienie uczestników dyskursu. „Cechą immanentną komunikacji językowej jest – jak dowodzi Anna Duszak (1998: 21) – przekazywanie znaczeń interpersonalnych na linii nadawca – odbiorca. Nie zmienia to faktu, że teksty w różnym stopniu i na różne sposoby ujawniają taktykę samoprezentacji autora i jego stosunek do adresata”. Jeśli więc nadawcą jest nauczający własnego języka lektor czy autor podręcznika, zaś odbiorcą uczący się tego języka cudzoziemiec, to rozpoznawanie typów wypowiedzi, zawartych tam intencji, wzorców kulturowych i społecznych w oczywisty sposób są utrudnione.
More...Keywords: anthroponyms; semantic values; contextual meaning;
This paper gives an insight into the characteristics of anthroponyms discovered in Hamza Humo's literary work and at the same time points to their diversity and uniqueness. Since the analysis is based on the semantic aspect, the aim of this paper was to point not only to the importance of anthroponyms, but also to their semantic values and the effect of derivation, which can be decisive for the use and meaning of names. It was observed through this analysis that some of the names are ordinary and casual, and can be traced back to the time when Hamza Humo wrote his works as well as found today in our society. It can also be said that they are not semantically marked up and taken as given names, but if the names of the characters come in conjunction with his/her characteristics or context then they obtain some special features. This category includes names such as Šaćir, Šemsa, Lovro or Gliša. The second category of names is considered to be more appealing. They are related to the social status of the characters who are representatives of a particular community. They are put forward in two ways; on some occasions as ordinary, everyday names (Adem, Arif, Mehmed), while on other occasions applied with an extended basis, adding the title of aga (a civilian or military officer) or beg (chieftain), such as Ademaga, Arifaga, Mehmed-beg. A special category of names are those ones that can be characterized as hypocoristic with a mandatory two-syllabic form (Esa, Ibra, Jura or Iša). The results obtained have shown that this paper provides a contribution to the clarification of the phenomenon of anthroponyms, not only in the language of the author Hamza Humo, but in the language of the region as well.
More...Keywords: Legend; Balıklıgöl; Egeria; King Abgar;
Anatolia’s rich historical geography led to the emergence of verbal cultural inheritance sustained by different civilizations, communities and faiths. While some of the legends are attributed to the different regions reflecting similar characteristics by successors who adds motifs peculiar to them without distorting the main theme, some of them are created as irrelevant to each other by the communities with various faiths. For the folklorists, the narrator’s and the audience’s perception of reality which is independent from the historical and scientific facts is the main element to separate the legends from the myths. There is no doubt that non-existence of pagan ancient people who would accept all the things real produced by imagination and explain the creation of universe, human-being, plants or animals by relating it with a cause left the perception of reality to the narratives of the successors who have the audiences with different thinking and faith. The personalities and events change although this perception of reality is permanent for the communities of closer period of time when compared to the prehistory. In this paper, Balıklıgöl in the province of Şanlıurfa which can be a sample for the legends of which plots revolve around different persons and events in the same place is introduced. There are accounts related to the city of Şanlıurfa (Edessa) in Egeria’s diary written in letters who went on a pilgrimage to the Holy Lands in the 4th century A.D. from Gaul. The most interesting one among these accounts is the legend about the emergence of Balıklıgöl which revolves around King Abgar.
More...Keywords: writers sex; forensic handwriting expertise; research; methodology;
Paper analyzes possibilities writers sex determination in Forensic handwriting identification. Paper shows and analyzes results available researchs in this area of interest, as presentation conclusions of these researchs. Also, are shown in theoretical point of view autors in this area of interest. Results presented the success of researchs range from 57 % to 94 %. The methodology presented researchs can not be used with absolute certainty in Forensic handwriting identification, but results of these studies can be used in the process of crime offender profiling
More...Keywords: Jewelry; Design; Porcelain;
Jewelry has been used for the purposes of belief, magic, protection or ornamentation since the day the human beings have existed. The phenomenon of jewelry has changed with developing and changing ages and has gained a different meaning in each period. Jewelry gained meaning and a place in the history sometimes with its design and sometimes with the materials used. Concepts of art and craft towards which our point of view changed with the industrial revolution intertwined in time and new formations occurred. Jewelry and jewel had been accepted as crafts from the ancient times to the 18th century, after the 18th century, jewelry succeeded to be accepted as an art and gained a place in the history of contemporary art. With the works of the artists, the design of jewelry improved and had very important progress. In the lights of all these formations, when someone thinks about the design of jewelry, one of the elements that comes to mind is the original jewelry that is produced with different materials. Classical jewelry on which just precious metals and stones are used gives place to special designs which are more modern, unlimitedly composed with every kind of materials. In this article, the use of porcelain in the boundless contemporary design of jewelry is going to be mentioned and examples are going to be presented from the works of modern jewelry designers who use porcelain..
More...Keywords: Maysa and Bulut; Cartoon; Animation; Clothing Features; Yoruk Culture; TRT Children;
One of the most important reflections of the change and development emerging in the products and information of mass media depending on the use of digital technologies is seen in a kind of animated movies. The change / development seen in both technical and narrative terms has also increased the production of animated films or series in which children have shown great interest and influenced. In this context, the production named “Maysa and Bulut”, which is aired on TRT Children’s Television Channel and has a technique different than many cartoon films on television, is extremely striking in terms of its function in being reflected some cultural elements.In this study, it has been examined the costume features in the cartoon named “Maysa and Bulut”, which describes the events happened to two children living in an imaginary nomad group. It was aimed to reveal how the cartoon reflects the nomadic culture in terms of costume features, based on the color and style parameters. Document analysis was used as qualitative research method in the study. By watching 20 episodes of cartoon series, the costumes of 12 main characters were examined in terms of the color, model and accessories that reveal the style through the prepared costume examination form. It has been revealed the way in which nomadic culture was reflected through these elements.
More...Keywords: Design; Carpet; Technical; Method;
Design has a high level of innovative features such as overall appearance, functionality, technology and production aimed at meeting human needs. It seems to be complicated, but it is essentially disciplined. It is used as a countermeasure to mean, to plan, to depict, to give a model or shape. The carpet weavings have a purpose in the design phases. There are certain methods and rules when preparing carpets. While creating the composition of the carpet design, we use geometric, vegetal and animal figures, motifs with a view, symbolic motifs. Before the design begins, research is being done on what, why, and how the tissue will be. Literature search and carpet rug design methods with research, Carpet kilim pattern preparation techniques, history of composition, composition design, pattern research, pattern design, carpet pattern preparation methods, motif features and motif reproduction methods are collected.
More...Keywords: human capital management; evolution; tendency; digitalization; tele-employees;
The author, after defining important notions, presents the results of research and diagnoses trends in the evolution of human capital management, including the digitization of tele-employees, and makes a qualitative summary of the considerations.
More...Keywords: Dressing strategies; gender; body;
U novijem teorijskom kontekstu kulturalne povijesti vizualne reprezentacije, razlikuju se institucionalizirani normativni od nomadskih diskursa, onih "čiji iskazi nisu bili proizvedeni administrativnom racionalnom mašinom" (Gilles Deleuze). Za ovu razliku je tema tijela i strategija odijevanja paradigmatična. Tijelo gledano očima drugih problematizira konstrukciju tijela koje se promatra u suprotstavljenim sustavima odijevanja, s konvencionalno-normiranim i modno-nepredvidljivim strategijama. U prvome slučaju, u krajnjoj točki paradigmatičnog supostavljanja, institucionalni "načini rađanja muškarca" (Klaus Theweleit), vizualna se reprezentacija pokazuje kao normativni diskurs (muške) "utegnutosti" u uniformu. U drugome pak, pokazuje se nomadski diskurs modne fluidnosti (ženskog) odijevanja u ,,sustavu mode " (Roland Barthes) koji funkcionira kao oblik "krajnje vladavine zavođenja i prolaznosti" (Gilles Lipovetsky). Danas se, u vremenu dekonstrukcije odnosno re/konstrukcije (kulturalnih, osobnih, rodnih i dr.) identiteta, odjevni znak sve više prepušta "čaroliji koda" (Jean Baudrillard) u beskrajnim lancima modnih označitelja.
More...Keywords: rituals; Easter; Lent; Staro Petrovo Selo; Christianity; folk customs;
The author describes rituals linked to Easter and Lent (the period of fast and of lessened social activity) in several villages encompassed by the Slavonian parish of Staro Petrovo Selo. The tradition described pertains to the period between two world wars. Easter was traditionally given the same importance as Christmas and was surrounded by manifold folk customs. For example, branches blessed in the church on Palm Sunday were kept at home and used for healing, blessing the bread baked for Easter, etc. The Holy Week, especially the Holy Thursday, Friday and Saturday, were the most important preparatory days for Easter. All work on the soil was interrupted, bells did not ring, Friday was the most stringent fast day, food to be eaten on Easter was prepared and brought to blessing, eggs were painted, the home hearth was renewed. Easter was celebrated for two days, and the third day people were already going to work.
More...Keywords: pregnancy; giving birth; confinement; folk beliefs and customs; analog magic;
Postanak novog ljudskog bića, njegovo začeće, rast i rođenje, ta u pojedinosti i cjelini beskrajno čudnovata pojava, zanimala je ljudski duh od pamtivjeka i zadavala mu zagonetke za zagonetkama, koje je čovjek pokušavao rješavati na svoj način. Običaji vezani uz novorođenčad sežu na panonskom području do indoevropskih odnosno praslavenskih vremena. Zabrane za trudnice i postupci za olakšavanje poroda, sudjelovanje primalje, izoliranje mlade majke koja se smatra nečistom, kao i novorođenčeta, običaj da se muška djeca više cijene, što se opet smatra nastavljanjem kulta predaka, davanje imena, mjere zaštite od demona uroka - sve to ima zadatak da osigura sreću i zdravlje novorođenčeta, a vuče korijenje iz analogične magije. Vjerovanja i običaji starosjedilaca nisu ostali bez utjecaja na kasnije pridošle narode. Bilo je i obostranih utjecaja i tako je došlo do raznih dopuna i sinteza. Međutim, ne smijemo reći da se ovdje radi o nekom panonskom specifikumu, budući da se neke od ovih pojava mogu naći i u Indiji, Indoneziji, a prema izvještaju Sahaguna čak i u pretkolumbijskoj Srednjoj Americi.
More...Keywords: Ceramic; Jewelry; Wearable Art; 21st Century Art;
21st century art jewelry has been used as a new way of expression to transfer the traditional and culture to the modern. In addition to being a significant part of folk culture, jewelry has an important place in the field of art. The adventure of jewelry, which started with bones and stones in the historical process, has improved and evolved up to present day and pushes the limits of mind in terms of usage. Developed and renewed technology affected every part of life, led people and life styles. Perspective towards art changed radically and new approaches emerged in this period of change. The effects of all these changes and approaches are seen in the field of jewelry as well as every branch of art. Different aesthetical approaches occurred including industrial and artistic jewelry. Jewelry which used to be accepted as craft and symbolize status, has attributed different meanings with the necessities of new era and achieved to have a place among the branches of art. The first materials when mentioning about jewelry have been mines such as gold, silver etc. for ages. However, it is seen in the 21st century that, the material limits have disappeared and apart from being ornament, jewelry has been used as a way of expression just like a work of art. On the basis of this situation, jewelry as an example of wearable art, the use of ceramics as an alternative material and ceramics jewelry in 21st century compose the theme of this study. Within this context, modern-day ceramics jewelry artists, jewelry with artistic values which are created with contemporary sense of art, the relationship of jewelry with ceramics and other materials and new ways of expressions are going to be researched and examples are going to be given.
More...Keywords: Pate de Verre; Sugar crystal; Fusion; Frit; Plaster mold;
Mesopotamian, Egyptian and Mediterranean glass works have developed and spread in the process that started with the discovery of glass in the history of glass. Most of the glass production techniques applied today have been made since the times of the First Age Civilizations. The firing technique, which was interrupted for the use of glass art, was rediscovered at the end of the 1800s by Henry Isadora Cesar Cros at the age of Art Nouveau in France, was called as Pate de Verre in other words pastes of glass. The artists who used this firing technique made unique designs and works of glass art with their own techniques. At this study, Pate de Verre’es which look like sugar crystals by using the glasses from different countries were made and successful results were obtained by Anadolu University, Faculty of Fine Arts, Glass Department students which is the first and only Glass Department in Turkey. I think the subject will be beneficial in terms of the dissemination of the learning outlets about glass in practice in glass courses.
More...Keywords: Book-Review; Ali Ayten;
Ali Ayten. Din ve Sağlık-Kavram, Kuram ve Araştırma. İstanbul: Marmara Akademi Yayınları, 2018, 165 s. Reviewed by Nevzat GENCER.
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