MƏHƏMMƏDHÜSEYN ŞƏHRİYARIN «HEYDƏRBABAYA SALAM» MƏNZUMƏSİ TÜRKİYƏ ƏDƏBİYYATINDA

Author(s): Xalidə Xalid / Language(s): Azerbaijani Issue: 1/2009

Türk dünyasının en güclü söz sahiplerinden olan Muhammedhüseyn Şehriyar türkce yazdığı menzume ve şiirleri ile Güney Azerbaycandakı edebi hayata büyük bir canlılık ve tekrarolunmaz bir milli ruh getirmiçtir. Onun dillerde ezber olan Haydar Baba”ya selam menzumesi yazıldığı günden bu zamana kadar sevilerek okunuyor ve hakkında bitip tükenmeyen araştırmalar yapılıyor. Şehriyar türke ve türkücülüğe karşı duran ve İranda yaşayan türklere zülm eden bir rejimin olduğu memleketde doğdu. Uzun zaman məmləkətində kənarda yani doğduğu Tebriz şehrindən uzakta olmasına rağmen hic zaman dilini ve adetlerini unutmadı. Bu mekalede her zaman Türkem diye, Türkiyeye hayali seferlerde bulunan, ustad Şehriyarın kendisi ve onu dünyaya Haydar Baba şairi kibi tanitan Haydar Baba”ya selam menzumesinin Türkiye edebiyyatındaki akislerinden bahs ediliyor.

Nurullah Ataç Ve Cevdet Perin’in Çevirilerinde Öteki Algisi

Author(s): Zahide Günay / Language(s): Turkish Issue: 80/2014

Language, even though it doesn’t reflect the idea and although the word only helps to transfer the idea and even it falsifies and also it is noted that a complete translation is just an utopian translation is a way which is opened in the confrontation of “self” with the “other”. The merits of translation are to reveal the “other” but the “other” in translations is sometimes marginalized and has been deleted. Whereas the completion of “the other” with “self” is the requirement of being a “human” and a “civilized”. In the 19th century, Friedrich Schleiermacher opens a way through the “other” in the translation theory and he indicates that the translation based on the “other” is an “authentic” translation and later in the 20th century, also Antoine Berman believes that a foreign should remain as foreign within the scope of ethics of translation. Also, Nâzım Hikmet, in the Republican period refers that “the other’s” way of thinking will be able to transferred in the texts of translation. In this context, the effort of the translator in limbo to get “the other’s” way of thinking won in the target language, can be seen as a third process which has been discovered between two resisting worlds or as a common language. This study, regarding the translation as a profession which requires research, study and time and even the slightest mistake of translator is a subject of a criticism, it is accepted that it is not the translator in violent torment who is a traitor but the languages and at the same time in this translation process in which the loss in significance is inevitable because the words live in specific climates, it reveals that the selection of words is essential and when the meaning and the style tries to drink from the same chalice, only the meaning or the style can quench the thirst of the meaning or the style. In this article because of the attitude of Nurullah Ataç and Cevdet Perin to the word of “coincidence” which has been repeated strikingly and to some “cultural” words in the novel, they haven’t reflected the “other” in their translations. Besides, the reasons of this approach are the ideology that the translators have adopted and the style that they have given preference.

Yeni Kadin: Şükufe Nihal

Author(s): Türkân Yeşilyurt / Language(s): Turkish Issue: 59/2009

Şükufe Nihal (1896-1973) published her works in an era of ongoing significant social changes during Turkey's modernization period 1919-1960. She took acting role in many women's societies as the "new woman" of the westernized secular and new nation state based on the nationalist model, wrote articles on women's rights in newspapers and magazines, gave the main role to heroines in their stories and novels, and strived to make women's voices heard in her poetry. She approached woman within the patriarchal sexual stereotypes, in line with the widely acknowledged attitude by the intellectuals of her time. On the one hand she defended the working and education rights for women, and wanted them to be visible in the public sphere. On the other hand, she expected her to return to the domestic sphere to carry out her primary tasks such as „motherhood“, „wifehood“ and „housekeeping“. Reading the dilemma, the traditional identity and mother identity of these "Daughter of the Republic" without a feminist point of view, clashed. In her poetry, "woman's voice" trapped and depressed by this clash between tradition and modernity, is heard.

Ağri Daği efsanesi'nin Dağ'da birleşimi-anlamda karşitliği: Musa Daği’nda 40 Gün

Author(s): Yaşar Kop / Language(s): Turkish Issue: 34/2017

Many discussions that began with the conflicts and historical events between the Armenians and the Muslim Turks in the last days of the Ottoman State have come up to date. However, despite the fact that about a century has passed since the events of 1915, different namings have been made for the events that happened between the two nations. Of course, being an accused target of an invented genocide is perhaps a heavier accusation than being a perpetrator. The painful situation will be even more painful if historic finds are left on the edge and the events of 1915 are drawn towards the arena of politics, and if novels, films and oral and / or local history methods are used as arguments. One of the arguments used in this study, "40 Days in Musa Dag", is emphasized, and it is emphasized that a legendary situation is shown as a reality despite the lack of evidence. As a result, it has been concluded that the source of written or visual media that appeals to a target audience cannot be verified without internal and external criticism without reaching the primary sources.

SOCIOLINGUISTIC APPROACH TO TRANSLATION PROBLEMS: IN THE EXAMPLE OF DEDE KORKUT AND THE QURAN

Author(s): Nusrat Shikhbabayev / Language(s): English Issue: 2/2013

This article aims at learning how languages influence on culture and society as a result of translators' lack of familiarity with the culture of that language properly and developing a common method regarding how to translate old languages (Arabic, Persian and Turkic languages written in Perso-Arabic script) into English correctly specifically, by determining difficulties and problems occurred when translating old languages into English and give suggestions to solve such problems based on the three different copies of the old Turkic legendary book the book of Dede Korkut, which is well known among Turkic speaking countries and which was written in Perso-Arabic script in XI-XVI centuries AD (Mirabile, 1991: 6; Shikhbabayev, 2009: 13), and The Alcoran of Mohammed translated into English directly from the original Arabic by George Sale in 1861 (Sale, 1861).

Eski Anadolu Türkçesi Özellikleri Bulunan Bir Gazavatname "Gazâvât-I Hâlid Bin Velid"

Author(s): Asu Ersoy,Nurullah Arvas / Language(s): Turkish Issue: 03/2017

In this study, “Gazaawat al Khalid ibn al-Walid, registered at number 06 Mil Yz A 1930 in Ankara National Library Manuscripts Collection, written by Haji Mehmed Effendi in Hijri 1051 during the middle of Ramadan was examined for subject and language. Gazaawatname is the word produced combining the Arabic gazwa with the Persian naama, a general term for works where wars fought against enemies are narrated. Gazaawat is the plural form of gaza. Gazaanamas tell a single war, while in gazaawatnaama, wars and series of attacks are mentioned. These works are considered an important resource for history researchers as they tell events belonging to a particular period of time in detail. The tradition of gazaawatnaama begins in the Turkish literature in the 15th century and develops dramatically in the 16th century. Gazaawat al Khalid ibn al-Walid covers the subjects regarding the holy wars of Hadrat Khalid ibn al-Walid during Hadrat Omar and the conquest of the Persian region of the Muslim armies under the command of other Ashab al- Kiram. While the work bears the linguistic features of the 17th century, it also contains archaic elements from Old Anatolian Turkish. This work is the copyright of the Haji Mehmed Effendi written on its first foil, which is understood to have been written with a different script later. This work is made up of 79 pieces of foil and one foil is missing, and its copyist is not written. Each page is 17 lines. It was written in the form of verse-prose. Some words contain vowel points. In this article, the introduction of Gazaawat al- Khaled ibn Walid, possessing characteristics of the Old Anatolian Turkish will be made and some data will be provided about its linguistic features.

TÜRK KÜLTÜRÜNDE HAMAM GELENEĞİ VE RESİM SANATINA YANSIMALARI

Author(s): Zuhal Arda,Semih Büyükkol / Language(s): Turkish Issue: 27/2016

Turkish baths, or hamams are necessary to the Turkish tradition for both religious and physical cleansing. In the Seljuk, Principalities and Ottoman periods, hamams began to be built in religious, commercial and military buildings near mosques with zawiyah, and then they were built inside the Islamic-Ottoman social complexes (külliye) by the foundation system. Hamams were open to people from all walks of life and allowed different strata of the community to socialize.They both affected and were affected by their locations. Religious minorities in the society established foundational hamams for their own communities in the districts where they were numerous. Hamam culture is included in Turkish literature, architecture and fine arts. In Turkish painting, the inclusion of hamam culture begins with examples in the craft of miniatures. Miniature works depicting hamams are found in books such as Surname-iHümayun (The Imperial Festival Book), Hünername (The Book of Gestures) and Zenname (TheBook of Women). The Turkish hamam became a common theme in in paintings and journals of foreign travelers, either in paintings by them or other foreign artists who depicted their stories. Turkish painters considered hamams as a tradition that should be kept secret, like the harem, and did not used it as a theme in their works. The Turkish hamam is a phenomenon that emerged very long ago and survived to the present. It is capable of illuminating the richness of Turkish people's culture and lifestyle in many ways. It is an important task of Turkish painters to preserve and improve this cultural heritage and its values regarding health, social life and art and to reflect them in their paintings so that they are conveyed to future generations.

YİĞİTLİĞİN BELGESEL-SANATSAL TECESSÜMÜ

Author(s): Şureddin Memmedli / Language(s): Turkish Issue: 39/2018

In the presented article the documentary novel of the Prof. Dr., writer Ali Kafkasyali “Kafkas Kochaklary” (Caucasian heroes) is considered. This novel reflects the events of 1917–1934 in the Gazakh region of Azerbaijan and Borchaly district of Georgia, in the regions of Childir, Kars of Turkey, and the motives of loyalty to Turkey by the brave heroes of Gazakh-Borchaly.

Dedem Korkut Kitabi’nin Yazildiği Gibi Okunmasi Ve Sözlü Formül Kurami

Author(s): Cihangir Kizilözen,Gülcan Kizilözen / Language(s): Turkish Issue: 92/2017

Until today, the book of Dedem Korkut has been dealt with in terms of language, culture and history. However, an important subject that will influence reading process of the text, and accordingly all those researches to be made depending on the text has been ignored. This subject includes both ignoring the characteristics of oral culture and evaluating the text via text-based approaches. Such evaluations and readings demonstrate the text as an incorrect copy. Whereas, it has been established by us that the elements in the book of Dedem Korkut building especially the verses and patterns are not exactly the same, and that an element replaces another. In the translation studies over the book of Dedem Korkut, it is observed that the variant word couples such as hanım-canım, umud-umur are fallen into a rut due to misspelling. In fact, when oral authoring conditions are taken into consideration, it is clear that these structures were not written falsely. In oral narratives, the narration process takes place directly by recalling as there is not any text to read from. During this phase, memorizing certain patterns technique is used. Any word that does not disrupt the syllable count, rhythmic structure and meaning can be used in the narrative. The patterns mentioned above are widely utilized in the book of Dedem Korkut. For this reason, we are of the opinion that researchers must follow a different path in transcriptions of the book of Dedem Korkut. In our study, with the light of “oral formulaic hypothesis”, it is supported that the patterns once thought to be wrongly-written in the book of Dedem Korkut are correctly-written, and they must be transferred into the transcriptions as written.

Necâtî Bey’in “Gül” Redifli Kasîdesinde İnsan-Tabiat İlişkisi

Author(s): Gülden Sari / Language(s): Turkish Issue: 92/2017

The aim of this research is to evaluate the nature and human relation in classic poems by showing an example of 16th Century poet Fuzuli’s “Gül” ode, written by Necati Bey. The harmony of nature with humans and humans with nature, the “combination of human and nature” is evaluated. Divan poets did not give perceptible accounts of nature, putting humans in the center of nature and had come to see humans from that point of view. The poets following this school had converted the human element to a materialist view. Necati Bey has turned this into an abstract identity. Necati bey is a master poet who combines human with nature and nature with human. Both contemporary and other poets follow Necati Bey’s way and take his poems as inspiration. Like Necati Bey’s poems, other Divan poets have the same features of the nature and human relation. However, interpretation of the text sample, contributes to the understanding of the text and comments about other poets. The connection between nature and man, the delicacy that is attached to art poetry, and the bond established between matter and meaning are shown in the sample couplets selected from the Rose. This article strives to reach the meaning layers of the text by using contemporary methods while remaining faithful to the classical subject of understanding and interpreting poems.

Fakir Baykurt’un Tirpan Adli Romaninin Simgesel Şiddet Açisindan İncelenmesi

Author(s): Tülin Arseven / Language(s): Turkish Issue: 93/2018

Pierre Bourdieu (1930-2002) is one of important names in sociology because of the theories and opinions he proposed. Pierre Bourdieu gave to sociology many new terms, such as; metaphor of game and area, habitus, symbolic capital and symbolic violence. Research that Pierre Bourdieu conducted and the opinions that he proposed became important sources for new research not only in sociology but also in many other fields. It is evident that especially his findings on symbolic violence have an important role in many research studies of social sciences. Symbolic violence can be defined as a pressure that is not physical and that is applied for the survival of the current system. This kind of pressure is a violence that is applied on a social subject with their own complicity. In this study, which is a novel analysis, the novel “Tırpan” of Fakir Baykurt (1929-1999) is assessed in terms of the symbolic violence of Pierre Bourdieu. Fakir Baykurt, who adopts the socialist realist point of view, is an important writer in Turkish literature. Fakir Baykurt, in his works, approaches society and the dynamics that keep it alive and that effect it, from a point of view that blends his philosophy of life and his opinion on art. The TRT novel award was given to Tırpan. The novel approaches the marriages of girls who are still in their childhood with men who are rich and old and the consequences of these marriages. This is a very important problem. The novel shows the opinions of people on this subject and the problems that it creates. This novel is chosen for this study and analysed because of its chain of events and the point of view of the author on this subject.

Yabancı Uyruklu Öğrencilerin Türk Halk Sanatı – Edebiyatı Unsurlarını Öğrenmeleri ve Aktarımları

Author(s): Ramazan Çakır / Language(s): Turkish Issue: 94/2018

In a globalized and changing world, it becomes increasingly more important to transfer elements of Turkish folk literature and traditional Turkish arts to foreigners, especially the international students that are in Turkey to study or learn Turkish. It becomes easier to transfer literary and artistic values while teaching language. This study aims to determine how international students are influenced by, learn and transfer Turkish folk art (audio-dramatic-visual) during their stay in Konya. The participants of the study were 286 international students between the ages 17 and 49, coming from 66 different countries. All were studying in various programs at universities in the city of Konya. Structured interview and observations were used to collect data about the values related to audio, visual and dramatic Turkish folk arts such as Turkish folk literature, folk music and instruments, traditional folk dance, ebru, calligraphy and wood carving. The data, then, were categorized and tabulated andanalyzed using content analysis technique. Findings were interpreted to make recommendations in the field of teaching Turkish as a foreign language.

Fotoğraftan Metne Sızanlar: Orhan Pamuk’un “Resimli İstanbul” Kitabında Fotoğrafın Metinle Kurduğu İlişkiyi Okumak

Author(s): Pelin Erdal Aytekin / Language(s): Turkish Issue: 95/2018

This work focuses on the relationship between photography and literary text. In 2003, Orhan Pamuk published his book named Istanbul-Hatıralar ve Şehir with 200 photographs, but later the book added 230 more photographs and enlarged its dimensions and printed again in 2015 with the name of Resimli Istanbul - Hatıralar ve Şehir. Thus, by strengthening the relation of books, photographs, and texts and by increasing the effect created by the photographs, it becomes a book based on texts to a book based on visuality. The purpose of this study is to examine how visual and imaginative power created by photographs influences texts and how texts relate to photographs by moving from one point to the other. The fact that photographs and literature have different artistic frameworks in terms of the way they are produced even more important where they interact with each other. Within this whole study; how memory, history, recollection, and photography serve these areas, and how much artistic production that they feed researched. In particular, how the novel, Resimli İstanbul - Hatıralar ve Şehir, interacted with the image was tried to be examined in an interpretive social science approach. In this interaction, it seemed that two different areas intersect at many points, where the photos reinforce the narrative in a simultaneous manner with the text.

Milli Mücadele Dönemi Yazarlarından Halide Edip Adıvar, Reşat Nuri Güntekin ve Yakup Kadri Karaosmanoğlu’nun Romanlarının Popüler Kültür İçerik Özellikleri Bağlamında İncelenmesi

Author(s): Duygu Ünalan,Ömer Özer / Language(s): Turkish Issue: 95/2018

In this study, it is aimed to examine the novels of the National Struggle Period specific to Halide Edip Adıvar, Reşat Nuri Güntekin and Yakup Kadri Karaosmanoğlu in the context of popular culture elements. For this purpose, the novels of Halide Edip Adıvar’s Ateşten Gömlek (1923), Kalp Ağrısı (1924) and Vurun Kahpeye (1923); Reşat Nuri Güntekin’s Ateş Gecesi (1942), Damga (1924), Gizli El (1924) and Yeşil Gece (1928); Yakup Kadri Karaosmanoğlu’s Ankara (1934), Kiralık Konak (1922), Sodom ve Gomore (1928) and Yaban (1932) are analyzed. The selected novels of these authors are analyzed through the Marxist Economy Political Approach. The study is based on the Marxist Economy Political Approach in the light of a common standpoint that popular culture identifiers are political and economic relations in the field of production. In this regard, the characteristics of popular culture elements of the National Struggle Period are evaluated through the novels mentioned above, taking into consideration the socio-economic structure of the epoch.

Stoljeće jedne alhamijado medžmue: bošnjačko književno naslijeđe u rukopisnoj kolekciji Muzeja Hercegovine Mostar

Author(s): Madžida Mašić / Language(s): Bosnian Issue: 17/2018

This work presents an AlJamiado Mejmua man which is kept in the manuscript collection of the Museum of Herzegovina Mostar (R 31). This is a Mejmua contains poems written by domestic authors, Muhamed Rušdi from Trebinje, Murad-beg Čengić from Foča, and until now completely unknown poems by Salih Gašević from Nikšić. Although these poems have already been presented in various collections and Christomatias of the Bosnian Aljamiado literature, some of the differences have been found in the manuscript copy of the collection of the Museum of Herzegovina Mostar.

Female Pioneers Of Poetry: Zubeyde Fitnat Hanim, Nigâr Hanim And Carmen Sylva

Author(s): Sara HUNZIKER / Language(s): English Issue: 2/2017

In a world where polygamous marriages are not an exception but a rule, the lyrics of a series famous women poets, reflect the aspiration of finding and preserving the same soul mate during their lives and even in death. Their plead for their natural right to choose their own soul partner is reflected in a series of extremely sensitive verses written by Turkish and Romanian women poets, of Christian and Muslim background, such as Zubeyde Fitnat Hanim, Nigâr Hanım or Camen Sylva. Early pioneers of feminism, the creeds of these impressive women poets juxtapose in their fervent longing for the ideal love, which shall not be shared with anyone, transcending thus the limits imposed by society or religion.

Повей от Босфора

Author(s): Borislava Ivanova / Language(s): Bulgarian Issue: 02/2018

SÜRÛRÎ’NİN HEZLİYYÂTININ “TEVÂRİH” BÖLÜMÜNDEN TARİHÎ YANSIMALAR

Author(s): Elif Ayan Nizam / Language(s): Turkish Issue: 2/2012

Numerology or ebced refers to numerical values given to the letters of the Arabic language. Ebced has been used by Muslims in many fields of daily life. One of such uses is chronogram. Chronogram is mostly employed by Arab, Persian and Turkish poets in order to show their ability. Although it is widely argued that divan literature is strictly separated from society and social events, the use of chronograms indicate the opposite view. Divan poems were mostly writtenfor social events such as birth, death, accession to the throne, war, peace, victory, dismissal or appointment, marriage, sünnet, fıre, puberty and execution. 'They were also written for construction or maintenance of palaces, fountains, public baths, and mosques. One of the divan poets known for his significant ability in chronogram is Sürün. He lived at the end of the 18th century and at the beginning of the 19th century. There are many historical poems in his works, namely Dîvân, Hezliyyât and 'Tarih Mecmu'asi (Journal of History). In Hezliyyât, the section named “Tevârih” is made of 120 verses all of which are about history.

ÇEVİRİDE SÖZDİZİMİ SORUNLARI: TÜRKÇEDE NİKOLAY GOGOL'ÜN "PALTO"SU

Author(s): Sevinç Üçgül / Language(s): Turkish Issue: 51/2018

In this study, the translation problems from Russian to Turkish of “The Overcoat”, which is written by 19th century Russian writer Gogol, will be discussed. Aforementioned book’s different translations from two different translators, Erol Güney- Orhan Veli Kanık - Oğuz Peltek; Mehmet Özgül, Mazlum Beyhan, Mehmet Harmancı, Aslı Takanay and Uğur Büke, will be compared to the original text and it will be questioned if they protected the Gogol’s language and literary style.

TRAKTAT O ZNAČENJU RIJEČI ZINDĪQ

Author(s): Munir Drkić,Ahmed Zildžić / Language(s): Bosnian Issue: 68/2019

The purpose of this paper is to present a hitherto unpublished Arabic treatise on the etymology and meanings of the term zindīq. The work is entitled Risāla fī taṣḥīḥ lafẓ zindīq and was most likely penned by the 16th century Ottoman scholar and shaykh al-islam Ibn Kemal. The manuscript of this work is held at Suleymaniye Library as part of Esad Efendi Collection, number 3646, and it consists of four folios. The authors herein give an annotated Bosnian translation of the work accompanied by a study of the crucial issues of the term’s etymology and various usage in Pahlavi and Arabic. A brief overview of the socio-political context and scholarly milieu of the Ottoman State in the 16th century within which the work arose is likewise given. The presumed author of this treatise, Ibn Kemal, held several significant posts in that period, and this accords additional gravity to the text which is at the focus of this paper.