CEEOL - Browse Subjects Result

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Įrankio ir technikos santykio problema Heideggerio technikos filosofijoje

Author(s): Tadas Čapanauskas / Language(s): Lithuanian Issue: 95/2019

The aim of the article is to reveal the difference between the tool (Zeug) and the technique (Technik) in Heidegger’s philosophy of technology. Differences point to the problem of the world constitution. While Heidegger presents Dasein’s relation with the tool as “ready-to-hand” (Zuhandenheit), he presents the relation with the technique as diametrically opposite. Technology which is emerging from natural sciences tied up with machination (Machenschaft) by the philosopher is presented as Dasein’s creative powers in the context of suppresing medium establishment (Gestell). The article reveals a twofold problem. First, it shows the ontological differences between a tool and technique. Second, it shows the ambiguity of the ontology of establishment. Establishment for Heidegger is not merely the ultimate mechanism of technical mastering but also a “saving power”.

More...

Ambivalencija S. Kierkegaard’o nerimo (Angest) sampratoje

Author(s): Justinas Grigas / Language(s): Lithuanian Issue: 99/2021

The paper considers two problems related to the interpretation of S. Kierkegaard’s conception of Angest. Firstly, a tendency to interpret Kierkegaard’s Angest as a “fear without an object” and to posit its similarity to Heidegger’s Angst is put in question. Questioning this interpretation, an analysis of The Concept of Anxiety is undertaken, in order to reveal ambivalence as the primary feature of Kierkegaard’s conception of Angest. Secondly, the question of translating Angest into Lithuanian is addressed, criticizing the established tradition of translating Angest as “baimė” (fear) and supporting translator’s I. Tomaševičiūtė’s choice of “nerimas”. The aforementioned ambivalence of Angest serves as the basis for the critique, revealing Angest as a paradoxical attraction to that, which frightens. The first part of the paper expounds on the moment of ambivalence in the descriptions of Angest, found in The Concept of Anxiety. The second part compares and underlines the differences between the philosophical approaches of Kierkegaard and Heidegger. It is shown that Kierkegaard’s attention to the ambivalence of Angest is related to the practical bent of Kierkegaard’s philosophy and the problematics of personal individuation.

More...

IDEA NADCZŁOWIEKA

Author(s): Władimir Sołowjow / Language(s): Polish Issue: 52/2021

W ostatnim zeszycie moskiewskiego pisma filozoficznego (styczen – luty 1899), analizując jeden z niedawnych przekłado w z dzieł Nietzschego, W. P. Prieobrazenskij, znawca i wielbiciel tego pisarza, zauwaz a mimochodem, ze „z pewną szkodą dla niego samego, Nietzsche staje się, jak moz na sądzic , pisarzem modnym w Rosji; istnieje tu na niego widoczny popyt”. Jednak „nieszczęscie” owej mody odbija jedynie głębszy fakt, ze słynna idea zaczęła naprawdę zyc w s wiadomosci społecznej. Przeciez zanim stała się przedmiotem rynkowego popytu (спроса), idea ta przyniosła odpowiedz na jakis duchowy dylemat (запрос) ludzi myslących.

More...

CZY JESTEŚMY SYZYFAMI? REFLEKSJE NA TEMAT SENSU ŻYCIA

Author(s): Aldona Pobojewska / Language(s): Polish Issue: 50/2020

We are now more often than ever contemplating existential problems. In this text I present some reflections related to the issue in the title. I do it in two steps. First, I consider from which perspective one can reasonably and effectively adjudicate about the meaning of an individual's life. Next, I illustrate this problem by presenting several concepts that refer to the mythological fate of Sisyphus. I precede the text with an introduction and close with an ending.

More...

МУНКОВ „КРИК“ У СВЕТЛУ ФИЛОЗОФИЈЕ ЕГЗИСТЕНЦИЈЕ

Author(s): Zoran Kinđić / Language(s): Serbian Issue: 35/2021

To show that art does not fall short in comparison with philosophy regarding the truth content, the author analyses Munch’s masterpiece The Scream. Using the fundamental concepts of the existential philosophy, the author demonstrates that The Scream suggestively shows the metaphysical homelessness of modern man. Loneliness and anxiety of a man deprived of meaning, aware of his mortality, lead to the scream which is the same time a protest against the impersonal world and a cry for help. Although it primarily expresses the existential crisis of modern man, The Scream also testifies about the universal human condition, about the relation between absurd and meaning. The crisis is not only a danger but also a chance. Only one who has intensely experienced the absurd is able to establish one’s own existential meaning.

More...

HEIDEGGER’S AESTHETICS. THE PHILOSOPHY OF FINITE HUMAN FREEDOM AND BASIC MOODS AND EMOTIONS

Author(s): Nebojša Grubor / Language(s): English Issue: 3/2021

The first part of the text poses the question whether for Heidegger’s aesthetically relevant thought it is better to use older terms, such as “Heidegger’s Doctrine of Art” or “Heidegger’s Philosophy of Art”, or a more recent term “Heidegger aesthetics”? Does the term “Heidegger’s aesthetics” represent an “oxymoron” contrary to the intentions of Heidegger’s own philosophy, or does it signify a relevant aesthetic conception that has its own place in contemporary philosophical aesthetics? In order to answer these questions, the text considers Heidegger’s understanding of aesthetics as a philosophical discipline and also the problems arising in connection with this designation. It argues that Heidegger’s concept of “overcoming aesthetics” represents the (self) interpretation of his own philosophy of art developed in the essay The Origin of the Work of Art. The second part of the text follows the thesis that the Heidegger’s aesthetics contains the definitions of art and work of art, based on Heidegger’s analyses of freedom, basic moods, and emotions. This part of text follows a broader thesis, in which Heidegger’s philosophy as a whole can be understood as the phenomenology of freedom. Also, it discusses a special thesis that the concept of strife (Streit) of Earth and world in The Origin of the Work of Art should be understood only on the background of the primordial struggle between concealment and unconcealment in the truth as the unconcealedness of beings. Further, the concept of strife is linked on a deeper level with the determination of finite human freedom and basic human moods. In light of that, Heidegger’s aesthetics is not only the heteronomous aesthetics of the work of art, but also the (relatively) autonomous aesthetics of aesthetic experience articulated with respect to finite human freedom. The conclusion is that Heidegger’s aesthetics of truth understood as the philosophy of freedom, basic moods, and emotions, according to their inner intentions, is closer to the tradition of the aesthetics of sublime than the aesthetics of the beautiful.

More...

Człowiek ma ciało czy jest ciałem? O antydualistycznej antropologii Gabriela Marcela

Author(s): Wojciech Zalewski / Language(s): Polish Issue: 18/2020

The aim of the article is to present the anti-dualistic anthropology of Gabriel Marcel. I conclude that the thought of the French philosopher comes from his opposition to Cartesian dualism. Marcel emphasizes the importance of the issue of existence, indicating its inseparability from the body. In the perspective proposed by Marcel, all that is material, beginning with the useful things, ending with the whole matter, is raised to the rank of carnality, the sense of which is concentrated in the interpersonal relations and vertical transcendence.

More...

4.90 €

Preview

Tehnološka Singularnost

Author(s): Vernor Vinge / Language(s): Croatian Issue: 1-2/2021

Ubrzavanje tehnološkog napretka najvažnije je obilježje ovog stoljeća. Nalazimo se na pragu promjene usporedive s usponom života ljudi na Zemlji. Točan uzrok ove promjene je predstojeća tehnološka proizvodnja entiteta inteligentnijih od ljudi. Znanost bi ovaj proboj mogla ostvariti na razne načine (to je još jedan razlog za vjerovanje u nadolazak ove promjene).

More...

4.90 €

Preview

Rastakanje ljudske prirode

4.50 €

Preview

Caprices

Author(s): Ciprian Vălcan / Language(s): French Issue: 28/2021

The author proposes some misanthropic reflections on human nature.

More...