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Trauma oraz strategie pamięci i zaświadczania w kobiecych narracjach (anty)wojennych w literaturze Bośni i Hercegowiny. Opowieści – rodzaj żeński, liczba mnoga Šejli Šehabović

Author(s): Magdalena Koch,Katarzyna Dylewska / Language(s): Polish Publication Year: 0

The subject of the article is collection of Šejla Šehabović’s short stories A Plural Noun of Feminine Gender (Priče – ženski rod, množina) as an example of the women’s Bosnian (anti)war prose. The stories are interpreted by analysing trauma present in narratives, ways in which traumatic memories are remembered and how the memories are presented in a story. Particular attention is devoted to the narrative itself, which in many aspects is viewed as a form of articulation of trauma. The analysis focuses on the feminine perspective in war experience as well as its differences from previous predominantly masculine narratives. The article indicates the relationship between traumatic narrative, literature of testimony and women’s writing.

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Poezija za djecu u Bosni i Hercegovini

Author(s): Muris Bajramović / Language(s): Bosnian Publication Year: 0

In this paper author wrote about contemporary Bosnia and Hercegovina poetry for children. Themes are different and poets like Alija Dubocanin, Ivica Vanja Roric, Muahrem Omrevic, Bisera Alikadic, Ismet Bekric and others are writing about nature, family members, school, play, etc. Somteimes these children’s poems are more didactic, some poems are descriptive and some are more artistic.

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Pierwsza wśród nierównych – przypadek Anki Topić

Author(s): Đurđica Čilić / Language(s): Polish Publication Year: 0

During four decades of Austro-Hungarian rule in Bosnia and Herzegovina, economic, social and cultural circumstances had improved, as well as the position of women, who started participating in public life as educational workers, translators and writers. In this article, special attention is drawn to Anka Topić, first Bosnian-Herzegovinian women poet, who in 1909 published an individual collection of poems Lost Star (Izgubljena zvijezda). The analysis focuses on her transformation from a poet altruistically celebrating the transnational brotherhood and unity of all peoples of Bosnia and Herzegovina in the romantic folklore spirit, to a tribune writing occasional poems to Croatian notables in Bosnia and Herzegovina and propagating the idea of a strictly Croatian Bosnia in the realms of the Monarchy.

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Hotspots und Hotwords in den ins Deutsche übersetzten Erzählungen über Mostar von Hamza Humo

Author(s): Sanela Mešić / Language(s): German Publication Year: 0

Hotspots are speech acts and sequences typical for a language and culture and hotwords are words typical for a language and culture. This paper examines hotspots and hotwords in stories about Mostar by Hamza Humo and their equivalents in Gero Fischer's translation to German. It was assumed that the chosen correspondences are sometimes inappropriate and that sometimes it is better, as the translator did, to keep the original lexeme in the translation. Hotspots and hotwords were initially selected intuitively in this study. The individual lexemes were examined with the help of the dictionaries, of a survey with students at the University of Sarajevo and with German teachers and of wordles by Duden online and DWDS. Emphasis was placed on whether the correspondences on the denotative as well as on the connotative level coincide. The individual hypotheses could be confirmed.

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Die künstlerische Problematik des Fremden und Eigenen im Kontextrahmen der neuen Identität bosnisch-herzegowinischer Autoren

Author(s): Jasmina Zlatarević / Language(s): German Publication Year: 0

Literary scene of our country beginning from the middle of the 1990s years of the last century until nowadays has been divided into two large groups – on one side are the authors who left Bosnia and continued their literary path in another country. On the other side, a great number of authors still live here and face the need to “process” difficult war experiences and find their way out of a kind artistic isolation. This literary display gives itself a task to explore the model of “distant proximity” based on a few short stories from the corpus of the author Dragoslav Dedović A child. A woman. A soldier. A town. All the authors in this anthology were faced with the problem to alienation in their own or someone else’s town. Literary scenario of these authors always vary between two worlds, between two regions. They all are in search for one connection between past and future. Their literary opus is a unique tribute to their former homeland, respectively the critical view of country in which they live now.

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Ko je i šta bio Hamza Humo?

Author(s): Sanjin Kodrić / Language(s): Bosnian Publication Year: 0

The paper deals with the place and role of Hamza Humo’s literary work in the cultural-poetic contexts of Bosniak and Bosnian-Herzegovinian literature between the two world wars. Humo’s literary work is approached from a slightly different, wider cultural perspective apart from the traditional literary history, which illuminates Humo’s literary work in a different way too. In this regard, it is apparent that, as a whole, the literary work of Hamza Humo is not exclusively related to the poetics of expressionism nor does it fully realize all the elements of expressionist poetics, not even those elements which characterize the phenomenon of expressionism in other South Slavic literatures. The primary context of Humo’s literary creation is a more specific context of avant-gardism, neoisms and poetic alliances of the interwar period in Bosniak as well as Bosnian-Herzegovinian literature in general, but there are also other important elements in Humo’s literary creation which have not been more significantly noticed in the earlier understandings of the author’s literary work. These are, first of all, very visible elements of, in Bosniak literary history, more specific poetics of post-revival traditionalism, on one hand, and on the other hand, and by no means negligible, elements that may somehow be linked to the so-called social literature.

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Priroda i ljudi u romanu Grozdanin kikot Hamze Hume

Author(s): Sanja Franković / Language(s): Bosnian Publication Year: 0

Temporal and spacial metaphors constitute the composition of the novel Grozdana’s Giggle. The change of seasons is depicted in a mythical language as an event which is always actualized as a return to illo tempore. Emotional states of the characters are compared to the images of nature, and frequent comparisons can be considered a leitmotif which gives dynamics to the novel’s chapters and follows the change of seasons. In contrast to the rural nature, the inn appears as an inner space where lyrical and epic poems are sung and collective memory is renewed. Rural worldview intertwines with the mythical and the Christian layer. The mythical story about lovers Grozdana and Grozdan is parallel to the passionate meetings of the narrator Ozren and the widow Ivanka. Mythical lovers appear both as part of the mythical narrative and in the consciousness of the characters. The Christian worldview replaces the mythical one after the tragic death of the maiden Grlica. The plot ends in the autumn when summer, people and passions die, and so does the myth – alive only in the days of bliss.

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Smijeh i kikot kod Hamze Hume

Author(s): Almir Bašović / Language(s): Bosnian Publication Year: 0

The text deals with types of laughter in Humo’s novel Grozdanin Kikot/ Grozdana’s Laughter. Considering the connection between female laughter and nature, it turns out that Humo perceives laughter as a lifeprinciple. Relationships that women establish with Ozren as a central figure, but also a narrator in Grozdana’s Laughter, are analyzed in this paper, in accordance with thematic complexes characteristic of the three cultural circles. The relationship between Ozren and Ivanka is seen through the lens of a folk carnival laughter that resides in its relationship with the high ecclesiastical, Christian culture; the relationship of Ozren and Grlica is analyzed in the context of the eleusinian cult, and finally, the article points to the elements of orphism in the narrator’s experience of the world.

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O usmenim predajama u romanu Grozdanin kikot Hamze Hume

Author(s): Amira Dervišević / Language(s): Bosnian Publication Year: 0

Oral-prose forms as parts of the structure in the novel Grozdanin kikot by Hamza Humo have been analyzed in this work. The focus of the analysis is to abstract the oral tradition and reveal its function in the novelistic structure.

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Vrisak prirode u ranim pripovijetkama Hamze Hume

Author(s): Dijana Hadžizukić / Language(s): Bosnian Publication Year: 0

This paper analyzes the stories by Hamza Humo – written and published before publishing his Grozdanin kikot (Grozdana’s Giggle, 1927) – which are recognizable by the elements of a typically Expressionist exaggeratedinner experience to obtain intense emotional expression, in his case, of the nature of Herzegovina. The paper will focus on the following stories: Njihalo (1923), U čaršiji (1923), Babanova beda (1923), Sevdalijina ljubav (1925), Džigit (1926), Policajac broj 37 (1926) and Kaja (1926) (in Bosnian/Croatian/Serbian). Taking into account the thematic center and the central motifs of each of the stories, we will try to analyze the symbolic values of the landscape, and explore how much the natural environment function sonly as a space and décor of the development of a story’s plot, as well ashow much it functions as a symbolic reflection on the suffering of the one, on the one hand, or, it is a symbolic reflection on the ever-present joy of Paneroticism, on the other hand.

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Avangardizam Hamze Hume na primjeru pripovijetke Slučaj Raba slikara

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

This work deals with narrative elements in Hamza Humo`s prose work titled Slučaj Raba slikara. The title of the narrative announces turn from the fable elements to the inner world of the character, showing the intimate psychological flows and reflections.

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Granične figure u zbirci Hadžijin mač Hamze Hume

Author(s): Vildana Pečenković / Language(s): Bosnian Publication Year: 0

For several decades, the phenomenon of border as a place for writing and production of differences has been one of the most prominent in Bosnian-Herzegovinian literature, culture and society in general. In light of Lekcije o granici, actualized by Nirman Moranjak-Bamburać at the beginning of the XXI century, as well as the claim that literary characters push the boundaries or more commonly collide with them, the paper analyzes the literary characters as border figures in the short story collection Hadžijin mač by Hamza Humo. The main story itself confirms the accuracy of the assertion, but Hajji’s life and death are its full incarnation. A whole series of border phenomena in the collection is closed by Slučaj Raba slikara, as one of the most prominent in BosnianHerzegovinian literature of the first half of the twentieth century.

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Figure tijela u poeziji i prozi Hamze Hume

Author(s): Lejla Žujo-Marić / Language(s): Bosnian Publication Year: 0

Human body is very frequent literary theme through Hamza Humo`s poetry and prose. Some protagonists are characterized through forms of body, especially in expressionistic poetry and prose, where body is a place of violence, passion, death. On the other side, human body represents important ethical figure in Humo`s novels with dominant social orientation.

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Mistični zanos Huminih istočnjačkih ploča

Author(s): Almedina Čengić / Language(s): Bosnian Publication Year: 0

Destroying the classical structure of the prose text, Hamza Humo in the collection plate with the East, emphasizes a new way of literary expression, going deep into the psychological analysis offered verses oriental heritage and build their artistic expression under the guise of imagination and vision that transcend temporal and location barriers. Recognition of tradition and cultural legacy of the Millennium eastern, oriental influences, as opposed to one local, intimate and intimate, Humo, even in its contrasts harmoniously unite, because in its final empirical understanding they constitute a whole as an artistic creation. In its rarity as to the extent intensified and relativity it, do not stop existed even when completely numb from our senses and become only a vision. In such an atmosphere, poetic creation, which was initiated not only by actual experience, but also associations somewhere in the depths of the human soul, created a whole new world shaped in artistic creation. The world irritates those whom they were verses and level, almost, creative creations, the reader initiates to arouse own feelings and before he remembered.

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Zastupljenost orijentalizama u romanu Grozdanin kikot i pripovijeci Džigit Hamze Hume

Author(s): Amela Bajrić / Language(s): Bosnian Publication Year: 0

Hamza Humo is a writer who wrote in the period between two wars, and the theme of his works produced a fertile ground for linguistic analysis. It is known that the Turkish Empire left its mark in almost all segments of life and after its multi-century rule, direct and indirect contacts with our region so in this paper we will analyse the novel Grozdanin kikot and the short story Džigit in order to present the degree of representation of oriental lexics, to determine their origin and classification of words of Turkish, Arabic and Persian origin. The aim of the research, therefore, is to determine the total number of orientalisms in the novel Grozdanin kikot and the short story Džigit of Hamza Humo with the determination of the percentage ratio of standard and non-standard vocabulary and determining the frequencies of oriental words and how Oriental layers, in fact, left their traces.

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Slojevitost ekspresiva u Huminom proznom djelu

Author(s): Enisa Gološ / Language(s): Bosnian Publication Year: 0

This paper focuses on expressives as units of a lexical-semantic analysis and the expressiveness as a universal category. Even though the expressive lexicon form a separate layer, it is possible to allocate new layers within it, indicating the layering of lexicon in the literary works of Hamza Humo and the basis of expressiveness as a category. By analyzing the layers of expressives, the aim is to point out the, not so small, number of lexemes characterized as units of second level nominations. Taking into consideration the expressive excerptions from five novels written by Hamza Humo: Izdanak, Džigit, Babanova beda, Dobri and Deda Rnjez, the attention is set on the layers of hypocoristic and diminutives, augmentatives and pejorative (derogatory) terms, provided that noun and verb lexemes are distinguished within these layers, all this creating new layers. Subsequently, the layer of interjections is clarified as particularly important because it possesses emotional meaning, which represents a state of mind or mood. At the same time, the analysis illustrates that the expressive lexicon contains emotionality, which proves that expressiveness as a category is a broader concept than emotionality. In conclusion, the expressive lexemes as single-elements of the language system are on one side, while the multi-expressive units are on the other, specified in idioms, which indicates that this paper points to another layer of expressives.

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Uloga i značenje epiteta u Huminoj poeziji

Author(s): Ivana Tomić / Language(s): Bosnian Publication Year: 0

Depending on the poetic description of poetry, the particulars it refers to, or in what way we as a reader experience an imaginary, potential element of this image, they can be: visual, acoustic, tactile, tasteful and olfactive images . Successful poetic images are generated by a description that is realized by a special selection of “decorative adjectives” or epithets. Expressionistic sounds, colors and images are present in this poetry. Most often these are descriptions of Herzegovinian landscapes pervaded by the poet’s inner experience or the most personal intimate feelings, etc. The aim of the paper is to explain the linguistic role of “decorative adjectives”, that is, epithets on the basis of which the poet builds poetic images, as well as their expressive but impressive meaning poetry. This paper will give general information on Expressionism and Hamzi Humi as one of the most significant representatives of expressionist lyrical literature in BH literature. After the basic information about the author and the literary line, theoretical definitions of the epithets will be discussed with regard to the subject analysis. The corpus on which the analysis was made relates to a large number of selected Huma songs from different cycles – Old Motives, Herzegovina Landscapes, City of rhyme and rhythms, Sounds in the heart, Inner life.

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“Ali šta će onda tom narodu tijelo bez duše?“: Afirmiranje bošnjačke i bosanskohercegovačke književnosti i bosanskog jezika u radu Alije Isakovića

Author(s): Sanjin Kodrić / Language(s): Bosnian Publication Year: 0

The paper deals with the contribution of Alija Isaković to the affirmation of Bosniak and Bosnian-Herzegovinian literature and the Bosnian language and from the late 1960s and early 1970s onwards. By contextualisation in a wider cultural or social context and understanding the original material from this time, the paper shows that the affirmation of Bosniak and Bosnian-Herzegovinian and the Bosnian language and literature were inseparable processes for Isaković, the more so because it was easier to draw attention to the essential problems of the language on the basis of the literary practice than on the basis of questions of, for example, grammatical structure and other similar issues, which were too formal and narrow or oversimplified, even often deprived from the very essence in this context. Being one of the first authors with this approach, Isaković has given one of the fundamental contributions to the ending of the multi-century process of non-recognition and denial of Bosniak and Bosnian-Herzegovinian literature and the Bosnian language and thus became one of the central figures of contemporary both literary and linguistic Bosnian studies.

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Antologičarsko-književnohistorijska strategija Isakovićeva Biserja kao inicijalni model za proučavanje bošnjačke književnosti

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

In this paper we presented the first anthology of Bosniak literature Biserje in which Alija Isaković offered to the public a representative selection of Bosniak literature from its beginnings to the modern moment. It is especially significant that in the introductory part he established the first solid foundation and model for modern study of Bosniak literature as a separate body of literature, equal to Serbian and Croatian. In an anthological selection Isaković manages to capture the most aesthetically relevant texts of different genres in both synchronic and diachronic axis. With a model of representing top literary quality, he emphasizes the model of creatively stimulating continuity: oral literature, older literature (in Oriental languages and alhamijado literature), the literature of Polet and Let and contemporary literature.

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Književnost bošnjaka za vrijeme osmanlijske vladavine u Isakovićevoj drami Hasanaginica

Author(s): Amira Dervišević / Language(s): Bosnian Publication Year: 0

Inspired by the Bosniak oral ballad, Alija Isaković published the play Hasanaginica in 1981. In an effort to approach the “realities of life, morals and the language of the ballad”, Isaković included examples of Bosniak oral and written literature created during the four centuries of the Ottoman rule in Bosnia in the text of the play. The aims of the paper are to isolate examples of oral lyrics and epic, the frontier-soldiers’ letters and Aljamiado literature, analyze them and establish the functions they have in the dramatic text.

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